Firstly, a massive thank you to our Patreon supporters. These supporters have become the single biggest contributing factor to the survival of DVDBeaver. Your assistance is essential to our survival.
What do Patrons receive, that you don't?
1)
Our
weekly
Newsletter
and
Calendar Updates
sent to your Inbox!
Please consider keeping us in existence with a couple of dollars or more each month (your pocket change! / a coffee!) so we can continue to do our best in giving you timely, thorough reviews, calendar updates and detailed comparisons. I am indebted to your generosity. |
Search DVDBeaver |
S E A R C H D V D B e a v e r |
(aka "Ikiru" or "Doomed", "Living" or "To Live")
Considered by some to be
Akira Kurosawa’s
greatest achievement, Ikiru presents the director at his most
compassionate—affirming life through an exploration of a man’s death.
Takashi Shimura portrays Kanji Watanabe, an aging bureaucrat with stomach
cancer forced to strip the veneer off his existence and find meaning in his
final days. Told in two parts, Ikiru offers Watanabe’s quest in the
present, and then through a series of flashbacks. The result is a multifaceted
look at a life through a prism of perspectives, resulting in a full portrait
of a man who lacked understanding from others in life.
*** Opening with a shot of an x-ray, showing the main character's stomach,
Ikiru tells the tale of a dedicated, downtrodden civil servant who,
diagnosed with a fatal cancer, learns to change his dull, unfulfilled existence,
and suddenly discovers a zest for life. Plunging first into self-pity, then a
bout of hedonistic pleasure-seeking on the frenetic streets of post-war Tokyo,
Watanabe – the film's hero – finds himself driven to give some meaning to his
life, finally finding satisfaction through building a children's playground. |
Poster
Theatrical Release: October 9th, 1952 - Japan
Reviews More Reviews DVD Reviews
Comparison:
BFI - Region 2- PAL vs. Mei Ah - Region 0 - NTSC vs. Criterion (2 Disc) - Region 1 - NTSC vs. Criterion - Region 'A' - Blu-ray vs. BFI - Region 'B' - Blu-ray |
Big thanks to Mikkel Svendstrup of DVDsnak for the BFI DVD screen captures!
Box Covers |
|
|
|
|
BONUS CAPTURES: |
(click titles for DVDBeaver reviews) Criterion (without the extras) also available in The Essential Art House - 50 Years of Janus Films - a 50-disc celebration of international films collected under the auspices of the groundbreaking theatrical distributor. It contains Alexander Nevsky (1938), Ashes And Diamonds (1958), L'avventura (1960), Ballad Of A Soldier (1959), Beauty And The Beast (1946), Black Orpheus (1959), Brief Encounter (1945), The Fallen Idol (1948), Fires On The Plain (1959), Fists In The Pocket (1965), Floating Weeds (1959), Forbidden Games (1952), The 400 Blows (1959), Grand Illusion (1937), Häxan (1922), Ikiru (1952), The Importance Of Being Earnest (1952), Ivan The Terrible, Part II (1958), Le Jour Se Lève (1939), Jules And Jim (1962), Kind Hearts And Coronets (1949), Knife In The Water (1962), The Lady Vanishes (1938), The Life And Death Of Colonel Blimp (1943), Loves Of A Blonde (1965), M (1931), M. Hulot's Holiday (1953), Miss Julie (1951), Pandora's Box (1929), Pépé Le Moko (1937), Il Posto (1961), Pygmalion (1938), Rashomon (1950), Richard III (1955), The Rules Of The Game (1939), Seven Samurai (1954), The Seventh Seal (1957), The Spirit Of The Beehive (1973), La Strada (1954), Summertime (1955), The Third Man (1949), The 39 Steps (1935), Ugetsu (1953), Umberto D. (1952), The Virgin Spring (1960), Viridiana (1961), The Wages Of Fear (1953), The White Sheik (1952), Wild Strawberries (1957), Three Documentaries By Saul J. Turell plus the hardcover, full color 240-page book. |
|||||
Distribution |
BFI Region 2 - PAL |
Mei Ah (Hong Kong) Region 0 - NTSC |
Criterion
Collection - Spine #221
Region 1 - NTSC |
