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S E A R C H    D V D B e a v e r

Directed by Michael Winner
UK 1971

 

Two Children… Two Adults… One Unspeakable Crime! Captivating and disturbing, this highly intense psychological drama with its haunting, twisted notion of sexuality puts a new spin on the characters from Henry James’ celebrated ghost story, “The Turn of the Screw.” Marlon Brando (The Appaloosa, The Missouri Breaks) stars as Quint, a gardener who powerfully impacts the lives of young orphans Miles and Flora, who are left in the care of their governess (Stephanie Beacham, Dracula A.D. 1972, TV’s Dynasty) and housekeeper (Thora Hird, A Kind of Loving). Obsessed with the charismatic Quint, the children are mesmerized by his warped views of love and life and soon pattern their own lives after his crude, secret courtship with their governess. When the housekeeper finds out about the lovers’ relationship, she decides to fire them, leaving the bereft children to take matters into their own chilling hands. Top-notch direction by Michael Winner (Hannibal Brooks, Death Wish) and co-starring the great Harry Andrews (S.O.S. Titanic, Modesty Blaise).

***

Marlon Brando delivers a respectably creepy performance in the Michael Winner directed The Nightcomers -- a film inspired by the characters in Henry James' The Turn of the Screw. On a British country estate, two recently-orphaned children, Miles (Christopher Ellis) and Flora (Verna Harvey), live on their own with only a nurse, housekeeper, and gardener as companions. Miles and Flora are particularly fascinated by the gardener, Quint (Marlon Brando). In fact, fascinated to the point of obsession, the boy and girl model their young lives after him. When Quint becomes involved with the prim and proper nurse, Miles surreptitiously views their love-making and keeps it in mind for future reference. Gradually, Miles and Flora adopt the gardener and the nurse's love-hate relationship for their own, copying their adult behavior with child-like abandon. Finally, when the housekeeper finds out and decides to fire the gardener and the nurse, the children are thrown into a panic. Not wanting their two favorite subjects to be separated, the children decide to take things into their own hands.

Excerpt from B+N located HERE

Posters

Theatrical Release: August 30th, 1971 (Venice Film Festival)

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Review: Kino - Region 'A' - Blu-ray

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Distribution Kino - Region 'A' - Blu-ray
Runtime 1:36:41.128        
Video

1.85:1 1080P Single-layered Blu-ray

Disc Size: 21,293,264,419 bytes

Feature: 20,619,356,160 bytes

Video Bitrate: 24.85 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

DTS-HD Master Audio English 1555 kbps 2.0 / 48 kHz / 1555 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)

Commentaries:
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps

Subtitles English, None
Features Release Information:
Studio:
Kino

 

1.85:1 1080P Single-layered Blu-ray

Disc Size: 21,293,264,419 bytes

Feature: 20,619,356,160 bytes

Video Bitrate: 24.85 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

Audio Commentary by director Michael Winner
Introduction by Michael Winner (01:28)
NEW Audio Commentary by Film Historian Kat Ellinger
Nightcomers Theatrical Trailer (02:03)
Nightcomers Teaser (00:35)
The Missouri Breaks (01:49)
The Appaloosa (02:44)
Candy (02:47)


Blu-ray Release Date:
May 7th, 2019
Standard Blu-ray Case

Chapters 8

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Kino Blu-ray (April 2019): Kino Lorber offer up Michael Winner's "The Nightcomers" on a single-layered Blu-ray. The 1.85:1 HD image has a modest bitrate, on the lower end of the spectrum. The texture of the film is thick with heavy grain and a somewhat softer focus, not showing an abundance of detail. It can tend to look waxy. The somewhat worn-out dullish color palette is fitting give the film's gothic locale. Blacks aren't too deep and varied, though thankfully most of the picture is set in daylight. There are occasionally brief, frame-specific instances of damage, with tiny purple or white speckles. These are not distracting at all, we have seen much worse.

Kino's release of "The Nightcomers" comes with a 16-bit 2.0 DTS-HD Master audio track. Though this track is rather flat, dialogue comes through clear as day, and if there was any ADR looping, it is hard to notice. When people are speaking in a large room with tall ceilings, for example, there is an appropriate echo. One of the better aspects of this film is Jerry Fielding's (Scorpio,
The Wild Bunch, Straw Dogs, The Killer Elite, The Mechanic, Kolchak: The Night Stalker and The Getaway) score. Fielding is notable for his iconic work with directors Sam Peckinpah and Clint Eastwood, but his work on some of Winner's pictures is equally impressive. There are optional English subtitles on this Region 'A' Blu-ray.

Though sadly Michael Winner has passed away, Kino Lorber have kept his audio commentary and introduction from a previously released LionsGate DVD. It is always a pleasure to get a commentary track from Author and Film Historian Kat Ellinger, and her all new commentary does not disappoint. This track is well worth your time. Ellinger's commentary features analysis and contextual information not covered by Winner on his track. Kat, being well versed in film history, is able to provide a more honest critique, not having directed the picture and having a certain sense of remove. That said, both tracks provide a nice complete picture. Also here from that previous DVD is the film's trailer and teaser. What's new (other than Ellinger's track) are 3 other Brando trailers for
The Appaloosa, The Missouri Breaks, and Candy.

I'll be honest, it has been a while since I've read Henry James' "The Turn of the Screw", yet the commentaries certainly fill in the blanks. This film is a pre-cursor to the events in James' gothic horror, and yet is more of a tense psycho-sexual drama than a classic ghost story. This transfer is certainly not reference quality, but it is acceptable. To those curious, this Kino
Blu-ray is worth a spin, though to be honest I would gladly watch Brando in anything, so I'm somewhat biased. As Ellinger notes in her track, this film was made just before Brando's resurgence in Coppola's "The Godfather".  

Colin Zavitz

 


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Distribution Kino - Region 'A' - Blu-ray


 


 

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