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Bloodstained Italy [3 X Blu-ray]

 
Obscene Desire (1978)       The Bloodstained Lawn (1973)

 

Death Falls Lightly (1972)

 


 

Italian horror in the 1960s and 70s went through several popular tonal and thematic phases. From gothic thrillers in the early to mid-60s, psychedelia and monster mayhem in the late 60s and early 70s, and of course, all manner of gialli and other assorted murder thrillers. But what of those films that offer a form of narrative bait and switch, luring the viewer in with the pretense of one genre while slowly revealing themselves to be something else entirely? Presented here are a trio of 70s Italian horror features which play with, combine, subvert, and surprise with their genre leanings, all newly and exclusively restored from their 35mm original negatives and all presented on English-friendly home video for the very first time, from Vinegar Syndrome.

In director Giulio Petroni's Obscene Desire (L'osceno desiderio), a young American woman, Amanda, moves to a large and creepy countryside villa with her newlywed Italian husband. Soon enough, strange and seemingly supernatural events begin to befall the property, as a black-gloved killer simultaneously picks up and murders prostitutes. What do these otherworldly occurrences and the vicious killings have in common? And what sinister plans have been hatched for Amanda? A truly genre-defying shocker combining elements of giallo, satanic horror, and very raunchy sexploitation, Petroni's film is one of the most head-scratching Italian horror films of the late 1970s and has been restored, as best as possible, to its never-released original director's cut.

In director Riccardo Ghione's The Bloodstained Lawn (Il prato macchiato di rosso), a group of hippie drifters find their way to the luxury and ultra-modern country home of Dr. Antonio and his wife, Nina Genovese. While the seemingly charming couple's offer to let the aimless youngsters hang out at their property appears initially motivated by the couple's fascination with the lifestyles of the free love generation, when members of the group begin vanishing, it becomes clear that something much more sinister - and deadly - is afoot. Taking a cue from jet-set thrillers of the late 1960s, this horror rarity evolves into a high-concept science-fiction nightmare.

In director Leopoldo Savona's Death Falls Lightly (La morte scende leggera), wealthy businessman Giorgio Darica's wife is murdered by an unknown assailant. Fearing that he will be fingered as the prime suspect, due to their failing marriage and his well-known philandering, his advisors suggest that he go into hiding at a shuttered hotel until the police can investigate more thoroughly. Taking along his mistress, Giorgio assumes he'll be in for a secret romantic getaway, but is soon besieged by supernatural visions which seem to be drawing him into the hotel's own dark and murderous past, threatening to drive him mad. Strangely similar to, but predating, "The Shining," this wholly unpredictable thriller is further complemented by a throbbing prog rock score by Lallo Gori.

***

The trio of Italian exploitation films—Obscene Desire (1978), The Bloodstained Lawn (1973), and Death Falls Lightly (1972)—exemplify the vibrant, often lurid underbelly of 1970s European cinema, blending elements of giallo thriller, erotic horror, and supernatural suspense in ways that reflect the era's fascination with decadence, isolation, and the macabre, where opulent settings mask sinister undercurrents of violence and moral decay. Directed by Giulio Petroni, Obscene Desire, originally titled L'osceno desiderio, stars Marisa Mell as Amanda, a young American woman who relocates to a sprawling countryside villa with her newlywed Italian nobleman husband Andrea, played by Lou Castel, only to become entangled in a web of demonic possession and unholy desires that transform their idyllic marriage into a nightmarish ordeal of seduction, ritualistic horror, and supernatural eroticism, drawing on themes of satanic influence that were popular in post-Rosemary's Baby exploitation fare, though critics have noted its uneven pacing and reliance on Mell's charismatic presence to elevate the otherwise formulaic plot.