Criterion Collection - Spine # 221 - Region A - Blu-ray | BFI - Region B - Blu-ray |
Runtime | 2:17:00 (4% PAL speedup) | 1:19:09 + 1:03:39 = 2:22:48 | 2:22:50 | 2:23:07.704 | 2:22:48.268 |
Video |
1.33:1 Original Aspect Ratio
Average Bitrate: 5.84 mb/s |
1.33:1 Original Aspect Ratio
Average Bitrate: 4.33 mb/s |
1.33:1 Original Aspect Ratio Average
Bitrate: 6.94 |
1080P Dual-layered Blu-ray Disc Size: 47,401,688,866 bytesFeature: 31,016,091,648 bytesVideo Bitrate: 25.00 Mbps Codec: MPEG-4 AVC Video |
1080P Dual-layered Blu-ray Disc Size: 47,761,949,526 bytesFeature: 47,717,635,584 bytesVideo Bitrate: 37.66 Mbps Codec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
|||||
Bitrate:
BFI
|
|
||||
Bitrate:
Mei Ah . |
|
||||
Bitrate:
Criterion
|
|
||||
Bitrate:
Criterion Blu-ray
|
|
||||
Bitrate:
BFI Blu-ray
|
|
||||
Audio | Japanese (Dolby Digital 2.0 Mono) | Japanese (Dolby Digital 2.0 Mono) |
Japanese (Dolby Digital 2.0 Mono) |
LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps |
LPCM Audio Japanese 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
Commentary: |
Subtitles | English (non-removable - player generated) | English, Chinese (Traditional), Chinese (Simplified) and none | English, and none | English, and none | English, and none |
Features |
Release Information: Studio: BFI Video Aspect Ratio: Edition Details:
• Filmed introduction by Alex Cox
Chapters 20
|
Release Information: Studio: Mei Ah / Ocean Shores Aspect Ratio: Edition Details: • Cast Information • Text Screens on Akira Kurosawa
Chapters 9
|
Release Information: Studio: Criterion Aspect Ratio:
DVD
Release Date: January 6th, 2004 Chapters 25 |
Release Information: 1080P Dual-layered Blu-ray Disc Size: 47,401,688,866 bytesFeature: 31,016,091,648 bytesVideo Bitrate: 25.00 Mbps Codec: MPEG-4 AVC Video Edition Details:
• Audio commentary from 2003 by Stephen Prince, author of
The Warrior’s
Camera: The Cinema of Akira Kurosawa |
Release Information:
1080P Dual-layered Blu-ray Disc Size: 47,761,949,526 bytesFeature: 47,717,635,584 bytesVideo Bitrate: 37.66 Mbps Codec: MPEG-4 AVC Video
Edition Details:
• Introduction by Alex Cox (2003, 14:46) Transparent Blu-ray Case Chapters: 12 |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: BFI Region 'B' Blu-ray September 2024': BFI have also released Akira Kurosawa's "Ikiru" to Blu-ray . It is cited as being "Restored in 4K". As well as showing more information in the frame, the slightly brighter BFI 1080P has more detail. It is also a 50% boost in the bitrate from the 2015 Criterion. Grain is not abundant but what is visible is fairly fine. There may be some high frequency edge enhancement but it is fairly imperceptible in viewing. There are a few speckles but it is generally quite clean. Depth exists but also a flatness of characters. Overall the more balanced contrast, improvement in detail and superior bitrate make the BFI the best home video presentation to date.NOTE: We have added 58 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE BFI also go linear PCM mono (24-bit) Japanese language track with the music by Fumio Hayasaka (Rashomon, Sansho the Bailiff, Ugetsu etc.) with notable diegetic music scenes; Watanabe singing "Gondola no Uta", Too Young by Toni Arden on the phonograph, and the group 'Happy Birthday' sequence etc. sounding clean and very clear via the uncompressed transfer. There are optional English subtitles on BFI's region 'B'-locked Blu-ray disc.'' BFI include a newly commissioned audio commentary by one of our favorites, film scholar Adrian Martin (Mise en Scène and Film Style: From Classical Hollywood to New Media Art). He discusses how Kurosawa's appeal stretches across many genres and variety of film critics. He doesn't give much background about the production but looks closely - providing a new, unique perspective on the film itself. He talks about the early narration, Lubitsch or Ozu-like scenes, 