Firstly, a massive thank you to our Patreon supporters. Your generosity touches me deeply. These supporters have become the single biggest contributing factor to the survival of DVDBeaver. Your assistance has become essential.

 

What do Patrons receive, that you don't?

 

1) Our weekly Newsletter sent to your Inbox every Monday morning!
2)
Patron-only Silent Auctions - so far over 30 Out-of-Print titles have moved to deserved, appreciative, hands!
3) Access to over 50,000 unpublished screen captures in lossless high-resolution format!

 

Please consider keeping us in existence with a couple of dollars or more each month (your pocket change!) so we can continue to do our best in giving you timely, thorough reviews, calendar updates and detailed comparisons. Thank you very much.


 

Search DVDBeaver

S E A R C H    D V D B e a v e r

Directed by Peter Bogdanovich
USA 1971

 

The Last Picture Show is one of the key films of the American cinema renaissance of the seventies. Set during the early fifties, in the loneliest Texas nowheresville to ever dust up a movie screen, this aching portrait of a dying West, adapted from Larry McMurtry’s novel, focuses on the daily shuffles of three futureless teens—the enigmatic Sonny (Timothy Bottoms), the wayward jock Duane (Jeff Bridges), and the desperate-to-be-adored rich girl Jacy (Cybil Shepherd)—and the aging lost souls who bump up against them in the night like drifting tumbleweeds, including Cloris Leachman’s lonely housewife and Ben Johnson’s grizzled movie-house proprietor. Featuring evocative black-and-white imagery and profoundly felt performances, this hushed depiction of crumbling American values remains the pivotal film in the career of the invaluable director and film historian Peter Bogdanovich.

***

One could argue that Peter Bogdanovich never topped The Last Picture Show (1971), his second feature and surely one of the great films of the Seventies. This is due not only to Bogdanovich's direction, but also the strength of the original source material (the 1966 novel of the same title by Larry McMurtry), its excellent ensemble cast, and its gritty black-and-white cinematography by the Hollywood veteran Robert Surtees.

A basic part of the film's success arises from its authentic portrayal of small-town life, which it derives from the novel. Texas-born writer Larry McMurtry has had an unusually close, career-long relationship with the film medium. His first novel, Horsemen, Pass By (1961) was adapted into no less a film than Martin Ritt's Hud (1963). The reason for this is not difficult to fathom: McMurtry's depictions of small-town life in the West, with their unsparing but compassionate examination of stunted lives and their ironic echoes of the Western genre, offered strong material for filmmakers interested in exploring adult subjects. Other significant adaptations of McMurtry novels include Terms of Endearment (1983), the TV miniseries Lonesome Dove (1989), Texasville (1990)--a sequel to The Last Picture Show, and The Evening Star (1996).

Excerpt from TCM located HERE

Posters

Theatrical Release: October 2nd, 1971

Reviews                                                                                                       More Reviews                                                                                       DVD Reviews

 

Comparison:

Sony - Region FREE - 4K UHD vs. Criterion - Region FREE - 4K UHD

Box Cover

Only available presently in Sony's Columbia Classics Collection Volume 3 4K UHD that includes It Happened One Night / From Here to Eternity / To Sir, With Love / The Last Picture Show / Annie / As Good As It Gets:

  

Bonus Captures:

  

Criterion are also releasing the two included Blu-rays in a separate package with a 1080P of The Last Picture Show and second BD with two version of Texasville:

  

Distribution Sony - Region FREE - 4K UHD Criterion - Region FREE - 4K UHD
Runtime

Sony Theatrical Cut: 1:59:42.174  

Sony Director's Cut: 2:06:19.571

 

Criterion Director's Cut:  2:06:34.920

 

Criterion Theatrical (Texasville): 2:05:42.493

Criterion Director's Cut (Texasville): 2:30:07.289

Video

Sony:

Theatrical Cut:

1.85:1 2160P 4K Ultra HD

Disc Size: 64,726,418,897 bytes

Feature: 64,099,958,784 bytes

Video Bitrate: 63.76 Mbps

Codec: HEVC Video

Sony:

Director's Cut:

1.85:1 2160P 4K Ultra HD

Disc Size: 64,672,887,046 bytes

Feature: 64,046,057,472 bytes

Video Bitrate: 53.13 Mbps

Codec: HEVC Video

Criterion:

Director's Cut:

1.85:1 2160P 4K Ultra HD

Disc Size: 97,651,645,500 bytes

Feature: 95,253,470,016 bytes

Video Bitrate: 83.70 Mbps

Codec: HEVC Video

Criterion (Texasville)

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 49,895,077,789 bytes

Theatrical: 19,151,910,912 bytes

Director's Cut: 27,896,973,312 bytes

Video Bitrate: 17.00 Mbps / 21.27

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Sony Theatrical Cut 4K Ultra HD:

Bitrate Sony Director's Cut 4K Ultra HD:

Bitrate Criterion Director's Cut 4K Ultra HD:

Audio

Theatrical Cut:

DTS-HD Master Audio English 1560 kbps 2.0 / 48 kHz / 1560 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)

 

Director's Cut:

TS-HD Master Audio English 1558 kbps 2.0 / 48 kHz / 1558 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
DTS-HD Master Audio French 1559 kbps 2.0 / 48 kHz / 1559 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
DTS-HD Master Audio German 1557 kbps 2.0 / 48 kHz / 1557 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
DTS-HD Master Audio Italian 1557 kbps 2.0 / 48 kHz / 1557 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
DTS-HD Master Audio Spanish 1558 kbps 2.0 / 48 kHz / 1558 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)

LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
Commentaries:

Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps / DN -31dB

Subtitles English (SDH), English, Dutch, Norwegian, Hungarian, Czech, Thai, Arabic, Finnish, Mandarin Chinese, Danish, German, Italian, Swedish, Korean, Icelandic, English, Portuguese, French, Spanish, Hindi, Polish, Turkish, Bulgarian, Greek, Hebrew, none English (SDH), none
Features Release Information:
Studio:
Sony

 

Theatrical Cut:

1.85:1 2160P 4K Ultra HD

Disc Size: 64,726,418,897 bytes

Feature: 64,099,958,784 bytes

Video Bitrate: 63.76 Mbps

Codec: HEVC Video

 

Director's Cut:

1.85:1 2160P 4K Ultra HD

Disc Size: 64,672,887,046 bytes

Feature: 64,046,057,472 bytes

Video Bitrate: 53.13 Mbps

Codec: HEVC Video

 

Edition Details:

Two 4K Ultra HD discs

• Director’s Cut
• Theatrical Version

 

Sony - Region FREE - Blu-ray

• Audio Commentary featuring Director Peter Bogdanovich
• NEW: A Tribute to Peter Bogdanovich (13:55)
• The Last Picture Show: A Look Back Documentary (1:04:40)
• A Discussion with Filmmaker Peter Bogdanovich (12:51)
• Location Footage (6:27)
• Theatrical Re-Release Featurette (6:03)
• Teaser Trailer (1:27)
• Theatrical Trailer (3:04)


4K Ultra HD Release Date:
October 25th, 2022
Black 4K Ultra HD Case inside slipcase (inside custom case)

Chapters 16 / 9

Release Information:
Studio:
Criterion

 

Criterion:

Director's Cut:

1.85:1 2160P 4K Ultra HD

Disc Size: 97,651,645,500 bytes

Feature: 95,253,470,016 bytes

Video Bitrate: 83.70 Mbps

Codec: HEVC Video

 

Criterion (Texasville)

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 49,895,077,789 bytes

Theatrical: 19,151,910,912 bytes

Director's Cut: 27,896,973,312 bytes

Video Bitrate: 17.00 Mbps / 21.27

Codec: MPEG-4 AVC Video

 

Edition Details:

One 4K Ultra HD disc

Director’s Cut
• Two audio commentaries, featuring director Peter Bogdanovich and actors Cybill Shepherd, Randy Quaid, Cloris Leachman, and Frank Marshall

 

