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S E A R C H D V D B e a v e r |
(aka "3 Days of the Condor")
Directed by Sidney Pollack
USA 1975
In this classic conspiracy thriller, screen icon Robert Redford (Tell Them Willie Boy is Here, The Sting, All the President’s Men, Indecent Proposal) stars as CIA Agent Joe Turner. Code name: Condor. When his entire office is massacred, Turner goes on the run from his enemies…and his so-called allies. After reporting the murders to his superiors, the organization wants to bring Condor in—but somebody is trying to take him out. In his frantic hunt for answers, and in a desperate race for his life, Turner abducts photographer Kathy Hale (Faye Dunaway, The Thomas Crown Affair, Eyes of Laura Mars), eventually seducing her into helping him. Every twist leads Condor to the end of his nerves…and will take you to the edge of your seat. And as he zeroes in on the staggering truth, he discovers there are some secrets people would kill to keep. Masterfully directed by Sydney Pollack (Jeremiah Johnson, Tootsie, Out of Africa, Havana) and also starring Cliff Robertson (Charly), John Houseman (The Paper Chase) and the icy Max von Sydow (Needful Things), 3 Days of the Condor endures as one of Hollywood’s finest tales of political paranoia. *** Set in the world of CIA power games and scientific hardware, but dominated by an intriguing Borges-like riddle: why should a mystery thriller that didn't sell be translated into obscure languages? And why should the American Literary Historical Society in New York be massacred while one of their readers (Redford) is out getting lunch? With the telephone his only method of contact with Olympian and untrustworthy superiors, Redford becomes lost, unpredictable, even sentimental. He holes up in Dunaway's apartment and starts making mistakes. Thanks to an intelligent script, partly by Lorenzo Semple Jr (Pretty Poison, The Parallax View), the action rarely falters, and at its best the film offers an intriguing slice of neo-Hitchcock. A certain gloss irritates, but enough scenes compensate for the chic portrayal of the Redford/ Dunaway relationship: Redford's sudden intrusion into civilization when he visits a dead man's apartment, and finds the wife preparing her husband's dinner; the postman whose pen won't work; Redford in the strange, darkened house of his quarry, taking the initiative by blaring soul music from the hi-fi. Excerpt from TimeOut located HERE |
Posters
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Theatrical Release: September 24th, 1975 (New York City, New York, premiere)
Reviews More Reviews DVD Reviews
Review: Kino - Region FREE - 4K UHD
Box Cover |
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CLICK to order from: Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD | |
Runtime | 1:57:13.818 | |
Video |
1.85:1 2160P 4K Ultra HD Disc Size: 88,165,865,991 bytesFeature: 87,129,907,968 bytes Video Bitrate: 71.99 MbpsCodec: HEVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate 4K Ultra HD: |
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Audio |
DTS-HD Master
Audio English 1585 kbps 2.0 / 48 kHz / 1585 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
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Subtitles | English (SDH), None | |
Features |
Release Information: Studio: Kino
1.85:1 2160P 4K Ultra HD Disc Size: 88,165,865,991 bytesFeature: 87,129,907,968 bytes Video Bitrate: 71.99 MbpsCodec: HEVC Video
Edition Details: 4K Ultra HD disc
• NEW Audio Commentary by Film Historians Steve Mitchell
and Nathaniel Thompson
Kino - Region 'A' - Blu-ray
• NEW Audio Commentary by Film Historians Steve Mitchell and Nathaniel
Thompson
Black 4K Ultra HD Case inside slipcase Chapters 8 |
Comments: |
NOTE:
The below
Blu-ray
and
4K UHD
captures were taken directly from the respective
discs.
It is likely that the monitor you are seeing this review is not an HDR-compatible display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider and notably granular range of color and light. Our capture software if simulating the HDR (in a uniform manner) for standard monitors. This should make it easier for us to review more 4K UHD titles in the future and give you a decent idea of its attributes on your system. So our captures may not support the exact same colors (coolness of skin tones, brighter or darker hues etc.) as the 4K system at your home. But the framing, detail, grain texture support etc. are, generally, not effected by this simulation representation. NOTE: 62 more more full resolution (3840 X 2160) 4K UHD captures, in lossless PNG format, for Patrons are available HERE
We have
recently reviewed the following 4K
UHD packages:
Witness
(software uniformly simulated HDR),
Fascination
(software uniformly simulated HDR),
Lips of Blood
(software uniformly simulated HDR),
The Others
(no HDR),
It Came From Outer Space
(software uniformly simulated HDR),
Don't Look Now,
Rosemary's Baby
(software uniformly simulated HDR),
The Last Wave
(no HDR),
The Train
(software uniformly simulated HDR),
The Trial
(software uniformly simulated HDR),
The Walkabout
(software uniformly simulated HDR),
Black Magic Rites,
The Night of the Hunted
(software uniformly simulated HDR),
The Rape of the Vampire
(software uniformly simulated HDR),
Gorgo
(software uniformly simulated HDR),
Akira Kurosawa's Dreams
(software uniformly simulated HDR),
The Man From Hong Kong
(software uniformly simulated HDR),
One False Move,
The Tall T
(software uniformly simulated HDR),
Cold Eyes of Fear (software uniformly simulated HDR),
Rules of the Game
(no HDR),
The Manchurian Candidate
(software uniformly simulated HDR),
After Hours,
Rain Man
(software uniformly simulated HDR),
The Changeling
(software uniformly simulated HDR),
The Night of the Hunter
(software uniformly simulated HDR),
12 Angry Men
(software uniformly simulated HDR),
Branded to Kill
(no HDR),
Picnic at Hanging Rock
(software uniformly simulated HDR),
Two Orphan Vampires,
The Shiver of the Vampires,
Drowning By Number
(software uniformly simulated HDR),
Serpico
(software uniformly simulated HDR),
Cool Hand Luke
(software uniformly simulated HDR),
The Seventh Seal
(software uniformly simulated HDR), The Maltese Falcon
(software uniformly simulated HDR).
