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Directed by Guillermo del Toro
United States / Mexico / Canada 2021

 

In Nightmare Alley, our hero Stanton Carlisle – an ambitious carny played by Bradley Cooper – is haunted by the perpetual feeling that he’s being watched. Not by the ghosts that habitually inhabit Guillermo del Toro’s films – be it the spindly limbed phantoms of Crimson Peak, or the boy with the shattered head staring out from the shadows in The Devil’s Backbone. Nor is it God, or at least in the traditional sense. No, the thing that’s really watching Stanton – and watching his every move – is about as del Toro-esque as you can get: a foetus, suspended in a medical jar, with a big, cyclopean eye planted in the middle of its forehead. It knows Stanton’s ultimate fate, but it will not tell. Maybe it knows your fate, too.

It’s the most potent symbol in a film that’s full of codes and mysteries, and unfurls languidly but hypnotically. Nightmare Alley is the first of del Toro’s films to be entirely absent of the supernatural – here, magic and spirits are simply the products of human trickery.

***

From visionary filmmaker Guillermo del Toro comes this noir-style psychological thriller starring Bradley Cooper and Cate Blanchett. When a manipulative carnival man (Cooper) teams with an equally deceptive psychiatrist (Blanchett) to grift the wealthy in 1940s New York society, he learns that his new partner in crime might be his most formidable opponent yet. NIGHTMARE ALLEY is directed by del Toro, who co-wrote the film with Kim Morgan, based on William Lindsay Gresham's novel.

Posters

Theatrical Release: December 1st, 2021

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Review: Fox Searchlight Pictures - Region FREE - 4K UHD

Box Cover

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Bonus Captures:

Distribution Fox Searchlight Pictures - Region FREE - 4K UHD
Runtime 2:30:07.790         
Video

1.85:1 2160P 4K Ultra HD

Disc Size: 65,555,197,587 bytes

Feature: 64,070,074,368 bytes

Video Bitrate: 46.36 Mbps

Codec: HEVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate 4K Ultra HD:

Audio

Dolby TrueHD/Atmos Audio English 5159 kbps 7.1 / 48 kHz / 4519 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps / DN -27dB)
Dolby Digital Audio English 320 kbps 2.0 / 48 kHz / 320 kbps / DN -27dB
Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -27dB
Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -27dB

Subtitles English (SDH), French, Spanish, None
Features Release Information:
Studio:
Fox Searchlight Pictures

 

1.85:1 2160P 4K Ultra HD

Disc Size: 65,555,197,587 bytes

Feature: 64,070,074,368 bytes

Video Bitrate: 46.36 Mbps

Codec: HEVC Video

 

Edition Details:

4K Ultra HD disc

• None

 

Fox Searchlight Pictures - Region FREE - Blu-ray

• Del Toro's Neo Noir (11:19)
• Beneath the Tarp (8:26)
• What Exists in the Fringe (5:23)


4K Ultra HD Release Date: March 22nd, 2022
Black 4K Ultra HD Case inside cardboard slipcase

Chapters 21

 

 

Comments:

NOTE: The below Blu-ray and 4K UHD captures were taken directly from the respective discs.

ADDITION: Fox Searchlight Pictures 4K UHD (March 2022): Fox Searchlight Pictures have released Guillermo del Toro's "Nightmare Alley" to 4K UHD. Like most of del Toro's films this looks gorgeous. Production/costume design and art direction are impeccable. There really isn't much to say about the exceptional image quality excepting that the film is, appropriately, very dark and there is some very minor teal creeping in. Detail is impressive and the frequent shadows from lighting cigarettes to well-staged placement of lighting comes through brilliantly via this 3840 X 2160 transfer. Depth is always present and the overall visuals are consistently striking. Wow.

