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S E A R C H    D V D B e a v e r

(aka "Ikiru" or "Doomed", "Living" or "To Live")

http://www.dvdbeaver.com/film/direct-chair/kurosawa.htm
Japan 1952

Considered by some to be Akira Kurosawa’s greatest achievement, Ikiru presents the director at his most compassionate—affirming life through an exploration of a man’s death. Takashi Shimura portrays Kanji Watanabe, an aging bureaucrat with stomach cancer forced to strip the veneer off his existence and find meaning in his final days. Told in two parts, Ikiru offers Watanabe’s quest in the present, and then through a series of flashbacks. The result is a multifaceted look at a life through a prism of perspectives, resulting in a full portrait of a man who lacked understanding from others in life.

***

Opening with a shot of an x-ray, showing the main character's stomach, Ikiru tells the tale of a dedicated, downtrodden civil servant who, diagnosed with a fatal cancer, learns to change his dull, unfulfilled existence, and suddenly discovers a zest for life. Plunging first into self-pity, then a bout of hedonistic pleasure-seeking on the frenetic streets of post-war Tokyo, Watanabe – the film's hero – finds himself driven to give some meaning to his life, finally finding satisfaction through building a children's playground.

Beautifully played by Takashi Shimura (who starred in 21 of Kurosawa's films), Ikiru is an intensely lyrical and moving film and was one of Kurosawa's own favourites.

Poster

Theatrical Release: October 9th, 1952 - Japan

Reviews                                                 More Reviews                                             DVD Reviews

 

Comparison:

BFI - Region 2- PAL vs. Mei Ah - Region 0 - NTSC vs. Criterion (2 Disc) - Region 1 - NTSC vs. Criterion - Region 'A' - Blu-ray vs. BFI - Region 'B' - Blu-ray

Big thanks to Mikkel Svendstrup of DVDsnak for the BFI DVD screen captures!

Box Covers

 

 

BONUS CAPTURES:

(click titles for DVDBeaver reviews)

Criterion (without the extras) also available in The Essential Art House - 50 Years of Janus Films - a 50-disc celebration of international films collected under the auspices of the groundbreaking theatrical distributor. It contains Alexander Nevsky (1938), Ashes And Diamonds (1958), L'avventura (1960), Ballad Of A Soldier (1959), Beauty And The Beast (1946), Black Orpheus (1959), Brief Encounter (1945), The Fallen Idol (1948), Fires On The Plain (1959), Fists In The Pocket (1965), Floating Weeds (1959), Forbidden Games (1952), The 400 Blows (1959), Grand Illusion (1937), Häxan (1922), Ikiru (1952), The Importance Of Being Earnest (1952), Ivan The Terrible, Part II (1958), Le Jour Se Lève (1939), Jules And Jim (1962), Kind Hearts And Coronets (1949), Knife In The Water (1962), The Lady Vanishes (1938), The Life And Death Of Colonel Blimp (1943), Loves Of A Blonde (1965), M (1931), M. Hulot's Holiday (1953), Miss Julie (1951), Pandora's Box (1929), Pépé Le Moko (1937), Il Posto (1961), Pygmalion (1938), Rashomon (1950), Richard III (1955), The Rules Of The Game (1939), Seven Samurai (1954), The Seventh Seal (1957), The Spirit Of The Beehive (1973), La Strada (1954), Summertime (1955), The Third Man (1949), The 39 Steps (1935), Ugetsu (1953), Umberto D. (1952), The Virgin Spring (1960), Viridiana (1961), The Wages Of Fear (1953), The White Sheik (1952), Wild Strawberries (1957), Three Documentaries By Saul J. Turell plus the hardcover, full color 240-page book.