Criterion - Region 'A' - Blu-rays

• Texasville (1990), the sequel to The Last Picture Show, presented in both the original theatrical version and a black-and-white version of the director’s cut, produced in collaboration with cinematographer Nicholas von Sternberg
• Two audio commentaries (The Last Picture Show), featuring director Peter Bogdanovich and actors Cybill Shepherd, Randy Quaid, Cloris Leachman, and Frank Marshall
• Documentaries about the making of the film (The Last Picture Show - A Look Back - 1:04:40 / The Times of Peter Bogdanovich in Archer City, Texas - 41:59)
• The Next Picture Show (16:17)
• Screen tests and location footage (2:14 / 6:27)
• A Discussion with Filmmaker Peter Bogdanovich (12:51)
• Introduction to Texasville featuring Bogdanovich, Shepherd, and actor Jeff Bridges (3:47)
• Excerpts from a 1972 television interview with filmmaker François Truffaut about the New Hollywood (4:36)
• Trailers (Last Picture Show - 1:28, 3:05 / Texasville - 2:09)
PLUS: An essay by film critic Graham Fuller and excerpts from an interview with Bogdanovich about Texasville, with a new introduction by Bogdanovich biographer Peter Tonguette)


4K Ultra HD Release Date: November 14
th, 2023
Transparent 4K Ultra HD Case

Chapters 21 / 20 / 20

 

 

Comments:

NOTE: The below Blu-ray and 4K UHD captures were taken directly from the respective discs.

ADDITION: Criterion 4K UHD (November 2023): Criterion have also transferred Peter Bogdanovich's "The Last Picture Show" to 4K UHD. They only include the longer "Director's Cut" of the film in 4K UHD, and two Blu-rays: one of the Director's Cut but with supplements and a second Blu-ray the theatrical (in color) and longer "Director's Cut" (in black and white) of the sequel Texasville - plus extras.

In November 2010 Criterion released a Blu-ray collection with "The Last Picture Show" - as part of their America Lost and Found: The BBS Story Blu-ray boxset, reviewed HERE. The 'BBS' stood for the production team of Bert Schneider, Robert (Bob) Rafelson and Steve Blauner. It had the director’s cut of "The Last Picture Show", with a 1080P transfer "supervised by Bogdanovich". We've compared four captures to that and Sony's 4K UHD transfer. The Criterion 2160P is, as anticipated, very similar. It is on a triple layered disc with a higher bitrate and, to my eyes, the image is a bit "lighter" and has less prominent grain. It, likewise, looks fantastic - not a pixel out of place. We didn't do bonus captures as the Sony's are so similar.

Texasville on Blu-ray is a bit weak with the dual-layered disc sharing 4.5 hours of features with both color theatrical and 25-minute longer "Director's Cut" in monochrome. Perhaps we are spoiled with 4K UHD but the image on my system was only 'okay' (monochrome may have infiltration - or it may be my eyes), but the difference in my film viewing were quite significant by both the black-white vs. color and the lengthier "Director's Cut" version. I have to say that got much more out of the film but settle-in - it is long at shy of 2.5 hours. 

Criterion go for an authentically flat linear PCM mono track for "The Last Picture Show" on 4K UHD (as well as the Blu-ray of the film and both versions of Texasville.) There isn't much in the way of aggression - some fisticuffs, cars etc. "The Last Picture Show" features entirely diegetic music, including many popular 50s country and western songs by the likes of Hank Williams Sr. Tony Bennett, Lefty Frizzell, Eddie Fisher, Frankie Laine, Jo Stafford, Hank Snow, Johnnie Ray, Kay Starr and others. The 4K UHD and Blu-ray of "The Last Picture Show" offer optional English (SDH) subtitles, as do both cuts of Texasville. The 4K UHD is region FREE, and the Blu-rays and region 'A'-locked.

