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( aka 'Colonel Blimp' or "The Adventures of Colonel Blimp")
"It's almost impossible to define this
1943 masterpiece by Michael Powell and Emeric Pressburger. It was ostensibly
based on a cartoon series that satirized the British military class, yet its
attitude toward the main character is one of affection, respect, and sometimes
awe; it was intended as a propaganda film, yet Churchill wanted to suppress it;
it has the romantic sweep of a grand love story, yet none of the romantic
relationships it presents is truly fulfilled, and the film's most lasting bond
is one between the British colonel (Roger Livesey) and his Prussian counterpart
(Anton Walbrook)."
Excerpt from his review HERE at the Chicago Reader
Posters
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Criterion Region 0 DVD
Theatrical Release: June 10th, 1943 UK (Premiere)
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DVD Comparison:
Criterion - Region 0 - NTSC vs. Carlton - Region 2 - PAL
(Criterion - Region 0 - NTSC - LEFT vs. Carlton - Region 2 - PAL - RIGHT)
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| Distribution |
The Criterion Collection Spine #173 Region 0 - NTSC |
Carlton Visual
Entertainment
Region 2 - PAL |
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(click titles for DVDBeaver reviews) Criterion (without any extras) also available in The Essential Art House - 50 Years of Janus Films - a 50-disc celebration of international films collected under the auspices of the groundbreaking theatrical distributor. It contains Alexander Nevsky (1938), Ashes And Diamonds (1958), L'avventura (1960), Ballad Of A Soldier (1959), Beauty And The Beast (1946), Black Orpheus (1959), Brief Encounter (1945), The Fallen Idol (1948), Fires On The Plain (1959), Fists In The Pocket (1965), Floating Weeds (1959), Forbidden Games (1952), The 400 Blows (1959), Grand Illusion (1937), Häxan (1922), Ikiru (1952), The Importance Of Being Earnest (1952), Ivan The Terrible, Part II (1958), Le Jour Se Lève (1939), Jules And Jim (1962), Kind Hearts And Coronets (1949), Knife In The Water (1962), The Lady Vanishes (1938), The Life And Death Of Colonel Blimp (1943), Loves Of A Blonde (1965), M (1931), M. Hulot's Holiday (1953), Miss Julie (1951), Pandora's Box (1929), Pépé Le Moko (1937), Il Posto (1961), Pygmalion (1938), Rashomon (1950), Richard III (1955), The Rules Of The Game (1939), Seven Samurai (1954), The Seventh Seal (1957), The Spirit Of The Beehive (1973), La Strada (1954), Summertime (1955), The Third Man (1949), The 39 Steps (1935), Ugetsu (1953), Umberto D. (1952), The Virgin Spring (1960), Viridiana (1961), The Wages Of Fear (1953), The White Sheik (1952), Wild Strawberries (1957), Three Documentaries By Saul J. Turell plus the hardcover, full color 240-page book. |
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| Runtime | 2:43:25 | 2:36:35(4% PAL speedup) |
| Video |
1.33:1
Original Aspect Ratio |
1.33:1
Original Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Bitrate:
Criterion
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| Bitrate:
Carlton
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| Audio | English (Dolby Digital 2.0 Mono) |
English (Dolby Digital 2.0 Mono) |
| Subtitles | English, and none | English (Captions), and none |
| Features |
Release Information: Studio: Criterion Collection Aspect Ratio: Edition Details:
DVD
Release Date: October 22, 2002
Chapters 31 |
Release Information: Studio: Carlton Visual Entertainment Aspect Ratio:
Edition Details: DVD
Release Date: May 13th, 2002 Chapters 19 |
| Comments: |
This comparison was
previously posted on DVDBeaver from Markus of Chiaroscuro
HERE. I had supplied him with the Criterion screen captures. I have
recently purchased this DVD (in the Powell/Pressburger Boxset) so am
doing a new comparison since I have had the opportunity of seeing both
versions on one system. Using the "First Frame" technique I am confident
that the frames are matched correctly.
