Review by Gary Tooze

 

Studio:

Theatrical: Universal

Video: Blue Underground

Disc:

Region: FREE

Runtime: 1:36:30.826

Disc Size: 34,090,175,527 bytes

Feature Size: 30,704,007,168 bytes

Average Bitrate: 42.42 Mbps

Chapters: 26

Case: Standard Blu-ray case

Release date: February 24th, 2009

 

Video:

Aspect ratio: 2.35:1

Resolution: 1080p

Video codec: MPEG-4 AVC Video

 

Audio:

DTS-HD Master Audio English 3427 kbps 7.1 / 48 kHz / 3427 kbps / 24-bit
(DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Dolby TrueHD Audio English 1551 kbps 7.1 / 48 kHz / 1551 kbps / 16-bit
(AC3 Core: 5.1-EX / 48 kHz / 448 kbps)
Dolby Digital EX Audio English 448 kbps 5.1-EX / 48 kHz / 448 kbps
Dolby Digital EX Audio Italian 448 kbps 5.1-EX / 48 kHz / 448 kbps
Commentary: Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps

 

Subtitles:

English, none

 

Extras:

• Audio Commentary with Journalists Alan Jones and Kim Newman
• Out of the Shadows: Interview with co-writer/director Dario Argento (17:56)
• The Music of Murder: Interview with composer Ennio Morricone (7:32)
• Painting with Darkness: Interview with cinematographer Vittorio Storaro (10:04)
• Eva's Talking: Interview with Eva Renzi (11:21)
• U.S. Trailer
• Italian Trailer
• TV Spots

 

Bitrate:

 

 

Description: THE STUNNING DEBUT BY DARIO ARGENTO - THE ITALIAN MASTER OF TERROR
In his first film as writer/director, Dario Argento (Suspira, Deep Red, Two Evil Eyes) single-handedly created the Giallo genre and instantly emerged as the filmmaker critics worldwide hailed as 'The Italian Hitchcock.' Tony Musante (Traffic, We Own the Night) and Suzy Kendall (Circus of Fear, Torso) star in this pulse-pounding suspense thriller about an American writer in Rome who witnesses - and is helpless to stop - a brutal assault, the cunning vengeance of a maniac, and the heart-stopping horror that lives - and kills - deep in the dark.

Blue Underground is proud to present this legendary shocker in striking High Definition, remastered from its original camera negative (including recently discovered never-before-seen footage of explicit violence) and remixed in 7.1 DTS-HD and 7.1 Dolby TrueHD. Illuminating Extras include four featurettes with Dario Argento, Oscar(R) winning cinematographer Vittorio Storaro, legendary composer Ennio Morricone, co-star Eva Renzi and much more!

 

 

The Film:

This is Dario Argento's directorial debut and with it, he pretty much put giallo movies on the map. That's how potent and influential this movie turned out to be. The premise is nothing special: an American writer in Rome sees a murder attempt but is helpless to try and stop it, and so gets entangled in the investigation to stop the murderer. The premise is not so important as how everything plays out.

From his first movie, Mr. Argento showed he was a master of both atmosphere and suspense. One scene goes to show how he crafts a simple murder. A girl walks home alone. She enters her building and looks up at the stairs. The triangular-shaped stairwell rises, floor after floor, into the darkness. She walks up the stairs, moving in and out of shadows created by the oddly-shaped stairwell. Her own shadow moves across the wall, with simple shots creating eerie suspense where other directors would use music and slick editing to help raise the heartbeat.

Instead of these things, Mr. Argento uses point of view shots, limiting what we can see, only seeing through characters' eyes. We know someone is following this poor woman, but when we see through her eyes, we don't know where he is, or even if he's still peering around trees and walls.

Mention has to go to cinematographer extraordinaire Vittorio Storaro, who paints a wonderful vision. Dario Argento is, firstly, a visual director, but this would be nothing without a great cinematographer capable of filming what the director desires. Mr. Storaro is up to the challenge and helps create a visual feast of a story. Every scene is framed the way it should be to create maximum impact. The critical scene with Suzy Kendall alone in her apartment shows how the cinematography is used to create incredible suspense. With a just of a few shots of Mrs. Kendall's face, a knife and a small hole in a door, my heart was pounding.

