Firstly, a massive thank you to our Patreon supporters. Your generosity touches me deeply. These supporters have become the single biggest contributing factor to the survival of DVDBeaver. Your assistance has become essential.
What do Patrons receive, that you don't?
1)
Our
weekly
Newsletter
sent to your Inbox every
Monday morning!
Please consider keeping us in existence with a couple of dollars or more each month (your pocket change!) so we can continue to do our best in giving you timely, thorough reviews, calendar updates and detailed comparisons. Thank you very much. |
Search DVDBeaver |
S E A R C H D V D B e a v e r |
Directed by
Kinka Usher
USA 1999
Anyone familiar with the brilliant 'Flaming Carrot' comic books may be aware of 'Mystery Men'. Panned by film critics its celluloid transformation obviously fell upon deaf ears. Don't heed them. They are wrong. Very, very wrong.
We have been telling stories
with pictures since the dawn of man and a natural elevation to the
fantastical seems only... appropriate. Film is just another graphic
extension. Like many 'superhero'-based creations 'Mystery Men' goes
to extreme lengths to parody the very genre it evolves from. This process,
kind of, breaks down the third wall acceptable to many who refuse to suspend
their disbelief. The concept behind superhero-dom can have multi-dimensions
- persuaded as realistic (Spiderman,
X-Men,
Unbreakable) or mocking lampoon (The
Incredibles), for those growing up with this form of fantasy element
it became an eventual springboard to heavier literature - and, like much of
our youth, it is rare if it entirely leaves us when we mature.
I'll admit that my first viewing the creative depth behind 'Mystery Men' alluded me. Only when I decided to give it a second spin did it render stomach-grabbing guffaws - or maybe my expectations weren't as exceptionally high. I kept trying to isolate why it was so darn amusing - was it the quintessential everyman Ben Stiller?, stone-faced William Macy?, the script?, the plot? - I couldn't be 100% sure. Regardless, it worked... like a charm... on me. I'll add the caveat that this is definitely not for everyone - the humor can be a bit ribald at times. But I wouldn't readily dismiss it simply because journalists like Roger Ebert gave it 2/4 - remember he also gave The Cell 4/4. I'm afraid the excessive negativism squashed any hopes of a sequel - which is very disappointing indeed. If you'd like some depth - how about Casanova Frankenstein's castle? - right out of Antonioni Gaudi's playbook. When you are in the mood - 'Mystery Men' can definitely hit the spot - not like a choice sirloin, but more like a diner's blue-plate special... yeah, that's it. |
Posters
Theatrical Release: July 22nd, 1999
Reviews More Reviews DVD Reviews
Comparison:
Universal - Region 1 - NTSC vs. Universal - Region FREE - Blu-ray vs. 88 Films - Region 'B' - Blu-ray vs. Kino - Region FREE - 4K UHD |
Box Cover |
|
|
|
|
Bonus Captures: |
Bonus Captures: |
|||
Distribution | Universal Home Video - Region 1 - NTSC | Universal - Region FREE - Blu-ray | 88 Films - Region 'B' - Blu-ray | Kino - Region FREE - 4K UHD |
Runtime | 2:01:20 | 2:01:26.112 | 2:01:17.311 | 2:01:31.125 |
