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directed by Francis Ford Coppola
USA 1979

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.

Excerpt from B+N located HERE

Posters

Theatrical Release: August 15th, 1979

Reviews                                                                                                       More Reviews                                                                                       DVD Reviews

 

Review: Lionsgate / Studio Canal 40th Anniversary - Region FREE - 4K UHD

 

Box Cover

CLICK to order from:

  

    

Smaller 4K UHD package out in the UK September 30th, 2019:

and a Blu-ray of the Final Cut:

Bonus 4K UHD Captures:

Distribution Lionsgate / Studio Canal 40th Anniversary - Region FREE - 4K UHD
Runtime Final Cut: 3:01:58.907    ReDux: 3:16:03.751 79'    Theatrical: 2:27:11.822      
Video  4K UHD Disc 1

Final Cut

2.39:1 2160p 4K UHD

Disc Size: 97,501,220,096 bytes

Final Cut Feature: 92,798,263,296 bytes

Video Bitrate: 49.67 Mbps

Codec: HEVC Video

Video 4K UHD Disc 2

2.39:1 2160p 4K UHD

Disc Size: 90,518,309,942 bytes

ReDux Feature: 77,847,023,616 bytes

79' Theatrical Feature: 59,446,063,104 bytes

Video Bitrate: 38.23 / 39.11 Mbps

Codec: HEVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate 4K UHD Disc 1 Final Cut:

Bitrate 4K UHD Disc 2 ReDux:

Bitrate 4K UHD Disc 2 79' Theatrical:

Audio

4K UHD One

Dolby TrueHD + Atmos English 5882 kbps 7.1 / 48 kHz / 5882 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 448 kbps / DN -7dB)
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -8dB / Dolby Surround

4K UHD 2

Dolby TrueHD + Atmos English 5935 kbps 7.1 / 48 kHz / 5935 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 448 kbps / DN -7dB)
Commentary on ReDux:

Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -5dB / Dolby Surround

Subtitles English, English (SDH), Spanish, French,  None
Features Release Information:
Studio:
Lionsgate

 

4K UHD One

Final Cut

2.39:1 2160p 4K UHD

Disc Size: 97,501,220,096 bytes

Final Cut Feature: 92,798,263,296 bytes

Video Bitrate: 49.67 Mbps

Codec: HEVC Video

 

4K UHD 2

2.39:1 2160p 4K UHD

Disc Size: 90,518,309,942 bytes

ReDux Feature: 77,847,023,616 bytes

79' Theatrical Feature: 59,446,063,104 bytes

Video Bitrate: 38.23 / 39.11 Mbps

Codec: HEVC Video

 

Edition Details:

Intro by Francis Ford Coppola (on Final Cut 4K UHD)

Audio Commentary by Director Francis Ford Coppola (Redux only 4K UHD)
 

The Blu-rays
An Interview with John Milius
A Conversation with Martin Sheen and Francis Ford Coppola
"Fred Roos: Casting Apocalypse" Featurette
The Mercury Theatre on the Air: Heart of Darkness - November 6, 1938
"The Hollow Men" Featurette
Monkey Sampan "Lost Scene"
Additional Scenes
"Destruction of the Kurtz Compound" End Credits
"The Birth of 5.1 Sound" Featurette
"Ghost Helicopter Flyover" Sound Effects Demonstration
"The Synthesizer Soundtrack" Article by Bob Moog
"A Million Feet of Film: The Editing of Apocalypse Now" Featurette
"Heard Any Good Movies Lately? The Sound Design of Apocalypse Now" Featurette
"The Final Mix" Featurette
"2001 Cannes Film Festival: Francis Ford Coppola"Featurette
"PBR Streetgang"Featurette
"The Color Palette of Apocalypse Now" Featurette;
Disc Credits
Hearts of Darkness: A Filmmaker's Apocalypse (with Optional Audio Commentary by Francis and Eleanor Coppola) (1:36:00)
NEW: Tribeca Film Festival Q and A with Francis Ford Coppola and Steven Soderbergh (47:34)
NEW: Never-Before-Seen B-Roll Footage (21:39)
NEW: Apocalypse Now Dolby featurette (HD 2:50)

"Dutch Angle" Chas Gerretsen and Apocalypse Now (31:44)
NEW: A history of Apocalypse Now on Home Video (HD) (21:39)
John Milius Script Excerpt with Francis Coppola Notes (51 Stills Gallery)
Storyboard Collection
Photo Archive ▪ Unit Photography ▪ Mary Ellen Mark Photography o Marketing Archive ▪ 1979 Teaser Trailer ▪ 1979 Theatrical Trailer ▪ 1979 Radio Spots ▪ 1979 Theatrical Program ▪ Lobby Card and Press Kit Photos ▪ Poster Gallery ▪ Apocalypse Now Redux Trailer


4K UHD Release Date:
August 27th, 2019
Custom Digipak 4K UHD Case (see above)

Chapters 19

 

 

Comments:

NOTE: The below 4K UHD captures were taken directly from the 4K UHD disc.

ADDITION: Lionsgate 4K UHD (September): In the "Introduction by Francis Ford Coppola" on the first 4K UHD disc (Final Cut) he states that Apocalypse Now "looks better than it ever looked and sounds better than it ever sounded." Apocalypse Now is another title that was destined for a 4K UHD home theatre release. This is a 6-disc package with two 4K UHD discs and 4 Blu-rays. In this review we will focus mostly on the two 4K UHD discs.

