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S E A R C H D V D B e a v e r |
Directed by Karl Freund
USA 1932
The Mummy represented Boris Karloff's second horror starring role after his "overnight" success in Frankenstein. Brought back to life after nearly 3,700 years, Egyptian high priest Imhotep wreaks havoc upon the members of the British field exposition that disturbed his tomb (shades of the King Tut curse). While disguised as a contemporary Egyptologist, he falls in love with Zita Johann, whom he recognizes as the latest incarnation of a priestess who died nearly 40 centuries earlier. Spiriting Zita away to the tomb, he relates the story of how he had dared to enter her ancestor's sacred burial crypt, hoping to restore her to life. Caught in the act, he was embalmed alive and his tongue was cut out for his act of sacrilege. Now that he has returned, he intends to slay Zita, so that they will be reunited for all time in the Hereafter. Despite its melodramatic trappings, The Mummy is essentially a love story, poetically related by ace cinematographer and first-time director Karl Freund. Jack Pierce's justly celebrated makeup skills offers us two Karloffs: the wizened Egyptologist and the flaking, rotting mummy, who though only seen for a few seconds remains in the memory long after the film's final image has faded. Best line: "It went for a little walk." *** Hardly a horror film in that it refuses to go for shock effects, this tale of Im-ho-tep, an ancient Egyptian priest brought back to life by an archaeologist, is a sombre and atmospheric depiction of eternal passion and occult reincarnation. The script throws up a heady mixture of evocative nonsense that bears little relation to the realities of Egyptian religion and history, but the whole thing is transformed by Karloff's restrained performance as the mummy who becomes, in his new life, an Egyptian archaeologist stalking Cairo in search of his beloved, a reincarnated princess; and by Freund's strong visual sense (he had previously been cameraman on Murnau's The Last Laugh, Lang's Metropolis, and the original Dracula). Not as great as Universal's earlier Frankenstein, but a fascinating installment in the studio's series of classic fantasies. Excerpt from TimeOut located HERE |
Posters
Theatrical Release: December 22nd, 1932
Reviews More Reviews DVD Reviews
Review: Universal - Region FREE - 4K UHD
Box Cover |
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CLICK to order from: Only available, presently in Universal's 4K UHD Monsters: Icons of Horror Collection with The Mummy / The Bride of Frankenstein / Phantom of the Opera and Creature from the Black Lagoon Coming to individual 4K UHD in October 2023: Bonus Captures: |
Distribution | Universal - Region FREE - 4K UHD | |
Runtime | 1:13:08.509 | |
Video |
1.37:1 2160P 4K Ultra HD Disc Size: 64,527,865,545 bytesFeature: 46,739,369,472 bytes Video Bitrate: 76.29 MbpsCodec: HEVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate 4K Ultra HD: |
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Audio |
DTS-HD Master
Audio English 1967 kbps 2.0 / 48 kHz / 1967 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
|
Subtitles | English (SDH), French, Spanish, Japanese, German, Italian, Dutch, Danish, Finnish, Norwegian, Swedish, Chinese, None | |
Features |
Release Information: Studio: Universal
1.37:1 2160P 4K Ultra HD Disc Size: 64,527,865,545 bytesFeature: 46,739,369,472 bytes Video Bitrate: 76.29 MbpsCodec: HEVC Video
Edition Details: 4K Ultra HD disc
• Commentary by Rick Baker, Scott Essman, Steve Haberman,
Bob Burns, Brent Armstrong
Universal - Region FREE - Blu-ray
• Commentary by Rick Baker, Scott Essman, Steve Haberman, Bob Burns,
Brent Armstrong
Chapters 18 |
Comments: |
NOTE:
The below
Blu-ray
and
4K UHD
captures were taken directly from the respective
discs.
The HDR10 transfer may not escalate The Mummy to the same degree as other Classic Monster films in Universal's first two 4K UHD packages but it nonetheless is a significant bump over decade-old 1080P in terms of deeper black levels and marvelously rendered gray scale. The grain is thick and even and the contrast is layered to provide the definitive digital presentation of the film. Strangely some information is lost occasionally on the bottom of the frame, and a sliver on the right edge, but it gains on the, often superfluous, top. But black levels are darker, white's brighter and creepy shadows more pronounced. This adds the perception of improved detail and Karloff never looked more ominous. NOTE: This package has eight discs - four 4K UHD and the four original 2012 Blu-rays as evidenced by the M2TS dates:
It is likely that the monitor
you are seeing this review is not an
HDR-compatible
display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider
and notably granular range of color and light. Our
capture software if simulating the HDR (in a uniform manner) for standard
monitors. This should make it easier for us to review more
4K UHD titles in the
future and give you a decent idea of its attributes on your system. So our
captures may not support the exact same colors (coolness of
skin tones, brighter or darker hues etc.) as the
4K system at your home. But the
framing, detail, grain texture support etc. are, generally, not effected by
this simulation representation.