Video |
1.78:1
Aspect Ratio Average Bitrate: 5.58 mb/s NTSC 720x480 29.97 f/s |
1080P Dual-layered Blu-rayDisc Size: 37,782,726,958 bytes Feature: 33,289,961,472 bytes Video Bitrate: 30.85 MbpsCodec: VC-1 Vide |
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 47,910,973,697 bytesFeature: 37,928,497,152 bytes Video Bitrate: 3 5.00 MbpsCodec: MPEG-4 AVC Video |
1.85:1 2160P 4K Ultra HD Disc Size: 93,141,851,729 bytesFeature: 92,408,795,136 bytesVideo Bitrate: 69.99 MbpsCodec: HEVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
||||
Bitrate: |
|
|||
Bitrate Universal Blu-ray: |
|
|||
Bitrate 88 Films Blu-ray: |
|
|||
Bitrate Kino 4K Ultra HD: |
|
|||
Audio | English (Dolby Digital 5.1), French (Dolby Digital 2.0 Surround) |
DTS-HD Master Audio English 2721 kbps 5.1 / 48 kHz / 2721 kbps / 24-bit (DTS
Core: 5.1 / 48 kHz / 1509 kbps / 24-bit) DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit Commentary: Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround |
DTS-HD Master Audio English 4223 kbps 5.1 / 48 kHz / 4223 kbps / 24-bit (DTS
Core: 5.1 / 48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 320 kbps 2.0 / 48 kHz / 320 kbps |
DTS-HD Master Audio English 4213 kbps 5.1 / 48 kHz / 4213 kbps / 24-bit (DTS
Core: 5.1 / 48 kHz / 1509 kbps / 24-bit) DTS-HD Master Audio English 2039 kbps 2.0 / 48 kHz / 2039 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) |
Subtitles | English, None | English (SDH), Spanish, None | English, None | English, None |
Features |
Release Information:
Edition Details: • Commentary
by: director Kinka Usher |
Release Information: 1080P Dual-layered Blu-rayDisc Size: 37,782,726,958 bytes Feature: 33,289,961,472 bytes Video Bitrate: 30.85 MbpsCodec: VC-1 Video Edition Details: • Commentary
by: director Kinka Usher |
Release Information: Studio: 88 Films
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 47,910,973,697 bytesFeature: 37,928,497,152 bytes Video Bitrate: 3 5.00 MbpsCodec: MPEG-4 AVC Video
Edition Details:
Audio Commentary by Director Kinka Usher
Transparent Blu-ray Case inside cardboard sleeve Chapters 12 |
Release Information: Studio: Kino
1.85:1 2160P 4K Ultra HD Disc Size: 93,141,851,729 bytesFeature: 92,408,795,136 bytesVideo Bitrate: 69.99 MbpsCodec: HEVC Video
Edition Details: 4K Ultra HD disc
Brand New HDR/Dolby Vision Master From a 4K Scan of the Original
Camera Negative
Chapters 10 |
Comments: |
NOTE:
The below
Blu-ray
and
4K UHD
captures were taken directly from the respective
discs.
It is likely that the monitor
you are seeing this review is not an
HDR-compatible
display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider
and notably granular range of color and light. Our
capture software if simulating the HDR (in a uniform manner) for standard
monitors. This should make it easier for us to review more
4K UHD titles in the
future and give you a decent idea of its attributes on your system. So our
captures may not support the exact same colors (coolness of
skin tones, brighter or darker hues etc.) as the
4K system at your home. But the
framing, detail, grain texture support etc. are, generally, not effected by
this simulation representation.
