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(aka "Il gatto a nove code" or "Cat o' Nine Tails' or 'Die neunschwänzige Katze' or 'Le chat à neuf queues' or 'The Cat o' Nine Tails")
			
			
			directed by Dario Argento
			Italy/France/West Germany 1971
| While walking home with his adopted daughter Lori (Cinzia de Carolis), blind former journalist-turned-crossword puzzle designer Franco Arno (Karl Malden) overhears two people in a car discussing blackmail (he gets Lori to take a surreptitious look at the car but she can only make out one of the men) on the same night that someone breaks into the Terzi Institute and makes off with some genetic research. When one of the men Dr. Calabresi (Carlo Alighiero) meets a mysterious death in front of a train and Lori identifies him to Arno from a newspaper picture, Arno approaches journalist Carlo Giordani (James Franciscus) about looking into the connection between the death and the break-in at the institute where the dead man worked. When they discover that a photograph taken of the victim reveals a hand pushing him in front of a train (and the photographer is subsequently murdered), Giordani starts to take Arno seriously. His investigations into the Terzi Institute introduce him to Anna Terzi (Catherine Spaak), the director's adopted daughter/perhaps mistress, who reveals that the genetic research has to do with the chromosome that denotes psychopathic behavior. Arno and Giordani realize that Calebresi was blackmailing someone connected with the institute who is now out to quiet any one else who might know his or her secret. A hastily-made follow-up to the success of Argento's THE BIRD WITH THE CRYSTAL PLUMAGE, CAT O'NINE TAILS was critically-panned at the time of its release and tended to be overlooked between BIRD, the elusive FOUR FLIES ON GREY VELVET and Argento's genre quantum leaps DEEP RED and SUSPIRIA (the fact that CAT was only subsequently available on panned-and-scanned tapes of the cut TV version and bootlegs of the widescreen Japanese-subtitled laserdisc probably kept it from being revisited until it was released on DVD). More recently (and not just in light of some of Argento's more recent flops), CAT has started to earn a better reputation. Franciscus and Arno are engaging leads (with more chemistry than Franciscus and Spaak but it might be argued that she is supposed to be icy rather than wooden) and the mystery fairly diverting (although it is predicated on the notion of chromosomal imbalance causing psychosis) and amusing (including a Hitchcockian comic car chase and some other humorous bits). While Enrico Menczer's cinematography is not as visually striking (although the Techniscope compositions are nicely composed) as Argento's work with other cinematographers, the murders are striking and Ennio Morricone's main theme "Lullaby in Blue" is a nice compliment to his work on the previous Argento film. 
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Theatrical Release: October 21st, 1994
Reviews More Reviews DVD Reviews
Review: Arrow - Region FREE - 4K UHD
| Box Cover | 
		 | CLICK to order from: Re-released in a standard 4K UHD edition in November 2021: Bonus Captures: | 
| Distribution | Arrow - Region FREE - 4K UHD | |
| Runtime | 1:51:45.907 | |
| Video | 2.35:1 2160P 4K Ultra HD Disc Size:91,279,576,878 bytes Feature: 76,757,211,264 bytes Video Bitrate: 84.86Mbps Codec: HEVC Video | |
| NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. | ||
| Bitrate 4K Ultra HD: | 
	 | |
| Audio | DTS-HD Master 
	Audio English 1078 kbps 1.0 / 48 kHz / 1078 kbps / 24-bit (DTS Core: 1.0 / 
	48 kHz / 768 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps | |
| Subtitles | English, None | |
| Features | Release Information: Studio: Arrow 
 2.35:1 2160P 4K Ultra HD Disc Size:91,279,576,878 bytes Feature: 76,757,211,264 bytes Video Bitrate: 84.86Mbps Codec: HEVC Video 
 Edition Details: 4K Ultra HD disc 
		• Audio 
		commentary by critics Alan Jones and Kim Newman 
  		
		 Chapters12 | |
| Comments: | 
	
                      
						
						
						
						NOTE:
					
					
					The below 
					
						
					
