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S E A R C H D V D B e a v e r |
(aka "eXistenZ")
directed by David Cronenberg
Canada 1999
Visionary director David Cronenberg (Videodrome)
challenges the boundaries of reality in sci-fi thriller
eXistenZ, starring Jennifer Jason Leigh (The
Machinist), Jude Law (The
Talented Mr. Ripley), and a stellar supporting
cast including Ian Holm (Alien),
Willem Dafoe (Animal
Factory), Christopher Eccleston (28
Days Later) and Sarah Polley (The
Sweet Hereafter). During a closed-door demonstration of her new virtual reality video game, brilliant game designer Allegra Geller (Leigh) survives an attempt on her life by a crazed assassin. On the run with Ted Pikul (Law), a young marketing trainee who falls into the role of bodyguard, Allegra convinces Ted to join her in her game, eXistenZ. As the line between fantasy and reality begins to blur, the real-life dangers they sought to escape start to merge with their virtual world. *** Canadian filmmaker David Cronenberg, who has long been fascinated by the ways new technology shapes and manipulates the human beings who believe they are its masters, is in familiar territory with eXistenZ, a futuristic thriller which combines elements of science fiction, horror and action-adventure. What is eXistenZ? According to the glossary Cronenberg put together for this film, it is a new organic game system that, when downloaded into humans, accesses their central nervous system, transporting them on a wild ride in and out of reality. What's more, it changes every time it is played, by adapting to the individual user -- you have to play the game to find out why you are playing the game. More than one person can plug into the same game and set out on a series of bizarre and surrealistic adventures together. The narrative takes place sometime in the near future, when game designers are worshipped as superstars and players can organically enter inside the games. |
Posters
Theatrical Release: February 16th, 1999 (Berlin International Film Festival)
Reviews More Reviews DVD Reviews
Comparison:
101 Films (Black Label) - Region 'B' - Blu-ray vs. Vinegar Syndrome- Region FREE - 4K UHD
Box Cover |
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Bonus Captures:
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Distribution |
101 Films (Black Label) |
Vinegar Syndrome - Region FREE - 4K UHD |
Runtime |
1:37:09.031 |
1:37:02.817 |
Video |
1.78:1 Disc Size: 31,121,016,338 bytes Feature Size: 20,790,300,672 bytes Average Bitrate: 19.98 MbpsDual-layered Blu-ray MPEG-4 AVC Video |
1.85:1 2160P 4K Ultra HD Disc Size: 65,486,994,460 bytesFeature: 65,216,510,016 bytesVideo Bitrate: 78.59 MbpsCodec: HEVC Video |
Bitrate:
101 Films (Black Label) Blu-ray
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Bitrate:
Vinegar Syndrome - Region FREE - 4K UHD
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Audio |
LPCM Audio English 1536 kbps 2.0 / 48
kHz / 1536 kbps / 16-bit
Dolby Digital Audio English 256 kbps 2.0
/ 48 kHz / 256 kbps |
DTS-HD Master Audio English 4032 kbps
5.1 / 48 kHz / 4032 kbps / 24-bit (DTS Core: 5.1 / 48
kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 128 kbps 1.0 / 48 kHz / 128 kbps / DN -27dBA |
Subtitles | English (HoH), None | English (SDH), None |
Features |
Release
Information: Studio: 101 Films (Black Label)
Disc Size: 31,121,016,338 bytes Feature Size: 20,790,300,672 bytes Average Bitrate: 19.98 MbpsDual-layered Blu-ray MPEG-4 AVC Video
Edition Details: Chapters: 16 |
Release Information: Studio: Vinegar Syndrome
1.85:1 2160P 4K Ultra HD Disc Size: 65,486,994,460 bytesFeature: 65,216,510,016 bytesVideo Bitrate: 78.59 MbpsCodec: HEVC Video
Edition Details: 4K Ultra HD disc
• Brand new commentary track with film
historian Dr. Jennifer Moorman Region 'A' Blu-ray:
• Brand new commentary track with film historian Dr.
Jennifer Moorman Reversible sleeve artwork Booklet with photos and essay
Black 4K Ultra HD Case in custom box Chapters 6 |
101 Films (Black Label) Region 'B' Blu-ray Package
Vinegar Syndrome - Region FREE - 4K UHD Package
(Limited Editions sold out - Standard editions without case is available at Amazon)
Comments |
NOTE:
The below
Blu-ray
and
4K UHD
captures were taken directly from the respective
discs.
ADDITION: Vinegar
Syndrome
4K UHD
(February 2024): Vinegar Syndrome are releasing David Cronenberg's "eXistenZ"
to
4K UHD.
