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S E A R C H D V D B e a v e r |
directed by
Michael Cimino
USA 1985
Corruption. Extortion. Sometimes, even assassination. For the tradition-bound mob bosses of Manhattan’s Chinatown, there are age-old ways of running things. And now there’s police captain Stanley White’s way. Mickey Rourke portrays White, a war veteran who has a Vietnam-sized chip on his shoulder when dealing with an emerging blood feud in Chinatown. John Lone plays the crime lord standing in the line of fire of White’s relentless campaign. Academy Award-winning* director Michael Cimino (The Deer Hunter, Thunderbolt and Lightfoot), working from a screenplay based on the novel by Robert Daley (Prince of the City) and coscripted by Oliver Stone, fills the screen with adrenaline rushes of action and excitement. *** Redemption for director Michael Cimino and burgeoning stardom for actor Mickey Rourke were on the agenda when Year of the Dragon was released in 1985, and even if those things didn't quite come to pass, the result was nevertheless an entertaining, at times even compelling film. Cimino, seven years removed from his Oscar triumph The Deer Hunter and five years past the debacle that was (and still is) Heaven's Gate, made a move back into the mainstream with this violent tale about New York's Chinatown, where gangs and heroin-dealing Chinese "triads" hold sway--at least until police captain Stanley White comes on the scene, fiercely determined to put the bad guys out of business. As portrayed by Rourke, White is arrogant, boorish, and bullheaded, a thoughtless jerk who puts anyone who cares about him in mortal danger, all of which we're supposed to forgive because he served in Vietnam and is so righteously intent on doing his job. Problem is, White is almost completely unlikable, rendering his relationships with his long-suffering wife (Caroline Kava) and his TV reporter girlfriend (a wooden Ariane) implausible in the extreme. Excerpt from Sam Graham's review at Amazon.com located HERE |
Posters
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Theatrical Release: August 16th, 1985
Reviews More Reviews DVD Reviews
Comparison:
Warner - Region 1,2,3,4 - NTSC vs. Imprint - Region FREE - Blu-ray
Box Cover |
Also released on Blu-ray by Warner Archive in 2019: |
|
Distribution | Warner - Region 1,2,3,4 - NTSC | Imprint - Region FREE - Blu-ray |
Runtime | 2:14:12 | 2:14:26.058 |
Video |
2.38:1
Original Aspect Ratio Average Bitrate: 5.98 mb/s NTSC 720x480 29.97 f/s |
2.35 :1 1080P Dual-layered Blu-rayDisc Size: 47,030,376,449 bytesFeature: 42,213,242,880 bytes Video Bitrate: 32.90 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate: |
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Bitrate Blu-ray: |
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Audio | English (Dolby Digital 5.1) |
DTS-HD Master
Audio English 4069 kbps 5.1 / 48 kHz / 4069 kbps / 24-bit (DTS Core: 5.1 /
48 kHz / 1509 kbps / 24-bit) Dolby Digital
Audio English 224 kbps 2.0 / 48 kHz / 224 kbps / DN -31dB |
Subtitles | English, French, Spanish, None | English, None |
Features |
Release Information:
Edition Details: • Commentary
by director Michael Cimino |
Release Information: Studio: Imprint
2.35 :1 1080P Dual-layered Blu-rayDisc Size: 47,030,376,449 bytesFeature: 42,213,242,880 bytes Video Bitrate: 32.90 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Audio commentary by Director Michael Cimino (2005) • Audio Commentary by Film Critic Peter Tonguette (2020) • “From Heaven To Chinatown: David Mansfield on Michael Cimino” (2020) (12:29) • "Prince of The City: Talking Triads, Cops & New York’s mean streets" with author Robert Daley (2020) (16:52) • "Introducing Ariane" (17:22) • Theatrical Trailer (02:15) • Image Gallery (03:28) • English DTS-HD 5.1 Surround & LPCM 2.0 Stereo • Optional English subtitles • Limited Edition slipcase on the first 1500 copies
Standard Blu-ray Case inside cardboard sleeve Chapters 12 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
NOTE: Chris O'Neill tells us in
FB: "I’m the chap who contributed a video essay to this
release and while putting it together did some comparisons. Ignore the DVD
colour timing, it’s been boasted and brightened, as is often the case for
DVD transfers. I’ve seen both the US Blu and the Australian Imprint Blu. The
US Blu is a much brighter transfer, and initially I thought it looked nicer
BUT the darker, slightly muted colours are more like I remember the film
from when I saw a 70mm print almost twenty years ago. Foggy memories
admittedly - however, if you watch the original theatrical trailer you’ll
see that the colour timing looks pretty darn close to Imprint’s transfer. I
think the Carlotta transfer is the same as Imprint’s. Honestly - I believe
the Imprint edition is the best, and I’m not just saying that because I
contributed to it." |
Warner - Region 1,2,3,4 - NTSC
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Imprint - Region FREE - Blu-ray
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Package - Imprint - Region FREE - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
1) Warner - Region 1,2,3,4 - NTSC TOP2) Imprint - Region FREE - Blu-ray BOTTOM |
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1) Warner - Region 1,2,3,4 - NTSC TOP2) Imprint - Region FREE - Blu-ray BOTTOM |
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1) Warner - Region 1,2,3,4 - NTSC TOP2) Imprint - Region FREE - Blu-ray BOTTOM |
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Box Cover |
Also released on Blu-ray by Warner Archive in 2019: |
|
Distribution | Warner - Region 1,2,3,4 - NTSC | Imprint - Region FREE - Blu-ray |
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