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S E A R C H D V D B e a v e r |
(aka "Subway Panic" or "Pelham" or "The Mastermind" or "The Taking of Pelham 1 2 3")
Directed by Joseph Sargent
USA 1974
Screen legends Walter Matthau (Charley Varrick) and Robert Shaw (Force 10 from Navarone) team up with Martin Balsam (After the Fox) and Hector Elizondo (Valdez is Coming) to deliver a sure-fire entertainment that's gripping and exciting from beginning to end and is guaranteed to give you the ride of your life. A gang of armed professionals hijack a New York subway train somewhere outside the Pelham station threatening to kill one hostage per minute unless their demands are met. Forced to stall these unknown assailants until a ransom is delivered or a rescue is made, transit chief Lt. Garber (Matthau) must shrewdly outmaneuver one of the craftiest and cruelest villains (Shaw) in a battle of wits that will either end heroically or tragically. Featuring masterful direction by Joseph Sargent (White Lightning), gorgeous widescreen cinematography by Owen Roizman (The French Connection), a classic rousing score by David Shire (The Conversation) and top-notch editing by Jerry Greenberg (Apocalypse Now) and Robert Q. Lovett (Cotton Comes to Harlem). *** Four armed men hijack a New York City subway car and demand a ransom for the passengers. The city's police are faced with a conundrum: Even if it's paid, how could they get away? |
Posters
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Theatrical Release: September 1974 (San Sebastián Film Festival)
Reviews More Reviews DVD Reviews
Review: Kino - Region FREE - 4K UHD
Box Cover |
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CLICK to order from: Also coming to 4K UHD by Arrow (UK) in June 2025: Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD | |
Runtime | 1:44:22.458 | |
Video |
2.35:1 2160P 4K Ultra HD Disc Size: 80,625,393,165 bytesFeature: 79,910,043,648 bytes Video Bitrate: 69.99 MbpsCodec: HEVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate 4K Ultra HD: |
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Audio |
DTS-HD Master
Audio English 1969 kbps 2.0 / 48 kHz / 1969 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) DTS-HD Master Audio English 1557 kbps 2.0 / 48 kHz / 1557 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) |
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Subtitles | English, None | |
Features |
Release Information: Studio: Kino
2.35:1 2160P 4K Ultra HD Disc Size: 80,625,393,165 bytesFeature: 79,910,043,648 bytes Video Bitrate: 69.99 MbpsCodec: HEVC Video
Edition Details: 4K Ultra HD disc
• NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel
Thompson
Black 4K Ultra HD Case Chapters 10 |
Comments: |
NOTE:
The below
Blu-ray
and
4K UHD
captures were taken directly from the respective
discs.
It is likely that the monitor
you are seeing this review is not an HDR-compatible
display (High Dynamic Range) or Dolby Vision, where each pixel can be
assigned with a wider and notably granular range of color and light. Our
capture software if simulating the HDR (in a uniform manner) for standard
monitors. This should make it easier for us to review more
4K UHD titles in the
future and give you a decent idea of its attributes on your system. So our
captures may not support the exact same colors (coolness of
skin tones, brighter or darker hues etc.) as the
4K system at your home. But the
framing, detail, grain texture support etc. are, generally, not effected by
this simulation representation.