'repetition and variation', reforms in Japanese society at the time, he quotes from Stephen Prince's book The Warrior’s Camera: The Cinema of Akira Kurosawa, talks about the pace and choreography within the frame, blocking etc. Adrian does his usual exceptional job and I could listen to it a second time right away. Included is a 1/4 hour 2003 introduction by filmmaker Alex Cox. He introduces Ikiru and provides some background information on Akira Kurosawa. Akira Kurosawa: It Is Wonderful to Create – Ikiru runs shy of 3/4 of an hour. This 2002 documentary was created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to Create, and features interviews with Kurosawa, script supervisor Teruyo Nogami, writer Shinobu Hashimoto, actor Takashi Shimura, and others. It's Ours Whatever They Say is from 1972 and runs almost 40-minutes. It is a community action film by Jenny Barraclough telling of the battle fought by a group of mothers against a London council to establish a playground for children on a derelict site. The People People was made in 1970 and runs 22-minutes. It was intended for school leavers, this COI film shows the vast range and variety of jobs available within the civil service, highlighting the ways in which civil servants help individuals, the community in general and Parliament. Lastly is a re-issue trailer and for the first printing the package contains an illustrated booklet with essays by Tony Rayns and James-Masaki Ryan, a review originally published in Monthly Film Bulletin in 1959, notes on the special features and film credits. Akira Kurosawa's "Ikiru" was inspired by Leo Tolstoy's The Death of Ivan Ilyich (1886) with the director / co-writer's desire to make a film about a man who knows he is going to die (here given roughly 75 days - Cancer) and who desperately seeks a reason for his life. There is a modern universality about this as many individuals are given 'dates' for their terminal illnesses as the medical industry effectiveness has improved. We will all die and mortality (its acceptance or rejection) is part of the end of life. Our protagonist, Kanji Watanabe (played with pained effectiveness by Takashi Shimura) accepts his life will come to an end shortly and seeks a meaning to his existence. Ikiru is a tragedy and considered Kurosawa's best film - certainly in the category outside the 'Samurai' variety (Sanjûrô, Yojimbo, The Hidden Fortress, Throne of Blood, Seven Samurai etc.) These 'non-action-based' favorites include Red Beard, High and Low, possibly even Rashômon. There are strong themes in Ikiru including the hollowness of a life dedicated to bureaucracy, mortality, the impersonal-ness of the health care system, urbanization, and how the modern family integrity is diminished... Watanabe attending the 'girly club' finds that simply seeking "pleasure is not life" nor, its extension; 'hedonism'. He's on a journey - moving immeasurably faster than his life has progressed up to this time. Ikiru is such an infinitely rewatchable film and absolutely brilliantly melancholic... and unrequited quest for salvation. I loved the Martin commentary and the improved video plus the other extras. This BFI edition has our highest recommendation!"Gondola no Uta"
life is brief
P.S. 2022's
Living is an excellent film based on Ikiru.
*
ADDITION: Criterion Region 'A'
Blu-ray
November 15':
Cited as a 'New, restored 4K digital transfer' Criterion's 1080P
looks rich, textured and beautiful.
There is still light damage/scratches but the higher resolution really
brings out the more film-like presentation. It's so impressive in-motion
compared to the old SD transfers. Like night and day. A shade darker and
superior contrast layering.
Criterion use their usual linear PCM mono track -
authentic - audible dialogue via the uncompressed.
There are optional English subtitles on Criterion's region 'A'-locked Blu-ray
disc.
