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S E A R C H D V D B e a v e r |
(aka "Topâzu" or "Topaz" or "Sex Dreams of Topaz")
directed by Ryû Murakami
Japan 1992
After a particularly rough
session, prostitute Ai (Miho Nikaido, HENRY FOOL)
consults a fortune teller who advises her to do three things
to safeguard herself: 1) place a telephone directory under
her television set, 2) avoid art galleries in the east, and
3) find a pink stone and have it made into a ring. Still
pining for her celebrity ex-boyfriend who left the country
six months before and has since returned without contacting
her, Ai is eager to try anything to better her life. Ai puts
the phone books under her television, is not planning to
travel anytime soon, and buys an expensive topaz ring. Her
next assignment is an extended threesome with crooked
businessman Ishioka (author Masahiko Shimada) and his
mistress that is intense but monetarily rewarding. During
this encounter, she manages to lose the topaz ring; however,
the next day she and another prostitute are sent back to the
same hotel for another client. |
Posters
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Theatrical Release: 30 April 1993 (USA)
Reviews More Reviews DVD Reviews
Comparison:
ArrowDrome - Region 0 - PAL vs. Cinema Epoch - Region 0 - NTSC vs. Turbine (DE) - Region 'B' - Blu-ray
Big thanks to Eric Cotenas for all the Screen Caps!
1) ArrowDrome - Region 0 - PAL - LEFT2) Cinema Epoch - Region 0 - NTSC - MIDDLE 3) Turbine - Region 'B' - Blu-ray RIGHT
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Released on Blu-ray by Unearthed Classic in January 2022: Coming to Blu-ray in the UK from 88 Films in January 2024: |
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Distribution |
ArrowDrome Region 0 - PAL |
Cinema Epoch Region 0 - NTSC |
Turbine - Region 'B' - Blu-ray |
Runtime | 1:52:36 | 1:52:08 | 1:52:28.742 |
Video |
1.75:1 Original Aspect Ratio
16X9 enhanced |
1.76:1 Original Aspect Ratio
16X9 enhanced |
1.66:1 1080P Single-layered Blu-ray Disc Size: 22,269,972,488 bytesFeature: 20,188,372,992 bytesVideo Bitrate: 19.99 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
ArrowDrome
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Bitrate:
Cinema Epoch
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Bitrate:
Blu-ray |
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Audio | Japanese Dolby Digital 2.0 mono |
Japanese Dolby Digital 2.0 mono |
DTS-HD Master Audio Japanese 1227 kbps 2.0 / 48 kHz / 1227 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 896 kbps / 16-bit / DN -4dB) DUB: DTS-HD Master Audio German 1111 kbps 2.0 / 48 kHz / 1111 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 896 kbps / 16-bit / DN -4dB) |
Subtitles | English, none | English, none | English, German, none |
Features |
Release Information: Studio: ArrowDrome Aspect Ratio:
Edition Details: Chapters 12 |
Release Information: Studio: Cinema Epoch Aspect Ratio:
Edition Details:
DVD Release Date: August 5th,
2008 Chapters 24 |
Release Information: Studio: Turbine
1.66:1 1080P Single-layered Blu-ray Disc Size: 22,269,972,488 bytesFeature: 20,188,372,992 bytesVideo Bitrate: 19.99 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Japanisches Featurette mit deutschen Untertiteln (8:02) • Kino-Trailer (D - 1:32 +J - 1:25)
Transparent Blu-ray Case Chapters 20 |
Comments |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. Well, Turbine have transferred the "Uncut" Tokyo Decadence to 1080P. The image quality has certainly improved beyond the DVDs but this is limited by the modest budget of the production (although supposedly shot on 35mm). Dark sequences look weakest with some of the day-lit outdoor scenes seeming a bit better. Obviously this is far from the height of the format but probably the best this film will look for your home theatre. It doesn't look significantly better in motion than the still captures. It is in the, roughly, 1.66:1 aspect ratio. DTS-HD Master audio tracks for both original Japanese and a German DUB. The sounds is also, predictably weak as per the production's limitations but there is another interesting score by Ryûichi Sakamoto (Love is the Devil, Bernardo Bertolucci's The Sheltering Sky and The