In contrast, Riccardo Ghione's The Bloodstained Lawn, known in Italian as Il prato macchiato di rosso, ventures into a bizarre fusion of sci-fi horror and social commentary, featuring Marina Malfatti as a enigmatic hostess who, alongside her brother Antonio and associates, lures wandering hippies and drifters from the streets to their luxurious ultra-modern villa under the guise of hospitality, only to subject them to a diabolical scheme involving a clunky "vampire machine" that extracts blood and organs for black-market sales, with UNESCO agent Nino Castelnuovo stumbling upon the operation while investigating smuggling, resulting in a film that critics often describe as wildly uneven and overly ambitious, mixing grotesque body horror with satirical jabs at bourgeois excess, though its low-budget effects and meandering narrative have divided audiences between those who appreciate its eccentricity and those who find it bafflingly inept.

Meanwhile, Leopoldo Savona's Death Falls Lightly, or La morte scende leggera, offers a more confined, psychologically taut giallo experience, centering on Giorgio Darica, portrayed by Stello Candelli, who returns from a dubious business trip to discover his wife's brutal murder and, lacking an alibi, flees to a decrepit abandoned hotel with his mistress Liz, played by Patrizia Viotti, as advised by his lawyer, where they encounter eerie apparitions, hallucinatory sequences, and a series of inexplicable deaths that blur the lines between reality, guilt-induced madness, and possible ghostly hauntings, evoking the isolated dread of classic Old Dark House tales while incorporating surreal dream logic and sparse, atmospheric kills that some reviewers praise for their tension-building subtlety, even if the convoluted plot twists and limited gore disappoint fans seeking more visceral thrills typical of the genre.

Collectively, these films, produced during a golden age of Italian genre cinema, share motifs of secluded estates harboring dark secrets, unreliable protagonists grappling with external threats and internal demons, and a penchant for blending sensuality with savagery, though each varies in execution: Obscene Desire leans heavily into erotic possession fantasy, The Bloodstained Lawn experiments with grotesque technology and exploitation tropes, and Death Falls Lightly prioritizes claustrophobic paranoia, making them cult curiosities that capture the experimental spirit of 1970s Italian horror despite their flaws in coherence and production values, often redeemed by strong performances and evocative cinematography that linger in the viewer's mind long after the credits roll.

Posters

Theatrical Release: October 21st, 1972 - December 4th, 1978

 

Review: Vinegar Syndrome - Region FREE - Blu-ray

Box Cover

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BONUS CAPTURES:

Distribution Vinegar Syndrome - Region FREE - Blu-ray
Runtime Obscene Desire (1978): 1:34:41.509
The Bloodstained Lawn (1973): 1:26:14.210
Death Falls Lightly (1972): 1:29:08.426
Video

Obscene Desire (1978):

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 43,477,176,498 bytes

Feature: 27,809,356,416 bytes

Video Bitrate: 34.95 Mbps

Codec: MPEG-4 AVC Video

The Bloodstained Lawn (1973):

2.35:1 1080P Dual-layered Blu-ray

Disc Size: 35,292,503,806 bytes

Feature: 25,276,682,880 bytes

Video Bitrate: 34.84 Mbps

Codec: MPEG-4 AVC Video

Death Falls Lightly (1972):

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 33,986,408,914 bytes

Feature: 26,185,638,528 bytes

Video Bitrate: 34.92 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Obscene Desire Blu-ray:

Bitrate The Bloodstained Lawn Blu-ray:

Bitrate Death Falls Lightly Blu-ray:

Audio

DTS-HD Master Audio Italian 2040 kbps 2.0 / 48 kHz / 2040 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Commentaries:

Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -27dB

Subtitles English, None
Features Release Information:
Studio:
Vinegar Syndrome

 

Edition Details:

Obscene Desire extras:
• Commentary track with film historians Eugenio Ercolani and Troy Howarth
• Disowned Desires (14:36) - an archival interview with director/writer Giulio Petroni
• The End of it All (21:20) - an interview with daughter of Giulio Petroni and script supervisor, Silvia Petroni
• Dissecting the Desire (44:07) - an interview with grandson of Giulio Petroni and film historian, Eugenio Ercolani
• A Controversial Desire (20:33) - an interview with censorship expert Alessio Di Rocco
• A Question of Faith (11:38) - an interview with director Pupi Avati
• Alternate and extended scenes from the Spanish version (13:26)
• Original Italian trailer (2:57)