For the extras "The Last Picture Show" basically duplicate the one on the America Lost and Found: The BBS Story Blu-ray. There are two audio commentaries, one from 1991, featuring Bogdanovich and actors Cybill Shepherd, Randy Quaid, Cloris Leachman, and Frank Marshall; the other from 2009, featuring a lone Bogdanovich - on both the 4K UHD and, second disc, feature Blu-ray. where the rest of the supplements reside. “The Last Picture Show”: A Look Back, is an excellent hour-long documentary from 1999 directed by Laurent Bouzereau. It details how the film as made - from casting to the decision for black and white over color and features interviews with Bogdanovich, Cybill Shepherd, Timothy Bottoms, Jeff Bridges, Ellen Burstyn, Cloris Leachman, and Frank Marshall. Also included is Picture This (aka The Times of Peter Bogdanovich in Archer City, Texas) - a 42-minute, award-winning documentary, from 1990, directed by George Hickenlooper with the cast revisiting Archer City to shoot, the sequel, Texasville. It exposes some of the conflict that occurred behind the scenes of the first film. There is an interview with Bogdanovich. It lasts about a dozen minutes. There are and some brief screen tests shot on 16mm and some, soundless, location footage. We also get 4-minutes of excerpts from a 1972 television interview with director François Truffaut about the 'New Hollywood' as well as theatrical trailers - the original (3:05), and the re-release (1:28).

On the second Blu-ray with Texasville we also get Bouzereau's 2003 1/4 hour The Next Picture Show with Bogdanovich, Marshall and Production/Costume designer Polly Platt plus there is a 4-minute Introduction to Texasville featuring Bogdanovich, Shepherd, and actor Jeff Bridges. Lastly is a trailer or Texasville.

The 3-disc 4K UHD and 2-disc Blu-ray packages have a liner notes booklet with an essay by film critic Graham Fuller and excerpts from an interview with Bogdanovich about Texasville, with a new introduction by Bogdanovich biographer Peter Tonguette (Picturing Peter Bogdanovich: My Conversations with the New Hollywood Director.)

Peter Bogdanovich’s "The Last Picture Show" is a masterpiece frequently considered the best film of the early 70s and often cited in '100 greatest American films of all time' polls. It was adapted by Bogdanovich and the novel's author, Larry McMurtry, from the semi-autobiographical 1966 book of the same name. It is set in a set in a desolate northern Texas town in the early 50s focusing on the lives of maturing teenagers and some of the small dying burgh's dissatisfied residents. It has an ensemble cast with Timothy Bottoms (The Paper Chase) in his second feature, young Jeff Bridges (with Fat City his next project), versatile Ellen Burstyn (Requiem For a Dream), stalwart and imposing Ben Johnson (The Wild Bunch), Oscar-winner Cloris Leachman (Dying Room Only), and absurdly photogenic Cybill Shepherd (Taxi Driver). Bogdanovich re-edited the film to create a "director's cut" included here. This version restores seven minutes of footage that Bogdanovich trimmed from the 1971 release because Columbia demanded a limit of 119-minutes. One cut was the sex scene between Jacy (Shepherd) and Abilene (Clu Gulager) as well as several shorter scenes were also restored. The final screening, essentially the 'last picture show', for the two friends, Sonny (Bottoms) and Duane (Bridges) is John Wayne's Texan western Red River directed by Howard Hawks. "The Last Picture Show" captures a hopeless, dead-end, existence for the desperate youths of tiny Anarene while the adult townsfolk are poor examples as they drink, are depressed, jaded, have affairs and are resigned to their limited fates. There is a realism to the film sparked by Bogdanovich's tight control, the barren atmosphere and the remarkable performances. 1990's "Texasville", from Larry McMurtry's 1987 novel, dedicated to Cybill Shepherd, has Bridges, Shepherd, Cloris Leachman, Timothy Bottoms, Randy Quaid, and Eileen Brennan reprising their roles from "The Last Picture Show" - depicting 33-years later hence the events of the first film. Bogdanovich describes it as "more chaotic, less structured, more fragmented, more insane, more desperate than Picture Show. There's something intrinsically tragic about coming-of-age..." Of the longer, 1992, cut Bogdanovich describes "This is the way Texasville should have been seen when it was originally released. We had to take out a lot of the dramatic scenes between Jeff (Bridges) and Cybill and between Jeff and Timothy Bottoms. There was also a wonderful scene at the Centennial when Cybill sings a hymn. The balance between comedy and drama was off, so when the movie turned out to be a drama, people were thrown. Whereas the correct version, the longer version, has a better balance." It's great to have both versions as part of the stellar "The Last Picture Show" 4K UHD package - that is "essential" in our opinion.