Last Emperor and Oshima Nagisa's Merry Christmas, Mr. Lawrence) that enhances many scenes. This is, obviously, in advance of the lossy DVDs audio. There are optional German and imperfect English subtitles on this Region 'B'-locked Blu-ray. Not much in the way of supplements - an 8-minute Japanese featurette with German subtitles and two trailers (German and Japanese). Shall we say, Tokyo Decadence is not everyone's cup-of-tea. The 'bents' are extreme and I suspect few would find them erotic and most might term it distasteful - but I liked the story and the performances - but not the drug use. The image is what it is and both it, and the audio, have improved upon DVD. The choice of purchase is your own. *** ON THE DVDs: Previously released by Arrow Films in a non-anamorphic widescreen version, ArrowDrome's dual-layer, anamorphic transfer is also an NTSC-PAL conversion, although the original NTSC master wasn't all that hot to begin with going by the Cinema Epoch edition. The ArrowDrome transfer sports mattes on the top and sides of the image (cropped away, the image measures out to 1.75:1). Although the Cinema Epoch version seems to come from the same master (albeit unconverted), it does not have the top and side matting (the framing is the same, however). It is also an interlaced transfer of the 112 minute version (it is rumored that a 135 minute version was premiered in Japan, but his version has not turned up on home video and may have been an earlier, rougher cut of the film rather than a more explicit version, or the director may have been urged to trim it to a more workable length for VHS and laserdisc distribution). The Japanese mono track is similar on both versions, but the English subtitle translations are different (Ishioka tells Ai to act like a "horny secretary" in the ArrowDrome, and a "horny businesswoman" in the Cinema Epoch) with the ArrowDrome generally featuring cruder language during the S&M sessions. For image quality, it is a draw (with the Cinema Epoch disc looking marginally better). While the ArrowDrome disc offers trailers for other ArrowDrome releases and a liner notes booklet by Robin Bougie (not supplied for review), the Cinema Epoch disc featured the film's trailer, a multi-page text-screen essay by Nicholas Rucka, and a featurette labeled as an interview with the director. It is actually a promo clip with footage from the film and a talk by the director. TOKYO DECADENCE was first released in the US on VHS by Triboro and on LD by Image Entertainment. It was this master that Image released on DVD in 1999. This version featured both Japanese and English dubbed mono tracks (the running time is 108:36 and may either be cut - although it is reportedly the same as the NC-17 version [Triboro was known to trim their films, including some expository footage from their unrated versions of ANDY WARHOL'S DRACULA and FRANKENSTEIN during the period when they had the rights] - or a PAL conversion). Another fullscreen release followed in 2003 by First Run Features. The French Film Sans Frontieres edition features English, Japanese, and Italian audio tracks but only French subtitles. |
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(ArrowDrome - Region 0 - PAL -
LEFT vs. Cinema Epoch - Region 0 - NTSC - RIGHT)
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Turbine - Region 'B' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle sample
1) ArrowDrome - Region 0 - PAL - TOP2) Cinema Epoch - Region 0 - NTSC - MIDDLE 3) Turbine - Region 'B' - Blu-ray BOTTOM
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1) ArrowDrome - Region 0 - PAL - TOP2) Cinema Epoch - Region 0 - NTSC - MIDDLE 3) Turbine - Region 'B' - Blu-ray BOTTOM
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1) ArrowDrome - Region 0 - PAL - TOP2) Cinema Epoch - Region 0 - NTSC - MIDDLE 3) Turbine - Region 'B' - Blu-ray BOTTOM
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(ArrowDrome - Region 0 - PAL - TOP vs. Cinema Epoch - Region 0 - NTSC - BOTTOM)
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1) ArrowDrome - Region 0 - PAL - TOP2) Cinema Epoch - Region 0 - NTSC - MIDDLE 3) Turbine - Region 'B' - Blu-ray BOTTOM
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