The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. "The audience will be able to see, hear and feel this film how I always hoped it could be-from the first 'bang' to the final whimper" said the film-maker.

The first disc is a 4K UHD transfer of the 3-hour Final Cut that represents Coppola's favorite version. It includes a 4.5-minute introduction by the director describing the three versions where the Theatrical Cut (the 2-hour 27-minute shortest version), the 3 1/4 hour Redux Extended version that added back almost 50 minutes of deleted material not present on the Theatrical. The Final Cut is a balance between the two and represents Coppola's favorite representation honoring the 40th anniversary of the film. So the second 4K UHD disc has the options of the theatrical or Redux - seamlessly-branched. The Redux has an optional audio commentary by Coppola (found on previous Blu-ray). These three are all original camera negative 4K remasterings with Dolby Vision and Dolby Atmos sound. The Final Cut offers the optional of the original theatrical English 2.0 soundtrack, in lossy Dolby.

"Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby Vision, delivering spectacular colors never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby Atmos to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Sound, a technology engineered to output audio below the limits of human hearing."

The Final Cut fills a triple-layered 4K UHD disc with 92-Gig of the feature and an, almost, 50 Mbps video bitrate. This is more than 2.5X that of the best Blu-ray transfer. This is characterized by significantly superior color balance and very pleasing grain textures. The visuals look absolutely magnificent in-motion - still some minor green-leaning. Coppola is correct in the introduction - it has never looked (or sounded) this immersive. Vastly improved contrast - darker night scenes and brighter day-lit sequences and there is more information in the frame. Stunning.

NOTE: 36 more full resolution (3840 X 2160) captures for Patrons are available HERE.   

We have reviewed the following 4K UHD packages to date: Don't Look Now  (software uniformly simulated HDR), The Man Who Killed Killed and then The Bigfoot  (software uniformly simulated HDR), Bram Stoker's Dracula (software uniformly simulated HDR), Lucy (software uniformly simulated HDR), They Live (software uniformly simulated HDR),  Shutter Island (software uniformly simulated HDR) The Matrix (software uniformly simulated HDR), Alien (software uniformly simulated HDR), Toy Story (software uniformly simulated HDR),  A Few Good Men (software uniformly simulated HDR),  2001: A Space Odyssey (HDR caps udated), Schindler's List (simulated HDR), The Neon Demon (No HDR), Dawn of the Dead (No HDR), Saving Private Ryan (simulated HDR and 'raw' captures), Suspiria (No HDR), The Texas Chain Saw Massacre (No HDR), The Big Lebowski, and I Am Legend (simulated and 'raw' HDR captures).

On their 4K UHD, Lionsgate offer an exceptional audio experience. If you are fortunate enough to have a setup that allows for Dolby TrueHD 7.1, or Dolby Atmos in particular, this is a highly impacting aural presentation. Lionsgate offer optional English, English (SDH), French or Spanish subtitles on their Region FREE 4K UHD package.

Disc three is a Blu-ray and has the Final Cut in 1080P, Blu-ray four has the theatrical and Redux Cuts, Blu-ray five has the extras from the 2010 Blu-ray. The sixth disc is a Blu-ray and offers the 96-minute Hearts of Darkness: A Filmmaker's Apocalypse (with an optional commentary by Francis and Eleanor Coppola). It chronicles how the production was plagued by extraordinary script, shooting, budget, and casting problems--nature, governments, actors, and self-doubt augment the endless hurdles of finishing the film. It documents the incredible toll it took on his life. It has comments from Coppola, his family, John Milius, George Lucas, Laurence Fishburne, Martin Sheen, Vittorio Storaro, Robert Duvall, Rona Barrett, Tom Snyder, Dennis Hopper and many others. Also on that last disc are some new extras; 47-minutes of a Tribeca Film Festival Q and A with Francis Ford Coppola and Steven Soderbergh, 20-minutes of Never-Before-Seen Super 8mm B-Roll Footage, A history of Apocalypse Now on Home Video etc.

One of the most unforgettable films in cinema history.  If those who have not yet adopted the new 4K UHD format require another reason - this is it.  What an incredible package for cinephiles - a strong candidate for disc of the year in our upcoming poll. We give it our highest endorsement - endless hours of contemplative film enjoyment at a level rarely seen in the medium. 

Gary Tooze

 


Menus / Extras

 

4K UHD

 

Sixth disc; Blu-ray


CLICK EACH 4K UHD CAPTURE TO SEE ALL IMAGES IN FULL (3840 X 2160) RESOLUTION

 

Subtitle Sample - LionsGate - Region FREE - 4K UHD

 

 


1) Paramount The Complete Dossier Region 1- NTSC TOP

2) FPE - Region 2- PAL SECOND

3) Paramount (Original) - Region 1 - NTSC - THIRD

4) Paramount (Redux) - Region 1 - NTSC - FOURTH

5) LionsGate - Region FREE - Blu-ray - FIFTH

6) LionsGate - Region FREE - 4K UHD - BOTTOM

 

 


 

 


 

 


 

 


 

 


 

More full resolution (3840 X 2160) 4K Ultra HD Captures for Patreon Supporters HERE

 

 

 
Box Cover

CLICK to order from:

  

    

Smaller 4K UHD package out in the UK September 30th, 2019:

and a Blu-ray of the Final Cut:

Bonus 4K UHD Captures:

Distribution Lionsgate / Studio Canal 40th Anniversary - Region FREE - 4K UHD


 


 

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