|Firstly, a HUGE thanks to our Patreon supporters. Your generosity touches me deeply. These supporters have become the single biggest contributing factor to the survival of DVDBeaver. Your assistance has become essential. We are always trying to expand Patron benefits... you get access to the Silent Auctions and over 10,000 unpublished screen captures (in lossless PNG format, if that has appeal for you) listed HERE. Please consider helping with $3 or more each month so we can continue to do our best in giving you timely, thorough reviews, calendar updates and detailed comparisons. Thank you so much. We aren't going to exist without another 100 or so patrons.|
|S E A R C H D V D B e a v e r|
To Sir, With Love [Blu-ray]
(James Clavell, 1967)
Review by Gary Tooze
Theatrical: Columbia Pictures Corporation
Video: Twilight Time / Indicator (Powerhouse Films) UK
Region: FREE (both) (as verified by the Oppo Blu-ray player) both are limited to 3,000 Copies!
Runtime: 1:45:00.335 / 1:45:03.547
Disc Size: 44,862,498,372 bytes / 47,524,050,694 bytes
Feature Size: 30,250,137,600 bytes / 33,133,557,312 bytes
Video Bitrate: 30.00 Mbps / 35.01 Mbps
Chapters: 24 / 12
Case: Standard Blu-ray case / Transparent Case
Release date: February, 2015 / November 28th, 2016
Aspect ratio: 1.85:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
DTS-HD Master Audio English 1075 kbps 1.0 / 48 kHz / 1075 kbps / 24-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 24-bit)
DTS-HD Master Audio English 1421 kbps 2.0 / 48 kHz / 1421
kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
DTS-HD Master Audio English 1703 kbps 2.0 / 48 kHz / 1703 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps /
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
• English (SDH), None
•Audio Commentary with Actress Judy Geeson, and Film Historians Nick Redman and Julie Kirgo
• Audio Commentary with Author E.R. Braithwaite and Author/Teacher Salome Thomas El
• Isolated Score Track
• E.R. Braithwaite: In His Own Words (23:47)
• Lulu and the B-Side (5:07)
• Miniskirts, Blue Jeans and Pop Music (15:21)
• To Sidney with Love from Marty Baum (5:14)
• Principal El: He Chose to Stay (11:00)
• Original Theatrical Trailer (3:17)
• Liner notes by Julie Kirgo
Limited to 3,000 units
Commentary with Actress Judy Geeson, and Film Historians
Nick Redman and Julie Kirgo
• Those Schoolboy Days Christian Roberts on To Sir, With Love (23:32)
and Learn Tony Woolward on To Sir, With Love (10:58)
To Sidney with Love from Marty
Booklet with new and archival contents
Description: A Sixties classic about an earnest teacher (the exceptional Sidney Poitier) who takes up a position in a tough school in London’s East End, To Sir, With Love (1967) was adapted (from the book by E.R. Braithwaite) by best-selling novelist James Clavell (Shogun), who also produced and directed. Featuring lively appearances by Judy Geeson, Suzy Kendall, and Lulu, who sings the smash-hit title song.
Mark Thackeray (Sidney Poitier) is an engineer who loses his job and turns to teaching in a tough East End school. He immediately faces hostility from his students - the graduating class - who are determined to break his spirit. However, Thackeray counters by treating the teenagers as young adults, attempting to prepare them for life in the outside world. Gradually, as he takes the class on field trips to museums and similar outings, Thackeray earns both their affection and respect.
IT is a far cry from the gang of high school hoodlums with whom Sidney
Poitier was involved 12 years ago in "The
Blackboard Jungle" to the mixed group of East End London youths
he teaches in James Clavell's "To Sir, With Love." And the
difference between these student samplings not only marks the gaping
difference between these films but also points up the change in Mr.
Poitier in the years between.
Sidney Poitier, who in 1955 played a student in a tough inner-city high school, portrays a teacher assigned to a similar institution in To Sir, With Love. Unable to find work as an engineer, Poitier accepts a teaching post in London's East End slums. To reach his sullen, rebellious students, Poitier throws away his textbooks and endeavors to reach them as human beings--and as the adults they're going to become. It's an uphill climb, but gradually the students are won over. They begin referring to Poitier as "Sir," not out of blind obedience but as a gesture of genuine affection. Not that there aren't obstacles to overcome: in addition to trying to get through to hardcase student Christian Roberts, Poitier must face down the resistance and hostility of his fellow teachers. The sweetly sentimental finale amply displays the vocal talents of Lulu, who trills the title song. Based on the novel by E. R. Brainwaite, To Sir, With Love was one of the biggest moneyspinners of 1967 (with this film, Guess Who's Coming to Dinner and In the Heat of the Night, Sidney Poitier had quite a year). In 1996, a belated made-for-TV sequel was produced, briefly reuniting To Sir with Love co-stars Sidney Poiter, Lulu and Judy Geason, none of whom looked a day older. Excerpt from MRQE located HERE
Image : NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.
