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directed by Peter Weir
Australia 1977
Occult Aboriginal mysticism. Dreams . Reality.
Conflict.
In 1977, Australian director Peter Weir made a haunting film dealing with
central themes of cultural understanding, tolerance and man's communication with
the natural world. As a follow up to the critical success of his 1975 film
Picnic at Hanging Rock,
The Last Wave was able to generate a similar foreboding presence of the
unknown. Both films deal with mans' compelled acceptance of the spiritual forces
that modern society has alienated itself from, all presented within a
penetrating atmosphere of suspenseful mystery.
Right from the very first scene, the story intimates a parallel to the unusual
weather circumstances that are occurring throughout Sydney at the time of the
ongoing trial. Large hail falls violently on one day, blotchy mud from the sky's
on another. The subtle background sounds of radio broadcasts detail proposed
scientific explanations for the events. The plot thickens.
Excerpt from Gary Tooze's review found HERE.
Poster
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Theatrical Release: October 1977 - Australia
Reviews More Reviews DVD Reviews
DVD Comparison:
Criterion - Region 1 - NTSC vs. Gaumont Boxset (France) CTHV - Region 2 -PAL
(Criterion - Region 1 - NTSC LEFT vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - RIGHT)
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| Distribution |
Criterion Collection - Spine # 142 Region 1 - NTSC |
Gaumont -
Columbia Tri-Star HV Region 2 - PAL |
| Runtime | 1:45:40 | 1:41:09 (4% PAL speedup) |
| Video |
1.78:1 Original Aspect Ratio
16X9 enhanced |
1.78:1 Original Aspect Ratio 16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Bitrate:
Criterion |
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| Bitrate:
Gaumont
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| Audio | English (Dolby Digital 5.1), English (Dolby Digital 2.0 Dolby) |
English (Dolby Digital 2.0 Dolby) |
| Subtitles | English, and none | French, and none |
| Features |
Release Information: Studio: Criterion / Home Vision
Aspect Ratio:
Edition Details:
Chapters 24
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Release Information: •
Trailer (same as Criterions) •
Bibliography (moving text screens) |
| Comments: |
The
Gaumont doesn't look bad considering it is from a low definition source.
We can categorically state here that the French subtitles are removable.
There is a little bit of cropping at the bottom edge of the French DVD.
The French has some unclean frame shifts (see very last capture). The
Criterion is sharper with better skin tones and an obvious HD sourced
tape was used. Criterion's 5.1 mix is marvelous,
and also added an original option (but no menu option for it - must do
it 'on the fly'). Extras go to the
French with over an 1 hour long featurette, trailer and filmographies.
Subtitles look well done on both, but the overall winner here is
Criterion, unless you are keen on the Gaumont Extra featurette (more
about history than the film). The Weir interview
is more fitting.
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DVD Menus
(Criterion - Region 1 - NTSC
LEFT vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - RIGHT)
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Subtitle Sample
(Criterion - Region 1 - NTSC TOP vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - BOTTOM)
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Screen Captures
(Criterion - Region 1 - NTSC TOP vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - BOTTOM)
(Criterion - Region 1 - NTSC TOP vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - BOTTOM)
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(Criterion - Region 1 - NTSC TOP vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - BOTTOM)
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(Criterion - Region 1 - NTSC TOP vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - BOTTOM)
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(Criterion - Region 1 - NTSC TOP vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - BOTTOM)
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(Criterion - Region 1 - NTSC TOP vs. Gaumont Boxset (France) CTHV - Region 2 -PAL - BOTTOM)
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NOTE: Many loose frame shifts on the Gaumont (see below)
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Report Card:
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Image: |
Criterion |
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Sound: |
Criterion |
| Extras: | Gaumont |
| Menu: | Criterion |
| DVD Box Covers |
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| Distribution |
Criterion Collection - Spine # 142 Region 1 - NTSC |
Gaumont -
Columbia Tri-Star HV Region 2 - PAL |
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Gary Tooze 1775 Rowntree Court Mississauga, Ontario, L4W 4V3 CANADA |
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