Criterion duplicate their supplements from the 2004 DVD
with the informative audio commentary by Stephen Prince, author of
The Warrior’s Camera: The Cinema of Akira Kurosawa. A Message
from Akira Kurosawa: For Beautiful Movies is a one-hour 21-minute
documentary from 2000 produced by Kurosawa Productions and featuring
interviews with the director. There is also the 2003, 41-minute
documentary on Ikiru created as part of the Toho Masterworks
series Akira Kurosawa: It Is Wonderful to Create, and featuring
interviews with Kurosawa, script supervisor Teruyo Nogami, writer Hideo
Oguni, actor Takashi Shimura, and others. Lastly is a trailer and the
package has a liner notes booklet with an essay by critic and travel
writer Pico Iyer and a reprint from critic Donald Richie’s 1965 book
The Films of Akira Kurosawa.
A no-brainer Blu-ray
purchase - debatably Kurosawa's most moving film - and the HD
presentation looks better than I could have hoped for in my home
theatre. Should get some votes in our year-end poll. I really don't know
what more to say - the film drains me. Buy with extreme confidence.
***
The Criterion is obviously
superior in every area. I was moderately happy with the Mei Ah version
for the past few years - it allowed me to view the film in a
not-too-deplorable state. The biggest failing of the Mei Ah disc are the
subtitles. Apparently the Japanese dialogue was translated into
Chinese, then the Chinese translated into English - so there are flaws.
Also the spelling is poor and the image is cropped. The Mei Ah is a DVD
10 - two sides/one layer.
The
Criterion is full of Extras that I have only skimmed through at this
time. There is a commentary and a whole seconds disc to peruse. I almost
always say when I see a upper-echelon Criterion DVD (higher priced) that
this is the best the film will ever look, but I am a shade hesitant in
this case. There are some visible damage spots on the Criterion image. I
see similar markings on the Mei Ah meaning the existing print is flawed.
I will say that this is the best this film has looked since it was shown
theatrically. Great contrast is Criterion's hallmark, this DVD is no
exception. Wonderful subs. I did notice some flickering brightness
throughout the film which can be distracting. The audio is only sub-par
as well but regardless this DVD is a must-own for film fans around
the world. |
Recommended Reading for Japanese Film Fans (CLICK COVERS or TITLES for more information)
The Japan Journals : 1947-2004, by Donald Richie |
The Midnight Eye Guide to New Japanese Film by Tom Mes and Jasper Sharp |
Kon Ichikawa (Cinematheque Ontario Monographs) by James Quandt, Cinematheque Ontario |
Shohei Imamura (Cinematheque
Ontario Monographs, No. 1) by James Quandt |
Eros Plus Massacre: An
Introduction to the Japanese New Wave Cinema
(Midland Book, Mb 469) by David Desser |
The Films of Akira Kurosawa by Donald Ritchie |
by Yasujiro Ozu, Kogo Noda, Donald Richie, Eric Klestadt |
Ozu by Donald Ritchie |
A Hundred Years of Japanese Film by Donald Richie |
Check out more in "The Library"
Menus
(BFI
- Region 2- PAL LEFT
vs. Mei
Ah - Region 0 - NTSC - MIDDLE vs. Criterion - Region 1 - NTSC - RIGHT)
|
| |
|
|
|
|
|
Criterion - Region 'A' - Blu-ray
BFI - Region 'B' - Blu-ray
BFI
Blu-ray 2
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample
1)
BFI
- Region 2- PAL - TOP 3) Criterion - Region 1 - NTSC - THIRD 4) Criterion - Region 'A' - Blu-ray FOURTH
5)
BFI - Region 'B' -
Blu-ray
BOTTOM
|
1)
BFI