***

ADDITION: Sony 4K UHD (October 2022): Sony are releasing Peter Bogdanovich's "The Last Picture Show" come to 4K UHD  as part of their Columbia Classics Collection Volume 3 4K UHD that includes It Happened One Night / From Here to Eternity / To Sir, With Love / The Last Picture Show / Annie and As Good As It Gets. It's such a pleasure to have a Peter Bogdanovich's "The Last Picture Show" come to 4K UHD.

This 4K UHD package has three discs also includes Peter Bogdanovich’s preferred 1999 Definitive Director’s Cut, presented in 4K resolution with Dolby Vision, restored from the original camera negative, the 1971 Theatrical version, also presented in 4K resolution with Dolby Vision, restored from the original camera negative and there is also a Blu-ray of the Director's Cut, sourced from the 4K master, and housing supplements.

In November 2010 Criterion released a Blu-ray collection with "The Last Picture Show" - part of their America Lost and Found: The BBS Story Blu-ray boxset, reviewed HERE. The 'BBS' stood for the production team of Bert Schneider, Robert (Bob) Rafelson and Steve Blauner. It was the director’s cut of "The Last Picture Show", with a 1080P transfer "supervised by Bogdanovich". We've compared 4 captures below but you just can't beat the higher resolution even readily notable in the unusual but aesthetically effective monochrome choice. "The Last Picture Show" has never had dynamic black / white contrast with indoor scenes falling somewhere between grey and pale-hazed tones. This totally suits the atmosphere of the dusty ghost town appearance. The 2160P produces luscious grain textures that are readily visible and a significant uptick in sharpness and detail. Both the Theatrical Cut and Director's Cut have the same HDR (Dolby Vision) application and look extremely similar. I couldn't distinguish much of a difference. I thought this looked so rich and film-like via this 4K UHD rendering. A beautiful representation of a visually remarkable film.

It is likely that the monitor you are seeing this review is not an HDR-compatible display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider and notably granular range of color and light. Our capture software if simulating the HDR (in a uniform manner) for standard monitors. This should make it easier for us to review more 4K UHD titles in the future and give you a decent idea of its attributes on your system. So our captures may not support the exact same colors (coolness of skin tones, brighter or darker hues etc.) as the 4K system at your home. But the framing, detail, grain texture support etc. are, generally, not effected by this simulation representation.

NOTE: 56 more more full resolution (3840 X 2160) 4K UHD captures, in lossless PNG format, for Patrons are available HERE

We have reviewed the following 4K UHD packages recently: The Man Who Knew Too Much (software uniformly simulated HDR), Rope (software uniformly simulated HDR), Frenzy (software uniformly simulated HDR), American Graffiti (software uniformly simulated HDR), East End Hustle, Three Days of the Condor (software uniformly simulated HDR), Witness (software uniformly simulated HDR), Fascination (software uniformly simulated HDR), Lips of Blood (software uniformly simulated HDR), The Others (no HDR), It Came From Outer Space (software uniformly simulated HDR), Don't Look Now, Rosemary's Baby (software uniformly simulated HDR), The Last Wave (no HDR), The Train (software uniformly simulated HDR), The Trial (software uniformly simulated HDR), The Walkabout (software uniformly simulated HDR), Black Magic Rites, The Night of the Hunted (software uniformly simulated HDR), The Rape of the Vampire (software uniformly simulated HDR), Gorgo (software uniformly simulated HDR), Akira Kurosawa's Dreams (software uniformly simulated HDR) The Man From Hong Kong (software uniformly simulated HDR), One False Move, The Tall T (software uniformly simulated HDR), Cold Eyes of Fear (software uniformly simulated HDR), Rules of the Game (no HDR), The Manchurian Candidate (software uniformly simulated HDR), After Hours, Rain Man (software uniformly simulated HDR), The Changeling (software uniformly simulated HDR), The Night of the Hunter (software uniformly simulated HDR), 12 Angry Men (software uniformly simulated HDR), Branded to Kill (no HDR), Picnic at Hanging Rock (software uniformly simulated HDR), Two Orphan Vampires, The Shiver of the Vampires, Drowning By Number (software uniformly simulated HDR), Serpico (software uniformly simulated HDR), Cool Hand Luke (software uniformly simulated HDR), The Seventh Seal (software uniformly simulated HDR), The Maltese Falcon (software uniformly simulated HDR).

