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(aka 'La Splendeur des Amberson')
Narrator: "Something had happened. A thing which, years ago, had been the eagerest hope of many, many good citizens of the town, and now it had come at last; George Amberson Mainafer had got his comeuppance. He got it three times filled, and running over. But those who had so longed for it were not there to see it, and they never knew it. Those who were still living had forgotten all about it and all about him." ***
Orson Welles was not only a genius—he played one
on the screen. The most lavishly gifted Hollywood director of his generation,
this all-around showboat both lived and dramatized the self-serving Promethean
spectacle of the outsize artistic temperament laid low by the constraints of
commerce. Excerpt from J. Hoberman's review from The Village Voice located HERE |
Posters
Theatrical Release: July 10th, 1942
Reviews More Reviews DVD Reviews
Comparison:
Éditions Montparnasse - Region 0 - PAL vs. Universal Picture Video (UK) - Region 2- PAL vs. Warner - Region 1,4 - NTSC vs. IVC - Region FREE - Blu-ray vs. Criterion - Region 'A' / 'B' - Blu-ray |
1) Éditions Montparnasse - Region 0 - PAL LEFT 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD 4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray RIGHT |
Box Cover |
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YesAsia for US customers: YesAsia for Global Customers: |
Also available in the UK, on Blu-ray by Criterion, in December 2018 |
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Distribution | Éditions Montparnasse - Region 0 - PAL | Universal (UK) - Region 2 - PAL | Warner - Region 1,4 - NTSC |
IVC Region FREE - Blu-ray |
Criterion Collection - Spine # 952 - Region 'A' / 'B' - Blu-ray |
Runtime | 1:28:12 | 1:28:06 | 1:28:03 | 1:28:23.506 | 1:28:22.505 |
Video | 1.33:1
Aspect Ratio Average Bitrate: 3.92 mb/s PAL 720x576 25.00 f/s |
1.33:1
Aspect Ratio Average Bitrate: 5.16 mb/s PAL 720x576 25.00 f/s |
1.33:1
Aspect Ratio Average Bitrate: 6.22 mb/s NTSC 720x480 29.97 f/s |
1.33:1 Disc Size: 21,948,592,568 bytes Feature Size: 21,844,365,312 bytes Average Bitrate: 29.04 MbpsSingle -layered Blu-ray MPEG-4 AVC Video 1080P |
1.37:1 Disc Size: 49,948,493,059 bytes Feature Size: 23,725,811,712 bytes Average Bitrate: 31.33 MbpsDual-layered Blu-ray MPEG-4 AVC Video 1080P |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate: Criterion Blu-ray |
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Audio | English (Dolby Digital 2.0), DUB: French (Dolby Digital 2.0) | English (Dolby Digital 2.0) | English (Dolby Digital 2.0) | LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit |
LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit Commentaries: Dolby
Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps |
Subtitles | French, None | English, None | English, Spanish, French, None | Japanese, None | English (SDH), None |
Features |
Release Information: Edition Details: • none |
Release Information: Edition Details: • An Unfinished Masterpiece: An Interview With Bill Krohn (In French with English subtitles) - 17:58 • Trailer DVD Release Date: May 29th, 2006 Black Keep Case Chapters: 16 |
Release Information: Edition Details:
• None |
Release Information: Video: IVC (Japan) 1.33:1 Disc Size: 21,948,592,568 bytes Feature Size: 21,844,365,312 bytes Average Bitrate: 29.064 MbpsSingle -layered Blu-ray MPEG-4 AVC Video 1080PExtras: • None Chapters: 10 |
Release
Information: Studio: Criterion
1.37:1 Disc Size: 49,948,493,059 bytes Feature Size: 23,725,811,712 bytes Average Bitrate: 31.33 MbpsDual-layered Blu-ray MPEG-4 AVC Video 1080P
Edition Details:
Chapters: 27 |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION - Criterion Blu-ray October 2018: The new Criterion is described as "New 4K digital restoration" and certainly has given new life to the richness of the film's cinematography through deeper black levels and a higher degree of detail. This is a significant advancement over anything that home cinema fans have had access to in the past, including the Japanese Blu-ray that showed, distracting, rounded corners. The Criterion, on a dual-layered disc with a very high bitrate, is tighter, has far superior contrast in the 1.37:1 frame and the visuals carry a pleasing, heavy, texture. The video presentation is marvelous in-motion with the contrast being the most impressive attribute. This really looks more like film than you could hope to see outside of the theater. Audio goes linear PCM 1.0 channel (24-bit) in original English language and supports the film with the score by the great Bernard Herrmann (Hangover Square, Beneath the 12-Mile Reef, Cape Fear, The Magnificent Ambersons, Taxi Driver, The Wrong Man, Dressed to Kill, etc. etc.). It is represented beautifully in the uncompressed transfer. It sounds, predictably flat, clean and crisp but deeper and richer than I have heard before - right from the RKO logo start! There are optional English (SDH) subtitles on Criterion's Region 'A'/'B'-locked (depending on which continent it is bought) Blu-ray disc.The Criterion Blu-ray is stacked with supplements. Criterion add two audio commentaries; the first featuring scholar Robert L. Carringer and a second with the team of James Naremore and critic Jonathan Rosenbaum. I have only indulged in the first with Carringer going into great detail about the