|Firstly, a HUGE thanks to our Patreon supporters. Your generosity touches me deeply. These supporters have become the single biggest contributing factor to the survival of DVDBeaver. Your assistance has become essential. We are always trying to expand Patron benefits... you get access to the Silent Auctions and over 10,000 unpublished screen captures (in lossless PNG format, if that has appeal for you) listed HERE. Please consider helping with $3 or more each month so we can continue to do our best in giving you timely, thorough reviews, calendar updates and detailed comparisons. Thank you so much. We aren't going to exist without another 100 or so patrons.|
|S E A R C H D V D B e a v e r|
The 3 Worlds of Gulliver [Blu-ray]
(Jack Sher, 1960)
Review by Gary Tooze
Theatrical: Columbia Pictures
Video: Twilight Time / Indicator (Powerhouse) UK
Region: FREE (both) (as verified by the Oppo Blu-ray player)
Runtime: 1:38:37.161/ 1:38:37.953
Disc Size: 46,323,144,483 bytes/ 37,519,697,772 bytes
Feature Size: 20,678,215,680 bytes/ 30,913,318,272 bytes
Video Bitrate: 19.97 Mbps/ 34.99 Mbps
Chapters: 24 / 12
Case: Transparent Blu-ray case/ Custom BD Case
Release date: December, 2016 / September 25th, 2017
Aspect ratio: 1.66:1 or 1.78:1 / 1.66:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
DTS-HD Master Audio English 1891 kbps 2.0 / 48 kHz / 1891 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio English 2068 kbps 2.0 / 48 kHz / 2068
kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
DTS-HD Master Audio English 2043 kbps 2.0 / 48 kHz / 2043 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
LPCM Audio English 1152 kbps 1.0 / 48
kHz / 1152 kbps / 24-bit
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
LPCM Audio Undetermined 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
• English (SDH), None
•Audio Commentary by Film Historians Randall Cook, C. Courtney Joyner, and Steven C. Smith
• Isolated Score and Effects Track
• The Making of The 3 Worlds of Gulliver (7:31)
• The Harryhausen Chronicles (57:56)
• This Is Dynamation! (3:25)
• Original Theatrical Trailer (3:22)
• Liner notes by Julie Kirgo
Limited to 3,000 Copies!
• Audio Commentary by
Film Historians Randall Cook, C. Courtney Joyner, and Steven C. Smith
Description: The phenomenal team of special effects wizard Ray Harryhausen, composer Bernard Herrmann, and director Jack Sher bring their gifts to bear on The 3 Worlds of Gulliver (1960), a spritely adaptation of Jonathan Swift’s acerbic satire, Gulliver’s Travels. Satire gives way here, however, to the fantastical tale of a doctor (Kerwin Mathews) and his stowaway fiancée (June Thorburn) who adventure first to Lilliput – a land populated by four-inch-tall schemers – and then to Brobdingnag, where giants prove no more politic.
This Gulliver's travels are unexpectedly realistic, at least from a
visual standpoint. Indeed, they may be a little too credible for very
young children, or those of an impressionable nature. For, while
yesterday's matinee audience seemed to enjoy the blustering Lilliputian
emperor and his doll-like army, there were some audible howls of fright
in the second half, when Gulliver's life was repeatedly menaced by some
physically awesome giants.
The 3 Worlds Of Gulliver I first saw on the big screen, and in
color, and later saw it a few times on television, but not for a quarter
century or so. So, I had to rewatch the 100 minute film. Kerwin
The Seven Voyages Of Sinbad, does a surprisingly good job as the
semi-zomboid, but buff, Dr. Lemuel Gulliver. He plays Gulliver as a real
guy his genuineness makes up for his sometimes wooden reactions. June
Thorburn plays his fiancée (then wife) Elizabeth. She’s sufficient eye
candy, and that alone is reason enough to justify her sweet insertion
into the tale (she is not in Swift’s novel). Gotta love her silly ‘Don’t
ever wanna lay eyes on you again moment’ after Gulliver objects to her
naïve-te regarding the purchase of an old shit shack. None of the other
actors who play any of the other characters leaves that great an
impression, although the girl who plays Glumdalclitch (Sherry Alberoni,
a child star on the original The Mickey Mouse Club on television)
does a solid job with the little she’s given. Her petulance and warmth
make her the only semi-realistic character in all of Lilliput (land of
the tint people) or Brobdingnag (land of the giants).
Image : NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.