This package offers a second disc
Blu-ray
with the feature in 1080P and more supplements. This is cited as a "4K UHD
presented in High-Dynamic-Range - newly scanned & restored in 4K from its
35mm interpositive Blues dominate although all colors embolden significantly - flesh tones cool and grain is both more prominent and consistent. The Vinegar Syndrome is in 1.85:1 actually showing more information than the 101 Films 1.78:1 frame - mostly visible on the side edges. What's notable in the 2160P resolution is the rise in detail. This is really a big jump over the slightly digitized UK Blu-ray. The 4K UHD does not share the edge enhancement halos. This new 4K is flawless if it is expressing the, now intense, colors accurately. It is likely that the monitor you are seeing this review is not an HDR-compatible display (High Dynamic Range) or Dolby Vision, where each pixel can be assigned with a wider and notably granular range of color and light. Our capture software if simulating the HDR (in a uniform manner) for standard monitors. This should make it easier for us to review more 4K UHD titles in the future and give you a decent idea of its attributes on your system. So our captures may not support the exact same colors (coolness of skin tones, brighter or darker hues etc.) as the 4K system at your home. But the framing, detail, grain texture support etc. are, generally, not effected by this simulation representation.NOTE: 36 more more full resolution (3840 X 2160) 4K UHD captures, in lossless PNG format, for Patrons are available HEREWe have reviewed the following 4K UHD packages recently: The Horrible Dr. Hichcock (software uniformly simulated HDR), Conan the Barbarian (software uniformly simulated HDR), Django (no HDR), Lone Star (software uniformly simulated HDR), Suspect Zero (software uniformly simulated HDR), Count Dracula (software uniformly simulated HDR), Full Circle - The Haunting of Julia (software uniformly simulated HDR), The Warriors (software uniformly simulated HDR), Guillermo del Toro’s Pinocchio (software uniformly simulated HDR), Blackhat (software uniformly simulated HDR), Mark of the Devil (software uniformly simulated HDR), Barbarella (software uniformly simulated HDR), The Last Picture Show (software uniformly simulated HDR), The Man Who Knew Too Much (software uniformly simulated HDR), Rope (software uniformly simulated HDR), Frenzy (software uniformly simulated HDR), American Graffiti (software uniformly simulated HDR), East End Hustle (software uniformly simulated HDR), Three Days of the Condor (software uniformly simulated HDR), Witness (software uniformly simulated HDR), Fascination (software uniformly simulated HDR), Lips of Blood (software uniformly simulated HDR), The Others (no HDR), It Came From Outer Space (software uniformly simulated HDR). On their 4K UHD, Vinegar Syndrome provide the option of DTS-HD Master tracks in a robust 5.1 surround or 2.0 channel stereo. There are sci-fi effects scattered throughout with a few head-turning separations. The film's score is by Howard Shore (Cronenberg's Maps to the Stars, Scanners and The Brood, Tim Burton's Ed Wood, Fincher's The Game and Se7en plus Demme's The Silence of the Lambs, etc.) and it certainly benefits from the lossless transfer augmenting the mysterious atmosphere and unknowable direction of the plot. Both discs offer optional English (SDH) subtitles - and is, like all 4K UHD, region FREE, playable worldwide. The second disc Blu-ray is region 'A'-locked.
The Vinegar Syndrome
4K UHD and
Blu-ray
offer four commentaries!
There is a new commentary by film historian Dr. Jennifer Moorman, a
professor in Communication and Media Studies at Fordham University. I have
not had the opportunity to indulge. There are also three archival commentary
tracks with director David Cronenberg, a second with cinematographer Peter
Suschitzky and the third with visual effects supervisor Jim Isaac. I admit
that I really enjoyed the 101 films commentaries with
Kim Newman and Ryan Lambie and a second with Mondo
Digital’s Nathaniel Thompson. Both helped clear up some of the story's
eccentricities.
The rest of the supplements are found on the second disc
Blu-ray with
any new; the 22-minute "Crafting (un)Reality" - a new interview with
art director Tamara Deverell on building the worlds of eXistenZ. "Frankenstein
Syndrome" is a new 10-minite interview with make-up effects artist
Stephan Dupuis on bringing eXistenZ to life. "Sticking with Genius"
is a new 10-minute interview with producer Robert Lantos. "The Art of the
Title" is a brand new 7-minute interview with opening title designer
Robert Pilichowski who discusses Saul Bass and other influential title
creators. Others were found on the UK
Blu-ray
including "Frame by Frame: The Invisible Art of Production Designer Carol
Spier" is a 3/4 hour archival featurette on production details and
working with Cronenberg. Included are archival promotional featurette on the
making of and special effects plus a behind-the-scenes still gallery,
theatrical trailer and almost an hour's worth of archival electronic press
kit interviews including Cronenberg, Jude Law, Jennifer Jason Leigh, Willem
Dafoe and visual effects supervisor Jim Isaac.