production including the various edits undergone by The Magnificent Ambersons including the footage missing from the existing version. There are also revealing new interviews. Film historians Simon Callow talks for 26-minutes about many things including the enormous impact the film's fate had on the rest of his career. Another new interview runs shy of 1/2 hour and has Orson Welles scholar Joseph McBride discuss the studio politics and external circumstances that led to the reediting of The Magnificent Ambersons. I enjoyed the 1/4 hour long new video essay on the film’s cinematographers by scholar François Thomas primarily Stanley Cortez. There is a second new video essay by Christopher Husted running 19-minutes exploring the relationship between Orson Welles's "mangled" films and Herrmann's "mangled" score. He looks at the full version of the Herrmann score for clues about Welles's original version of The Magnificent Ambersons. We get an episode of Orson Welles on The Dick Cavett Show from may 4th, 1970. It runs over 36-minutes. There is a 28-minute segment from a 1925 silent adaptation of The Magnificent Ambersons and audio from a 1978 AFI symposium on Welles for 30-minutes, and audio interviews with Welles conducted by filmmaker Peter Bogdanovich running 36-minutes. Criterion also include two 'Mercury Theatre' radio plays: Seventeen (1938 - 1:00:05), an adaptation of another Booth Tarkington novel by Welles, and The Magnificent Ambersons (1939 - 55:42) and lastly a trailer for the film. The package has a liner notes booklet with an essay by critic Molly Haskell and essays by authors and critics Luc Sante, Geoffrey O’Brien, Farran Smith Nehme, and Jonathan Lethem, and excerpts from an unfinished 1982 memoir by Welles. This is one of THE most highly anticipated release of this year and beyond. It has lived up to its deserved masterpiece film status with a stellar, complete, Blu-ray package from Criterion sporting a gorgeous new 4K-restored transfer and stacked with relevant, insightful extras including two commentaries! It will get plenty of votes in our year-end Poll. This has our absolute highest recommendation. Incredible. *** ADDITION: IVC - Region FREE - Blu-ray (February 2016): Firstly, we have reviewed two IVC Blu-rays before (Le Trou and Tarkovsky's Mirror - neither being English-friendly with English subtitles) are all very excited about the announcement of the forthcoming RKO Collection Blu-rays from Japan by IVC - Cat People . The Thing from Another World, I Walked with a Zombie, They Live by Night, Suspicion, The Fugitive, Fort Apache, She Wore a Yellow Ribbon, Wagon Master and Bringing Up Baby. We are well aware of Warner's statement:"Distribution rights to RKO films in Japan were sold off years before we ended up owning that library. We have no knowledge of what is being released there. We can only state that it does not involve the use of our original elements" We are wondering this The Magnificent Ambersons Blu-ray will be a good barometer for those desirable forthcoming titles as transferred by IVC. Let's take a look... Actually, we should note that the film will never look pristine, glossy or have significant depth - even if Warner does a UHD 4K transfer - of which, we can dream. So saying that I still don't know whether the IVC passes the smell-test. It starts with the Lobster Films logo. It has some definite positives - more grain texture, more information in the frame (purists will appreciate) and it looks pleasing in-motion. It does have some more speckles and very light scratches and while the contrast may be more layered it doesn't have the rich black levels of the Warner SD. This may be showing in the density (of lack of) of the Japanese source. The IVC shows some minor rounded corners (a positive to some - a negative to others.) The vertical stretching of the Warner SD may be a bit more prominent beside the 1080P. Personally, on the visual front - I'm a big fan of grain and so I got something out of my 1080P viewing. On the audio, the Bernard Herrmann score sounds quite decent in the uncompressed linear PCM (16-bit). This is an advancement and I did not notice any fatal dropouts or undue hiss. For some this, alone, may be a reason to pick this edition up. It only offers optional Japanese subtitles and the Blu-ray disc is region FREE. No extras at all. Here is my problem. I'm not getting any younger and, to me, Warner are releasing to 1080P the essential titles in their catalogue at a snail's pace. It's maddening that IVC have taken the lead with the RKO Collection - but we will reviews/compare them. Or that I have to buy, from France, a classic to get it on Blu-ray and pay for a giant book (only in French!) I have no doubt a Warner Blu-ray edition will be superior to all the IVC ones IF/WHEN they get around to it. Depending on your system, perception and requirements - The Magnificent Ambersons is available on Blu-ray. Perhaps this release will encourage a response from Warner - and adding some new extras wouldn't break-the-bank. Let's hope. *** ADDITION: Warner single-disc DVD now available separately (January 31st, 2012) ADDITION: - Warner (Included supplement in the Citizen Kane 70th Anniversary Blu-ray) - September 15th 2011 - Although this still appears at the mercy of the available elements - thankfully Warner have finally given us The Magnificent Ambersons in a watchable SD-DVD transfer. The