The 3 Worlds of Gulliver comes to Twilight Time Blu-ray in a dual-layered, 1080P transfer but it offers both the 1.66:1 aspect ratio version of the film and, a separate but identical technical transfer, via a 1.78:1 version. From Lawrence French's excellent article in Cinefantastique (interview with Ray Harryhausen HERE) we know that Ray Harryhausen never really wanted his movies to be projected in any of the then new “widescreen” formats. He accepted the 1.85 aspect ratio (for The 7th Voyage of Sinbad) under protest from the studio, but he hated working in the extreme widescreen formats, especially when he had to make First Men in the Moon in Panavision. So while the negative format for The 3 Worlds of Gulliver was 1.37:1 - it was shown in 1.66:1. I don't quite follow the inclusion of the 1.78:1 which feels like a compromise and the screen captures below don't show a significant difference although some, generally superfluous, space at the top and bottom is gone. The visuals are reasonable but not overwhelming. Contrast has some decent layering and colors look true and fairly tight in the HD transfer. I appreciate the grain textures. It looks quite consistent in-motion with no damage or speckles. I see no evidence of manipulation or noise. This Blu-ray gives a good presentation but splitting into two separate transfers (1.66 + 1.78) the overall bitrate becomes lower. I'd have preferred sticking with the 1.66:1 even if the 1.78:1 composition may be slightly superior in some people's opinion.
Indicator don't mess around with the two ratios and only transfer The 3 Worlds of Gulliver in 1.66:1. So as opposed to sharing the dual-layered disc, Indicator have been able to max out the bitrate gaining the edge in the image with warmer flesh tones, better grain and a noticeably superior presentation in-motion. We've added some exact frame comparison captures but the superiority may also depend on your computer viewing device. Framing is exact and I suspect the source is the same - and also a 4K restoration from the original camera negative.
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
The DTS-HD Master 2.0 channel track at 1891 kbps (24-bit) sounds clean with a few richer moments in pushing the film's fantasy-genre requirements for the effects and depth.The great Bernard Herrmann (Cape Fear, The Magnificent Ambersons, Taxi Driver, The Wrong Man, Dressed to Kill, etc. etc.) does the score and while more passive than we usually here from him is still represented beautifully in lossless. There are optional English (SDH) subtitles (sample above) and my Oppo has identified it as being a region FREE.
A similar pattern here, Indicator go linear PCM and Twilight Time to DTS-HD Master - both 24-bit. I find the LPCM produce and authentically flatter audio but it has better support for the higher end where the DTS-HD can have more bass support. I suspect that few will make an issue - they both sound great with an uncompressed transfer. Both have optional English (SDH) subtitles, offer an isolated score and both are Region FREE - limited to 3,000 copies.
There is an audio commentary by film historians Randall Cook, C. Courtney Joyner, and Steven C. Smith discussing a lot about the production from Harryhausen to Herrmann - the latter's score is included in an isolated score and effects track option. The Making of The 3 Worlds of Gulliver is an 8-minute piece with Harryhausen and we also get the hour long The Harryhausen Chronicles - Richard Schickel's documentary that explores the craftsmanship and artistry of Harryhausen's career in stop motion animation. This Is Dynamation! runs just over 3-minutes and there is an original theatrical trailer plus the package, limited to 3,000 copies, has liner notes by Julie Kirgo.
Indicator include the same audio commentary by Film Historians Randall Cook, C. Courtney Joyner, and Steven C. Smith, plus The Making of "The 3 Worlds of Gulliver", isolated score and trailer. We lose the hour-long The Harryhausen Chronicles and the short This Is Dynamation! advert but gain three interviews - Peter Lord talks about Harryhausen and how his films affected him- lasting over 10-minutes, ditto with David Sproxton for 9.5 minutes talking about the impressiveness of Harryhausen's monsters and the difficulty of creating their magic. Lastly is 8.5 minute with Dave Alex Riddett who described his 8mm projector as a youth and wondering how the effects were created. There is also an image gallery and the boxset has an exclusive 80-page book with new essays, and film credits.
Twilight Time (1.66:1) - Region FREE - Blu-ray
Indicator (1.66:1) - Region FREE - Blu-ray
Some may consider this the lesser of the three films of The Wonderful Worlds Of Ray Harryhausen, Volume One: 1955-1960 boxset but it's reassuring that so much effort went into this Blu-ray. It's a full package - devoid of the superfluous 1.78:1 space-waster - and producing a superior video presentation plus some worthwhile supplements including the commentary, Hermann's isolated score, three interviews and the booklet. We'll review the other two Blu-rays in this boxset but this has started on a very positive front. Stay tuned!
January 7th, 2017
Indicator's The Wonderful Worlds Of Ray Harryhausen, Volume One: 1955-1960 Blu-ray Boxset has 20 Million Miles to Earth, It Came from Beneath the Sea and The 3 Worlds of Gulliver
and their The Wonderful Worlds Of Ray Harryhausen, Volume 2: 1961-1964 Blu-ray Boxset, coming out in November 2017, has Mysterious Island, Jason and the Argonauts and First Men in the Moon