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S E A R C H D V D B e a v e r |
Directed by
John
Frankenheimer
USA 1962
The name John Frankenheimer (Seconds) became forever synonymous with heart-in-the-throat filmmaking when this quintessential sixties political thriller was released. Set in the early fifties, this razor-sharp adaptation of the novel by Richard Condon concerns the decorated U.S. Army sergeant Raymond Shaw (Laurence Harvey), who as a prisoner during the Korean War is brainwashed into being a sleeper assassin in a Communist conspiracy, and a fellow POW (Frank Sinatra) who slowly uncovers the sinister plot. In an unforgettable, Oscar-nominated performance, Angela Lansbury plays Raymond's villainous mother, the controlling wife of a witch-hunting anti-Communist senator with his eyes on the White House. The rare film to be suffused with Cold War paranoia while also taking aim at the frenzy of the McCarthy era, The Manchurian Candidate remains potent, shocking American moviemaking. *** Raymond Shaw (Laurence Harvey ), returns home from the Korean War and as a hero is presented with the Medal of Valor in Washington. His domineering mother (Angela Lansbury) and Stepfather, Senator Iselin (James Gregory,) wrestle to grab as much positive political coverage out of his heroics and name as possible. Major Bennett Marco (Frank Sinatra) and others who served alongside him remember Shaw differently, however, in duplicated nightmares as a killer brainwashed by Dr Yen Lo, an evil hypnotist from Communist China (Khigh Dhiegh) with Russian top political brass looking on in an amphitheatre. Shaw's mother, Mrs. Iselin, playing a Joseph McCarthy representation, is revealed to be a calculating Communist Agent and her maneuvering is meant to position her husband to the presidency through assassination, with her son being the mentally manipulated hired gun. |
Posters
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Theatrical Release: October 24th, 1962
Reviews More Reviews DVD Reviews
Review: Kino - Region FREE - 4K UHD
Box Cover |
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CLICK to order from: Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD | |
Runtime | 2:06:18.833 | |
Video |
1.85:1 2160P 4K Ultra HD Disc Size: 93,410,253,867 bytesFeature: 91,763,817,216 bytes Video Bitrate: 70.39 MbpsCodec: HEVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate 4K Ultra HD: |
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Audio |
DTS-HD Master
Audio English 1590 kbps 2.0 / 48 kHz / 1590 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
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Subtitles | English (SDH), None | |
Features |
Release Information: Studio: Kino
1.85:1 2160P 4K Ultra HD Disc Size: 93,410,253,867 bytesFeature: 91,763,817,216 bytes Video Bitrate: 70.39 MbpsCodec: HEVC Video
Edition Details: 4K Ultra HD disc • Audio Commentary by Director John Frankenheimer
Kino - Supplements - Blu-ray
• THE MANCHURIAN CANDIDATE INTERVIEWS: with Star Frank Sinatra, Director
John Frankenheimer and Screenwriter George Axelrod (7:59)
Black 4K Ultra HD Case inside 0-card slipcase Chapters 8 |
Comments: |
NOTE:
The below
Blu-ray
and
4K UHD
captures were taken directly from the respective
discs.
The 2160P image is a beautiful and significant bump over all previous digital editions. Contrast and grain texture take a much-appreciated advancement (contrast on previous editions always seemed a shade muddy and now pale by comparison.) Black levels are deeper and whites are a shade brighter (see the large card by Lansbury) and more balanced. Detail also advances and there is more information in the frame than most of the compared editions. The presentation remains dark - which would be tonally correct and there are sequences showcasing surprising depth. Bottom line - this looks great!
NOTE: Interestingly from
Wikipedia: "In the scene where Marco attempts to deprogram Shaw
in a hotel room opposite the convention, Sinatra is at times slightly out of
focus. It was a first take, and Sinatra failed to be as effective in
subsequent retakes, a common factor in his film performances. In the end,
Frankenheimer elected to use the out-of-focus take. Critics subsequently
praised him for showing Marco from Shaw's distorted point of view".
