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directed
by Rob Reiner
USA 1992
The role doesn't
have to be big, but if it's good, and if the actor playing it is great, the
results can be magically transforming. Witness Jack Nicholson's vicious,
funny, superbly reptilian turn in Rob Reiner's entertaining "A Few Good
Men," adapted by Aaron Sorkin from his hit Broadway courtroom drama.
Mr. Nicholson doesn't steal the film, which would mean that he somehow
separates himself from everybody else in it. Rather, in the course of only a
handful of scenes, he seems to suffuse the entire production, giving it a
weight, density and point that might not otherwise be apparent.
The role, beautifully written, is made to Mr. Nicholson's order. It's that
of Col. Nathan R. Jessep of the United States Marine Corps, a tough, bigoted
Vietnam veteran, a career officer shaped by decades of cold-war politics. By
chance, Jessep is stationed in that last corner of the earth where the cold
war goes on as if there were no yesterday.
He's the commander of the marines stationed at the American naval base on
the southwestern coast of Cuba at Guantanamo Bay, on a small bit of arid
real estate protecting one of the best anchorages in the western Atlantic, a
legacy of the Spanish-American War. It's there that the United States and
Cuba, separated by barbed wire and command posts, have continued to co-exist
through the Bay of Pigs invasion, the great missile crisis and a continuing,
crippling economic embargo, in one of the strangest examples of symbiosis to
be found in all of international relations.
This geographic fact becomes a central image in the film adaptation, which
gracefully opens up the story of a military court-martial without allowing
the tension to evaporate. There are times when the movie seems to force-feed
the audience essential information, and when the audience might well wonder
whether the emotional crises of the defense lawyers really are of more
interest than the fates of the two men on trial.
Excerpt from Vincent Canby's review at the NY Times located HERE
Posters
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Theatrical Release: December 9th, 1992
Reviews More Reviews DVD Reviews
DVD Comparison:
Sony Pictures - Blu-ray Disc vs. Sony Pict
ures (Special Edition) - Region 1,3,4 - NTSC vs. Sony Pictures (SuperBit) - Region 0 - NTSC(Sony Pictures - Blu-ray Region Free LEFT vs. Sony Pictures (Special Edition) - Region 1,3,4 - NTSC MIDDLE vs. Sony Pictures (SuperBit) - Region 0 - NTSC RIGHT)
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| Distribution |
Sony Pictures - Blu-ray
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Sony Pictures (SE) Region 1,3,4 - NTSC |
Sony (SuperBit) Region 0 - NTSC |
| Runtime | 2:17:57 | 2:17:50 | 2:17:50 |
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Video |
2.35:1
Original Aspect Ratio
1080p Hi-def |
2.35:1 Original Aspect Ratio
16X9 enhanced |
2.35:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate : Special Edition |
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Bitrate: SuperBit |
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| Audio | English, DUBs: German, French, Hungarian (Dolby Digital 5.1), English + German DUB (PCM - uncompressed - 5.1) | English (Dolby Digital 2.0), English (Dolby Digital 5.1), DUBs: French, Spanish, Portuguese (Dolby Digital 2.0) | English (Dolby Digital 5.1), English (DTS) |
| Subtitles |
English, English SDH, Arabic, Danish, Dutch, Finnish, German, Greek,
Hebrew, Hindi, Norwegian, Swedish, Turkish, French, Hungarian, Romanian,
Icelandic, Bulgaria, Croatian, Slovenian, Spanish, Portuguese, Chinese, Korean, Thai, None Supplements in English, Dutch, French, German, Korean, None |
English, French, Spanish, Portuguese, Chinese, Korean, Thai, None | English, Japanese, None |
| Features |
Release Information: Studio: Sony Aspect Ratio: 2.35:1 1080p Hi-def
Edition Details: • Featurette: Code of Conduct
• Featurette: From Stage to Screen (with
Sorkin and Reiner) Chapters 16
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Release Information: Studio: Sony Aspect Ratio:
Edition Details: • Featurette: Code of Conduct • Featurette: From Stage to Screen (with Sorkin and Reiner) • Filmographies
• Theatrical trailer Chapters 28 |
