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S E A R C H D V D B e a v e r |
directed
by Ridley Scott
USA 1982
Ridley Scott's celebrated sci-fi classic stars Harrison Ford as retired 21st Century Detective Rick Deckard, who is forced back into active duty in order to hunt a fugitive band of human-like androids known as "replicants" though the rain-soaked streets of L.A. After meeting with the eccentric Eldon Tyrell (Joe Turkel), creator of the replicants, Deckard finds and eliminates Zhora (Joanna Cassidy) before coming under attack by the powerful Leon (Brion James). Deckard is about to be killed by Leon when he's saved by Rachael (Sean Young), Tyrell's assistant and a replicant who's unaware of her true nature. In the meantime, replicant leader Roy Batty (Rutger Hauer) and his pleasure model lover, Pris (Darryl Hannah) use a dying inventor, J.F. Sebastian (William Sanderson) to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian's, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. This digitally re-mastered version of the film features extended scenes and improved visual effects approved by the director in order to better reflect his original vision.
*** Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner dazzles in Ridley Scott's definitive Final Cut, including extended scenes and special effects. In a signature role as 21st-century detective Rick Deckard, Harrison Ford bring his masculine-yet-vulnerable presence to this stylish noir thriller. In a future of high-tech possibility soured by urban and social decay, Deckard hunts for fugitive, murderous replicants - and is drawn to a mystery woman whose secrets may undermine his soul. *** One of the most visually influential science fiction films ever made, Blade Runner has a history as labyrinthine as any of its futuristic film noir sets. A fascinatingly contemplative detective story about a world-weary android-killer and his renegade prey, it has attracted a sizeable cult audience and retains a unique place in cinema.
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Posters
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Theatrical Release: June 25th, 1982
Reviews More Reviews DVD Reviews
Comparison:
Warner - Region 1 - NTSC vs. Warner (Remastered - Limited Edition) - Region 1 - NTSC vs. Warner (2-disc - FINAL CUT) - Region 1,2,3,4 - NTSC vs. Warner (5-disc Complete CE) - Region FREE - Blu-ray vs. Warner (Final Cut) - Region FREE - 4K UHD |
1) Warner - Region 1 - NTSC LEFT 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD RIGHT
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Box Cover |
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Distribution |
Warner Region 1 - NTSC |
Warner (Remastered - Limited Edition) Region 1 - NTSC |
Warner (2-disc FINAL CUT) Region 1,2,3,4 - NTSC |
Warner (5-disc Complete CE) Region FREE - Blu-ray |
Warner (Final Cut) - Region FREE - 4K UHD |
Making sense of the Blade Runner editions: |
Blade Runner - The Final Cut (Two-Disc Special Edition) (Ridley Scott, 1982) is the barest SD edition (Compared on this page) Blade Runner (Four-Disc Collector's Edition) (Ridley Scott, 1982) is the next SD version up with two more discs - DISC 3: 1982 THEATRICAL VERSION, 1982 INTERNATIONAL VERSION, 1992 DIRECTOR'S CUT and Disc Four: BONUS DISC - "Enhancement Archive": Blade Runner (Five-Disc Ultimate Collector's Edition)* (Ridley Scott, 1982) Warner * Blade Runner (Five-Disc Ultimate Collector's Edition)* [Blu-ray] (Ridley Scott, 1982) Warner * Blade Runner (Five-Disc Complete) [Blu-ray] (Ridley Scott, 1982) is in hi-def but without the accoutrements listed below * The Ultimate Collector's Edition) was packaged in a limited edition, numbered "Deckard" briefcase and features rare and collectable memorabilia such as a Spinner car replica, Unicorn figurine, Illustration and Photo cards, and a lenticular Motion Film Clip in lucite. It is now out-of-print. |
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Runtime | 1:56:32 | 1:56:24 | 1:57:16 | 1:57:36.841 | 1:57:36.841 |
Video |
2.20:1 Original Aspect Ratio
16X9 enhanced |
2.35:1 Original Aspect Ratio
16X9 enhanced |
2.35:1 Original Aspect Ratio
16X9 enhanced |
1080P Single-layered