NOTE:
56
We have reviewed the following 4K
UHD packages to date:
Silent Running
(software uniformly simulated HDR),
Dressed to Kill
(software uniformly simulated HDR),
The Power of the Dog
(software uniformly simulated HDR),
Escape From Alcatraz
(software uniformly simulated HDR),
I, the Jury
(no HDR),
Casablanca
(software uniformly simulated HDR),
In the Mood For Love
(NO HDR applied to disc),
The Werewolf vs. the Vampire Woman
(software uniformly simulated HDR),
Blow Out
(software uniformly simulated HDR),
Night of the Living Dead
(NO HDR applied to disc),
Lost Highway
(software uniformly simulated HDR),
Videodrome
(software uniformly simulated HDR),
The Last Picture Show
(software uniformly simulated HDR),
It Happened One Night
(software uniformly simulated HDR),
The Mummy
(1932)(software uniformly simulated HDR),
Creature From the Black Lagoon
(software uniformly simulated HDR),
Bride of Frankenstein
(software uniformly simulated HDR),
The Amityville Horror
(software uniformly simulated HDR),
The War of the Worlds
(1953)
(software uniformly simulated HDR),
The Incredible Melting Man
(software uniformly simulated HDR),
Event Horizon
(software uniformly simulated HDR),
The Power of the Dog
(software uniformly simulated HDR),
Escape From Alcatraz
(software uniformly simulated HDR),
I, the Jury
(no HDR),
Casablanca
(software uniformly simulated HDR),
In the Mood For Love
(NO HDR applied to disc),
The Werewolf vs. the Vampire Woman
(software uniformly simulated HDR),
Blow Out
(software uniformly simulated HDR),
Night of the Living Dead
(NO HDR applied to disc),
Lost Highway
(software uniformly simulated HDR),
Videodrome
(software uniformly simulated HDR),
The Last Picture Show
(software uniformly simulated HDR),
It Happened One Night
(software uniformly simulated HDR),
The Mummy
(1932)(software uniformly simulated HDR),
Creature From the Black Lagoon
(software uniformly simulated HDR),
Bride of Frankenstein
(software uniformly simulated HDR),
The Amityville Horror
(software uniformly simulated HDR),
The War of the Worlds
(1953)
(software uniformly simulated HDR),
The Incredible Melting Man
(software uniformly simulated HDR),
Get Carter
(software uniformly simulated HDR),
The Killing
(software uniformly simulated HDR),
Killer's Kiss
(software uniformly simulated HDR),
Out of Sight
(software uniformly simulated HDR),
Raging Bull
(software uniformly simulated HDR),
Shaft
(1971),
(software uniformly simulated HDR),
Double Indemnity
(software uniformly simulated HDR),
The Untouchables
(software uniformly simulated HDR),
For a Few Dollars More
(no HDR),
Saboteur
(software uniformly simulated HDR),
Marnie
(software uniformly simulated HDR),
Shadow of a Doubt
(software uniformly simulated HDR),
The Man Who Shot Liberty Valance
(software uniformly simulated HDR),
A Fistful of Dollars
(no HDR),
In the Heat of the Night
(no HDR),
Jack Reacher
(software uniformly simulated HDR),
Death Wish II
(software uniformly simulated HDR),
The Apartment
(no HDR),
The Proposition
(software uniformly simulated HDR),
Nightmare Alley (2021)
(software uniformly simulated HDR),
Mary Shelley's Frankenstein
(software uniformly simulated HDR),
The Godfather
(software uniformly simulated HDR),
Le Crecle Rouge
(software uniformly simulated HDR),
An American Werewolf in London
(software uniformly simulated HDR),
A Hard Day's Night
(software uniformly simulated HDR),
The Piano
(software uniformly simulated HDR),
The Great Escape
(software uniformly simulated HDR),
The Red Shoes
(software uniformly simulated HDR),
Citizen Kane
(software uniformly simulated HDR),
Unbreakable
(software uniformly simulated HDR),
Mulholland Dr.