On their
4K UHD,
Kino defaults to a DTS-HD Master 2.0 channel track with the option of a
surround bump (24-bit) - both in the original English language. Gunfire can punctuate
quite a few scenes but the memorable score by
Jazz-pianist Dave Grusin (The
Midnight Man, The
Friends of Eddie Coyle,
...And Justice For All,
Candy,
The Front) infuses instrumental
electronic, blues, funk and jazz keynotes, often in
subtle rhythmic ways - to significantly advance the viewing. This includes "Condor!
(Theme from 3 Days of the Condor.)" It's flawless in the
lossless.
The two discs offers optional English subtitles - and is, like all
4K UHD, region FREE,
playable worldwide while the second disc
Blu-ray
is region 'A'-locked.
There are two commentaries on the
4K UHD disc. We get
the older Pollack commentary of which I had stated "I didn't find it a
very good one. There are plenty of gaps where he is just watching and when
he does interject it is more of a narration of the scene. He does state some
production choices but they are few and far between.." but we do get a
new commentary from a couple of favs; Steve Mitchell and Nathaniel Thompson.
Like myself, Steve loves the film - one of his favorites - for the
New-York-ness, it's well-executed and what he feels is the best of the
Pollack-Redford collaborations, how the director would really sweat the
details and much more. These guys work great together and share back-stories
of the participants and production that always make their commentaries
interesting. I certainly endorse indulging. On the second disc
Blu-ray
Kino include Harold Manning's 2004 hour-long documentary Something About
Sydney Pollack with Pollack and Robert Redford providing input -
narrated by Hester Wilcox. We see the way Pollack approaches making a film,
his process and anxiety of a new project. It's good. Also included is
Manning's 2003 25-minute featurette More About the Condor culling
from the interviews. Lastly is a theatrical trailer.
"Three Days of the Condor"
was based on the 1974 novel
Six Days of the Condor
by James Grady, although the plot was considerably revised for
Sidney Pollack's 1975 film. Redford is the bookworm, Turner, able to utilize
extraneous knowledge to his survival advantage. Kathy (Faye Dunaway) is
willingly drafted to help after they become lovers even as the coldness of
her photography exposes her. The characters of Cliff Robertson, Max von
Sydow and John Houseman have navigated their way within the CIA system to
stay shielded from the truth and motives of their actions. Pollack has used
variations of the line, originally in Three Days of the Condor, “You
think not getting caught in a lie is the same thing as telling the truth?”
in
Tootsie (1982), The
Firm (1993), and
The Interpreter
(2005). It is such a smooth conspiracy thriller that we never doubt the
possibility of the rogue operative manhunt - the full reasons being
above-our-pay-grade. In this way it reminded me of
The Bourne Legacy. I consider
Kino's
4K UHD
release of "Three Days of the Condor"
an essential part of a digital library. Strongly recommended! |
Menus / Extras
4K UHD
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Blu-ray
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CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
1) Masters of Cinema - Spine #128 Region 'B' - Blu-ray TOP 2) Kino - Region 'A' - Blu-ray - MIDDLE 3) Kino - Region FREE - 4K UHD - BOTTOM
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1) Studio Canal Collection - Region 'A + B' - Blu-ray TOP2) Kino - Region FREE - 4K UHD - BOTTOM |
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1) Paramount - Region FREE - Blu-ray TOP2) Studio Canal Collection - Region 'A + B' - Blu-ray - SECOND3) Kino - Region 'A' - Blu-ray - THIRD 4) Kino - Region FREE - 4K UHD - BOTTOM |
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More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
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Box Cover |
|
CLICK to order from: Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD |
Search DVDBeaver |
S E A R C H D V D B e a v e r |