      
					Blu-ray 
					and  
					
	4K UHD  
					captures were taken directly from the respective 
					discs. 
	 It is likely that the monitor you are seeing this review is not an HDR-compatible display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider and notably granular range of color and light. Our capture software if simulating the HDR (in a uniform manner) for standard monitors. This should make it easier for us to review more 4K UHD titles in the future and give you a decent idea of its attributes on your system. So our captures may not support the exact same colors (coolness of skin tones, brighter or darker hues etc.) as the 4K system at your home. But the framing, detail, grain texture support etc. are, generally, not effected by this simulation representation. NOTE: 50more more full resolution (3840 X 2160) 4K UHD captures, in lossless PNG format, for Patrons are available HERE We have reviewed the following 4K UHD packages to date: The Bird With the Crystal Plumage (software uniformly simulated HDR), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (software uniformly simulated HDR), Perdita Durango (software uniformly simulated HDR), Django (software uniformly simulated HDR), Fanny Lye Deliver'd (software uniformly simulated HDR), The Good, the Bad and the Ugly, (NO HDR applied to disc), Rollerball (software uniformly simulated HDR), Chernobyl (software uniformly simulated HDR), Daughters of Darkness (software uniformly simulated HDR), Vigilante (software uniformly simulated HDR), Tremors (software uniformly simulated HDR), Cinema Paradiso (software uniformly simulated HDR), The Bourne Legacy (software uniformly simulated HDR), Full Metal Jacket (software uniformly simulated HDR), Psycho (software uniformly simulated HDR), The Birds (software uniformly simulated HDR), Rear Window (software uniformly simulated HDR), Vertigo (software uniformly simulated HDR), Spartacus (software uniformly simulated HDR), Jaws (software uniformly simulated HDR), The Invisible Man, (software uniformly simulated HDR), Steven Spielberg's War of the Worlds (software uniformly simulated HDR), Lucio Fulci's 1979 Zombie (software uniformly simulated HDR),, 2004's Van Helsining (software uniformly simulated HDR), The Shallows (software uniformly simulated HDR), The Bridge on the River Kwai (software uniformly simulated HDR), The Deer Hunter (software uniformly simulated HDR), The Elephant Man (software uniformly simulated HDR), A Quiet Place (software uniformly simulated HDR), Easy Rider (software uniformly simulated HDR), Suspiria (software uniformly simulated HDR), Pan's Labyrinth (software uniformly simulated HDR), The Wizard of Oz, (software uniformly simulated HDR), The Shining, (software uniformly simulated HDR), Batman Returns (software uniformly simulated HDR), Don't Look Now (software uniformly simulated HDR), The Man Who Killed Hitler and then The Bigfoot (software uniformly simulated HDR),, Bram Stoker's Dracula (software uniformly simulated HDR), Lucy (software uniformly simulated HDR), They Live (software uniformly simulated HDR), Shutter Island (software uniformly simulated HDR), The Matrix (software uniformly simulated HDR), Alien (software uniformly simulated HDR), Toy Story (software uniformly simulated HDR), A Few Good Men (software uniformly simulated HDR), 2001: A Space Odyssey (HDR caps udated), Schindler's List (simulated HDR), The Neon Demon (No HDR), Dawn of the Dead (No HDR), Saving Private Ryan (simulated HDR and 'raw' captures), Suspiria (No HDR), The Texas Chain Saw Massacre (No HDR), The Big Lebowski, and I Am Legend (simulated and 'raw' HDR captures). 
		
			Audio duplicates the 2018 
		Blu-ray 
	- is transferred via DTS-HD Master mono tracks at 1000 kbps (24-bit) in the 
	option of 
			Italian or English languages (seamlessly-branched opening credit 
	sequence.) Effects are discreet with another giallo score by the iconic
		
		Ennio Morricone (Luna, 
		A 
		Bullet for the General, 
		
		Tie Me Up! Tie Me Down!, 
		
		Investigation of a Citizen Above Suspicion, 
		
		U Turn, 
		
		Stay As You Are etc. etc.) establishing and supporting the 
			film's appealing style. It's authentically flat, buoyant and clean. There are optional English 
			(SDH) and English (for Italian) subtitles 
		
		and like all 
					
						
	4K UHD
		discs it is  region 
		
			FREE. 
      					Arrow also duplicate the extras from their 2018 
						
	Blu-ray
      					- we get a same audio 
	commentary by critics Alan Jones (author of 
						Dario 
						Argento: The Man, the Myths & the Magic)
										
		
                      and Kim Newman (author of 
						
						Nightmare Movies: Horror on Screen Since the 1960s) 
						who work well together providing minutia on the film, 
						Argento, the genre, the performers and much more. It's 
						very good. There are the same interviews with 
						co-writer/director Dario Argento (1/4 hour entitled 'Nine 
						Lives'), co-writer Dardano Sacchetti (35-minutes 
						entitled 'The Writer O'Many Tales'), actress 
						Cinzia De Carolis (11-minutes - 'Child Star') and 
						production manager Angelo Iacono (1/4 hour - 'Giallo 
						in Turin') plus 3-minutes of the script pages for 
						the lost original ending, translated into English, plus the original Italian and 
						international theatrical trailers. The package (see 
						below) has an illustrated collector’s booklet featuring 
	an original essay on the film by Dario Argento, and writing by Barry 
	Forshaw, Troy Howarth and Howard Hughes, a fold-out double-sided poster 
	featuring original and newly commissioned artwork by Obviously Creative plus 
	six double-sided, postcard-sized lobby card reproduction artcards and it 
	comes in limited edition packaging with reversible sleeve featuring 
	originally and newly commissioned artwork by Obviously Creative. 
	 
	Like 
	 
	
	The Bird With the Crystal Plumage,  
	 
	Arrow's  
					
						
	4K UHD 
		release seems an upgrade in the video 
	only as compared to their excellent 2018  Blu-ray 
	- with the same lossless mono audio transfers (both English and Italian), 
	commentary and 
	extras. But it is still a notable upgrade for new adopters. This is 
	essential 
	Giallo 
	and is dynamic, building thriller with abundant Argento style. Certainly a film 
	that fans 
	will want in this  3840 X 
	2160 resolution. "The Cat o' Nine Tails" 
	deserves this upgrade (thank you Arrow!) - you deserve it - highly 
	recommended!  | 
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CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
| 1) Blue Underground - Region FREE - Blu-ray- TOP 2) Arrow (English) - Region FREE - 4K UHD- MIDDLE 3) Arrow (Italian Translation) - Region FREE - 4K UHD - BOTTOM | 
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| 1)Blue Underground - Region FREE - Blu-ray - TOP 2) Arrow - Region FREE - 4K UHD - BOTTOM 
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| 1)Anchor Bay Entertainment - Region 0 - NTSC - TOP 2)Arrow - Region FREE - 4K UHD BOTTOM 
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| 1)01 Distribution - Region 2 - PAL - TOP 2)Arrow - Region FREE - 4K UHD - BOTTOM 
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 1)Arrow (4K Restored) - Region FREE - Blu-ray - TOP 2) Arrow - Region FREE - 4K UHD - BOTTOM 
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More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
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| Box Cover | 
		 | CLICK to order from: Re-released in a standard 4K UHD edition in November 2021: Bonus Captures: | 
| Distribution | Arrow - Region FREE - 4K UHD | |
 
	
	
	
	
	
	
		
		
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