Blu-ray Disc Size: 23,317,377,296 bytesFeature: 23,156,164,608 bytesVideo Bitrate: 16.87 MbpsCodec: VC-1 Video |
2.4:1
2060P
4K Ultra HD Disc Size: 59,547,308,699 bytesFeature: 57,803,871,552 bytesVideo Bitrate: 49.99 MbpsCodec: HEVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate : Warner |
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Bitrate: Warner (Remastered - Limited Edition) |
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Bitrate: Warner (2-disc Final Cut) |
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Bitrate: Warner Blu-ray |
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Bitrate: Warner 4K UHD |
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Audio | English (Dolby Digital 2.0 Stereo) | English (Dolby Digital 2.0 Stereo), French (Dolby Digital 2.0 Mono) | English (Dolby Digital 5.1), DUB: French (Dolby Digital 5.1) | Dolby
TrueHD Audio English 3766 kbps 5.1 / 48 kHz / 3766 kbps / 24-bit (AC3
Embedded: 5.1 / 48 kHz / 640 kbps / DN -4dB) Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB |
Dolby
TrueHD + Atmos English 4336 kbps 7.1 / 48 kHz / 4336 kbps / 24-bit (AC3
Embedded: 5.1-EX / 48 kHz / 448 kbps / DN -4dB) * Dolby Digital Audio Japanese 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround Dolby Digital Audio Portuguese 384 kbps 5.1 / 48 kHz / 384 kbps / DN -4dB Dolby Digital Audio Czech 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio Polish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio Russian 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB |
Subtitles | English, Spanish, French, None | English, Spanish, French, None | English, Spanish, French, None | English, Chinese , French, Japanese, Korean, Portuguese, Spanish, None | English, Japanese, French, German, Italian, Spanish, Dutch, Chinese, Korean, Portuguese, Arabic, Czech, Danish, Finnish, Hebrew, Norwegian, Polish, Portuguese, Russian, Swedish, Turkish , None |
Features |
Release Information: Studio: Warner Aspect Ratio:
Edition Details:
Pan and Scan 1.33 version on opposite side Chapters 34 |
Release Information: Studio: Warner (Remastered - Limited Edition) Aspect Ratio:
Edition
Details:
DVD
Release Date: September 4th, 2006 Chapters 36 |
Release Information: Studio: Warner (2-disc FINAL CUT) Aspect Ratio:
Edition
Details:
• Commentary by
Ridley Scott Disc 2
• DOCUMENTARY:
DANGEROUS DAYS - MAKING BLADE RUNNER (3:33:51)
DVD
Release Date: December 18th, 2007 Chapters 36 |
Release Information: Studio: Warner (5-disc Complete) Aspect Ratio:
Edition
Details: Blu-ray Release Date: December 18th, 2007 Chapters 36 |
Release Information: Studio: Warner (Final Cut) 2.4:1 2060P 4K Ultra HD Disc Size: 59,547,308,699 bytesFeature: 57,803,871,552 bytesVideo Bitrate: 49.99 MbpsCodec: HEVC Video
Edition Details:
Disc 1 – Blade Runner: The Final Cut (4K Ultra HD) Chapters 16
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Comments: |
NOTE: The below Blu-ray and 4K UHD captures were taken directly from the respective discs. ADDITION: Warner - Region FREE - 4K UHD - (June 2019): Warner Bros. transferred Ridley Scott's iconic "Blade Runner" (The Final Cut) on a 4K UHD disc (with an accompanying Blu-ray and 2 DVDs of extras). The 4K disc now has a bitrate that is over 3x (!!!) the previous Blu-ray. There is a much sharper clarity to the image in this 4K UHD presentation. The various miniature skyscrapers created for the film now show an impeccable amount of detail, whether it is the individual lights (much more varied thanks to HDR) or fog and rain surrounding them. One might think that this increased definition would pull back the curtain on all of the visual trickery being used, surprisingly it only increases the immersion in the futuristic setting. Contrast levels were somewhat strong on the previous Blu-ray (a miracle, given the Blu-ray's low bitrate and VC-1 transfer), though due to HDR's ability to shed more (or less, or anything in between) lighting, there is an even greater sense of scope, when it comes to black levels. If your TV isn't an OLED like ours (which is able to show the blackest of blacks), perhaps there is a 'local dimming' feature on your set that can help you get closer. The accompanying Blu-ray would seem to be the exact same as the old 2007 Blu-ray (VC-1 with a low bitrate.)