NOTE:
5
We have reviewed the following 4K
UHD packages to date:
Creature From the Black Lagoon
(software uniformly simulated HDR),
Bride of Frankenstein
(software uniformly simulated HDR),
The Amityville Horror
(software uniformly simulated HDR),
The War of the Worlds
(1953)
(software uniformly simulated HDR),
The Incredible Melting Man
(software uniformly simulated HDR),
Cloak & Dagger
(software uniformly simulated HDR),
Event Horizon
(software uniformly simulated HDR),
Get Carter
(software uniformly simulated HDR),
The Killing
(software uniformly simulated HDR),
Killer's Kiss
(software uniformly simulated HDR),
Out of Sight
(software uniformly simulated HDR),
Raging Bull
(software uniformly simulated HDR),
Shaft
(1971),
(software uniformly simulated HDR),
Double Indemnity
(software uniformly simulated HDR),
The Untouchables
(software uniformly simulated HDR),
For a Few Dollars More
(no HDR),
Saboteur
(software uniformly simulated HDR),
Marnie
(software uniformly simulated HDR),
Shadow of a Doubt
(software uniformly simulated HDR),
The Man Who Shot Liberty Valance
(software uniformly simulated HDR),
A Fistful of Dollars
(no HDR),
In the Heat of the Night
(no HDR),
Jack Reacher
(software uniformly simulated HDR),
Death Wish II
(software uniformly simulated HDR),
The Apartment
(no HDR),
The Proposition
(software uniformly simulated HDR),
Nightmare Alley (2021)
(software uniformly simulated HDR),
Mary Shelley's Frankenstein
(software uniformly simulated HDR),
The Godfather
(software uniformly simulated HDR),
Le Crecle Rouge
(software uniformly simulated HDR),
An American Werewolf in London
(software uniformly simulated HDR),
A Hard Day's Night
(software uniformly simulated HDR),
The Piano
(software uniformly simulated HDR),
The Great Escape
(software uniformly simulated HDR),
The Red Shoes
(software uniformly simulated HDR),
Citizen Kane
(software uniformly simulated HDR),
Unbreakable
(software uniformly simulated HDR),
Mulholland Dr.
(software uniformly simulated HDR),
Invasion of the Body Snatchers
(software uniformly simulated HDR),
The Hills Have Eyes
(software uniformly simulated HDR),
The Servant
(software uniformly simulated HDR),
Anatomy of a Murder
(software uniformly simulated HDR),
Taxi
Driver
(software uniformly simulated HDR),
The Wolf Man (1941)
(software uniformly simulated HDR),
Frankenstein (1931)
(software uniformly simulated HDR),
Deep Red
(software uniformly simulated HDR),
Misery
(software uniformly simulated HDR),
The Silence of the Lambs
(software uniformly simulated HDR),
John Carpenter's "The Thing"
(software uniformly simulated HDR),
The Cat' o'Nine Tails
(software uniformly simulated HDR),
The Bird With the Crystal Plumage
(software uniformly simulated HDR),
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
(software uniformly simulated HDR),
Perdita Durango
(software uniformly simulated HDR),
Django
(software uniformly simulated HDR),
Fanny Lye Deliver'd (software uniformly simulated HDR),
The Good, the Bad and the Ugly,
(NO HDR applied to disc),
Rollerball
(software uniformly simulated HDR),
Chernobyl
(software uniformly simulated HDR),
Daughters of Darkness
(software uniformly simulated HDR),
Vigilante
(software uniformly simulated HDR), Tremors
(software uniformly simulated HDR), Cinema Paradiso
(software uniformly simulated HDR), The Bourne Legacy
(software uniformly simulated HDR), Full Metal Jacket
(software uniformly simulated HDR),
Psycho
(software uniformly simulated HDR),
The Birds (software uniformly simulated HDR),
Rear Window (software uniformly simulated HDR),
Vertigo
(software uniformly simulated HDR),
Spartacus
(software uniformly simulated HDR),
Jaws
(software uniformly simulated HDR),
The Invisible Man,
(software uniformly simulated HDR),
Steven Spielberg's
War of the Worlds (software uniformly simulated HDR),
Lucio Fulci's 1979
Zombie
(software uniformly simulated HDR),,
2004's
Van Helsing
(software uniformly simulated HDR),
The Shallows
(software uniformly simulated HDR),
The Bridge on the River Kwai
(software uniformly simulated HDR),
The Deer Hunter
(software uniformly simulated HDR),
The Elephant Man
