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Film Noir: The Dark Side of Cinema XVIII [3X Blu-ray]
Crashout (1955)
City of Shadows (1955) Finger Man (1955)
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CRASHOUT (1955) – It Blasts the Screen with Violence! Six ruthless convicts break out of prison and frantically try to avoid an extensive manhunt. Arthur Kennedy (Bright Victory) co-stars with a legendary lineup of Hollywood heavies: William Bendix (The Web), Luther Adler (D.O.A.), William Talman (Big House, U.S.A.), Gene Evans (Fixed Bayonets!) and Marshall Thompson (It! The Terror from Beyond Space). Once the coast is clear, they set out on a long and dangerous journey by foot, train and car to retrieve bank loot. After barely surviving two deadly incidents, the gang seeks refuge in a farmhouse as the action reaches a fever pitch. Ironically, the men start to realize that it’s not the law that they need to worry about. A hardboiled, edge-of-your-seat noir produced by Ida Lupino’s Filmakers Releasing Organization for director Lewis R. Foster (Those Redheads from Seattle). Cinematography by the masterly Russell Metty (Touch of Evil).
CITY OF SHADOWS (1955) – Their Business Was “Legitimate” — Because the Law
Couldn’t Touch Them! Iconic screen tough Victor McLaglen (The
Informer,
Klondike Annie) is Big Tim Channing, a small-time racketeer who makes a
living supplying old, out-of-date slot machines to businesses. He strikes up a
prosperous partnership with newsboy Dan Mason when the precocious kid shows him
how to corner the slot-machine racket and, at the same time, put his crooked
competitors out of the running. But when Dan grows up and graduates from law
school, it thrusts old Tim into a compromising position. From William Witney,
director of the legendary serials
Daredevils of the Red Circle
and
Adventures of Captain Marvel, and co-starring John Baer (We’re
No Angels), Kathleen Crowley (Curse
of the Undead) and Anthony Caruso (Never
Steal Anything Small). |
Posters
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Theatrical Release: March 1st, 1955 - June 15th, 1955
Reviews More Reviews DVD Reviews
Review: Kino - Region 'A' - Blu-ray
Box Cover |
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CLICK to order from: Bonus Captures: |
Distribution | Kino - Region 'A' - Blu-ray | |
Runtime |
Crashout (1955): 1:28:42.900
City of Shadows (1955): 1:10:20.633 |
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Video |
Crashout (1955): 1.85:1 1080P Single-layered Blu-ray Disc Size: 23,358,228,745 bytes Feature: 22,332,248,064 bytes Video Bitrate: 30.03 MbpsCodec: MPEG-4 AVC Video |
City of Shadows (1955): 1. 37:1 1080P Single-layered Blu-rayDisc Size: 24,572,454,297 bytesFeature: 22,828,689,408 bytes Video Bitrate: 39.32 MbpsCodec: MPEG-4 AVC Video |
Finger Man (1955): 1.85 :1 1080P Single-layered Blu-rayDisc Size: 22,394,057,343 bytesFeature: 22,083,385,344 bytesVideo Bitrate: 32.12 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Crashout Blu-ray: |
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Bitrate City of Shadows Blu-ray: |
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Bitrate Finger Man Blu-ray: |
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Audio |
DTS-HD Master
Audio English 1559 kbps 2.0 / 48 kHz / 1559 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
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Subtitles | English (SDH), None | |
Features |
Release Information: Studio: Kino
Edition Details:
• NEW Audio Commentary for CRASHOUT by Author/Film
Historian Alan K. Rode
Standard Blu-ray Cases inside hard box Chapters 9 / 9 / 9 |
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Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
ADDITION: Kino
Blu-ray
(March 2024):
Kino have transferred three more films for their eighteenth edition of Film Noir: The Dark Side of Cinema series.
They are on separate Blu-rays
cited as being from a "NEW HD Masters by Paramount Pictures". All three
1955
films, Crashout, City of Shadows and Finger Man, are on single-layered discs with high bitrates
in 1080P. We reviewed the bare-bones Olive 1.78:1 Crashout
Blu-ray in 2013,
HERE and have compared some
captures below. The 1.85:1 Kino is an easy upgrade with deep black levels
and more grain. It may be a shade brighter. There are two or more
density-compromised image quality instances. City of Shadows,
probably the weakest of the three films, is in 1.37:1 and has some decent
contrast layering looking quite pleasing in 1080P. There are a few
frame-specific marks / damage on Finger Man (see sample below) but
it wasn't distracting. Contrast is dull but this improves in the second half
of the film. This is certainly watchable with surprising detail but is the
poorest image quality of the three transfers.