This scene is also helped out with the pitch-perfect music and the razor-sharp editing. The pacing in that scene is spot-on to create enough tension so that the release is a definite catharsis of all the pent-up energy. Ennio Morricone's wonderful (though slightly dated) score, with its unorthodox use of voices, and Franco Fraticelli's tight editing combine with Mr. Argento's assured directing to create a great cinematic experience so perfect I don't remember a scene so wonderfully executed. Remember, this is Mr. Argento's directorial debut.

The plot is simple but, as I've said, the style is more important. This movie is a murder story, steeped in suspense, with a side of thriller. The comparisons to Alfred Hitchcock (and the name Mr. Argento acquired as The Italian Hitchcock) are justified. At a time when the US was retching out disposable titles like 'Carnival of Blood', 'Daughter of Satan' and 'The Wizard of Gore', the master, Dario Argento, was making a classic of the genre like 'The Bird with the Crystal Plumage'.

Pat Pilon for DVDBeaver

 

 

Image :    NOTE: The below Blu-ray captures were ripped directly from the Blu-ray disc.
 

One should be willing to accept grain over detail in this 1970 classic. I thought the Blu-ray image looked grand and obviously superior to the DVD (reviewed HERE by Pat Pilon). Both detail and the visibility of heavy grain are the most remarkable improvements over the SD digital rendering. I had the feeling there was some brightness boosting as colors seemed almost overly vibrant but I could find evidence of digital manipulation. While noise exists I won't say it was an issue with no clunky artifacts to distract from the curious Argento visuals. Fans should just beware that it appears all that could be done with this image quality has been achieved here. Even the restored source can't accurately make it look sharper than it originally was. For those keen on grain - it is here in abundance. Blue Underground have done well with over 30 Gig of space for the feature on this dual-layered Blu-ray disc with a healthy bitrate. Outdoor scenes are bright and contrast subtleties seem captured effectively by the MPEG-4 encode. This Blu-ray has a thick textured appearance probably very adeptly resembling the theatrical appearance. Once again - nothing leads me to believe that this transfer is anything but a solid effort at reproducing an important genre film for home presentations. It is far from HD-demo material but the colors, improved detail and high level of grain make for a very satisfying viewing.

 

CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

 

 

 

 

 

 

 

 

 

 

 

 

Audio :

Like the DVD there is a funky English DUB offered. On this Blu-ray we get boosted mixes in  DTS and TrueHD but I preferred the Italian Dolby Digital EX with yellow subtitles (NOTE: the subs don't accurately follow the DUBs). This film won't be remembered for the pristine effect sounds but probably more so for Ennio Morricone's delicate and lurking original score. I didn't note a lot of deft separation but a little can go a long way with a film like this. Italian post-Dubs are always noted for being a bit scattered and this is another case in point. Still - all part of the Giallo charm and although only English as a subtitle option, like the DVD, this release is Region FREE. NOTE: There is no 'flat' track for purists.

 

 

 

Extras :

Duplicated from the 2-disc Blue Underground DVD set from 2005 and we will hearken to Pat's description (from HERE). "The extras are all quite interesting. The commentary is informative, if a bit repetitive and scattered. The two gentlemen give out a lot of ideas and add to the movie. The four interviews are great and add a great deal of information and context to the movie." NOTE: the first three interviews are in Italian with English subs optional and for followers of Argento, Storaro or Morricone - they amount to decent information - if fairly short pieces. Beyond that there are trailers and TV Spots.

 

 

BOTTOM LINE:
A seminal Giallo from one of the masters. The Blu-ray exceeded my expectations and produced a rewarding and enjoyable presentation of this classic. I think this has good value for just over $20, but fans will need a higher-end system to take full advantage of the stronger differences to the DVD - but I can vouch that they definitely exist and grain lovers will be in nirvana.

Gary Tooze

February 18th, 2009