The Bloodstained Lawn extras:
• Commentary track with film historian and critic Rachael Nisbet
• Bloodstained Piacenza (24:25) - an interview with film historian Enzo Latronico
• Odd Choices (16:15) - an interview with filmmaker/film historian Luca Rea

Death Falls Lightly extras:
• Commentary track with film historians Eugenio Ercolani and Troy Howarth
• Anything Goes (15:39) - an interview with actor Alessandro Perrella
• That Kind of Film (11:25) - an interview with filmmaker/film historian Luca Rea
• Where Death Landed (5:31) - a then and now location featurette


Blu-ray Release Date: October 28th, 2025

Standard Blu-ray Case

Chapters 5 / 5 / 5

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Vinegar Syndrome Blu-ray (October 2025): Vinegar Syndrome Vinegar Syndrome Bloodstained Italy Blu-ray set presents all three films - Obscene Desire, The Bloodstained Lawn, and Death Falls Lightly - in newly scanned and restored 2K transfers sourced directly from their 35mm original negatives, resulting in a significant upgrade over previous gray market bootlegs or Italian-only DVDs that plagued these titles for decades. For Obscene Desire, the 1.85:1 widescreen 1080P presentation delivers excellent quality throughout, capturing the gothic villa's shadowy atmospheres with sharp detail and vibrant colors that enhance the film's erotic and horrific elements, making it the closest approximation to the director's intended version. The Bloodstained Lawn, framed at 2.35:1, benefits from the restoration by bringing out the kitschy 1970s decor and psychedelic sequences with improved clarity, though its low-budget origins still show in occasional grain and softness, yet overall it looks far superior to any prior releases. Death Falls Lightly, in 1.85:1, stands out with enhanced visuals in dark exteriors and hotel interiors, revealing background textures and details previously obscured, creating a more immersive claustrophobic experience that highlights the surreal dream logic and atmospheric dread. The HD presentations preserve the era's gritty aesthetic while minimizing print damage for a clean, authentic look. Each film is on it's own dual-layered Blu-ray with max'ed out bitrates.

NOTE: We have added 170 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-rays, Vinegar Syndrome use a DTS-HD Master dual-mono tracks presented in Italian, faithfully reproducing the original sound mixes with clarity and balance that surpass earlier subpar editions. Obscene Desire's soundtrack, featuring Carlo Savina's (who is known for Blood Ceremony, Night of the Skull, Lisa and the Devil, Nine Guest For a Crime, Bandidos, And God Said to Cain, Hudson River Massacre, Fangs of the Living Dead, and conducting Nino Rota's score for Fellini's I Clowns, Juliet of the Spirits and Amarcord) moody romantic score with piano and strings, comes through crisply, enhancing the gothic tension without distortion, while dialogue remains intelligible and atmospheric effects like ritualistic echoes add depth. In The Bloodstained Lawn, Teo Usuelli's (The Ape Woman, Amuck, Dillinger is Dead,) psychedelic and hip score, including ironic Wagner nods and party sequences, benefits from solid mono reproduction that captures the film's eccentric tone, though some era-specific limitations in dynamic range are evident. Death Falls Lightly shines particularly well here, with its pounding prog rock score by Coriolano Gori (Lallo Gori) - credited as Mack Porter for the theme - (Werewolf Woman, Massacre Time, My Name is Pecos,) delivering a great, immersive punch; the Italian mono track is described as very good, supporting the hallucinatory narrative without hiss or dropout issues. Vinegar Syndrome offer optional English subtitles on their Region FREE Blu-rays.