(software uniformly simulated HDR),
Invasion of the Body Snatchers
(software uniformly simulated HDR),
The Hills Have Eyes
(software uniformly simulated HDR),
The Servant
(software uniformly simulated HDR),
Anatomy of a Murder
(software uniformly simulated HDR),
Taxi
Driver
(software uniformly simulated HDR),
The Wolf Man (1941)
(software uniformly simulated HDR),
Frankenstein (1931)
(software uniformly simulated HDR),
Deep Red
(software uniformly simulated HDR),
Misery
(software uniformly simulated HDR),
The Silence of the Lambs
(software uniformly simulated HDR),
John Carpenter's "The Thing"
(software uniformly simulated HDR),
The Cat' o'Nine Tails
(software uniformly simulated HDR),
The Bird With the Crystal Plumage
(software uniformly simulated HDR),
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
(software uniformly simulated HDR),
Perdita Durango
(software uniformly simulated HDR),
Django
(software uniformly simulated HDR),
Fanny Lye Deliver'd (software uniformly simulated HDR),
The Good, the Bad and the Ugly,
(NO HDR applied to disc),
Rollerball
(software uniformly simulated HDR),
Chernobyl
(software uniformly simulated HDR),
Daughters of Darkness
(software uniformly simulated HDR),
Vigilante
(software uniformly simulated HDR), Tremors
(software uniformly simulated HDR), Cinema Paradiso
(software uniformly simulated HDR), The Bourne Legacy
(software uniformly simulated HDR), Full Metal Jacket
(software uniformly simulated HDR),
Psycho
(software uniformly simulated HDR),
The Birds (software uniformly simulated HDR),
Rear Window (software uniformly simulated HDR),
Vertigo
(software uniformly simulated HDR),
Spartacus
(software uniformly simulated HDR),
Jaws
(software uniformly simulated HDR),
The Invisible Man,
(software uniformly simulated HDR),
Steven Spielberg's
War of the Worlds (software uniformly simulated HDR),
Lucio Fulci's 1979
Zombie
(software uniformly simulated HDR),,
2004's
Van Helsing
(software uniformly simulated HDR),
The Shallows
(software uniformly simulated HDR),
The Bridge on the River Kwai
(software uniformly simulated HDR),
The Deer Hunter
(software uniformly simulated HDR),
The Elephant Man
(software uniformly simulated HDR),
A Quiet Place
(software uniformly simulated HDR),
Easy Rider
(software uniformly simulated HDR),
Suspiria
(software uniformly simulated HDR),
Pan's Labyrinth
(software uniformly simulated HDR),
The Wizard of Oz, (software uniformly simulated HDR),
The Shining,
(software uniformly simulated HDR),
Batman Returns
(software uniformly simulated HDR),
Don't Look Now
(software uniformly simulated HDR),
The Man Who Killed Killed and then The Bigfoot
(software uniformly simulated HDR),,
Bram Stoker's Dracula
(software uniformly simulated HDR),
Lucy
(software uniformly simulated HDR),
They Live
(software uniformly simulated HDR), Shutter Island
(software uniformly simulated HDR),
The Matrix
(software uniformly simulated HDR),
Alien
(software uniformly simulated HDR),
Toy Story
(software uniformly simulated HDR),
A Few Good Men
(software uniformly simulated HDR),
2001: A Space Odyssey (HDR caps udated),
Schindler's List
(simulated HDR), The
Neon Demon (No HDR), Dawn
of the Dead (No HDR), Saving
Private Ryan (simulated HDR and 'raw' captures), Suspiria (No
HDR), The
Texas Chain Saw Massacre (No HDR), The
Big Lebowski, and I
Am Legend (simulated and 'raw' HDR captures). On their 4K UHD, Kino offer DTS-HD Master tracks in both the 2.0 channel and a very robust 5.1 surround (both 24-bit) in the original English language. They are plenty of effects that come through with floor-rattling bass. This is also notable in the score by Stephen Warbeck (Shakespeare in Love, Birthday Girl, Polisse, Prime Suspect) with unique instrumentation including Hungarian instruments, the tαrogatσ and the cimbalom, and also a Greek instrument, the bouzouki etc. Plus there is a ton of music in the film - thanks to 'The Disco Boys' characters we get snippets of plenty of that genre including The Trammps's "Disco Inferno", A Taste of Honey's "Boogie Oogie Oogie", Anita Ward's "Ring My Bell", The Bee Gees's "Night Fever", Chic's "Le Freak", KC & The Sunshine Band's "That's the Way (I Like It)", Walter Murphy's "A Fifth of Beethoven" - also fittingly is The B-52's "Planet Claire" when Paul Reubens character 'Spleen' is introduced. There is more sounding very impressive in lossless - even if they are only short samplings of the songs. It sounds quite effective. The 4K UHD disc offers optional English subtitles - and is, like all 4K UHD, region FREE, playable worldwide. The second disc Blu-ray with extras is Region 'A'-locked. The 4K UHD disc also has the Kinka Usher commentary from 2000. The rest of the supplements are on the second disc Blu-ray (which also offers the commentary.) These extras are a repeat of the 2020 88 Films Blu-ray supplements with deleted scenes and the 'Spotlight On Location' featurette also found on the DVD and 2012 Blu-ray. There are also four other video pieces duplicated from the 88 Films Blu-ray release; We're The Other Guys!: The Making of "Mystery Men" with Director Kinka Usher running 23-minutes, I'm A Superhero, Mother!: The Costumes of "Mystery Men" with designer Marilyn Vance for a dozen minutes discussing the superhero costuming. Inside Champion City!: The Effects of "Mystery Men" spends 10-minutes with visual effects supervisor Todd Tucker and Disco Is Life!: The Score(s) of "Mystery Men" is with film music historian Daniel Schweiger for 8.5 minutes. Lastly is a trailer.