NOTE:
50
We have reviewed the following 4K
UHD packages to date:
The Cabinet of Dr. Caligari
(no HDR),
High Plains Drifter
(software uniformly simulated HDR),
Mystery Men
(software uniformly simulated HDR),
Silent Running
(software uniformly simulated HDR),
Dressed to Kill
(software uniformly simulated HDR),
The Power of the Dog
(software uniformly simulated HDR),
Escape From Alcatraz
(software uniformly simulated HDR),
I, the Jury
(no HDR),
Casablanca
(software uniformly simulated HDR),
In the Mood For Love
(NO HDR applied to disc),
The Werewolf vs. the Vampire Woman
(software uniformly simulated HDR),
Blow Out
(software uniformly simulated HDR),
Night of the Living Dead
(NO HDR applied to disc),
Lost Highway
(software uniformly simulated HDR),
Videodrome
(software uniformly simulated HDR),
The Last Picture Show
(software uniformly simulated HDR),
It Happened One Night
(software uniformly simulated HDR),
The Mummy
(1932)(software uniformly simulated HDR),
Creature From the Black Lagoon
(software uniformly simulated HDR),
Bride of Frankenstein
(software uniformly simulated HDR),
The Amityville Horror
(software uniformly simulated HDR),
The War of the Worlds
(1953)
(software uniformly simulated HDR),
The Incredible Melting Man
(software uniformly simulated HDR),
Event Horizon
(software uniformly simulated HDR),
Get Carter
(software uniformly simulated HDR),
The Killing
(software uniformly simulated HDR),
Killer's Kiss
(software uniformly simulated HDR),
Out of Sight
(software uniformly simulated HDR),
Raging Bull
(software uniformly simulated HDR),
Shaft
(1971),
(software uniformly simulated HDR),
Double Indemnity
(software uniformly simulated HDR),
The Untouchables
(software uniformly simulated HDR),
For a Few Dollars More
(no HDR),
Saboteur
(software uniformly simulated HDR),
Marnie
(software uniformly simulated HDR),
Shadow of a Doubt
(software uniformly simulated HDR),
The Man Who Shot Liberty Valance
(software uniformly simulated HDR),
A Fistful of Dollars
(no HDR),
In the Heat of the Night
(no HDR),
Jack Reacher
(software uniformly simulated HDR),
Death Wish II
(software uniformly simulated HDR),
The Apartment
(no HDR),
The Proposition
(software uniformly simulated HDR),
Nightmare Alley (2021)
(software uniformly simulated HDR),
Mary Shelley's Frankenstein
(software uniformly simulated HDR),
The Godfather
(software uniformly simulated HDR),
Le Crecle Rouge
(software uniformly simulated HDR),
An American Werewolf in London
(software uniformly simulated HDR),
A Hard Day's Night
(software uniformly simulated HDR),
The Piano
(software uniformly simulated HDR),
The Great Escape
(software uniformly simulated HDR),
The Red Shoes
(software uniformly simulated HDR),
Citizen Kane
(software uniformly simulated HDR),
Unbreakable
(software uniformly simulated HDR),
Mulholland Dr.
(software uniformly simulated HDR),
Invasion of the Body Snatchers
(software uniformly simulated HDR),
The Hills Have Eyes
(software uniformly simulated HDR),
The Servant
(software uniformly simulated HDR),
Anatomy of a Murder
(software uniformly simulated HDR),
Taxi
Driver
(software uniformly simulated HDR),
The Wolf Man (1941)
(software uniformly simulated HDR),
Frankenstein (1931)
(software uniformly simulated HDR),
Deep Red
(software uniformly simulated HDR),
Misery
(software uniformly simulated HDR),
The Silence of the Lambs
(software uniformly simulated HDR),
John Carpenter's "The Thing"
(software uniformly simulated HDR),
The Cat' o'Nine Tails
(software uniformly simulated HDR),
The Bird With the Crystal Plumage
(software uniformly simulated HDR),
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
(software uniformly simulated HDR),
Perdita Durango
(software uniformly simulated HDR),
Django
(software uniformly simulated HDR),
Fanny Lye Deliver'd (software uniformly simulated HDR),
The Good, the Bad and the Ugly,
(NO HDR applied to disc),
Rollerball
(software uniformly simulated HDR),
Chernobyl
(software uniformly simulated HDR),
Daughters of Darkness
(software uniformly simulated HDR),
Vigilante
(software uniformly simulated HDR), Tremors
(software uniformly simulated HDR), Cinema Paradiso
(software uniformly simulated HDR), The Bourne Legacy
(software uniformly simulated HDR), Full Metal Jacket
(software uniformly simulated HDR),
Psycho
(software uniformly simulated HDR),
The Birds (software uniformly simulated HDR),
Rear Window (software uniformly simulated HDR),