It is likely that the monitor you are seeing this review is not an HDR-compatible display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider and notably granular range of color and light. Our capture software if simulating the HDR (in a uniform manner) for standard monitors. This should make it easier for us to review more 4K UHD titles in the future and give you a decent idea of its attributes on your system. So our captures may not support the exact same colors (coolness of skin tones, brighter or darker hues etc.) as the 4K system at your home. But the framing, detail, grain texture support etc. are, generally, not effected by this simulation representation.

NOTE: 76 more more full resolution (3840 X 2160) 4K UHD captures, in lossless PNG format, for Patrons are available HERE

We have reviewed the following 4K UHD packages to date: Mary Shelley's Frankenstein (software uniformly simulated HDR), The Godfather (software uniformly simulated HDR), Le Crecle Rouge (software uniformly simulated HDR), An American Werewolf in London (software uniformly simulated HDR), A Hard Day's Night (software uniformly simulated HDR), The Piano (software uniformly simulated HDR), The Great Escape (software uniformly simulated HDR), The Red Shoes (software uniformly simulated HDR), Citizen Kane (software uniformly simulated HDR), Unbreakable (software uniformly simulated HDR), Mulholland Dr. (software uniformly simulated HDR), Invasion of the Body Snatchers (software uniformly simulated HDR), The Hills Have Eyes (software uniformly simulated HDR), The Servant (software uniformly simulated HDR), Anatomy of a Murder (software uniformly simulated HDR), Taxi Driver  (software uniformly simulated HDR), The Wolf Man (1941) (software uniformly simulated HDR), Frankenstein (1931) (software uniformly simulated HDR),  Deep Red (software uniformly simulated HDR),  Misery (software uniformly simulated HDR), The Silence of the Lambs (software uniformly simulated HDR), John Carpenter's "The Thing" (software uniformly simulated HDR), The Cat' o'Nine Tails (software uniformly simulated HDR),  The Bird With the Crystal Plumage (software uniformly simulated HDR), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (software uniformly simulated HDR), Perdita Durango (software uniformly simulated HDR),  Django (software uniformly simulated HDR) Fanny Lye Deliver'd (software uniformly simulated HDR), The Good, the Bad and the Ugly, (NO HDR applied to disc),  Rollerball (software uniformly simulated HDR),  Chernobyl  (software uniformly simulated HDR), Daughters of Darkness (software uniformly simulated HDR), Vigilante (software uniformly simulated HDR), Tremors (software uniformly simulated HDR), Cinema Paradiso (software uniformly simulated HDR), The Bourne Legacy (software uniformly simulated HDR), Full Metal Jacket (software uniformly simulated HDR),  Psycho (software uniformly simulated HDR), The Birds (software uniformly simulated HDR), Rear Window (software uniformly simulated HDR), Vertigo (software uniformly simulated HDR) Spartacus (software uniformly simulated HDR), Jaws (software uniformly simulated HDR), The Invisible Man, (software uniformly simulated HDR), Steven Spielberg's War of the Worlds (software uniformly simulated HDR), Lucio Fulci's 1979 Zombie  (software uniformly simulated HDR),, 2004's Van Helsing (software uniformly simulated HDR),  The Shallows (software uniformly simulated HDR), The Bridge on the River Kwai (software uniformly simulated HDR), The Deer Hunter (software uniformly simulated HDR),  The Elephant Man (software uniformly simulated HDR), A Quiet Place (software uniformly simulated HDR), Easy Rider (software uniformly simulated HDR), Suspiria (software uniformly simulated HDR), Pan's Labyrinth (software uniformly simulated HDR) The Wizard of Oz, (software uniformly simulated HDR), The Shining, (software uniformly simulated HDR), Batman Returns (software uniformly simulated HDR), Don't Look Now (software uniformly simulated HDR), The Man Who Killed Killed and then The Bigfoot  (software uniformly simulated HDR), Bram Stoker's Dracula (software uniformly simulated HDR), Lucy (software uniformly simulated HDR), They Live (software uniformly simulated HDR), Shutter Island (software uniformly simulated HDR),  The Matrix (software uniformly simulated HDR), Alien (software uniformly simulated HDR), Toy Story (software uniformly simulated HDR),  A Few Good Men (software uniformly simulated HDR),  2001: A Space Odyssey (HDR caps udated), Schindler's List (simulated HDR), The Neon Demon (No HDR), Dawn of the Dead (No HDR), Saving Private Ryan (simulated HDR and 'raw' captures), Suspiria (No HDR), The Texas Chain Saw Massacre (No HDR), The Big Lebowski, and I Am Legend (simulated and 'raw' HDR captures).