Release Information: Studio: Sony Aspect Ratio:
Edition
Details:
DVD
Release Date: April 23rd, 2003 Chapters 28 |
| Comments: |
ADDITION: Blu-ray - Sept 07': Firstly we more than realize that our screen captures don't utilize the same methodology and hence the direct comparison of captures is not as relevant as in the majority of our DVD image comparisons. We include them to give you a rough idea of the improved color depth but they far from represent how pristine the new Blu-ray presents the transferred image. It is heads and tails above the already strong SD DVDs. Quality is exceptionally strong with vibrant color depth and excellent detail - its is far superior to the SD editions - brighter without apparent manipulations. The differences between the Blu-ray and the SDs beyond the sterling new image is that the the Hi-def DVD is loaded with 25 subtitle options for the feature and 5 for the extra features (which duplicate the Special Edition with commentary and two featurettes). I have always found this an extremely entertaining film, albeit the Hollywood-esq lack of subtleties, and this new Blu-ray DVD is the best home theatre presentation available - also the price is quite reasonable as far as Hi-def discs go at less than $20. **** RE the SD's: There is no significant image quality differences - the Special Edition may have slightly redder skin tones but detail and external colors are an fairly exact match. Both DVDs are progressive, anamorphic in the film's original 2.35 ratio and transferred to dual-layered discs. Both have black borders circumventing the edge of the frame slightly limiting the horizontal resolution. But overall the image is excellent, very few artefcats - clean and sharp.
The differences come in the supplements. In the SuperBit - on the pretext of filtering more data - has none. It offers English and Japanese subtitles and a 5.1 and, largely superfluous, DTS track. The Special Edition has a rather bland commentary from 2001 by director Rob Reiner (lots of gaps) and two featurettes - of the two I preferred 'From Stage to Screen' with input from Sorkin about his original play and Reiner again about the adaptation to film. There are also text screen filmographies and a theatrical trailer. It is coded for regions 1, 3 and 4 with subtitles options making it suitable for sale in alternate locations (parts of Asia and Europe). It loses the DTS track for a 2.0 channel stereo and another 5.1 job with a few offered DUBs. Both are in the NTSC standard. NOTE: My software states the Japanese SuperBit is region 0 although I would assume it is region 2. Bottom line - I'm expecting the Blu-ray to look marvelous and hope it contains some new extras (as well as the old). Great film and Jack's performance borders on terrifyingly sobering as an extremely fundamentalist military mind. I look forward to owning the Blu-ray. We will get some comparative shots if possible. |
DVD Menus
Sony Pictures - Blu-ray Region Free
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(Sony Pictures (Special Edition) - Region 1,3,4 - NTSC LEFT vs.
Sony Pictures (SuperBit) - Region 0 - NTSC RIGHT)
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Screen Captures
(Sony Pictures - Blu-ray Region Free - TOP vs. Sony Pictures (Special Edition) - Region 1,3,4 - NTSC MIDDLE vs. Sony Pictures (SuperBit) - Region 0 - NTSC BOTTOM)
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(Sony Pictures - Blu-ray Region Free - TOP vs. Sony Pictures (Special Edition) - Region 1,3,4 - NTSC MIDDLE vs. Sony Pictures (SuperBit) - Region 0 - NTSC BOTTOM)
NOTE: A good example showing the improved color depth of the Blu-ray -
see the grass!
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| DVD Box Cover |
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| Distribution |
Sony Pictures - Blu-ray
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Sony Pictures (SE) Region 1,3,4 - NTSC |
Sony (SuperBit) Region 0 - NTSC |
Report Card:
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Image: |
Blu-ray |
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Sound: |
Blu-ray has more DUbs but SuperBit has DTS |
| Extras: | Blu-ray / Special Edition |
| Menu: | Blu-ray / Special Edition |
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