Kinka Usher's Mystery Men is loosely based on Bob
Burden's Flaming Carrot Dark Horse comic series - which I also
love. In fact, Burden was on-set responding to questions about the
characterizations. Mystery Men
features oddly-powered superheroes, with surreal adventures interacting
with many eccentric characters that inhabit 'Champion City' in this
parody universe. The film features a large cast with Ben Stiller, Hank
Azaria, William H. Macy, Greg Kinnear, Janeane Garofalo, Paul Reubens,
Kel Mitchell, Wes Studi, Geoffrey Rush, Lena Olin, Eddie Izzard, Claire
Forlani, and Tom Waits. The unlikely superheroes include Mr. Furious,
the Shoveler, the Blue Raja with recruits Invisible Boy, the Spleen, and
the Bowler (mentored by The Sphinx) - to do battle with Casanova
Frankenstein (the Disco Boys and Frat Boys) who has kidnapped the
preeminent superhero of the city, Captain Amazing. This was Usher's
feature debut - he had won awards for the "Got Milk?" and Taco
Bell Chihuahua commercial campaigns. Certainly the film is considered a
success although no sequel was produced. I adore
Mystery Men and
am thrilled with this
4K UHD transfer. I re-watch the film all the time
- it has an fun addictive positive-ness to it - appropriately
culminating with Smash Mouth's All Star. Huge 'keeper' for this
reviewer.
***
ADDITION: 88 Films (UK)
Blu-ray
(June 2020): 88 Films have transferred Kinka Usher's delightful
Mystery Men
to Region 'B' Blu-ray.
NOTE: We have added 68 more large
resolution Blu-ray captures
(in lossless PNG format) for DVDBeaver Patrons HERE
On their
Blu-ray,
88 Films use a more robust DTS-HD Master 5.1 surround track (24-bit) in
the original English language. Universal offer
optional English subtitles on their Region 'B'-locked
Blu-ray.
The 88 Films
Blu-ray has the
Kinka Usher commentary, deleted scenes and On Location featurette also
found on the DVD and 2012
Blu-ray.
But there are also four other video pieces as supplements on the 88
Films release; We're The Other Guys!: The Making of "Mystery Men"
with Director Kinka Usher running 23-minutes, I'm A Superhero,
Mother!: The Costumes of "Mystery Men" with designer Marilyn Vance
for a dozen minutes discussing the superhero costuming. Inside
Champion City!: The Effects of "Mystery Men" spends 10-minutes with
visual effects supervisor Todd Tucker and Disco Is Life!: The Score(s)
of "Mystery Men" is with film music historian Daniel Schweiger for
8.5 minutes. The
Blu-ray
package has a limited edition collector's booklet by James Oliver with
extensive behind the scenes photographs and an nice LE matte slipcase.