Distribution

BFI

Region 2  - PAL

Mei Ah (Hong Kong)

Region 0  - NTSC

Criterion Collection - Spine #221
Region 1 - NTSC
Criterion Collection - Spine # 221 - Region A - Blu-ray BFI - Region B - Blu-ray
Runtime 2:17:00 (4% PAL speedup) 1:19:09 + 1:03:39 = 2:22:48 2:22:50 2:23:07.704 2:22:48.268 
Video

1.33:1 Original Aspect Ratio

Average Bitrate: 5.84 mb/s
PAL 720x576 25.00 f/s

1.33:1 Original Aspect Ratio

Average Bitrate: 4.33 mb/s
NTSC 704x480 29.97 f/s

1.33:1 Original Aspect Ratio

Average Bitrate: 6.94
NTSC 704x480 29.97 f/s

1080P Dual-layered Blu-ray

Disc Size: 47,401,688,866 bytes

Feature: 31,016,091,648 bytes

Video Bitrate: 25.00 Mbps

Codec: MPEG-4 AVC Video

1080P Dual-layered Blu-ray

Disc Size: 47,761,949,526 bytes

Feature: 47,717,635,584 bytes

Video Bitrate: 37.66 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

BFI

 

Bitrate:

Mei Ah

.

Bitrate:

 

Criterion

 

Bitrate:

Criterion Blu-ray

 

Bitrate: BFI

 Blu-ray

 

Audio Japanese (Dolby Digital 2.0 Mono) Japanese (Dolby Digital 2.0 Mono)

Japanese (Dolby Digital 2.0 Mono)

LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
Commentary:

Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps 

LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
LPCM Audio

Commentary:
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -30dBs 

Subtitles English (non-removable - player generated) English, Chinese (Traditional), Chinese (Simplified) and none English, and none English, and none English, and none
Features Release Information:
Studio: BFI Video

Aspect Ratio:
Original Aspect Ratio 1.33:1

Edition Details:

• Filmed introduction by Alex Cox
• Biography of Akira Kurosawa
• Biography of Takashi Shimura


DVD Release Date: October 6th, 2003
Keep Case

Chapters 20

 

Release Information:
Studio: Mei Ah / Ocean Shores

Aspect Ratio:
Original Aspect Ratio 1.33:1

Edition Details:

• Cast Information

• Text Screens on Akira Kurosawa


DVD Release Date: July 1, 1999
Keep Case

Chapters 9

Release Information:
Studio: Criterion

Aspect Ratio:
Original Aspect Ratio 1.33:1


Edition Details:
• Audio commentary by Stephen Prince, author of The Warrior’s Camera: The Cinema of Akira Kurosawa 
• A Message from Akira Kurosawa (2000): a 90-minute documentary produced by Kurosawa productions and featuring interviews with the director on the set of his later films 
• A 41-minute documentary on Ikiru from the series, Akira Kurosawa: To Create is Beautiful, including interviews with Akira Kurosawa, writer Hideo Oguni, actor Takashi Shimura, and many others 
• Original theatrical trailer 

DVD Release Date: January 6th, 2004
Keep Case

Chapters 25

Release Information:
Studio: Criterion Collection

1080P Dual-layered Blu-ray

Disc Size: 47,401,688,866 bytes

Feature: 31,016,091,648 bytes

Video Bitrate: 25.00 Mbps

Codec: MPEG-4 AVC Video

Edition Details:

• Audio commentary from 2003 by Stephen Prince, author of The Warrior’s Camera: The Cinema of Akira Kurosawa
• A Message from Akira Kurosawa: For Beautiful Movies (2000), a ninety­-minute documentary produced by Kurosawa Productions and featuring interviews with the director (1:21:22)
• Documentary on Ikiru from 2003, created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to Create, and featuring interviews with Kurosawa, script supervisor Teruyo Nogami, writer Hideo Oguni, actor Takashi Shimura, and others (41:38)
• Trailer (3:31)
• PLUS: An essay by critic and travel writer Pico Iyer and a reprint from critic Donald Richie’s 1965 book The Films of Akira Kurosawa

Blu-ray Release Date: November 23rd, 2015

Transparent
Blu-ray Case
Chapters: 2
4

Release Information:
Studio:
BFI

 