The extras on the Bloodstained Italy set are robust and insightful, spread across the three discs, offering a wealth of contextual material for these obscure 1970s Italian horrors. For Obscene Desire, highlights include an informative commentary by historians Eugenio Ercolani (The Spaghetti Western Digest,) and Troy Howarth (Human Beasts: The Films of Paul Naschy) - a true pleasure listening to these guys . There is an archival interview "Disowned Desires" (1/4 hour) with director Giulio Petroni (Death Rides a Horse,) family perspectives in "The End of it All" (20 minutes) with script supervisor Silvia Petroni (The Boss) and "Dissecting the Desire" (3/4 hour) with Ercolani, censorship discussion in "A Controversial Desire" (20 minutes) with Alessio Di Rocco. "A Question of Faith" (10 minutes) with Pupi Avati (screenwriter Macabre), alternate Spanish scenes (shy of 1/4 hour), and the Italian trailer fill out the disc's supplements. The Bloodstained Lawn features a commentary by Rachael Nisbet (Fragments of Fear - A Giallo Podcast,) "Bloodstained Piacenza" (24 minutes) with Enzo Latronico on historical context, and "Odd Choices" (1/4 hour) with Luca Rea (Django & Django) exploring the film's bizarre elements. Death Falls Lightly rounds out with another Ercolani/Howarth commentary delving into giallo history, "Anything Goes" (15 min) interview with actor Alessandro Perrella (Seven Deaths in the Cats Eyes, The Driver's Seat, The Hanging Woman,) "That Kind of Film" (10 minutes) with Rea on editing and TV airings, and "Where Death Landed" (5 minutes) location featurette comparing then-and-now sites in Rome. Packaged with reversible sleeve artwork, these supplements provide deep dives into production, censorship, and cultural impact, making the set a must for fans of Italian exploitation cinema.

