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http://www.dvdbeaver.com/film/direct-chair/mann.htm
USA 1949

 

This thrilling crime drama follows a part-time postal clerk who, in a moment of desperation, takes what he thinks is $200 but finds himself wanted by the police and the underworld for stealing a $30,000 intended blackmail payment. New York City postal worker Joe Norson (Farley Granger) wants nothing more than to provide a comfortable life for himself and his wife (Cathy O'Donnell), who is pregnant. Out of frustration he steals $30,000 from the shady lawyer Victor Backett (Edmon Ryan). However, the theft has higher stakes than Joe could have imagined: Backett extorted the money from Emil Lorrison (Paul Harvey), an innocent man whom he framed in a sex scandal and later murdered. Trying to hide the money from his wife, Joe gives it to his friend Nick Drumman (Edwin Max) for safekeeping. When Joe attempts to retrieve the money and return it to Backett, he finds himself caught up in a murderous web. A spectacular car chase brings a climax to the film, which was largely shot at various iconic New York locations, including Central Park, Stuyvesant Town, Battery Park, the Bellevue Hospital morgue, the Polyclinic maternity ward, Wall Street, Bowling Green Park, the Fulton Fish Market, the Queensboro Bridge and a Greenwich Village nightclub.

***

Anthony Mann's "Side Street" (1949) is a taut film noir thriller that exemplifies the director's early mastery of urban suspense and moral ambiguity, starring Farley Granger as Joe Norson, a struggling New York City postman who impulsively steals $30,000 from a corrupt lawyer's office to provide for his pregnant wife (Cathy O'Donnell). As Joe spirals into a web of guilt, blackmail, and pursuit by both criminals and the police, Mann's dynamic cinematography—courtesy of Joseph Ruttenberg—transforms the bustling streets of Manhattan into a labyrinthine trap, emphasizing themes of postwar disillusionment and the fragility of the American dream. The film's gripping narrative, bolstered by strong supporting performances from James Craig and Jean Hagen, culminates in a high-stakes chase sequence that showcases Mann's penchant for location shooting and psychological tension, making "Side Street" a standout entry in the noir genre despite its modest budget.

Posters

Theatrical Release: December 14th, 1949

 

Review: Warner Archive - Region FREE - Blu-ray

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Distribution Warner Archive - Region FREE - Blu-ray
Runtime 1:22:34.449         
Video

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 45,867,346,021 bytes

Feature: 24,144,531,456 bytes

Video Bitrate: 34.88 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

DTS-HD Master Audio English 1962 kbps 2.0 / 48 kHz / 1962 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)

Subtitles English (SDH), None
Features Release Information:
Studio:
Warner Archive

 

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 45,867,346,021 bytes

Feature: 24,144,531,456 bytes

Video Bitrate: 34.88 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Commentary by Richard Schickel
• Featurette: Side Street: Where Temptation Lurks (5:49)
The Luckiest Guy in the World (21:09)
Classic Cartoons:
• Polka Dot Puss (7:44)
• Goggle Fishing Bear (7:21)
• Theatrical trailer (2:25)


Blu-ray Release Date:
April 29th, 2025
Standard Blu-ray Case

Chapters 24

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Warner Archive Blu-ray (September 2025): Warner Archive have transferred Anthony Mann's Side Street to Blu-ray. It is a notable step (brighter, finer grain, more layered contrast etc.) above Warner's 2007 DVD, reviewed HERE, as part of their Film Noir Classic Collection (5-discs/10 films), Vol. 4. This film represents Mann's fifth and final collaboration with cinematographer Joseph Ruttenberg (Cause for Alarm!, Gaslight, Mrs. Miniver, Dr. Jekyll and Mr. Hyde, The Philadelphia Story, Waterloo Bridge,) whose work here anticipates the visual dynamism of Mann's later masterpieces like "Winchester '73". Though not as visually audacious as Mann's earlier "Desperate" (1947), "Side Street" employs chiaroscuro lighting and shadowy interiors to mirror Joe's moral descent, with the city's architecture symbolizing the inescapable grid of fate. Fine textures in clothing, facial features, and urban environments shine in 1080P, supported by deep blacks, stable whites, and a natural film grain that avoids any artificial sharpening or processing artifacts like posterization or macro blocking. While some outdoor sequences exhibit inherent softness due to variable lighting conditions and occasional inferior source material, the overall image quality is sharp and immersive, particularly in interior scenes and dramatic painterly lighting, marking a significant upgrade from prior standard-definition version and pushing the boundaries of what a classic noir can achieve on Blu-ray.

