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This thrilling crime drama follows a part-time postal clerk who, in a moment of desperation, takes what he thinks is $200 but finds himself wanted by the police and the underworld for stealing a $30,000 intended blackmail payment. New York City postal worker Joe Norson (Farley Granger) wants nothing more than to provide a comfortable life for himself and his wife (Cathy O'Donnell), who is pregnant. Out of frustration he steals $30,000 from the shady lawyer Victor Backett (Edmon Ryan). However, the theft has higher stakes than Joe could have imagined: Backett extorted the money from Emil Lorrison (Paul Harvey), an innocent man whom he framed in a sex scandal and later murdered. Trying to hide the money from his wife, Joe gives it to his friend Nick Drumman (Edwin Max) for safekeeping. When Joe attempts to retrieve the money and return it to Backett, he finds himself caught up in a murderous web. A spectacular car chase brings a climax to the film, which was largely shot at various iconic New York locations, including Central Park, Stuyvesant Town, Battery Park, the Bellevue Hospital morgue, the Polyclinic maternity ward, Wall Street, Bowling Green Park, the Fulton Fish Market, the Queensboro Bridge and a Greenwich Village nightclub. *** Anthony Mann's "Side Street" (1949) is a taut film noir thriller that exemplifies the director's early mastery of urban suspense and moral ambiguity, starring Farley Granger as Joe Norson, a struggling New York City postman who impulsively steals $30,000 from a corrupt lawyer's office to provide for his pregnant wife (Cathy O'Donnell). As Joe spirals into a web of guilt, blackmail, and pursuit by both criminals and the police, Mann's dynamic cinematography—courtesy of Joseph Ruttenberg—transforms the bustling streets of Manhattan into a labyrinthine trap, emphasizing themes of postwar disillusionment and the fragility of the American dream. The film's gripping narrative, bolstered by strong supporting performances from James Craig and Jean Hagen, culminates in a high-stakes chase sequence that showcases Mann's penchant for location shooting and psychological tension, making "Side Street" a standout entry in the noir genre despite its modest budget. |
Posters
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Theatrical Release: December 14th, 1949
Review: Warner Archive - Region FREE - Blu-ray
Box Cover |
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Distribution | Warner Archive - Region FREE - Blu-ray | |
Runtime | 1:22:34.449 | |
Video |
1. 37:1 1080P Dual-layered Blu-rayDisc Size: 45,867,346,021 bytesFeature: 24,144,531,456 bytes Video Bitrate: 34.88 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
DTS-HD Master Audio English 1962 kbps 2.0 / 48 kHz / 1962 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) |
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Subtitles | English (SDH), None | |
Features |
Release Information: Studio: Warner Archive
1. 37:1 1080P Dual-layered Blu-rayDisc Size: 45,867,346,021 bytesFeature: 24,144,531,456 bytes Video Bitrate: 34.88 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Commentary by Richard Schickel • Featurette: Side Street: Where Temptation Lurks (5:49) The Luckiest Guy in the World (21:09) Classic Cartoons: • Polka Dot Puss (7:44) • Goggle Fishing Bear (7:21) • Theatrical trailer (2:25)
Standard Blu-ray Case Chapters 24 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
NOTE: We have added 54 more large
resolution Blu-ray captures (in lossless
PNG format) for DVDBeaver Patrons
HERE
On their
Blu-ray,
Warner Archive use a DTS-HD Master dual-mono track (24-bit) in the
original English language. It faithfully reproduces the original mono
source with impressive fidelity, tonal depth, and clarity that enhances
the film's urban atmosphere and suspenseful narrative. Dialogue remains
crisp and intelligible throughout, while Lennie Hayton's (Grand
Central Murder,
Battleground,
The Thin Man Goes Home) score swells effectively to underscore
tension, and sound effects like blaring sirens, screeching tires, and
bustling city noises add width and immersion without distortion or sync
issues. Minimal age-related hiss is present in quieter moments to
preserve dynamic range, but the mix is clean overall. Warner Archive offer optional English
(SDH)
subtitles on their Region FREE
Blu-ray.
The extras package on the
Warner Archive
Blu-ray
of Side Street is robust for a catalog title, starting with an
informative audio commentary by film historian Richard Schickel (The
Men Who Made the Movies,) who delves into the production,
Anthony Mann's directorial style, noir elements, and the careers of
stars Farley Granger and Cathy O'Donnell. A 6 minute, 2007, featurette,
"Side Street: Where Temptation Lurks" (available on the older
DVD), explores the film's themes of temptation, postwar struggles, New
York locations, and performances, featuring insights from Schickel
Patricia King Hanson (Becoming
AFI: 50 Years Inside the American Film Institute,) Christopher
Coppola, and Oliver Stone. Additional bonuses include the 1947 MGM "Crime
Does Not Pay" short directed by Joseph M. Newman (Twenty
Plus Two,
Death
in Small Doses,
The Gunfight at Dodge City,
This Island Earth,
Dangerous Crossing,
711 Ocean Drive,), "The Luckiest Guy in
the World" running over 20 minutes - it is a noirish tale of a
gambler's desperation starring Barry Nelson, Eloise Hardt, and George
Travell. There are two classic 7 minute cartoons in HD - "Polka Dot
Puss", a Tom and Jerry escapade, and "Goggle Fishing Bear",
featuring Barney Bear's underwater antics, both remastered with some
minor print damage; and the original theatrical trailer offering a
promotional glimpse into the film's suspenseful plot.
Anthony Mann's Side Street
stands as a pivotal entry in the director's early filmography, marking
the culmination of his
noir period before his transition to the Western genre. Produced
by MGM on a modest budget, "Side Street" reunites Farley Granger
(Amuck,
Rope,
Edge of Doom,
Senso,
Strangers on a Train,
So Sweet So Dead,) and Cathy
O'Donnell (Terror
in the Haunted House,
Eight O'Clock Walk,
Bury Me Dead,
The Amazing Mr. X,
Detective Story,
The Man from Laramie,
The Best Years of Our Lives,) from
Nicholas Ray's "They
Live by Night" (1948), but shifts the tone from romantic tragedy
to urban thriller, showcasing Mann's evolving interest in morally
compromised protagonists trapped by circumstance. Mann infuses the
narrative with moral ambiguity, refusing to paint Joe as a villain;
instead, he is an everyman whose single mistake unleashes a chain of
events, forcing viewers to empathize with his plight even as he evades
justice. This empathetic approach to venality and violence sets "Side
Street" apart from more cynical
noirs, emphasizing redemption and human fallibility over
fatalism. At its core, "Side Street" delves into themes of
postwar disillusionment, portraying a society where the American Dream
has curdled into desperation for returning veterans like Joe, who
struggles with menial jobs after serving in World War II. Joe's theft is
not born of inherent criminality but from societal pressures -
unemployment, inflation, and the burden of impending fatherhood -
highlighting the fragility of middle-class aspirations in a booming yet
unforgiving urban landscape. Overall, the Warner Archive Blu-ray
release of Side Street stands as a commendable restoration of
Anthony Mann's underrated
film noir, delivering top-tier video and audio quality that
revitalizes its gritty urban visuals and atmospheric soundscape, making
it essential for genre enthusiasts and collectors earning it a solid
recommendation. |
Menus / Extras
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Samples - Warner Archive - Region FREE - Blu-ray
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1)
Warner (2009) - Region 0 - NTSC TOP
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Box Cover |
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Distribution | Warner Archive - Region FREE - Blu-ray |
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