Both Theatrical Cut and Director's Cut on separate 4K UHD discs use a DTS-HD Master 2.0 track (only 16-bit), in the original English language, with the DC offering 4 foreign-language DUBs. 

All extras are relegated the the 3rd disc Blu-ray that also houses a 1080P Director's Cut version of the film and includes the 2009 audio commentary featuring director Peter Bogdanovich. New is a 14-minute "Tribute to Peter Bogdanovich". It's an in-depth retrospective view of his career by Peter Tonguette. We lost Peter earlier this year, 2022. Laurent Bouzereau's 1999 The Last Picture Show: A Look Back is an hour+ documentary. It details how the film as made - from casting to the decision for black and white over color and features interviews with Bogdanovich, Cybill Shepherd, Timothy Bottoms, Jeff Bridges, Ellen Burstyn, Cloris Leachman, and Frank Marshall. It was on previous releases. There is A Discussion with Filmmaker Peter Bogdanovich from 2009. It lasts about a dozen minutes as he is questioned about his favorite filmmakers and inspirations - compiled by Laurent Bouzereau. There is some brief screen soundless, location footage, the original trailer, teaser and a 6-minute re-release featurette.

It's a must own that, in 4K UHD, has our highest recommendation.

Gary Tooze

 


Menus / Extras

 

Sony 4K UHD

 

Criterion 4K UHD and Blu-rays

Criterion Texasville Blu-ray


CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION

 

1) Sony - Region FREE - 4K UHD TOP

2) Criterion- Region FREE - 4K UHD BOTTOM

 


1) Criterion - Region 'A' - Blu-ray TOP
2) Sony - Region FREE - 4K UHD MIDDLE
3) Criterion- Region FREE - 4K UHD BOTTOM

 


1) Criterion - Region 'A' - Blu-ray TOP
2) Sony - Region FREE - 4K UHD MIDDLE
3) Criterion- Region FREE - 4K UHD BOTTOM
 

1) Criterion - Region 'A' - Blu-ray TOP
2) Sony - Region FREE - 4K UHD MIDDLE
3) Criterion- Region FREE - 4K UHD BOTTOM

 


1) Criterion - Region 'A' - Blu-ray TOP
2) Sony - Region FREE - 4K UHD BOTTOM

 


 

 

1) Criterion (Theatrical) - Region 'A' - Blu-ray TOP
2) Criterion (Director's Cut) - Region 'A' - Blu-ray  BOTTOM

 

 
1) Criterion (Theatrical) - Region 'A' - Blu-ray TOP
2) Criterion (Director's Cut) - Region 'A' - Blu-ray  BOTTOM
 
 
1) Criterion (Theatrical) - Region 'A' - Blu-ray TOP
2) Criterion (Director's Cut) - Region 'A' - Blu-ray  BOTTOM
 
 
1) Criterion (Theatrical) - Region 'A' - Blu-ray TOP
2) Criterion (Director's Cut) - Region 'A' - Blu-ray  BOTTOM
 

More Sony 4K UHD Captures
 

 


 

 


 

 


 

 


Examples of NSFW (Not Safe For Work) CAPTURES  (Mouse Over to see- CLICK to Enlarge
 

 

More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE

 

 

 
Box Cover

Only available presently in Sony's Columbia Classics Collection Volume 3 4K UHD that includes It Happened One Night / From Here to Eternity / To Sir, With Love / The Last Picture Show / Annie / As Good As It Gets:

  

Bonus Captures:

  

Criterion are also releasing the two included Blu-rays in a separate package with a 1080P of The Last Picture Show and second BD with two version of Texasville:

  

Distribution Sony - Region FREE - 4K UHD Criterion - Region FREE - 4K UHD


 


 

Search DVDBeaver

S E A R C H    D V D B e a v e r

 

Hit Counter

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DONATIONS Keep DVDBeaver alive:

 CLICK PayPal logo to donate!

Gary Tooze

Thank You!