NOTE: We have added 54 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Warner Archive use a DTS-HD Master dual-mono track (24-bit) in the original English language. It faithfully reproduces the original mono source with impressive fidelity, tonal depth, and clarity that enhances the film's urban atmosphere and suspenseful narrative. Dialogue remains crisp and intelligible throughout, while Lennie Hayton's (Grand Central Murder, Battleground, The Thin Man Goes Home) score swells effectively to underscore tension, and sound effects like blaring sirens, screeching tires, and bustling city noises add width and immersion without distortion or sync issues. Minimal age-related hiss is present in quieter moments to preserve dynamic range, but the mix is clean overall. Warner Archive offer optional English (SDH) subtitles on their Region FREE Blu-ray.

The extras package on the Warner Archive Blu-ray of Side Street is robust for a catalog title, starting with an informative audio commentary by film historian Richard Schickel (The Men Who Made the Movies,) who delves into the production, Anthony Mann's directorial style, noir elements, and the careers of stars Farley Granger and Cathy O'Donnell. A 6 minute, 2007, featurette, "Side Street: Where Temptation Lurks" (available on the older DVD), explores the film's themes of temptation, postwar struggles, New York locations, and performances, featuring insights from Schickel Patricia King Hanson (Becoming AFI: 50 Years Inside the American Film Institute,) Christopher Coppola, and Oliver Stone. Additional bonuses include the 1947 MGM "Crime Does Not Pay" short directed by Joseph M. Newman (Twenty Plus Two, Death in Small Doses, The Gunfight at Dodge City, This Island Earth, Dangerous Crossing, 711 Ocean Drive,), "The Luckiest Guy in the World" running over 20 minutes - it is a noirish tale of a gambler's desperation starring Barry Nelson, Eloise Hardt, and George Travell. There are two classic 7 minute cartoons in HD - "Polka Dot Puss", a Tom and Jerry escapade, and "Goggle Fishing Bear", featuring Barney Bear's underwater antics, both remastered with some minor print damage; and the original theatrical trailer offering a promotional glimpse into the film's suspenseful plot.

Anthony Mann's Side Street stands as a pivotal entry in the director's early filmography, marking the culmination of his noir period before his transition to the Western genre. Produced by MGM on a modest budget, "Side Street" reunites Farley Granger (Amuck, Rope, Edge of Doom, Senso, Strangers on a Train, So Sweet So Dead,) and Cathy O'Donnell (Terror in the Haunted House, Eight O'Clock Walk, Bury Me Dead, The Amazing Mr. X, Detective Story, The Man from Laramie, The Best Years of Our Lives,) from Nicholas Ray's "They Live by Night" (1948), but shifts the tone from romantic tragedy to urban thriller, showcasing Mann's evolving interest in morally compromised protagonists trapped by circumstance. Mann infuses the narrative with moral ambiguity, refusing to paint Joe as a villain; instead, he is an everyman whose single mistake unleashes a chain of events, forcing viewers to empathize with his plight even as he evades justice. This empathetic approach to venality and violence sets "Side Street" apart from more cynical noirs, emphasizing redemption and human fallibility over fatalism. At its core, "Side Street" delves into themes of postwar disillusionment, portraying a society where the American Dream has curdled into desperation for returning veterans like Joe, who struggles with menial jobs after serving in World War II. Joe's theft is not born of inherent criminality but from societal pressures - unemployment, inflation, and the burden of impending fatherhood - highlighting the fragility of middle-class aspirations in a booming yet unforgiving urban landscape. Overall, the Warner Archive Blu-ray release of Side Street stands as a commendable restoration of Anthony Mann's underrated film noir, delivering top-tier video and audio quality that revitalizes its gritty urban visuals and atmospheric soundscape, making it essential for genre enthusiasts and collectors earning it a solid recommendation.

Gary Tooze

 


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Subtitle Samples - Warner Archive - Region FREE - Blu-ray

 

 


1) Warner (2009) - Region 0 - NTSC TOP
2) Warner Archive - Region FREE - Blu-ray BOTTOM

 

 


1) Warner (2009) - Region 0 - NTSC TOP
2) Warner Archive - Region FREE - Blu-ray BOTTOM

 

 


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Distribution Warner Archive - Region FREE - Blu-ray


 


 

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