1080P Dual-layered Blu-ray

Disc Size: 47,761,949,526 bytes

Feature: 47,717,635,584 bytes

Video Bitrate: 37.66 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Introduction by Alex Cox (2003, 14:46)
• Newly commissioned audio commentary by film critic Adrian Martin
• Akira Kurosawa: It Is Wonderful to Create – Ikiru (2003, 41:36): created as part of the Toho Masterworks series and featuring interviews with Kurosawa, script supervisor Teruyo Nogami, writer Hideo Oguni, actor Takashi Shimura, and others
• It's Ours Whatever They Say (1972, 38:46): a community action film telling of the battle fought by young mothers against Islington council to establish a playground for children on a derelict site
• The People People (1970, 22:26): intended for school leavers, this COI film shows the vast range and variety of jobs available within the Civil Service, highlighting the ways in which civil servants help individuals, the community in general and Parliament
• Trailer (3:30)
**FIRST PRESSING ONLY** Illustrated booklet with essays by Tony Rayns and James-Masaki Ryan, a review originally published in Monthly Film Bulletin in 1959, notes on the special features and film credits

Blu-ray Release Date:
September 16th, 2024
Transparent
Blu-ray Case
Chapters:
12

 

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: BFI Region 'B' Blu-ray September 2024': BFI have also released Akira Kurosawa's "Ikiru" to Blu-ray . It is cited as being "Restored in 4K". As well as showing more information in the frame, the slightly brighter BFI 1080P has more detail. It is also a 50% boost in the bitrate from the 2015 Criterion. Grain is not abundant but what is visible is fairly fine. There may be some high frequency edge enhancement but it is fairly imperceptible in viewing. There are a few speckles but it is generally quite clean. Depth exists but also a flatness of characters. Overall the more balanced contrast, improvement in detail and superior bitrate make the BFI the best home video presentation to date. 

NOTE: We have added 58 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

BFI also go linear PCM mono (24-bit) Japanese language track with the music by Fumio Hayasaka (Rashomon, Sansho the Bailiff, Ugetsu etc.) with notable diegetic music scenes; Watanabe singing "Gondola no Uta", Too Young by Toni Arden on the phonograph, and the group 'Happy Birthday' sequence etc. sounding clean and very clear via the uncompressed transfer. There are optional English subtitles on BFI's region 'B'-locked Blu-ray disc.''

BFI include a newly commissioned audio commentary by one of our favorites, film scholar Adrian Martin (Mise en Scène and Film Style: From Classical Hollywood to New Media Art). He discusses how Kurosawa's appeal stretches across many genres and variety of film critics. He doesn't give much background about the production but looks closely - providing a new, unique perspective on the film itself. He talks about the early narration, Lubitsch or Ozu-like scenes, 'repetition and variation', reforms in Japanese society at the time, he quotes from Stephen Prince's book The Warrior’s Camera: The Cinema of Akira Kurosawa, talks about the pace and choreography within the frame, blocking etc. Adrian does his usual exceptional job and I could listen to it a second time right away. Included is a 1/4 hour 2003 introduction by filmmaker Alex Cox. He introduces Ikiru and provides some background information on Akira Kurosawa. Akira Kurosawa: It Is Wonderful to Create Ikiru runs shy of 3/4 of an hour. This 2002 documentary was created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to Create, and features interviews with Kurosawa, script supervisor Teruyo Nogami, writer Shinobu Hashimoto, actor Takashi Shimura, and others. It's Ours Whatever They Say is from 1972 and runs almost 40-minutes. It is a community action film by Jenny Barraclough telling of the battle fought by a group of mothers against a London council to establish a playground for children on a derelict site. The People People was made in 1970 and runs 22-minutes. It was intended for school leavers, this COI film shows the vast range and variety of jobs available within the civil service, highlighting the ways in which civil servants help individuals, the community in general and Parliament. Lastly is a re-issue trailer and for the first printing the package contains an illustrated booklet with essays by Tony Rayns and James-Masaki Ryan, a review originally published in Monthly Film Bulletin in 1959, notes on the special features and film credits.

