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S E A R C H    D V D B e a v e r

directed by Michael Cimino
USA 1978

 

Following the funeral of Nick, the intimate group of friends sit together around a table at their bar and sing “God bless America”. Their voices are raised just enough to be heard, their minds elsewhere. They do not become one in mind until they raises their glasses to Nick. A stunning scene in every sense, from the positioning of the players around the table, to its intertextual qualities, the ending of “The Deer Hunter” not only invokes allusions of Ford and Visconti, it also allows the viewer to dwell upon the story by stressing its main theme: Friendship.

Looking at “The Deer Hunter” as a whole, it has many scenes or sequences, which one can pick out and dwell upon or talk endlessly in enthusiasm, like grandeur of the wedding sequence, the Widerbergian drop of wine on the wedding dress, the close-ups of de Niro hunting, the fragility of Streep, despite that most would pick the “I love you baby” scene as their favourite. “The Deer Hunter” is a film with so much detail in each scene and every scenic detail, that it steals our attention. It is larger than any single statement about how great its direction, cinematography, acting and storytelling is, as each element enriches the other. It is a film that with time has unfolded its greatness to become one of the greatest American films ever made.

Henrik Sylow

Posters

Theatrical Release: December 8th, 1978, Los Angeles, California, USA

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Review: Studio Canal - Region FREE - 4K UHD

Box Cover

CLICK to order from:

  

Bonus Captures:

Also coming to 4K Ultra HD from Shout! Factory in the US on May 26th, 2020:

  

Distribution Studio Canal - Region 'FREE - 4K Ultra HD
Runtime 3:03:46.750         
Video 2.35:1 2060P 4K Ultra HD
Disc Size: 87,253,953,713 bytes
Feature: 86,331,562,368 bytes
Video Bitrate: 45.55 Mbps
Codec:
HEVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate K Ultra HD :

Audio

DTS-HD Master Audio English 2008 kbps 2.0 / 48 kHz / 2008 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio English 2948 kbps 5.1 / 48 kHz / 2948 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
DUB:

DTS Audio French 768 kbps 2.0 / 48 kHz / 768 kbps / 24-bit

Subtitles English (SDH), French, None
Features Release Information:
Studio:
Studio Canal

 

2.35:1 2060P 4K Ultra HD
Disc Size: 87,253,953,713 bytes
Feature: 86,331,562,368 bytes
Video Bitrate: 45.55 Mbps
Codec:
HEVC Video

 

Edition Details:

1979 ITV South Bank show interview with Michal Cimino (17:40)
New interview with film critic David Thomson (24:03)
Realizing The Deer Hunter(23:33) interview with Michael Cimino
Shooting The Deer Hunter (15:31) interview with Vilmos Zsigmond
Playing The Deer Hunter (15:39), interview with John Savage
Michael Cimino Audio Commentary (on the included Blu-ray)
Vilmos Zsigmond - journalist Bob Fisher Audio Commentary
Deleted and Extended Scenes


4K Ultra HD
Release Date:
March 4th, 2019
Standard 4K Ultra HD Case inside cardboard sleeve

Chapters 12

 

 

Comments:

NOTE: The below Blu-ray and 4K UHD captures were taken directly from the discs.

ADDITION: Studio Canal 4K UHD (April 2020): Studio Canal (UK) have transferred Michael Cimino's The Deer Hunter to 4K UHD. According to the press release, "For the restoration of The Deer Hunter, STUDIOCANAL went back to the original 35mm negative, which was scanned at 4K resolution in 16bit. The restoration was completed at Silver Salt in London, who created a restored 4K DCP and UHD version for the home entertainment release."

This Studiocanal 4K UHD release of "The Deer Hunter" certainly has some interesting aspects to the presentation. First off, if your setup is capable of showing the film in Dolby Vision, stop what you are doing this instant and order this release. If, however, you are only capable of watching the film in HDR10 or just plain 4K with no added color gamut, buyer beware. There are essentially 4 different presentations of the film on this release, and they are all quite different. In our captures below we have done our best to recreate the look of the Dolby Vision presentation, which shows some gorgeous range in color and black levels. There is minor teal-leaning (van and Streep's sweater - below). The overall image shows more information in the frame (on all 4 sides) than the Universal Blu-ray. The HDR version seems rather dark at times, almost comically so, as tested on my personal HDR-capable TV at home (vs. the OLED Dolby Vision in the office). The included Blu-ray is yet another new transfer of the film, looking better than previous Blu-rays to my eyes, showing warmer skin-tones, deeper colors and more consistent and rich texture. But let's get to the 4K discussion, the 100GB disc features the film taking up over 86 GB, with a bitrate of around 46000 (even more impressive when the film's length is taken into account). The included Blu-ray has a modest bitrate around the 20000 mark, due to the 3-hour length of the film, yet somehow looks quite reasonable in motion. To those that own a 4K TV without the HDR or Dolby bells and whistles, you will basically be getting a washed out raw image bathed in darkness. Very strange. This is a fine release, though one with caveats.