(software uniformly simulated HDR),
A Quiet Place
(software uniformly simulated HDR),
Easy Rider
(software uniformly simulated HDR),
Suspiria
(software uniformly simulated HDR),
Pan's Labyrinth
(software uniformly simulated HDR),
The Wizard of Oz, (software uniformly simulated HDR),
The Shining,
(software uniformly simulated HDR),
Batman Returns
(software uniformly simulated HDR),
Don't Look Now
(software uniformly simulated HDR),
The Man Who Killed Killed and then The Bigfoot
(software uniformly simulated HDR),,
Bram Stoker's Dracula
(software uniformly simulated HDR),
Lucy
(software uniformly simulated HDR),
They Live
(software uniformly simulated HDR), Shutter Island
(software uniformly simulated HDR),
The Matrix
(software uniformly simulated HDR),
Alien
(software uniformly simulated HDR),
Toy Story
(software uniformly simulated HDR),
A Few Good Men
(software uniformly simulated HDR),
2001: A Space Odyssey (HDR caps udated),
Schindler's List
(simulated HDR), The
Neon Demon (No HDR), Dawn
of the Dead (No HDR), Saving
Private Ryan (simulated HDR and 'raw' captures), Suspiria (No
HDR), The
Texas Chain Saw Massacre (No HDR), The
Big Lebowski, and I
Am Legend (simulated and 'raw' HDR captures).
On their
4K UHD,
Universal offer
the same English-language track
encode (24-bit) - a DTS-HD Master
dual-mono as found on
their 2012
Blu-ray
reviewed
HERE. It is very effective and remains highly supportive in the
lossless notably in the bombastic score.
What is added are a three foreign
language DUBs (French, German, and Italian.)
The uncredited score was by James Dietrich (Leopard Men of Africa,
arrangements on
King of Jazz, but he is mostly known for composing for over 150
short films in his career.) However,
highly remarkable in the film are classic pieces; Misterioso
which precedes Tchaikovsky's "Swan Lake" during opening credits,
Victor Young's
(Arise
my Love,
Union
Pacific,
The
Accused,
Strategic
Air Command, The
Sun Shines Bright,
Johnny Guitar,
China Gate etc.)
Beautiful Love and Heinz Roemheld's (Four
Frightened People,
Ruby
Gentry,
I,
Jane Doe,
O.S.S., Dangerous,
The
Monster that Challenged The World, The
Land Unknown,
The Mole People, 1933's
The Invisible Man)
Lento and Marche Funebre with Michel Brusselmans' Dirge
playing during the flashback to Ancient Egypt (was longer than now
exists.) Clean and atmospheric adding some appreciation resonance.
Universal add optional
English and many subtitle options on the Region FREE
4K UHD
disc with still only English and Spanish on their included Region FREE
Blu-ray
from 2012.
Following the others in the package this has the duplicate
extras from the
Blu-ray
and original Legacy DVD set with the same two educational commentaries by
Rick Baker, Scott Essman, Steve Haberman, Bob Burns, Brent Armstrong and the
second one by the knowledgeable film historian Paul M. Jensen. We also get
another thorough David J. Skal documentary - this one is 1/2 hour and
humorously titled Mummy Dearest: A Horror Tradition Unearthed. It has
Rick Baker, Rudy Behlmer plus archive footage of many. He Who Made Monsters -
The Life and Times of Jack Pierce runs 25-minutes and is a newer (2008)
documentary by Constantine Nasr all about Jack Pierce and his involvement in
the Universal Monsters phenomenon. Unraveling the Legacy of The Mummy
is 8-minutes and we also get The Mummy Archives - 10 minutes of a
slideshow of posters and stills. There is a trailer gallery, a 100 Years of
Universal piece. The
Blu-ray
disc has the 'My Scenes' referencing ability.
|
Menus / Extras
CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
1) Universal - Region FREE - Blu-ray - TOP 2) Universal - Region FREE - 4K UHD BOTTOM |
More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
Box Cover |
|
CLICK to order from: Only available, presently in Universal's 4K UHD Monsters: Icons of Horror Collection with The Mummy / The Bride of Frankenstein / Phantom of the Opera and Creature from the Black Lagoon Coming to individual 4K UHD in October 2023: Bonus Captures: |
Distribution | Universal - Region FREE - 4K UHD |
Search DVDBeaver |
S E A R C H D V D B e a v e r |