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S E A R C H D V D B e a v e r |
Directed by Brian De Palma
USA 1980
A disturbed woman, adrift in steamy sexual fantasies. A New York psychiatrist who seems to have taken on one patient too many. A beautiful call girl caught between the cops and a vicious razor-wielding killer…and the killer herself: a tall, blonde, elusive psycho named Bobbi. Dressed to Kill contains all the heart-stopping elements of a classic suspense thriller. But writer-director Brian De Palma (Carrie, The Fury, Blow Out, Scarface, The Untouchables) turns up the heat and takes them one step further to create a masterpiece. Screen legend Michael Caine (The Ipcress File, The Italian Job) stars as a fashionable Manhattan therapist faced with a murderous puzzle: the sudden, hideous slaying of one of his patients—with a straight razor stolen from his office. Desperate to find the slasher before anyone else is hurt, the doctor soon finds himself lost in a provocative and deadly maze of obsession, deviance and deceit. Stunningly scored by Pino Donaggio (Body Double) with terrific turns by Angie Dickinson (Pretty Maids All in a Row), Nancy Allen (RoboCop), Dennis Franz (American Buffalo) and Keith Gordon (Christine), Dressed to Kill is a psychosexual tour de force from the modern master of the macabre. *** One of Brian De Palma's most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man's building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer's next target. With the police less than willing to believe her story, Liz joins forces with Kate's son Peter (Keith Gordon) to get the psychopath themselves. |
Posters
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Theatrical Release: July 25th, 1980
Reviews More Reviews DVD Reviews
Review: Kino - Region FREE - 4K UHD
Box Cover |
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CLICK to order from: Coming to 4K UHD by Arrow in the UK on March 3rd, 2025; Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD | |
Runtime | 1:44:50.583 | |
Video |
2.35:1 2160P 4K Ultra HD Disc Size: 80,125,214,545 bytes Feature: 79,205,621,760 bytes Video Bitrate: 70.00 MbpsCodec: HEVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate 4K Ultra HD: |
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Audio |
DTS-HD Master
Audio English 1883 kbps 2.0 / 48 kHz / 1883 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) DTS-HD Master Audio English 1976 kbps 2.0 / 48 kHz / 1976 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) |
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Subtitles | English (SDH), None | |
Features |
Release Information: Studio: Kino
2.35:1 2160P 4K Ultra HD Disc Size: 80,125,214,545 bytes Feature: 79,205,621,760 bytes Video Bitrate: 70.00 MbpsCodec: HEVC Video
Edition Details: 4K Ultra HD disc • NEW Audio Commentary by Film Critic and Author Maitland McDonagh
Kino - Region FREE - Blu-ray
• STRICTLY BUSINESS: NEW Interview with Actress Nancy Allen (17:27)
Black 4K Ultra HD Case inside slipcase Chapters 10 |
Comments: |
NOTE:
The below
Blu-ray
and
4K UHD
captures were taken directly from the respective
discs.
The package includes a second disc
Blu-ray with only special features
(not the film.)
It is likely that the monitor
you are seeing this review is not an
HDR-compatible
display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider
and notably granular range of color and light. Our
capture software if simulating the HDR (in a uniform manner) for standard
monitors. This should make it easier for us to review more
4K UHD titles in the
future and give you a decent idea of its attributes on your system. So our
captures may not support the exact same colors (coolness of
skin tones, brighter or darker hues etc.) as the
4K system at your home. But the
framing, detail, grain texture support etc. are, generally, not effected by
this simulation representation.