It is likely that the monitor
you are seeing this review is not an
HDR-compatible
display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider
and notably granular range of color and light. Our
capture software if simulating the HDR (in a uniform manner) for standard
monitors. This should make it easier for us to review more
4K UHD titles in the
future and give you a decent idea of its attributes on your system. So our
captures may not support the exact same colors (coolness of
skin tones, brighter or darker hues etc.) as the
4K system at your home. But the
framing, detail, grain texture support etc. are, generally, not effected by
this simulation representation.
NOTE:
We have reviewed the following 4K
UHD packages to date:
After Hours,
Rain Man
(software uniformly simulated HDR),
The Changeling
(software uniformly simulated HDR),
The Night of the Hunter
(software uniformly simulated HDR),
12 Angry Men
(software uniformly simulated HDR),
Branded to Kill
(no HDR),
Picnic at Hanging Rock
(software uniformly simulated HDR),
Two Orphan Vampires,
The Shiver of the Vampires,
Drowning By Number
(software uniformly simulated HDR),
Serpico
(software uniformly simulated HDR),
Cool Hand Luke
(software uniformly simulated HDR),
The Seventh Seal
(software uniformly simulated HDR), The Maltese Falcon
(software uniformly simulated HDR),
Mildred Pierce
(software uniformly simulated HDR),
Tár
(software uniformly simulated HDR),
Marathon Man
(software uniformly simulated HDR),
Dazed and Confused
(software uniformly simulated HDR),
Three Colors: Blue
(software uniformly simulated HDR),
Invaders From Mars
(software uniformly simulated HDR),
Death Wish
(software uniformly simulated HDR),
The Taking of Pelham One Two Three,
The Cabinet of Dr. Caligari
(no HDR),
High Plains Drifter
(software uniformly simulated HDR),
Mystery Men
(software uniformly simulated HDR),
Silent Running
(software uniformly simulated HDR),
Dressed to Kill
(software uniformly simulated HDR),
The Power of the Dog
(software uniformly simulated HDR),
Escape From Alcatraz
(software uniformly simulated HDR),
I, the Jury
(no HDR),
Casablanca
(software uniformly simulated HDR),
In the Mood For Love
(NO HDR applied to disc),
The Werewolf vs. the Vampire Woman
(software uniformly simulated HDR),
Blow Out
(software uniformly simulated HDR),
Night of the Living Dead
(NO HDR applied to disc),
Lost Highway
(software uniformly simulated HDR),
Videodrome
(software uniformly simulated HDR),
The Last Picture Show
(software uniformly simulated HDR),
It Happened One Night
(software uniformly simulated HDR),
The Mummy
(1932)(software uniformly simulated HDR),
Creature From the Black Lagoon
(software uniformly simulated HDR),
Bride of Frankenstein
(software uniformly simulated HDR),
The Amityville Horror
(software uniformly simulated HDR),
The War of the Worlds
(1953)
(software uniformly simulated HDR),
The Incredible Melting Man
(software uniformly simulated HDR),
Event Horizon
(software uniformly simulated HDR),
Branded to Kill
(software uniformly simulated HDR),
The Killing
(software uniformly simulated HDR),
Killer's Kiss
(software uniformly simulated HDR.)
On their
4K UHD, Kino offer the options of
dual-mono and 5.1 surround bump tracks (24-bit) in the original English
language. The surround has a few keen separations. There is modest depth
with the gunfire sequences - a bit in the Korean war segment.
The lossless score by David Amram (The
Young Savages,
The Arrangement) sounds authentically flat but
with some bass response - always with a heightened sense of mystery and
anticipation. Kino include
optional English (SDH) subtitles - and the disc is, like all
4K UHD, region FREE,
playable worldwide. The supplements
Blu-ray
is Region 'A'-locked.
The
4K UHD
has the audio commentary from 1997 featuring director John
Frankenheimer with healthy gaps and plenty of production details.
The second disc |
Menus / Extras
Kino 4K UHD
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Kino second disc Blu-ray (video extras)
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CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
1) MGM (Old FF) - Region 1 - NTSC - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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1) Arrow Video - Region 'B' - Blu-ray - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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1) MGM - Region FREE - Blu-ray - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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1) MGM (New WS) - Region 1 - NTSC - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
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Box Cover |
|
CLICK to order from: Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD |
Search DVDBeaver |
S E A R C H D V D B e a v e r |