NOTE:
20 more full resolution (3840 X 2160) captures for
Patrons
are available
HERE.
It is likely that the monitor
you are seeing this review is not an HDR-compatible display
(High Dynamic Range) where each pixel can be assigned with a wider and
notably granular range of color and light. This is the first where our
capture software if simulating the HDR (in a uniform manner) for standard
monitors. This should make it easier for us to review more
4K UHD titles in the
future.
We have reviewed the following 4K
UHD packages to date: I used to fall asleep to the "Blade Runner" soundtrack every night when I was younger, and can probably cite every line of dialogue and hum along to every Vangelis music cue (which I'm sure doesn't annoy anyone watching the film next to me). So let me be the first to say that the newly remixed Dolby Atmos soundtrack is something to behold. The added surround channel effects avoid sounding gimmicky and are really well integrated into the film's atmosphere. The ceiling channels in particular benefit from this Atmos upgrade, especially during various moments of overhead flying patrol cars, or scenes featuring that never-ending rain thundering down. This 4K UHD package is almost approaching tower of Babylon levels here with its countless alternate language tracks and subtitles. As with all 4K UHD discs, this is Region 'Free' playable worldwide. "The audio presentation is mixed specifically for Dolby Atmos enabled receivers and speaker configurations to produce full, multidimensional sound without channel restrictions in the home - even overhead. Dolby Atmos is compatible with current generation Ultra HD players. Also select this option for other speaker configurations. For Dolby Atmos Playback, set your Ultra HD Blu-ray player to bitstream out and disable secondary audio."
For Atmos many systems recognize it as TrueHD 7.1, but from Wikipedia: "Because
of limited bandwidth and lack of processing power, Atmos in home theaters is
not a real-time mix rendered the same way as in cinemas. The substream is
added to Dolby TrueHD or Dolby Digital Plus. This substream only represents
a losslessly encoded fully object-based mix. This substream does not include
all 128 objects separated. This is not a matrix-encoded channel, but a
spatially-encoded digital channel. Atmos in home theaters can support
24.1.10 channel, but it is not an object-based real-time rendering.
Filmmakers need to remix and render the TrueHD and Dolby Digital Plus
soundtracks with Dolby Media Producer." Colin Zavitz
*** Firstly, the Ultimate
briefcase
Blu-ray version is out-of-print but the
5-discs as in the Complete package and are the exact same
transfers and extras (minus the lenticular motion film clip from the
original feature, miniature origami unicorn figurine, miniature replica
spinner car, and collector's photographs, as well as a signed personal
letter from Sir Ridley Scott.) We have just repeated our
comments from the Complete
Blu-ray review
HERE - THE FINAL CUT is an, occasionally, impressive upgrade
over DVD. While the 4K resolution is, at times, initially awesome with
all the futuristic cityscapes - the transfer could have been improved
upon as it is limited by being single-layered with a very modest bitrate. The
expansively lit city atmospheres are, no doubt, very pleasing. Colors are
more vivid. It
still exports the bluish/green hue we can see in the 4-discFINAL CUT DVD version. The 'cooler' look is not as
prevalent in my opinion. As previously noted with hi-def - colors are
bright and darker scenes can be pitch with subtle highlights
accentuating
the contrast. There is some minimal noise but the visuals are
overwhelming enough that you don't notice much. For more on the other 4-discs in the Complete package - see
our review
HERE.
Sporting Dolby TrueHD mix, the lossless surround is a big improvement over the
SD 5.1. The film's track
with Vangelis score and subtle background interferences are where
separations sound more defined. This is the exact type of film that benefits
most from an enhanced audio track. It seems flawless - solid range and
depth. Dialogue on the
FINAL CUT is supported by
English SDH, French, Korean, Chinese, Japanese, Portuguese and Spanish
subtitles. On the 'Archival' and 'Workprint' we have English SDH, French
or Spanish options.
My
Momitsu
has identified
it as being a region FREE disc playable on
Blu-ray
machines worldwide.
Extras - see the extensive Complete edition full list above. The FINAL CUT on
Blu-ray disc one has
the same three optional commentaries. Scott's,
executive producer/co-screenwriter Hampton Fancher and co-screenwriter
David Peoples; producer Michael Deely and production executive Katherine
Haber and finally one by visual futurist Syd Mead; production designer
Lawrence G. Paull, art director David L. Snyder and special photographic
effects supervisors Douglas Trumbull, Richard Yuricich and David Dryerand). I found
all 3 enjoyable but would also
have preferred an academic-type look at the film (perhaps Paul Sammon
alone). The closest that it
came to was the writer's input (Fancher and Peoples) on commentary 2.