NOTE: 22 more more full resolution (3840 X 2160) 4K UHD captures for Patrons are available HERE.

It is likely that the monitor you are seeing this review is not an HDR-compatible display (High Dynamic Range) or, specifically in this case Dolby Vision, where each pixel can be assigned with a wider and notably granular range of color and light. Our capture software if simulating the HDR (in a uniform manner) for standard monitors. This should make it easier for us to review more 4K UHD titles in the future and give you a decent idea of its attributes on your system. So our captures may not support the exact same colors (coolness of skin tones, brighter or darker hues etc.) as the 4K system at your home. But the framing, detail, grain texture support etc. are, generally, not effected by this simulation representation.

We have reviewed the following 4K UHD packages to date: The Elephant Man (software uniformly simulated HDR),  A Quiet Place (software uniformly simulated HDR), Easy Rider (software uniformly simulated HDR), Suspiria (software uniformly simulated HDR), Pan's Labyrinth (software uniformly simulated HDR) The Wizard of Oz,(software uniformly simulated HDR), The Shining, (software uniformly simulated HDR), Batman Returns (software uniformly simulated HDR), Don't Look Now (software uniformly simulated HDR), The Man Who Killed Killed and then The Bigfoot  (software uniformly simulated HDR), Bram Stoker's Dracula (software uniformly simulated HDR), Lucy (software uniformly simulated HDR), They Live (software uniformly simulated HDR),  Shutter Island (software uniformly simulated HDR),  The Matrix (software uniformly simulated HDR), Alien (software uniformly simulated HDR), Toy Story (software uniformly simulated HDR),  A Few Good Men (software uniformly simulated HDR),  2001: A Space Odyssey (HDR caps udated), Schindler's List (simulated HDR), The Neon Demon (No HDR), Dawn of the Dead (No HDR), Saving Private Ryan (simulated HDR and 'raw' captures), Suspiria (No HDR), The Texas Chain Saw Massacre (No HDR), The Big Lebowski, and I Am Legend (simulated and 'raw' HDR captures).  

The audio  for the 4K UHD is a 24-bit 2.0 or 5.1 DTS-HD affair. This film was somewhat revolutionary in its sound design (Dolby noise-reduction ) but is now a bit antiquated. While never one to promote revisionism, I can't help but wonder what a Dolby Atmos surround track could do with a film like this (helicopter blades, wedding party sounds, etc.) without being too showy. That track is not here, though the included tracks (both the 2.0 DTS and the 5.1 version) do create a fair sense of 3-D space. There are optional English subtitles on this Region Free 4K UHD disc from Studiocanal.

Most extras are found on a second Blu-ray disc (with the feature taking up the first). Of note is that the 4K disc does not include the commentaries (that DO appear on the Blu-ray) which is a little disappointing. As far as new extras, we get a new 24-minute interview with film critic David Thomson. Also here are previously released interviews, deleted scenes and commentaries. There was a '40th Anniversary' Blu-ray package released in 2018 that also included a CD featuring the score and a book with essays on the film.

This is an excellent release, IF you have a
4K TV/Player setup that is capable of Dolby Vision. If not, I would hesitate in upgrading to just the HDR or plain 4K versions here. That being said, the included Blu-ray features an impressive new transfer that is somehow unlike any of the other 4K iterations here. So, once again, highly recommended with a few caveats.

Colin Zavitz

 


Menus / Extras

 


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1) Universal (1998- First U.S. release) - Region 1 - NTSC - TOP

2) Universal - Region FREE - Blu-ray MIDDLE

3) Studio Canal - Region 'FREE - 4K Ultra HD  - BOTTOM

 

 


1) Universal - Region FREE - Blu-ray- TOP

2) Studio Canal - Region 'FREE - 4K Ultra HD  - BOTTOM

 

 


1) Universal - Region FREE - Blu-ray- TOP

2) Studio Canal - Region 'FREE - 4K Ultra HD  - BOTTOM

 

 


 

 


 

 


 

 


 

 


 

 


 

 


 

More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE

 

 

 
Box Cover

CLICK to order from:

  

Bonus Captures:

Also coming to 4K Ultra HD from Shout! Factory in the US on May 26th, 2020:

  

Distribution Studio Canal - Region 'FREE - 4K Ultra HD


 


 

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