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Bloodstained Italy [3 X Blu-ray]
Obscene
Desire (1978) The Bloodstained Lawn
(1973)
Death Falls Lightly (1972)
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Italian horror in the 1960s and 70s went through several popular tonal and
thematic phases. From gothic thrillers in the early to mid-60s, psychedelia and
monster mayhem in the late 60s and early 70s, and of course, all manner of
gialli and other assorted murder thrillers. But what of those films that offer a
form of narrative bait and switch, luring the viewer in with the pretense of one
genre while slowly revealing themselves to be something else entirely? Presented
here are a trio of 70s Italian horror features which play with, combine,
subvert, and surprise with their genre leanings, all newly and exclusively
restored from their 35mm original negatives and all presented on
English-friendly home video for the very first time, from Vinegar Syndrome. ***
The trio of Italian exploitation films—Obscene Desire (1978), The
Bloodstained Lawn (1973), and Death Falls Lightly (1972)—exemplify
the vibrant, often lurid underbelly of 1970s European cinema, blending elements
of giallo thriller, erotic horror, and supernatural suspense in ways that
reflect the era's fascination with decadence, isolation, and the macabre, where
opulent settings mask sinister undercurrents of violence and moral decay.
Directed by Giulio Petroni, Obscene Desire, originally titled L'osceno
desiderio, stars Marisa Mell as Amanda, a young American woman who relocates
to a sprawling countryside villa with her newlywed Italian nobleman husband
Andrea, played by Lou Castel, only to become entangled in a web of demonic
possession and unholy desires that transform their idyllic marriage into a
nightmarish ordeal of seduction, ritualistic horror, and supernatural eroticism,
drawing on themes of satanic influence that were popular in post-Rosemary's Baby
exploitation fare, though critics have noted its uneven pacing and reliance on Mell's charismatic presence to elevate the otherwise formulaic plot. |
Posters
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Theatrical Release: October 21st, 1972 - December 4th, 1978
Review: Vinegar Syndrome - Region FREE - Blu-ray
Box Cover |
|
CLICK to order from: BONUS CAPTURES: |
Distribution | Vinegar Syndrome - Region FREE - Blu-ray | |
Runtime |
Obscene Desire (1978): 1:34:41.509 The Bloodstained Lawn (1973): 1:26:14.210 Death Falls Lightly (1972): 1:29:08.426 |
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Video |
Obscene Desire (1978): 1.85 :1 1080P Dual-layered Blu-rayDisc Size: 43,477,176,498 bytesFeature: 27,809,356,416 bytes Video Bitrate: 34.95 MbpsCodec: MPEG-4 AVC Video |
The Bloodstained Lawn (1973): 2.35 :1 1080P Dual-layered Blu-rayDisc Size: 35,292,503,806 bytesFeature: 25,276,682,880 bytes Video Bitrate: 34.84 MbpsCodec: MPEG-4 AVC Video |
Death Falls Lightly (1972): 1.85 :1 1080P Dual-layered Blu-rayDisc Size: 33,986,408,914 bytesFeature: 26,185,638,528 bytes Video Bitrate: 34.92 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Obscene Desire Blu-ray: |
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Bitrate The Bloodstained Lawn Blu-ray: |
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Bitrate Death Falls Lightly Blu-ray: |
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Audio |
DTS-HD Master Audio Italian 2040 kbps 2.0 / 48 kHz / 2040 kbps / 24-bit (DTS
Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -27dB |
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Subtitles | English, None | |
Features |
Release Information: Studio: Vinegar Syndrome
Edition Details: Obscene Desire extras: • Commentary track with film historians Eugenio Ercolani and Troy Howarth • Disowned Desires (14:36) - an archival interview with director/writer Giulio Petroni • The End of it All (21:20) - an interview with daughter of Giulio Petroni and script supervisor, Silvia Petroni • Dissecting the Desire (44:07) - an interview with grandson of Giulio Petroni and film historian, Eugenio Ercolani • A Controversial Desire (20:33) - an interview with censorship expert Alessio Di Rocco • A Question of Faith (11:38) - an interview with director Pupi Avati • Alternate and extended scenes from the Spanish version (13:26) • Original Italian trailer (2:57) The Bloodstained Lawn extras: • Commentary track with film historian and critic Rachael Nisbet • Bloodstained Piacenza (24:25) - an interview with film historian Enzo Latronico • Odd Choices (16:15) - an interview with filmmaker/film historian Luca Rea Death Falls Lightly extras: • Commentary track with film historians Eugenio Ercolani and Troy Howarth • Anything Goes (15:39) - an interview with actor Alessandro Perrella • That Kind of Film (11:25) - an interview with filmmaker/film historian Luca Rea • Where Death Landed (5:31) - a then and now location featurette
Standard Blu-ray Case Chapters 5 / 5 / 5 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
NOTE: We have added 170 more large
resolution
Blu-ray
captures (in lossless PNG format) for DVDBeaver Patrons
HERE
On their
Blu-rays,
Vinegar Syndrome use a DTS-HD Master dual-mono tracks presented in
Italian, faithfully reproducing the original sound mixes with clarity
and balance that surpass earlier subpar editions. Obscene Desire's