Akira Kurosawa's "Ikiru" was inspired by Leo Tolstoy's The Death of Ivan Ilyich (1886) with the director / co-writer's desire to make a film about a man who knows he is going to die (here given roughly 75 days - Cancer) and who desperately seeks a reason for his life. There is a modern universality about this as many individuals are given 'dates' for their terminal illnesses as the medical industry effectiveness has improved. We will all die and mortality (its acceptance or rejection) is part of the end of life. Our protagonist, Kanji Watanabe (played with pained effectiveness by Takashi Shimura) accepts his life will come to an end shortly and seeks a meaning to his existence. Ikiru is a tragedy and considered Kurosawa's best film - certainly in the category outside the 'Samurai' variety (Sanjûrô, Yojimbo, The Hidden Fortress, Throne of Blood, Seven Samurai etc.) These 'non-action-based' favorites include Red Beard, High and Low, possibly even Rashômon. There are strong themes in Ikiru including the hollowness of a life dedicated to bureaucracy, mortality, the impersonal-ness of the health care system, urbanization, and how the modern family integrity is diminished... Watanabe attending the 'girly club' finds that simply seeking "pleasure is not life" nor, its extension; 'hedonism'. He's on a journey - moving immeasurably faster than his life has progressed up to this time. Ikiru is such an infinitely rewatchable film and absolutely brilliantly melancholic... and unrequited quest for salvation. I loved the Martin commentary and the improved video plus the other extras. This BFI edition has our highest recommendation!

"Gondola no Uta"

life is brief
fall in love, maidens
before the boat drifts away
on the waves
before the hand resting on your shoulder
becomes frail
for there is no reach here
for the sight of others

P.S. 2022's Living is an excellent film based on Ikiru.

***

ADDITION: Criterion Region 'A' Blu-ray  November 15': Cited as a 'New, restored 4K digital transfer' Criterion's 1080P looks rich, textured and beautiful. There is still light damage/scratches but the higher resolution really brings out the more film-like presentation. It's so impressive in-motion compared to the old SD transfers. Like night and day. A shade darker and superior contrast layering.

Criterion use their usual linear PCM mono track - authentic - audible dialogue via the uncompressed. There are optional English subtitles on Criterion's region 'A'-locked Blu-ray disc.

Criterion duplicate their supplements from the 2004 DVD with the informative audio commentary by Stephen Prince, author of The Warrior’s Camera: The Cinema of Akira Kurosawa. A Message from Akira Kurosawa: For Beautiful Movies is a one-hour 21-minute documentary from 2000 produced by Kurosawa Productions and featuring interviews with the director. There is also the 2003, 41-minute documentary on Ikiru created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to Create, and featuring interviews with Kurosawa, script supervisor Teruyo Nogami, writer Hideo Oguni, actor Takashi Shimura, and others. Lastly is a trailer and the package has a liner notes booklet with an essay by critic and travel writer Pico Iyer and a reprint from critic Donald Richie’s 1965 book The Films of Akira Kurosawa.

A no-brainer Blu-ray purchase - debatably Kurosawa's most moving film - and the HD presentation looks better than I could have hoped for in my home theatre. Should get some votes in our year-end poll. I really don't know what more to say - the film drains me. Buy with extreme confidence.

***

ADDITION (January 2004) - BFI Release: The BFI release is very good and only slightly (very slightly) inferior to the Criterion in image quality. In many instances it looks almost identical. Where Criterion takes the cake is the Extras. Unfortunately The BFI has non-removable (but player generated) subs, but that wouldn't alter me trading up unless I was dying for the Criterion Features. BFI has done a solid job and I like their subs which are clear and seem different, but accurate. The Alex Cox intro is excellent!

The Criterion is obviously superior in every area. I was moderately happy with the Mei Ah version for the past few years - it allowed me to view the film in a not-too-deplorable state. The biggest failing of the Mei Ah disc are the subtitles. Apparently the Japanese dialogue was translated into Chinese, then the Chinese translated into English - so there are flaws. Also the spelling is poor and the image is cropped. The Mei Ah is a DVD 10 - two sides/one layer.

The Criterion is full of Extras that I have only skimmed through at this time. There is a commentary and a whole seconds disc to peruse. I almost always say when I see a upper-echelon Criterion DVD (higher priced) that this is the best the film will ever look, but I am a shade hesitant in this case. There are some visible damage spots on the Criterion image. I see similar markings on the Mei Ah meaning the existing print is flawed. I will say that this is the best this film has looked since it was shown theatrically. Great contrast is Criterion's hallmark, this DVD is no exception. Wonderful subs. I did notice some flickering brightness throughout the film which can be distracting. The audio is only sub-par as well but regardless this DVD is a must-own for film fans around the world.