The 4K UHD disc's audio gives the English language options of a robust Dolby Atmos (or identified as Dolby TrueHD) 7.1 surround track with a 'descriptive audio track' option in lossy Dolby as well as French and Spanish DUBs. The surround sounded pristine with tight, punchy aggression (pummeling fists, hollow small caliber gunshots etc.), piercing carny promotional yells coming from the rears and consistent crystal clear dialogue. The dynamic score is by Nathan Johnson (Knives Out, Looper, Brick.) The orchestral variety of the music ranges from mystery, high drama to foreboding intensity and creepy darkness. This is the equal to the strong video. BTW, "Stardust" by Hoagie Carmichael plays with the final credits. All 4K UHD discs are Region 'Free' as is the included Blu-ray and the Fox Searchlight Pictures offers optional English (SDH), French or Spanish subtitles.

NOTE: For Atmos many non-compliant systems will recognizes it as TrueHD 7.1, but from Wikipedia: "Because of limited bandwidth and lack of processing power, Atmos in home theaters is not a real-time mix rendered the same way as in cinemas. The substream is added to Dolby TrueHD or Dolby Digital Plus. This substream only represents a losslessly encoded fully object-based mix. This substream does not include all 128 objects separated. This is not a matrix-encoded channel, but a spatially-encoded digital channel. Atmos in home theaters can support 24.1.10 channel, but it is not an object-based real-time rendering. Filmmakers need to remix and render the TrueHD and Dolby Digital Plus soundtracks with Dolby Media Producer."

There are no extras on the 4K UHD disc. However, there is a second disc, a Blu-ray, with the film and three featurettes; 'Del Toro's Neo Noir', 'Beneath the Tarp', 'What Exists in the Fringe' which run 1/2 hour in total and offer behind-the-scenes footage and production shots, input from writer/director Guillermo del Toro, snippets from actors Dafoe, Blanchett, Perlman, costume designer Luis Sequeira, production designer Tamara Deverell and others. It's fairly surface stuff but revealing to a small extent. "Nightmare Alley"s long running time hinders a commentary but I would have appreciated one from del Toro.

Guillermo del Toro's "Nightmare Alley" had criticism for it's length and darker qualities. But the latter would be more suitable to the William Lindsay Gresham novel than censors would allow for Edmund Goulding's 1947 Noir mainstay. And I personally loved the extensive running time - this film is drenched in vintage beauty, noir conventions - who doesn't want more? - and it varies enough from the original film to make it always interesting; fleshing out certain, previously underdeveloped, characters, and not simply rehashing the memorable dialogue of the Tyrone Power gem (that many of us have memorized.) It has brilliant casting with Bradley Cooper, Cate Blanchett, Toni Collette as Zeena the Seer, Willem Dafoe, Richard Jenkins, Rooney Mara as loveable Molly, Ron Perlman as Bruno, David Strathairn as alcoholic Pete... and the production is expertly realized. There was no way I was not going to get the Fox 4K UHD release
and it's a keeper for me. "Nightmare Alley" overflows with all that we love about the 'dark cinema' cycle - what a pleasure to briefly revisit that era in such a stellar visual representation. Absolutely recommended!

Gary Tooze

 


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Box Cover

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Bonus Captures:

Distribution Fox Searchlight Pictures - Region FREE - 4K UHD


 


 

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