Mystery Men is still a formidable
comedy gem - hard to believe it is 20-years old now. We all hoped for a
sequel but I am still very pleased to revisit this every once in a
while. It has great dialogue and memorable performances from Janeane
Garofalo, William H. Macy, Greg Kinnear, Geoffrey Rush and many others.
The 88 Films Blu-ray
is the one to own winning on all fronts - a/v and extras. Fans should have
this one in their digital library.
ADDITION: Universal - Region FREE -
Blu-ray (July 2012):
Firstly, because of the intrusive timeline feature I wasn't able to get
exact frame matches on all captures. Surprisingly, this Universal Blu-ray
is encoded with VC-1 - which we don't often see anymore as most 1080P
transfer use AVC. Being such a dark film, it is hard to notice strong
visual improvement over the capable SD-DVD, but on a large screen system
- it becomes more evident. The Blu-ray
is transferred in the original 1.85:1 aspect ratio (DVD was 1.78) and
shows a shade more information in the frame. It is marginally brighter
with an uncomfortable softness. Colors are tighter but don't stray far from
the DVD-exported scheme. There is some depth in the day-lit, outdoor,
sequences (interviewing perspective team members). It is dual-layered
with a high bitrate and I don't discount some digitization but it's not
enough to quibble over.
Universal supply a DTS-HD Master 5.1 surround track at
2721 kbps. It has some buoyancy but there isn't a plethora of aggressive
separations. What effects are exported to the rear speakers are often
subtle and atmospheric. There are optional subtitles on the
Region FREE Blu-ray
disc.
In regards to extras we keep the light director
commentary, the amusing deleted scenes and the 'making of...'
- lose the 'origins' from the DVD but gain an HD trailer. The Blu-ray
is also 'My Scenes' capable.
I love this film every time I see it. I'll bet I watch it
every 6-months or so. Great cast and writing - a super fun film that I
wouldn't pass up in 1080P. Recommended - especially at this reasonable
price.
*** ON THE DVD: The first noted detail of the image is that it is exceptionally dark, but I always prefer this as far more natural look than contrast boosted transfers. This is obviously how the film looked theatrically and it definitely suits the style of the detailed art production. Colors are intentionally on the dull side but sharpness is there and overall the quality is very consistent. The supplements are very good - the director commentary shares many production details and some frank anecdotes. There is a 'Spotlight on Location' featurette and about 7 minutes of deleted scenes. Overall this is a well above-average DVD at a good price. The film is very addictive and charming in its own juvenile way. Although it won't make our Essentials DVDs listing - we still recommend it for some great fun. |
Universal - Region 1 - NTSC LEFT vs. Universal - Region FREE - Blu-ray RIGHT
88 Films - Region 'B' - Blu-ray
Kino - Region FREE - 4K UHD
CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
Subtitle Sample - Kino - Region FREE - 4K UHD
1) Universal - Region 1 - NTSC TOP2) Universal - Region FREE - Blu-ray SECOND 3) 88 Films - Region 'B' - Blu-ray THIRD4) Kino - Region FREE - 4K UHD BOTTOM
|
1) Universal - Region 1 - NTSC TOP2) Universal - Region FREE - Blu-ray SECOND 3) 88 Films - Region 'B' - Blu-ray THIRD4) Kino - Region FREE - 4K UHD BOTTOM
|
1) Universal - Region 1 - NTSC TOP2) Universal - Region FREE - Blu-ray SECOND 3) 88 Films - Region 'B' - Blu-ray THIRD4) Kino - Region FREE - 4K UHD BOTTOM
|
More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
Box Cover |
|
|
|
|
Bonus Captures: |
Bonus Captures: |
|||
Distribution | Universal Home Video - Region 1 - NTSC | Universal - Region FREE - Blu-ray | 88 Films - Region 'B' - Blu-ray | Kino - Region FREE - 4K UHD |
Search DVDBeaver |
S E A R C H D V D B e a v e r |