The third was unique in that it had multiple inputs - which is always
refreshing to hear different viewpoints and anecdotal episodes. I think
these 'discussions' will be good for those very keen on the film and
even those with just a passing interest after they have seen the FINAL
CUT.
I wasn't a fan of
the Ultimate with the lucite case (incidentally with a 'Made
in China' sticker). In the Complete Collector's Edition
(exact same transfer but without the unnecessary accoutrements) - fans
don't have much to think about here. It is the best available for the
film(s) and I doubt another transfer is coming anytime soon. This is
still an experience that
extensively benefits from the high-definition video transfer and
lossless audio.
ON THE DVDs: In regards to content I refer you to Amazon that states: "In celebration of Blade Runner's 25th anniversary, director Ridley Scott has gone back into post production to create the long-awaited definitive new version. Blade Runner: The Final Cut, spectacularly restored and remastered from original elements and scanned at 4K resolution, will contain never-before-seen added/extended scenes, added lines, new and improved special effects, director and filmmaker commentary, an all-new 5.1 Dolby® Digital audio track and more. Harrison Ford, Rutger Hauer, Edward James Olmos, Joanna Cassidy, Sean Young, and Daryl Hannah are among some 80 stars, filmmakers and others who participate in the extensive bonus features. Among the bonus material highlights is Dangerous Days, a brand new, three-and-a-half-hour documentary by award-winning DVD producer Charles de Lauzirika, with an extensive look into every aspect of the film: its literary genesis, its challenging production and its controversial legacy. The definitive documentary to accompany the definitive film version." In regards to the image differences - the new FINAL CUT is definitely cooler with some heavier blue-ish/green shading. It is a bit darker - compression is excellent (note: bumped bitrate) and there are less artifacts. I expect the high-def versions will look even superior but this looks exceptionally good for SD. Our new format reviews will be forthcoming. Along with the different, and better image, in my opinion, there are some subtle differences - the opening rolling text screen font is larger (and clearer). The optional subtitle font is smaller, and I found, easier to read with a more prominent black border and less 'jaggies'. I, personally, found the new look a little more visually arresting. It has a new atmospheric effect - I found it a deeper one. Audio (as advertised) has a new 5.1 track that sounds very good at times. It has some decent separation and the film really benefits from the inclusion of this new track. I thought it sounded wonderfully buoyant and subtle. Big improvement to my crusty old ears. Disc one has three optional commentaries (for those that can't get enough!). I've finished all three (Scott's, executive producer/co-screenwriter Hampton Fancher and co-screenwriter David Peoples; producer Michael Deely and production executive Katherine Haber and finally one by visual futurist Syd Mead; production designer Lawrence G. Paull, art director David L. Snyder and special photographic effects supervisors Douglas Trumbull, Richard Yuricich and David Dryerand). I found them enjoyable but would also have preferred an academic-type look at the film (perhaps Paul Sammon alone). The closest that it came to was the writer's input (Fancher and Peoples) on commentary 2. The third was unique in that it had multiple inputs - which is always refreshing to hear different viewpoints and anecdotal episodes. I think these 'discussions' will be good for those very keen on the film and even those with just a passing interest after they have seen the FINAL CUT. I enjoy Blade Runner but know there are others out there that are quite fanatical about the film. I'm not in their league. The many versions (2-disc, 4-disc, 5-disc) cater to those of varying appeal for Blade Runner. As one can judge my the times - the FINAL CUT is not especially longer (45 seconds) but has some new digital fixes and improvements in continuity errors. It's hard to critique this version as it has the full support of the director Scott. So all in all,
Disc One of this 2-disc FINAL CUT has:
Disc Two it is divided into 8 self-explanatory sections: Incept Date - 1980: Screenwriting and Dealmaking, Blush Response: Assembling the Cast, A Good Star: Designing the Future, Eye of the Storm: Production Begins, Living in Fear: Tension on the Set, Beyond the Window: Visual Effects, In Need of Magic: Post production Problems and To Hades and Back: Release and Resurrection. NOTE: This documentary is interlaced. Wow. Okay I'm going to finish the third commentary (report back) and then watch the 4-disc edition next (stay tuned) and soon after we hope to have high-definition reviews up. I can't imagine fans not loving this and swallowing it up whole. The image, audio and content changes are improvements and the supplements (commentary and bonus documentary seem more than enough to sate even the staunchest of Blade Runner devotees. For $14 - it's the deal of the year.