soundtrack, featuring Carlo Savina's (who is known for
Blood Ceremony,
Night of the Skull,
Lisa and the Devil,
Nine Guest For a Crime,
Bandidos,
And God Said to Cain,
Hudson River Massacre,
Fangs of the Living Dead,
and conducting Nino Rota's score for Fellini's
I Clowns,
Juliet of the Spirits and
Amarcord) moody romantic
score with piano and strings, comes through crisply, enhancing the
gothic tension without distortion, while dialogue remains intelligible
and atmospheric effects like ritualistic echoes add depth. In The
Bloodstained Lawn, Teo Usuelli's (The
Ape Woman, Amuck,
Dillinger is Dead,) psychedelic and hip score, including ironic
Wagner nods and party sequences, benefits from solid mono reproduction
that captures the film's eccentric tone, though some era-specific
limitations in dynamic range are evident. Death Falls Lightly
shines particularly well here, with its pounding prog rock score by
Coriolano Gori (Lallo Gori) - credited as Mack Porter for the theme - (Werewolf
Woman,
Massacre Time,
My Name is Pecos,) delivering a great, immersive punch; the
Italian mono track is described as very good, supporting the
hallucinatory narrative without hiss or dropout issues. Vinegar Syndrome
offer optional English subtitles on their Region FREE
Blu-rays.
The extras on the Bloodstained Italy set are robust and
insightful, spread across the three discs, offering a wealth of
contextual material for these obscure 1970s Italian horrors. For
Obscene Desire, highlights include an informative commentary by
historians Eugenio Ercolani (The
Spaghetti Western Digest,) and Troy Howarth (Human
Beasts: The Films of Paul Naschy) - a true pleasure listening to
these guys . There is an archival interview "Disowned Desires"
(1/4 hour) with director Giulio Petroni (Death
Rides a Horse,) family perspectives in "The End of it All"
(20 minutes) with script supervisor Silvia Petroni (The
Boss) and "Dissecting the Desire" (3/4 hour) with
Ercolani, censorship discussion in "A Controversial Desire" (20
minutes) with
Alessio Di Rocco. "A Question of Faith" (10 minutes) with
Pupi Avati (screenwriter
Macabre), alternate Spanish scenes (shy of 1/4 hour), and the
Italian trailer fill out the disc's supplements. The Bloodstained
Lawn features a commentary by Rachael Nisbet (Fragments
of Fear - A Giallo Podcast,) "Bloodstained Piacenza" (24
minutes) with
Enzo Latronico on historical context, and "Odd Choices"
(1/4 hour) with Luca Rea (Django
& Django) exploring the film's bizarre elements. Death Falls
Lightly rounds out with another Ercolani/Howarth commentary delving
into
giallo history, "Anything Goes" (15 min) interview with
actor Alessandro Perrella (Seven
Deaths in the Cats Eyes,
The Driver's Seat,
The Hanging Woman,) "That Kind of Film" (10 minutes) with
Rea on editing and TV airings, and "Where Death Landed" (5
minutes) location featurette comparing then-and-now sites in Rome.
Packaged with reversible sleeve artwork, these supplements provide deep
dives into production, censorship, and cultural impact, making the set a
must for fans of Italian exploitation cinema.
The three films in Vinegar Syndrome's triple
Blu-ray
package - Obscene Desire (1978, directed by Giulio Petroni),
The Bloodstained Lawn (1973, directed by Riccardo Ghione), and
Death Falls Lightly (1972, directed by Leopoldo Savona) - emerge
from the fertile ground of 1970s Italian genre cinema, a period marked
by prolific output in exploitation subgenres like giallo, horror, and
erotic thrillers. This era, often dubbed the "golden age" of Italian
B-movies, saw filmmakers blending lurid sensationalism with social
commentary, psychological depth, and stylistic experimentation,
frequently drawing from Hollywood hits while infusing them with European
arthouse flair and budget-conscious creativity. These films share common
threads: isolated, opulent-yet-decaying settings that symbolize moral
corruption; protagonists ensnared by external forces mirroring internal
turmoil; and a fusion of eroticism, violence, and the supernatural or
surreal. Yet, each diverges in tone and focus - Obscene Desire
delves into demonic possession and gothic horror, The Bloodstained
Lawn veers into grotesque sci-fi satire, and Death Falls Lightly
explores psychological paranoia with ghostly undertones. Drawing from
contemporary reviews and analyses, this in-depth examination reveals
their cult appeal, flaws, and cultural resonance, highlighting how they
encapsulate the era's fascination with decadence and dread. Obscene
Desire, originally titled L'osceno desiderio, centers on
Amanda (Marisa Mell -
Perversion Story,
The Mad Dog Killer,
Violent Blood Bath,
Danger: Diabolik), a vivacious American woman who marries the
affluent Italian nobleman Andrea (Lou Castel -
Requiescant,
Orgasmo,
Fists in the Pocket,
Killer Nun) and relocates to his sprawling, gothic countryside
villa. What begins as a seemingly idyllic union quickly unravels into a
nightmare of supernatural horror. Thematically, the film grapples with
possession as a metaphor for marital entrapment and sexual repression,
drawing heavily from post-Rosemary's Baby
(1968) anxieties about women's autonomy. The film features graphic
nudity from Marisa Mell, Laura Trotter (Nightmare
City,) and Paola Maiolini (Salon
Kitty) - underscoring themes of unholy desire and moral decay.