The three films in Vinegar Syndrome's triple Blu-ray package - Obscene Desire (1978, directed by Giulio Petroni), The Bloodstained Lawn (1973, directed by Riccardo Ghione), and Death Falls Lightly (1972, directed by Leopoldo Savona) - emerge from the fertile ground of 1970s Italian genre cinema, a period marked by prolific output in exploitation subgenres like giallo, horror, and erotic thrillers. This era, often dubbed the "golden age" of Italian B-movies, saw filmmakers blending lurid sensationalism with social commentary, psychological depth, and stylistic experimentation, frequently drawing from Hollywood hits while infusing them with European arthouse flair and budget-conscious creativity. These films share common threads: isolated, opulent-yet-decaying settings that symbolize moral corruption; protagonists ensnared by external forces mirroring internal turmoil; and a fusion of eroticism, violence, and the supernatural or surreal. Yet, each diverges in tone and focus - Obscene Desire delves into demonic possession and gothic horror, The Bloodstained Lawn veers into grotesque sci-fi satire, and Death Falls Lightly explores psychological paranoia with ghostly undertones. Drawing from contemporary reviews and analyses, this in-depth examination reveals their cult appeal, flaws, and cultural resonance, highlighting how they encapsulate the era's fascination with decadence and dread. Obscene Desire, originally titled L'osceno desiderio, centers on Amanda (Marisa Mell - Perversion Story, The Mad Dog Killer, Violent Blood Bath, Danger: Diabolik), a vivacious American woman who marries the affluent Italian nobleman Andrea (Lou Castel - Requiescant, Orgasmo, Fists in the Pocket, Killer Nun) and relocates to his sprawling, gothic countryside villa. What begins as a seemingly idyllic union quickly unravels into a nightmare of supernatural horror. Thematically, the film grapples with possession as a metaphor for marital entrapment and sexual repression, drawing heavily from post-Rosemary's Baby (1968) anxieties about women's autonomy. The film features graphic nudity from Marisa Mell, Laura Trotter (Nightmare City,) and Paola Maiolini (Salon Kitty) - underscoring themes of unholy desire and moral decay. The Bloodstained Lawn, or Il prato macchiato di rosso, unfolds as a hallucinatory blend of horror and satire. The plot follows wandering hippies Max (George Willing - Who Saw Her Die?) and his girlfriend (Daniela Caroli), who hitch a ride with the enigmatic Alfiero (Claudio Biava - Machine Gun McCain) to the ultra-modern villa of his sister Nina (Marina Malfatti - Seven Blood-Stained Orchids, The Night Evelyn Came Out of the Grave, The Fourth Victim) and her inventor husband, Dr. Antonio Genovese (Enzo Tarascio - The Designated Victim, The Conformist.) Key themes include social commentary on bourgeois exploitation, portraying the elite as literal vampires draining the underclass - hippies and drifters - for profit, a "clumsy social message" about capitalism's bloodsucking nature. Madness and surrealism permeate, with drug-abuse undertones evoking a nightmarish counterculture critique. Not a pure giallo despite murder elements, it flirts with the genre's lurid style but prioritizes satire. Death Falls Lightly, known as La morte scende leggera, is a claustrophobic giallo-infused thriller. Giorgio Darica (Stelio Candelli - Nude for Satan, Planet of the Vampires), a drug trafficker entangled in political corruption, returns home to find his wife brutally murdered. Lacking an alibi and fearing exposure, he hides in an abandoned Rome hotel with his mistress, Liz (Patrizia Viotti - Amuck!), on his lawyer's advice. Initial erotic escapades, including screening a pornographic film, give way to paranoia as strange inhabitants appear: the innkeeper Adolfo (Antonio Anelli - What Have They Done to Your Daughters?, The Bloodstained Butterfly, What Have You Done to Solange?) murders his wife and enlists Giorgio's help in burial; his ghostly daughter Adele (Veronika Korosec - Apocalypse Joe) engages in occult rituals, including a self-stabbing on a Satanic altar; invisible killers attack; and bizarre elements like a monkey materialize. The narrative blurs reality and hallucination, culminating in twists that reveal Giorgio's psychological unraveling, ending on a dream-like note where illusions shatter. Thematically, it explores cynicism, moral decay, and self-confrontation, with Giorgio's isolation forcing him to face his exploitative life. Identity and intimacy are scrutinized through the couple's deteriorating relationship, while occult horror probes guilt-induced madness. Its eerie atmosphere, bizarre twists, and psychological depth, rate it highly for giallo fans seeking subtlety over viscera. Ultimately, Obscene Desire, The Bloodstained Lawn, and Death Falls Lightly are flawed gems of Italian exploitation, their in-depth allure lying in audacious genre blends and unflinching dives into the macabre. While not masterpieces, their thematic richness and stylistic quirks reward patient viewers, cementing their status as essential viewing for aficionados of 1970s Euro-horror. Vinegar Syndrome's Blu-ray package excels in presenting them as fascinating experiments full of surprises, with Obscene Desire's excellent quality, Bloodstained Lawn's fun groove, and Death Falls Lightly's rich atmosphere and rock score making them rewarding for open-minded viewers. This 3-disc region-free Blu-ray edition, stands as an essential addition for collectors of giallo and Euro-horror, showcasing  commitment to preserving cult obscurities in top form.

Gary Tooze

 


Menus / Extras

 

Obscene Desire (1978):

 

The Bloodstained Lawn (1973)

Death Falls Lightly (1972)

 


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

Obscene Desire (1978)

 

 


 

 


 

 


 

 


 

 


 

 


 

 


The Bloodstained Lawn (1973)

 

 


 

 


 

 


 

 


 

 


 

 


 

 


Death Falls Lightly (1972)
 

 


 

 


 

 


 

 


 

 


 

  


 Examples of NSFW (Not Safe For Work) CAPTURES (Mouse Over to see- CLICK to Enlarge)

 

Obscene Desire

 

 

The Bloodstained Lawn

 

 

Death Falls Lightly

 


 

More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE

 

Obscene Desire (1978)

 

The Bloodstained Lawn (1973)

Death Falls Lightly (1972)

 

 
Box Cover

CLICK to order from:

  

BONUS CAPTURES:

Distribution Vinegar Syndrome - Region FREE - Blu-ray


 


 

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