 - Gary W. Tooze


Recommended Reading for Japanese Film Fans (CLICK COVERS or TITLES for more information)

The Japan Journals : 1947-2004,

by  Donald Richie

The Midnight Eye Guide to New Japanese Film
by Tom Mes and Jasper Sharp

Kon Ichikawa (Cinematheque Ontario Monographs)

by James Quandt, Cinematheque Ontario

Shohei Imamura (Cinematheque Ontario Monographs, No. 1)
by James Quandt
Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (Midland Book, Mb 469)
by David Desser
The Films of Akira Kurosawa by Donald Ritchie

Tokyo Story

by Yasujiro Ozu, Kogo Noda, Donald Richie, Eric Klestadt

Ozu by Donald Ritchie

A Hundred Years of Japanese Film by Donald Richie

Check out more in "The Library"



Menus

(BFI - Region 2- PAL LEFT vs. Mei Ah - Region 0 - NTSC - MIDDLE vs. Criterion - Region 1 - NTSC - RIGHT)


 

Criterion - Region 'A' - Blu-ray

 

BFI - Region 'B' - Blu-ray

 

BFI Blu-ray 2

 


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

Subtitle Sample

 

1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


1) BFI - Region 2- PAL - TOP
2)
Mei Ah - Region 0 - NTSC - SECOND

3) Criterion - Region 1 - NTSC - THIRD

4) Criterion - Region 'A' - Blu-ray FOURTH

5) BFI - Region 'B' - Blu-ray BOTTOM

 


More full resolution (1920 X 1080) BFI Blu-ray Captures for Patreon Supporters HERE


 Hit Counter


Recommended Reading for Kurosawa Fans (CLICK COVERS or TITLES for more information)

Check out more in "The Library"


Box Covers

 

 

BONUS CAPTURES:

(click titles for DVDBeaver reviews)

Criterion (without the extras) also available in The Essential Art House - 50 Years of Janus Films - a 50-disc celebration of international films collected under the auspices of the groundbreaking theatrical distributor. It contains Alexander Nevsky (1938), Ashes And Diamonds (1958), L'avventura (1960), Ballad Of A Soldier (1959), Beauty And The Beast (1946), Black Orpheus (1959), Brief Encounter (1945), The Fallen Idol (1948), Fires On The Plain (1959), Fists In The Pocket (1965), Floating Weeds (1959), Forbidden Games (1952), The 400 Blows (1959), Grand Illusion (1937), Häxan (1922), Ikiru (1952), The Importance Of Being Earnest (1952), Ivan The Terrible, Part II (1958), Le Jour Se Lève (1939), Jules And Jim (1962), Kind Hearts And Coronets (1949), Knife In The Water (1962), The Lady Vanishes (1938), The Life And Death Of Colonel Blimp (1943), Loves Of A Blonde (1965), M (1931), M. Hulot's Holiday (1953), Miss Julie (1951), Pandora's Box (1929), Pépé Le Moko (1937), Il Posto (1961), Pygmalion (1938), Rashomon (1950), Richard III (1955), The Rules Of The Game (1939), Seven Samurai (1954), The Seventh Seal (1957), The Spirit Of The Beehive (1973), La Strada (1954), Summertime (1955), The Third Man (1949), The 39 Steps (1935), Ugetsu (1953), Umberto D. (1952), The Virgin Spring (1960), Viridiana (1961), The Wages Of Fear (1953), The White Sheik (1952), Wild Strawberries (1957), Three Documentaries By Saul J. Turell plus the hardcover, full color 240-page book.

Distribution

BFI

Region 2  - PAL

Mei Ah (Hong Kong)

Region 0  - NTSC

Criterion Collection - Spine #221
Region 1 - NTSC
Criterion Collection - Spine # 221 - Region A - Blu-ray BFI - Region B - Blu-ray



 

 

 

 

 

 

 

 

 

 

 

 

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