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(aka "Stronger Than Fear" )
directed by Mark Robson
USA 1950
When Edge of Doom
was first released, audiences turned away from it with
the coldest of shoulders. It was yanked out of
circulation so that a pair of bookends could be shot, in
which the story becomes a kind of parable told by a wise
old rector (Dana Andrews) to a younger priest undergoing
a pastoral crisis. The filmmakers shouldn't have
bothered: Edge of Doom remains one of the
bleakest, least comforting offerings of the entire noir
cycle (no mean feat), and probably the most irreligious
movie ever made in America. Excerpt of review from Bill McVicar for imdb.com located HERE |
Posters
Theatrical Release: 3 August 1950 (USA)
Reviews More Reviews DVD Reviews
DVD Review: Warner Home Video (Warner Archive Collection) - Region 0 - NTSC
Big thanks to Gregory Meshman for the Review!
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Distribution |
Warner Home Video Region 0 - NTSC |
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Runtime | 1:37:12 | |
Video |
1.33:1 Original Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Audio | Dolby Digital 2.0 Mono (English) | |
Subtitles | None | |
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Release
Information: Studio: Warner Home Video Aspect Ratio:
Edition Details: Chapters 13 |
Comments |
The Samuel Goldwyn Company produced only one classic
film noir, Edge of Doom that became one of the
bleakest films in the entire film noir cannon. Directed
by Mark Robson (The
Seventh Victim,
Champion,
The Harder They Fall,
Valley of the Dolls,
Earthquake), the film stars Farley Granger (They
Live By Night, Side Street,
Strangers on a Train) as a troubled youth Martin
Lynn who goes to war with religion and society after
death of his mother. Dana Andrews (Boomerang,
Where the Sidewalk Ends) plays a sympathetic
priest who attempts to bring the young man back to God.
Martin's girlfriend is played by Joan Evans who was
discovered by Goldwyn and already played Granger's love
interest in Roseanna McCoy and Our Very Own.
The film costars familiar noir character actors - Robert
Keith (Woman
on the Run), Paul Stewart (The
Window), Mala Powers (City
That Never Sleeps), Adele Jergens (Armored
Car Robbery). After disastrous first screening,
Charles Vidor of
Gilda fame directed bookends of the story with
Dana Andrews telling the story of Martin to a young
priest (Robert Karnes) who has a crisis of faith of his
own. The new scenes and narration was written by Ben
Hecht and Charles Brackett, but that did not save the
picture and despite several positive reviews, the film
was a failure at the box office. |
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Distribution |
Warner Home Video Region 0 - NTSC |
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