NOTE:
We have reviewed the following 4K
UHD packages to date:
The Power of the Dog
(software uniformly simulated HDR),
Escape From Alcatraz
(software uniformly simulated HDR),
I, the Jury
(no HDR),
Casablanca
(software uniformly simulated HDR),
In the Mood For Love
(NO HDR applied to disc),
The Werewolf vs. the Vampire Woman
(software uniformly simulated HDR),
Blow Out
(software uniformly simulated HDR),
Night of the Living Dead
(NO HDR applied to disc),
Lost Highway
(software uniformly simulated HDR),
Videodrome
(software uniformly simulated HDR),
The Last Picture Show
(software uniformly simulated HDR),
It Happened One Night
(software uniformly simulated HDR),
The Mummy
(1932)(software uniformly simulated HDR),
Creature From the Black Lagoon
(software uniformly simulated HDR),
Bride of Frankenstein
(software uniformly simulated HDR),
The Amityville Horror
(software uniformly simulated HDR),
The War of the Worlds
(1953)
(software uniformly simulated HDR),
The Incredible Melting Man
(software uniformly simulated HDR),
Event Horizon
(software uniformly simulated HDR),
Get Carter
(software uniformly simulated HDR),
The Killing
(software uniformly simulated HDR),
Killer's Kiss
(software uniformly simulated HDR),
Out of Sight
(software uniformly simulated HDR),
Raging Bull
(software uniformly simulated HDR),
Shaft
(1971),
(software uniformly simulated HDR),
Double Indemnity
(software uniformly simulated HDR),
The Untouchables
(software uniformly simulated HDR),
For a Few Dollars More
(no HDR),
Saboteur
(software uniformly simulated HDR),
Marnie
(software uniformly simulated HDR),
Shadow of a Doubt
(software uniformly simulated HDR),
The Man Who Shot Liberty Valance
(software uniformly simulated HDR),
A Fistful of Dollars
(no HDR),
In the Heat of the Night
(no HDR),
Jack Reacher
(software uniformly simulated HDR),
Death Wish II
(software uniformly simulated HDR),
The Apartment
(no HDR),
The Proposition
(software uniformly simulated HDR),
Nightmare Alley (2021)
(software uniformly simulated HDR),
Mary Shelley's Frankenstein
(software uniformly simulated HDR),
The Godfather
(software uniformly simulated HDR),
Le Crecle Rouge
(software uniformly simulated HDR),
An American Werewolf in London
(software uniformly simulated HDR),
A Hard Day's Night
(software uniformly simulated HDR),
The Piano
(software uniformly simulated HDR),
The Great Escape
(software uniformly simulated HDR),
The Red Shoes
(software uniformly simulated HDR),
Citizen Kane
(software uniformly simulated HDR),
Unbreakable
(software uniformly simulated HDR),
Mulholland Dr.
(software uniformly simulated HDR),
Invasion of the Body Snatchers
(software uniformly simulated HDR),
The Hills Have Eyes
(software uniformly simulated HDR),
The Servant
(software uniformly simulated HDR),
Anatomy of a Murder
(software uniformly simulated HDR),
Taxi
Driver
(software uniformly simulated HDR),
The Wolf Man (1941)
(software uniformly simulated HDR),
Frankenstein (1931)
(software uniformly simulated HDR),
Deep Red
(software uniformly simulated HDR),
Misery
(software uniformly simulated HDR),
The Silence of the Lambs
(software uniformly simulated HDR),
John Carpenter's "The Thing"
(software uniformly simulated HDR),
The Cat' o'Nine Tails
(software uniformly simulated HDR),
The Bird With the Crystal Plumage
(software uniformly simulated HDR),
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
(software uniformly simulated HDR),
Perdita Durango
(software uniformly simulated HDR),
Django
(software uniformly simulated HDR),
Fanny Lye Deliver'd (software uniformly simulated HDR),
The Good, the Bad and the Ugly,
(NO HDR applied to disc),
Rollerball
(software uniformly simulated HDR),
Chernobyl
(software uniformly simulated HDR),
Daughters of Darkness
(software uniformly simulated HDR),
Vigilante
(software uniformly simulated HDR), Tremors
(software uniformly simulated HDR), Cinema Paradiso
(software uniformly simulated HDR), The Bourne Legacy
(software uniformly simulated HDR), Full Metal Jacket
(software uniformly simulated HDR),
Psycho
(software uniformly simulated HDR),
The Birds (software uniformly simulated HDR),
Rear Window (software uniformly simulated HDR),
Vertigo
(software uniformly simulated HDR),
Spartacus
(software uniformly simulated HDR),
Jaws
(software uniformly simulated HDR),
The Invisible Man,
(software uniformly simulated HDR),
Steven Spielberg's
War of the Worlds (software uniformly simulated HDR),
Lucio Fulci's 1979
Zombie
(software uniformly simulated HDR),,
2004's
Van Helsing
(software uniformly simulated HDR),
The Shallows
(software uniformly simulated HDR),
The Bridge on the River Kwai
(software uniformly simulated HDR),
The Deer Hunter
(software uniformly simulated HDR),
The Elephant Man
(software uniformly simulated HDR),
A Quiet Place
(software uniformly simulated HDR),
Easy Rider
(software uniformly simulated HDR),
Suspiria
(software uniformly simulated HDR),
Pan's Labyrinth
(software uniformly simulated HDR),
The Wizard of Oz, (software uniformly simulated HDR),
The Shining,
(software uniformly simulated HDR),
Batman Returns
(software uniformly simulated HDR),
Don't Look Now
(software uniformly simulated HDR),
The Man Who Killed Killed and then The Bigfoot
(software uniformly simulated HDR),,
Bram Stoker's Dracula
(software uniformly simulated HDR),
Lucy
(software uniformly simulated HDR),
They Live
(software uniformly simulated HDR), Shutter Island
(software uniformly simulated HDR),
The Matrix
(software uniformly simulated HDR),
Alien
(software uniformly simulated HDR),
Toy Story
(software uniformly simulated HDR),
A Few Good Men
(software uniformly simulated HDR),
2001: A Space Odyssey (HDR caps udated),
Schindler's List
(simulated HDR), The
Neon Demon (No HDR), Dawn
of the Dead (No HDR), Saving
Private Ryan (simulated HDR and 'raw' captures), Suspiria (No
HDR), The
Texas Chain Saw Massacre (No HDR), The
Big Lebowski, and I
Am Legend (simulated and 'raw' HDR captures).