Both versions have strengths in certain areas. Although the sharpness is very similar - it is also quite different. The Carlton looks saturated next to the Criterion and its softer palette. I think it actually is saturated to a small degree but beside the Criterion it looks worse. I think the Criterion is slightly sharper in most of the film. The Criterion has a greenish haze to some of its image as well as skin tones appearing very red. Again, as with The Red Shoes, I won't comment on my perception of the directorial intent of the film. It may very well have been meant to look exactly as Criterion is showing... or as the Carlton is showing. I think we could spend hours speculating on which is "more right", but it comes down to personal preference. To me, the skin tones of the Carlton look much more realistic. The colors certainly appear more vibrant in the Carlton, but others may prefer the softness of the Criterion. The Carlton DVD does show more damage than the Criterion - but it is not extensive. The Carlton seems to look better the more the film progresses. The contrast is so deep in the Carlton, I began to look for Edge Enhancement - but I found none to my naked eye. The Criterion is more evenly brighter (look at outdoor scenes) and the Carlton black levels are much deeper. The Criterion is cropped on both sides and the top - the Carlton has some missing information on the bottom. Criterion shows some film grain. For these reasons is quite difficult to state that one is the definitive image - winning out over the other. Your vision can tend to adjust to image color characteristic very quickly and as long as the pattern is consistent - it won't affect your enjoyment of this fine film. Both release exhibit consistency in their image color. So the final conclusion is that they are both acceptable to DVDBeaver. Personally I almost always lean towards the sharpest version - in this case the Criterion - but the Carlton is strong in many other areas (black levels, cropping, realistic color etc. ) that I am going to sit on the fence. The Extras are good on both discs, but the Criterion nudges ahead with its Commentary featuring Powell and Scorsese. One additional point - the Carlton menus are wonderfully animated! Both releases get top marks! |
DVD Menus
(Criterion
- Region 0 - NTSC - LEFT vs. Carlton - Region 2 - PAL - RIGHT)
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Screen Captures
(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
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(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
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(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
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(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
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(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
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(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
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(Criterion - Region 0 - NTSC - TOP vs. Carlton - Region 2 - PAL - BOTTOM)
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Associated Reading (CLICK COVERS or TITLES for more information)
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A Life in Movies: An Autobiography by Michael Powell |
Michael Powell: Interviews (Conversations With
Filmmakers Series) by David Lazar |
Arrows of Desire: The Films of Michael Powell and
Emeric Pressburger by Ian Christie |
The Films of Michael Powell and the Archers by Scott Salwolke |
The Red Shoes: The Classic Story by Michael Powell, Emeric Pressburger |
Black Narcissus by Rumer Godden |
Powell and Pressburger: A Cinema of Magic Spaces
(Cinema & Society S.) Andrew Moor |
Gone to Earth (Virago Modern Classics)
Mary Webb, Erika Duncan |
I Know Where I'm Going! (BFI Film Classics S.)
Pam Cook |
| DVD Box Covers |
|
|
| Distribution |
The Criterion Collection Spine #173 Region 0 - NTSC |
Carlton Visual
Entertainment
Region 2 - PAL |
|
(click titles for DVDBeaver reviews) Criterion (without any extras) also available in The Essential Art House - 50 Years of Janus Films - a 50-disc celebration of international films collected under the auspices of the groundbreaking theatrical distributor. It contains Alexander Nevsky (1938), Ashes And Diamonds (1958), L'avventura (1960), Ballad Of A Soldier (1959), Beauty And The Beast (1946), Black Orpheus (1959), Brief Encounter (1945), The Fallen Idol (1948), Fires On The Plain (1959), Fists In The Pocket (1965), Floating Weeds (1959), Forbidden Games (1952), The 400 Blows (1959), Grand Illusion (1937), Häxan (1922), Ikiru (1952), The Importance Of Being Earnest (1952), Ivan The Terrible, Part II (1958), Le Jour Se Lève (1939), Jules And Jim (1962), Kind Hearts And Coronets (1949), Knife In The Water (1962), The Lady Vanishes (1938), The Life And Death Of Colonel Blimp (1943), Loves Of A Blonde (1965), M (1931), M. Hulot's Holiday (1953), Miss Julie (1951), Pandora's Box (1929), Pépé Le Moko (1937), Il Posto (1961), Pygmalion (1938), Rashomon (1950), Richard III (1955), The Rules Of The Game (1939), Seven Samurai (1954), The Seventh Seal (1957), The Spirit Of The Beehive (1973), La Strada (1954), Summertime (1955), The Third Man (1949), The 39 Steps (1935), Ugetsu (1953), Umberto D. (1952), The Virgin Spring (1960), Viridiana (1961), The Wages Of Fear (1953), The White Sheik (1952), Wild Strawberries (1957), Three Documentaries By Saul J. Turell plus the hardcover, full color 240-page book. |
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Report Card:
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Image: |
(see above comments) |
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Sound: |
- |
| Extras: | Criterion |
| Menu: | Carlton (animated) |
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Gary Tooze 1775 Rowntree Court Mississauga, Ontario, L4W 4V3 CANADA |
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Powell and Pressburger's The Life and Dearth of Colonel Blimp - Criterion - Region 0 - NTSC DVD Review Powell and