Vertigo
(software uniformly simulated HDR),
Spartacus
(software uniformly simulated HDR),
Jaws
(software uniformly simulated HDR),
The Invisible Man,
(software uniformly simulated HDR),
Steven Spielberg's
War of the Worlds (software uniformly simulated HDR),
Lucio Fulci's 1979
Zombie
(software uniformly simulated HDR),,
2004's
Van Helsing
(software uniformly simulated HDR),
The Shallows
(software uniformly simulated HDR),
The Bridge on the River Kwai
(software uniformly simulated HDR),
The Deer Hunter
(software uniformly simulated HDR),
The Elephant Man
(software uniformly simulated HDR),
A Quiet Place
(software uniformly simulated HDR),
Easy Rider
(software uniformly simulated HDR),
Suspiria
(software uniformly simulated HDR),
Pan's Labyrinth
(software uniformly simulated HDR),
The Wizard of Oz, (software uniformly simulated HDR),
The Shining,
(software uniformly simulated HDR),
Batman Returns
(software uniformly simulated HDR),
Don't Look Now
(software uniformly simulated HDR),
The Man Who Killed Killed and then The Bigfoot
(software uniformly simulated HDR),,
Bram Stoker's Dracula
(software uniformly simulated HDR),
Lucy
(software uniformly simulated HDR),
They Live
(software uniformly simulated HDR), Shutter Island
(software uniformly simulated HDR),
The Matrix
(software uniformly simulated HDR),
Alien
(software uniformly simulated HDR),
Toy Story
(software uniformly simulated HDR),
A Few Good Men
(software uniformly simulated HDR),
2001: A Space Odyssey (HDR caps udated),
Schindler's List
(simulated HDR), The
Neon Demon (No HDR), Dawn
of the Dead (No HDR), Saving
Private Ryan (simulated HDR and 'raw' captures), Suspiria (No
HDR), The
Texas Chain Saw Massacre (No HDR), The
Big Lebowski, and I
Am Legend (simulated and 'raw' HDR captures).
On their
4K UHD,
Kino offers the option of DTS-HD Master tracks (24-bit) in dual-mono or
a 5.1 surround bump - both in the
original English language.
"The Taking of Pelham One Two Three" is filled with
subway noises and some gunfire. There are modest separations in the
surround. The,
much-discussed,
horn-keyboard etc.
score is
by
David Shire (Farewell,
My Lovely,
All
the President's Men,
Showdown,
Zodiac,
The Conversation) that has been described
as "one of the best and most inventive thriller scores of the 1970s".
It adds an effective edge to the viewing experience and it comes through
supportively in the lossless. Kino's
two discs offers optional English subtitles - Region 'A' for the
Blu-ray
and, like all
4K UHD, region FREE,
playable worldwide.
There are two commentaries on the
4K UHD and
Blu-ray discs -
one
new. Film historians Steve Mitchell and Nathaniel Thompson talk about the
New York centricity of the film and its quintessential representation of the
city and its citizen's personalities in the 70's. They cover a ton of detail
including differences from the book and, as always, are enjoyable to listen
to. The second commentary is by brothers Pat and Jim Healy who related some
interesting tidbit for the production including information about director
Joseph Sargent, cinematographer Owen Roizman, how the motorman was played by
James Broderick - actor Matthew’s dad and much more. It's also worthwhile
indulging. On the second disc
Blu-ray,
are interviews with actor Hector Elizondo, editor Gerald B. Greenberg and
composer David Shire.
They run about 1/2 hour in total. There is also the 'making of' The
Taking of Pelham One Two Three - a 6-minute vintage featurette from the
'Point of View' of New York City Transit Policeman, Carmine Foresta,
who appears in the film as a train expediter. Lastly are a 'Trailers from
Hell' piece with Josh Olson, an image and poster gallery, theatrical
trailer, TV Spot and 2 Radio Spots. |
Menus / Extras
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CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
1) Kino - Region 'A' - Blu-ray TOP2) Kino - Region FREE - 4K UHD BOTTOM
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1) Kino - Region 'A' - Blu-ray TOP2) Kino - Region FREE - 4K UHD BOTTOM
|
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More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
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Box Cover |
|
CLICK to order from: Also coming to 4K UHD by Arrow (UK) in June 2025: Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD |
Search DVDBeaver |
S E A R C H D V D B e a v e r |