"You have to play the game to find out why you're
playing the game." Let's keep the 'virtual reality' still virtual for a
while. Perhaps one of Cronenberg's more visionary if overlooked twisted
science-fiction / horror / thriller films - steeped in his unique style and
grotesqueries. "In the year 2030, ultra-sustainable biotechnological
devices have replaced unsustainable electronic ones. Game pods present "UmbiCords"
that attach to "bio-ports", connectors surgically inserted into players'
spines." There was a tie-in novelization of eXistenZ
by Christopher Priest
and in 1999, a graphic
novel credited to Cronenberg and Sean Scoffield (both Toronto
residents) was published. Perhaps in the future, game designers become the
leading celebrities meaning a corresponding blowback from dissatisfied,
often unhinged, fans who plot their demise. Hopefully life doesn't get so
bad that gaming fantasy is all we have to look forward to.
Let's keep film around for a while.
"eXistenZ" is a complex if fascinating
story with great performances; Jennifer Jason Leigh is always effective,
great support from Jude Law, Ian Holm, Willem Dafoe, Don McKellar,
Christopher Eccleston and look for Sarah Polley! An intricate sci-fi
adventure that I appreciated more in Vinegar Syndrome's vastly improved
4K UHD a/v and extensive stacked package; four
commentaries!? hours of video extras... you can see why the LE sold-out so
quickly. So many great lines; "Free will is obviously not a big factor in
this little world of ours." Hmmm... No reason to be that
intuitive Mr. Cronenberg.
***
ADDITION: 101 Films (Black Label) - Region 'B' -
Blu-ray (May 2018):
Firstly, eXistenZ received a problematic 1080i (interlaced)
transfer to
Blu-ray from
Miramax 6 years ago (HERE)
that had issues. I saw it at a friend's and it looked so poor in-motion,
that I never purchased it.
101 Films (Black Label), out of the UK, have given the film a 1080P
transfer. It also in the 1.78;1 aspect ratio and has a higher bitrate
than the initial rendering although is still fairly modest. I watched it
to completion twice making notes on the image quality. For most of the
latter 9/10ths of the presentation it looks quite good - depth becomes
more prevalent nearer the last 1/2 and contrast also appears more
layered as the film progresses. There were two early scenes that look
marginally digitized - I have given a sample of edge-enhancement below.
But you can see I had to zoom in extensively and I wouldn't phrase this
as flawed but look more like it is inherent in the source. Detail has
impressive moments - in the film's many close-ups. The overall look
reminded me of production appearance of
Naked Lunch... so Cronenberg-like. I thought it looked decent
enough in-motion - certainly in advance of the 2012 Miramax. Perhaps we
can compare it one day to other releases.
NOTE
101 Films (Black Label) use the option of linear PCM tracks in either an extremely robust 5.1 surround or a 2.0 channel stereo (both 16-bit.) There are effects separations that come across powerfully and rich but I preferred the stereo which held it's own with depth and tightness. Dialogue was always clear and clean. There are optional English (SDH) subtitles (see sample) on the Region 'B' Blu-ray disc. Extras are stacked.101 Films add The Leader - a new 16-minute interview with Christopher Eccleston ('Seminar Leader' in eXistenZ) reflecting on Cronenberg and his work in eXistenZ. Fans will love the commentaries - first with the pairing of Kim Newman & Ryan Lambie covering many aspects of the film's meaning and themes and a second with Mondo Digital’s Nathaniel Thompson who gives a similarly excellent take on his take on Cronenberg's film. The package has a new limited edition booklet which includes 'Enemy of Reality: David Cronenberg's eXistenZ' by Alex Morris, and 'Of Fabrics and Flesh: An interview with Denise Cronenberg' by Phillip Escott. 101 Films include previous supplements starting with the Cronenberg commentary (making 3 for this set!), the, almost hour-long, extensive, making-of documentary, the 10-minute promo featurette and backstage interviews with Jude Law (14:39), Jennifer Jason Leigh (1:17), Willem Dafoe (6:56), Jim Isaac (visual effects) (27:40) and David Cronenberg (4:00). Plus there is a trailer. Once again a fan favorite chosen by 101 Films to bring to their new Blu-ray label - and a film that has had a past problematic transfers. The film may always look imperfect in digital but the attraction here is to the extensive extras - starting with three commentaries, a limited edition book, interviews etc. Recommended! Gary Tooze |
101 Films (Black Label) - Region 'B' - Blu-ray
4K UHD
4K UHD Blu-ray
CLICK EACH BLU-RAY and 4K UHD CAPTURE TO SEE IN FULL RESOLUTION
1) 101 Films (Black Label) Region 'B' - Blu-ray - TOP 2) Vinegar Syndrome - Region FREE - 4K UHD - BOTTOM |
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S E A R C H D V D B e a v e r |