NOTE: We have added 122 more large
resolution Blu-ray captures
(in lossless PNG format) for DVDBeaver Patrons HERE
On their
Blu-rays,
Kino use DTS-HD Master dual-mono tracks (24-bit) in the original English
language. Effects exist - mostly cars and guns with occasionally
dramatic scores - by Leith Stevens (When
World's Collide,
I
Married a Monster From Outer Space,
Great
Day in the Morning,
The
Gun Runners,
Syncopation,
World Without End, The
Night of the Grizzly,
20 Million Miles to Earth,
The Garment Jungle)
on
Crashout. Robert Armbruster (Mutiny
on the Bounty) and R. Dale Butts (The
Catman of Paris, Too
Late For Tears,
No
Man's Woman, The
Shanghai Story, Stranger
at My Door, Hell's Half Acre,
City That Never
Sleeps) on City of Shadows
and
Paul
Dunlap (Black
Tuesday, How
to Make a Monster,
The
Angry Red Planet,
Shack
Out on 101,
Portland
Expose,
Big House U.S.A.,
Target Earth,
Park Row,
Cry Vengeance)
on
Finger Man. No flaw issues - the
audio comes through authentically flat for all three, plus consistent
and clean with clearly audible dialogue.
Kino offer optional English (SDH)
subtitles on their Region 'A'
Blu-rays.
Kino's Film Noir: The Dark Side of Cinema #18 Blu-ray
package has the standout Crashout, that starts with a grandiose
prison break, and is undoubtedly the best of the three films in the set
- with plenty of Noir pedigree - starring William Bendix (Hitchcock's
Lifeboat, and paired with Alan Ladd in noirs, ex.
The Glass Key,
Calcutta,
The Blue Dahlia), Arthur Kennedy (Boomerang),
William Talman (Ida Lupino's
The Hitch-Hiker and remembered as perennially-losing Los Angeles
District Attorney Hamilton Burger in the television series
Perry Mason,) Marshall Thompson (wonderful 50's monster flics
like
Fiend Without a Face,
First Man into Space,
Cult of the Cobra, and
It!
The Terror from Beyond Space) Beverly Michaels ('Bad girl' films like
Pickup, Wicked Woman,
The Girl on the Bridge), and a train ride with delightful Gloria
Talbott (I
Married a Monster From Outer Space,
The Leech Woman). There are tense themes involving greed,
convicts, mercenary behavior and survival. City of Shadows has a
rare late career lead role by once-boxer Victor McLaglen - who's son was
director Andrew V. McLaglen (The
Rare Breed and many other westerns starring John Wayne or James
Stewart.) City of Shadows is about a small-time racketeer and a
12-year-old orphaned newsboy - the former becoming King-pin of the
rackets in the city and the latter graduating from law school to
persuade him to go legit. It also has Kathleen Crowley (Curse
of the Undead,
FBI Code 98, one of her last roles being in Redford's
Downhill Racer.) Finger Man has ex-convict Casey Martin
(Frank Lovejoy -
The Crooked Web,
The Hitch-Hiker) coerced into going undercover for the police.
His gal-pal is beautiful dark-cinema lady Peggie Castle (I,
The Jury,
99 River Street,
Outside the Wall,
I Was a Shoplifter.) Kino's Film Noir: The Dark Side of Cinema
#18 Blu-ray is an all around
decent trifecta of crime films with noir leanings; ex-cons,
double-crossing, gangster morality, surviving and honorable femmes etc.
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Menus / Extras
Crashout
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City of Shadows
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Finger Man
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Crashout
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1) Olive - Region 'A' Blu-ray TOP 2) Kino - Region 'A' Blu-ray BOTTOM
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1) Olive - Region 'A' Blu-ray TOP 2) Kino - Region 'A' Blu-ray BOTTOM
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1) Olive - Region 'A' Blu-ray TOP 2) Kino - Region 'A' Blu-ray BOTTOM
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More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE
Crashout
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City of Shadows
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Finger Man
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Box Cover |
|
CLICK to order from: Bonus Captures: |
Distribution | Kino - Region 'A' - Blu-ray |
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S E A R C H D V D B e a v e r |