- Region 2- PAL - TOP 3) Criterion - Region 1 - NTSC - THIRD 4) Criterion - Region 'A' - Blu-ray FOURTH
5)
BFI - Region 'B' -
Blu-ray
BOTTOM
|
1)
BFI
- Region 2- PAL - TOP 3) Criterion - Region 1 - NTSC - THIRD 4) Criterion - Region 'A' - Blu-ray FOURTH
5)
BFI - Region 'B' -
Blu-ray
BOTTOM
|
|
1)
BFI
- Region 2- PAL - TOP 3) Criterion - Region 1 - NTSC - THIRD 4) Criterion - Region 'A' - Blu-ray FOURTH
5)
BFI - Region 'B' -
Blu-ray
BOTTOM
|
|
1)
BFI
- Region 2- PAL - TOP 3) Criterion - Region 1 - NTSC - THIRD 4) Criterion - Region 'A' - Blu-ray FOURTH
5)
BFI - Region 'B' -
Blu-ray
BOTTOM
|
|
1)
BFI
- Region 2- PAL - TOP 3) Criterion - Region 1 - NTSC - THIRD 4) Criterion - Region 'A' - Blu-ray FOURTH
5)
BFI - Region 'B' -
Blu-ray
BOTTOM
|
|
1)
BFI
- Region 2- PAL - TOP 3) Criterion - Region 1 - NTSC - THIRD 4) Criterion - Region 'A' - Blu-ray FOURTH
5)
BFI - Region 'B' -
Blu-ray
BOTTOM
|
|
|
Recommended Reading for Kurosawa Fans (CLICK COVERS or TITLES for more information)
The Midnight Eye Guide to New Japanese Film by Tom Mes and Jasper Sharp |
Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (Midland Book, Mb 469) by David Desser |
Akira Kurosawa and
Intertextual Cinema by James Goodwin |
Kurosawa: Film Studies and
Japanese Cinema (Asia-Pacific.) by Mitsuhiro Yoshimoto |
The Warrior's Camera by Stephen Prince |
The Films of Akira Kurosawa by Donald Ritchie |
The Emperor and the
Wolf: The Lives and Films of Akira Kurosawa and
Toshiro Mifune by Stuart Galbraith IV |
Something Like an Autobiography by Akira Kurosawa | A Hundred Years of Japanese Film by Donald Richie |
Check out more in "The Library"
Box Covers |
|
|
|
|
BONUS CAPTURES: |
(click titles for DVDBeaver reviews) Criterion (without the extras) also available in The Essential Art House - 50 Years of Janus Films - a 50-disc celebration of international films collected under the auspices of the groundbreaking theatrical distributor. It contains Alexander Nevsky (1938), Ashes And Diamonds (1958), L'avventura (1960), Ballad Of A Soldier (1959), Beauty And The Beast (1946), Black Orpheus (1959), Brief Encounter (1945), The Fallen Idol (1948), Fires On The Plain (1959), Fists In The Pocket (1965), Floating Weeds (1959), Forbidden Games (1952), The 400 Blows (1959), Grand Illusion (1937), Häxan (1922), Ikiru (1952), The Importance Of Being Earnest (1952), Ivan The Terrible, Part II (1958), Le Jour Se Lève (1939), Jules And Jim (1962), Kind Hearts And Coronets (1949), Knife In The Water (1962), The Lady Vanishes (1938), The Life And Death Of Colonel Blimp (1943), Loves Of A Blonde (1965), M (1931), M. Hulot's Holiday (1953), Miss Julie (1951), Pandora's Box (1929), Pépé Le Moko (1937), Il Posto (1961), Pygmalion (1938), Rashomon (1950), Richard III (1955), The Rules Of The Game (1939), Seven Samurai (1954), The Seventh Seal (1957), The Spirit Of The Beehive (1973), La Strada (1954), Summertime (1955), The Third Man (1949), The 39 Steps (1935), Ugetsu (1953), Umberto D. (1952), The Virgin Spring (1960), Viridiana (1961), The Wages Of Fear (1953), The White Sheik (1952), Wild Strawberries (1957), Three Documentaries By Saul J. Turell plus the hardcover, full color 240-page book. |
|||||
Distribution |
BFI Region 2 - PAL |
Mei Ah (Hong Kong) Region 0 - NTSC |
Criterion
Collection - Spine #221
Region 1 - NTSC |
Criterion Collection - Spine # 221 - Region A - Blu-ray | BFI - Region B - Blu-ray |
DONATIONS Keep DVDBeaver alive:
CLICK PayPal logo to donate!
Gary Tooze
|
|
Many Thanks...