To Sir, With Love arrives in a Twilight Time Blu-ray package transferred at 1080P on a dual-layered disc with a high bitrate. Detail is impressive on the, original, 1.85:1 aspect ratio frame, there is consistent grain textures throughout and the visuals have barely a few speckles nor any damage. Colors are impressively bright and rich. I doubt it will ever look better for a home theatre presentation. No artifacts or digitization. The Blu-ray does its job with highly pleasing results.
Of the Indicator (UK) Blu-rays that we have compared (Christine, Body Double, 10 Rillington Place) this one - To Sir With Love - seems to look the most different to its Twilight Time counterpart. While the 2K UK transfer has a higher bitrate (max'ed out) - the visuals are much darker - and this is, presumably, more accurate. While grain, framing and consistency match-up - the Indicator 1080P supports the color scheme with darker black levels and richer contrast. It is a more robust image with deeper colors and, in my eyes, more film-like. Many may not notice to superiority on their less-discernable system but the improvement is very prevalent - even in-motion.
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
MoreTwilight Time - Region FREE - Blu-ray Captures
Twilight Time stay authentic with a DTS-HD Master mono track at 1075 kbps. It seems tight if not very demonstrative. Of course, the audio notable if Lulu's theme song To Sir, With Love and there are a couple of tracks by The Mindbenders (It's Getting Harder All The Time, Off And Running). It all sounds very crisp if having little depth. The score is by Ron Grainer (The Omega Man, the iconic TV show The Prisoner, The Devil Within Her etc.) and plays appropriately beside the film. Twilight Time add their usual Isolated Score Track - also in lossless. There are optional English subtitles (sample above) and my Oppo has identified it as being a region FREE.
Once again Twilight Time go DTS-HD Master mono while Indicator use a linear PCM - both transfers are 24-bit. Like the US audio transfer the sound is not overwhelming in depth but there is an appealing crispness in the songs - perhaps a shade 'tinnier' in the LPCM. Either/or there is not much of a difference and still sounds authentic. Indicator also offer the isolated score, optional English subtitles (SDH) and my Oppo has identified it as, also, being a region FREE Blu-ray.
Twilight Time offer a stack of new supplements including two audio commentaries. The first has actress Judy Geeson, and film historians Nick Redman and Julie Kirgo covering some basics of production, reaction to the film and discussion of the schooling system. The second, although not relating much to the onscreen activity, it very worthwhile with author E.R. Braithwaite and author/teacher Salome Thomas El giving specific coverage of the education foibles and brave, concerned, teachers who are challenged by it. We also get E.R. Braithwaite in a 24-minuite video piece entitled In His Own Words in which his career paths and experiences are detailed with honesty and integrity. Lulu and the B-Side is only 5-minutes of the performer discussing, what else, her song and its meteoric rise to popularity. Miniskirts, Blue Jeans and Pop Music runs 1/4 of an hour and examines the 60's counter-culture revolution in London which directly relates to the film. To Sidney with Love from Marty Baum gives us 5-minutes with the agent giving sound bytes on Poitier and the production. Principal El: He Chose to Stay spends another 11-minutes with the Philadelphia school teacher and the challenges of educating in lower economic regions. he is quite a well-spoken and interesting chap. There is also an original theatrical trailer, the aforementioned Isolated Score Track and the packages has the usual liner notes leaflet with an essay by Julie Kirgo. Like all Twilight Time releases, this limited to 3,000 units.
Once again, everything the Twilight Time has... plus a bit more. We get the same two audio commentaries (but in lossy Dolby), isolated score and interviews etc. plus two more video pieces (over 1/2 hour's worth) - Those Schoolboy Days has actor Christian Roberts (Denham) discussing To Sir, With Love for over 23-minutes and Look and Learn has 11-minutes with production designer Tony Woolward on the film. The package contains a booklet with new and archival contents and is dual-format with a second disc DVD included.
Twilight Time - Region FREE - Blu-ray
Indicator - Region FREE - Blu-ray
Indicator improve again to make their Blu-ray release the definitive edition for the film. With the Twilight Time out-of-print, the Indicator (also limited to 3,000 copies) makes for an excellent, more reasonably-priced, option. Our highest recommendation!
March 2nd, 2015
November 26th, 2016
About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 9500 DVDs and have reviewed over 5000 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.
Although I never wanted to become one of those guys who
focused 'too much' on image and sound quality - I
find HD is swiftly pushing me in that direction.
Oppo Digital BDP-83 Universal Region FREE Blu-ray/SACD
Gary W. Tooze
ALL OUR NEW FORMAT DVD REVIEWS