****
ON THE DIRECTOR'S CUT (September 2006)
NOTE: The restored "director's cut" debuted
September 4th, 2006 and will remain on sale for only four months, after
which time it will be placed on moratorium. Blade Runner: Final Cut
will arrive in 2007 for a limited 25th-anniversary theatrical run,
followed by a special-edition DVD with the three previous versions
offered as alternate viewing. Besides the original theatrical version
and director's cut, the expanded international theatrical cut will be
included. The set will also contain additional bonus materials.
The new 'remastered limited edition' release is quite a pleasant
surprise, although not the 'longer original theatrical version' that
many fans crave - it is still the 'Director's Cut' at 116 minutes. The
original Warner DVD was transferred in a 2.20:1 ratio from the 70 mm
blowup prints where the new edition is 2.35:1 exposing more information
in the frame on all 4 sides.
There were many issue in the original DVD
that was produced way back in 1997. It had a significant black border
circumventing the frame severely limiting the horizontal resolution. It
had many artifacts, was single-layered, skin tones appeared very red and
blotchy, colors bleed and were washed-out, and the disc had no viable
extra features. The black-boosting done on the 97 release made a dark
film even darker - obscuring objects in the background. Warner have corrected many of these
limitations - the DVD is now on a dual-layered disc, significantly
brighter, tighter to the frame (although there is s much slimer border
than on the original), artifacts are virtually gone and colors seem to
be closer to the original state than ever before. Unfortunately, there
are still no supplements. Subtitles are also visually improved and audio
offers a 2.0 channel French DUB option absent in the 97' issue. Both
remain anamorphic and progressive but the new remastered edition is
vastly superior. Fans will be very happy, but not ecstatic - they can
continue to patiently wait for the original theatrical length, a Scott
commentary and more... Regardless this is the best it has looked on
digital so far.
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DVD Menus
Warner (original release) - Region 1 - NTSC
Warner (Remastered - Limited Edition) - Region 1 - NTSC LEFT vs. Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC RIGHT)
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Warner - FINAL CUT - Disc 2
Blu-ray Menus (FINAL CUT)
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Warner (Final Cut) - Region FREE - 4K UHD
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CLICK EACH BLU-RAY AND UHD CAPTURES TO SEE IN FULL RESOLUTION
Screen Captures
1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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Subtitle Sample: Not exact frame
1) Warner - Region 1 - NTSC TOP
2) Warner
(Remastered - Limited Edition) - Region 1 - NTSC SECOND
3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD
4) Warner (5-disc Complete Collector's Edition) - Region FREE -
Blu-ray
FOURTH
5) Warner (Final Cut) - Region FREE -
4K UHD
BOTTOM
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1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner - Region 1 - NTSC TOP 2) Warner (Remastered - Limited Edition) - Region 1 - NTSC SECOND 3) Warner (2-disc FINAL CUT) - Region 1,2,3,4 - NTSC THIRD 4) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray FOURTH 5) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE
1) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray TOP 2) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray TOP 2) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray TOP 2) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray TOP 2) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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1) Warner (5-disc Complete Collector's Edition) - Region FREE - Blu-ray TOP 2) Warner (Final Cut) - Region FREE - 4K UHD BOTTOM
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Report Card:
Image: |
4K UHD |
Sound: |
4K UHD |
Extras: | Blu-ray |
Box Covers |
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Distribution |
Warner Region 1 - NTSC |
Warner (Remastered - Limited Edition) Region 1 - NTSC |
Warner (2-disc FINAL CUT) Region 1,2,3,4 - NTSC |
Warner (5-disc Complete CE) Region FREE - Blu-ray |
Warner (Final Cut) - Region FREE - 4K UHD |
More Apocalypse-related films on Blu-ray and DVD reviewed (click review buttons to also see comparisons where applicable) from our article Films From The End of the World: |