On their
4K UHD, Kino offer DTS-HD Master
tracks in both the original mono (dual, 2.0 channel) and a 5.1 surround
(both 24-bit) in the English language.
"Dressed to Kill" is filled with various types of violent and
studious effects, with notable separations, and the slasher sequences
and tension are strongly accentuated by
Pino Donaggio's
(Blow
Out,
Body Double,
Don't Look Now,
Carrie,
Raising Cain,
Crawlspace,
Meridian,
Beyond Evil,
Tourist Trap
etc.) boisterous
score which benefits from the lossless renderings.
The
4K UHD
disc offers optional English subtitles - and is, like all
4K UHD, region FREE,
playable worldwide. The second disc
Blu-ray
with extras is Region 'A'-locked.
The
4K UHD has
a new audio commentary by film critic Maitland McDonagh (author of
Filmmaking on the Fringe:
The Good, the Bad and the Deviant Directors.) She discusses the
film's controversy during its theatrical release with violence -
particularly against women. She mentions the comparisons with Hitchcock (not
always positive) - notably
Psycho
(shower scene),
Vertigo
(art gallery) with specific references in Dressed to Kill. She
expands details on the production - Angie Dickenson's body double (1977
Penthouse Pet of the Year model Victoria Lynn Johnson), the gliding camera
as if 'stalking' - the story etc. There is a modest amount shared, with
pauses, and I found it interesting with specific details and astute
character motivations and observations. She's quite laid back and I
appreciated inclusion in the package although it wouldn't be considered
academic, nor relating history and facts on the cast and crew - more her
personal feelings.
As stated the included
Blu-ray
has only special features. These include
about 3/4 of hour's worth of new interviews with actress Nancy Allen (still
gorgeous), Associate Producer and Production Manager Fred C. Caruso and
actor and filmmaker Keith Gordon. Also included are 2012 interviews with
actress Angie Dickinson for 1/2 hour, actress Nancy Allen, again, for
23-minutes, Keith Gordon, again, for almost 40 minutes. These were found on
Arrow's 2013
Blu-ray
release. From the 2001 MGM digital release we get the 45-minute 'The
Making of Dressed to Kill' documentary, the 10-minute "Slashing
Dressed to Kill" featurette, the Unrated, R-Rated and TV-Rated
Comparison featurette and 6-minute "Appreciation by Keith Gordon".
There are 80's archival audio interviews with actors Michael Caine (4:51),
Angie Dickinson (3:31) and Nancy Allen (14:31) plus a theatrical plus teaser
trailer, seven Radio Spots and three TV Spots. There is a reversible cover -
see below. |
Menus / Extras
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CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
1) MGM - Region FREE - Blu-ray - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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1) Arrow Films - Region 'B' Blu-ray - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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1) Criterion (Second Printing) - Region 'A' - Blu-ray - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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1) Criterion (First Printing) - Region 'A' - Blu-ray - TOP 2) Kino - Region FREE - 4K UHD - BOTTOM |
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More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
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Box Cover |
|
CLICK to order from: Coming to 4K UHD by Arrow in the UK on March 2025; Bonus Captures: |
Distribution | Kino - Region FREE - 4K UHD |
Search DVDBeaver |
S E A R C H D V D B e a v e r |