The Bloodstained Lawn, or Il prato macchiato di rosso,
unfolds as a hallucinatory blend of horror and satire. The plot follows
wandering hippies Max (George Willing -
Who Saw Her Die?) and his girlfriend (Daniela Caroli), who hitch
a ride with the enigmatic Alfiero (Claudio Biava -
Machine Gun McCain) to the ultra-modern villa of his sister Nina
(Marina Malfatti -
Seven Blood-Stained Orchids,
The Night Evelyn Came Out of the Grave,
The Fourth Victim) and her inventor husband, Dr. Antonio
Genovese (Enzo Tarascio -
The Designated Victim,
The Conformist.) Key themes include social commentary on
bourgeois exploitation, portraying the elite as literal vampires
draining the underclass - hippies and drifters - for profit, a "clumsy
social message" about capitalism's bloodsucking nature. Madness and
surrealism permeate, with drug-abuse undertones evoking a nightmarish
counterculture critique. Not a pure
giallo despite murder elements, it flirts with the genre's lurid
style but prioritizes satire. Death Falls Lightly, known as La
morte scende leggera, is a claustrophobic giallo-infused thriller.
Giorgio Darica (Stelio Candelli -
Nude for Satan,
Planet of the Vampires), a drug trafficker entangled in
political corruption, returns home to find his wife brutally murdered.
Lacking an alibi and fearing exposure, he hides in an abandoned Rome
hotel with his mistress, Liz (Patrizia Viotti -
Amuck!), on his lawyer's advice. Initial erotic escapades,
including screening a pornographic film, give way to paranoia as strange
inhabitants appear: the innkeeper Adolfo (Antonio Anelli -
What Have They Done to Your Daughters?,
The Bloodstained Butterfly,
What Have You Done to Solange?) murders his wife and enlists
Giorgio's help in burial; his ghostly daughter Adele (Veronika Korosec -
Apocalypse Joe)
engages in occult rituals, including a self-stabbing on a Satanic altar;
invisible killers attack; and bizarre elements like a monkey
materialize. The narrative blurs reality and hallucination, culminating
in twists that reveal Giorgio's psychological unraveling, ending on a
dream-like note where illusions shatter. Thematically, it explores
cynicism, moral decay, and self-confrontation, with Giorgio's isolation
forcing him to face his exploitative life. Identity and intimacy are
scrutinized through the couple's deteriorating relationship, while
occult horror probes guilt-induced madness. Its eerie atmosphere,
bizarre twists, and psychological depth, rate it highly for
giallo fans seeking subtlety over viscera. Ultimately,
Obscene Desire, The Bloodstained Lawn, and Death Falls
Lightly are flawed gems of Italian exploitation, their in-depth
allure lying in audacious genre blends and unflinching dives into the
macabre. While not masterpieces, their thematic richness and stylistic
quirks reward patient viewers, cementing their status as essential
viewing for aficionados of 1970s Euro-horror. Vinegar Syndrome's
Blu-ray package excels in presenting
them as fascinating experiments full of surprises, with Obscene
Desire's excellent quality, Bloodstained Lawn's fun groove,
and Death Falls Lightly's rich atmosphere and rock score making
them rewarding for open-minded viewers. This 3-disc region-free
Blu-ray edition, stands as an
essential addition for collectors of
giallo and Euro-horror, showcasing commitment to
preserving cult obscurities in top form. |
Menus / Extras
Obscene Desire (1978):
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The Bloodstained Lawn (1973)
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Death Falls Lightly (1972)
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Obscene Desire (1978)
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The Bloodstained Lawn (1973)
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Death Falls Lightly (1972)
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Box Cover |
|
CLICK to order from: BONUS CAPTURES: |
Distribution | Vinegar Syndrome - Region FREE - Blu-ray |
Search DVDBeaver |
S E A R C H D V D B e a v e r |