European editions were both severely flawed. the French was green with so much edge-enhancement boosting that the resulting image was super-thin and resolutely poor - the UK Universal was interlaced and both were taken from unconverted standards sources. Now Presently this Warner DVD edition is ONLY available in an Amazon Exclusive with the exact same impressive Citizen Kane Blu-ray package reviewed HERE. It stands as being about $15 more now with this The Magnificent Ambersons DVD included. This DVD is single-layered, but progressive and may not be the 1080P that fans would have most appreciated but it is easily the best Home Theater digital presentation currently available. Contrast is strong, detail is notably ahead of the comparable DVDs and there is some grain visible. It may be marginally vertically stretched. The audio sounds as though it may have been 'cleaned up' and there are optional English, French or Spanish subtitles. It is coded for regions 1 and 4 in the NTSC standard. The disc is bare-bones with no supplements at all. I expect this will become available as a lone edition one day. I like to view the glass as half full and there is some definite positives to be found in this DVD although important supplements and an HD image would have been preferable. *** ADDITION: - Universal Picture (UK) - June 1st 2006 - Another interlaced analog transfer with combing evident. It does show the huge amount that is cropped from the Montparnasse transfer. The Universal does not appear as sharp because the French DVD is laced with edge enhancement. The Universal has some extras - a totally un-restored trailer and the 18 minute interview with Bill Krohn which is very good. So, I would advise to wait although there is no definite date for the Region 1, which will undoubtedly be the best. If you are keen on purchasing and seeing this masterpiece now - then go for the Universal (UK). Better in all areas (less manipulation and cropping), extras and it even has optional English subtitles. ***
ON THE MONTPARNASSE DVD: The transfer is quite weak - barley tube acceptable and with an appallingly low bitrate. The source is definitely analog and there is extensive 'combing' in all horizontal pans. There appears to be some contrast boosting as well and edge enhancements. The mono track is again weak but audible and fairly consistent. The good news is that the French subtitles ARE removable (on my system - we will wait to hear if anyone else is incapable). It is great to have this masterpiece on digital especially with no definite date for coming to Region 1 - NTSC anytime soon. I'd say this is worth the price for any serious collection.
NOTE: Warner reps have stated in a chat - [Warner] We're still looking for better materials on AMBERSONS. We waited for KONG and KANE and it was worth it. It will be worth it for the AMBERSONS, and yes, we will release JOURNEY INTO FEAR when we do AMBERSONS. (Thanks Jeremy) |
DVD Menus
(Éditions Montparnasse - Region 0 - PAL LEFT vs. Universal Picture Video (UK) - Region 2- PAL RIGHT)
Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC
IVC
- Region FREE - Blu-ray
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Criterion - Region 'A' / 'B' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample NOTE: Not exact frame
1) Éditions Montparnasse - Region 0 - PAL TOP 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray BOTTOM |
Screen Captures
1) Éditions Montparnasse - Region 0 - PAL TOP 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray BOTTOM |
1) Éditions Montparnasse - Region 0 - PAL TOP 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray BOTTOM |
1) Éditions Montparnasse - Region 0 - PAL TOP 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray BOTTOM |
1) Éditions Montparnasse - Region 0 - PAL TOP 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray BOTTOM |
1) Éditions Montparnasse - Region 0 - PAL TOP 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray BOTTOM |
1) Éditions Montparnasse - Region 0 - PAL TOP 2) Universal Picture Video (UK) - Region 2 - PAL SECOND3) Warner (part of the Citizen Kane Amazon Exclusive Blu-ray) - Region 1,4 - NTSC - THIRD4) IVC - Region FREE - Blu-ray - FOURTH 5) Criterion - Region 'A' / 'B' - Blu-ray BOTTOM |
Associated Reading (CLICK COVERS or TITLES for more information)
This is Orson Welles by Orson Welles, Peter Bogdanovich, Jonathan Rosenbaum |
Orson Welles on Shakespeare: The W.P.A. and Mercury
Theatre Playscripts by Orson Welles, Simon Callow, Richard France |
Orson Welles: Interviews (Conversations with
Filmmakers (Paperbacks)) by Orson Welles, Mark W. Estrin |
The Trial by Franz Kafka |
Orson Welles : The Stories of His Life by Peter Conrad |
Rosebud : The Story of Orson Welles by David Thomson |
Encyclopedia of Orson Welles (Great Filmmakers) by Chuck Berg, Tom Erskine, John C. Tibbetts, James M. Welsh, Thomas L. Erskine |
Chimes at Midnight: Orson Welles, Director (Rutgers
Films in Print) by Bridget Gellert Lyons |
Box Cover |
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YesAsia for US customers: YesAsia for Global Customers: |
Also available in the UK, on Blu-ray by Criterion, in December 2018 |
|
Distribution | Éditions Montparnasse - Region 0 - PAL | Universal (UK) - Region 2 - PAL | Warner - Region 1,4 - NTSC |
IVC Region FREE - Blu-ray |
Criterion Collection - Spine # 952 - Region 'A' / 'B' - Blu-ray |