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S E A R C H    D V D B e a v e r

(aka 'Lights of Variety" or "Variety Lights')

http://www.dvdbeaver.com/film/direct-chair/fellini.htm
Italy 19
50

Made in collaboration with Alberto Lattuada, Federico Fellini’s directorial debut unfolds amid the colorful backdrop of a traveling vaudeville troupe whose quixotic impresario (Peppino De Filippo) is tempted away from his faithful mistress (Giulietta Masina) by the charms of an ambitious young dancer (Carla Del Poggio). Though the details of what the division of duties was between the two directors are unclear, this lively backstage capriccio is unmistakably Felliniesque in its whimsical fascination with the heightened reality, carnivalesque characters, and exotic allure of the world of show business. In the first of her celebrated collaborations with her director husband, Giulietta Masina displays the spirited vulnerability that would soon become an archetype of cinematic emotiveness.

***

A beautiful ingenue joins a tawdry music hall troupe and quickly becomes its feature attraction in Fellini’s stunning debut film (directed in collaboration with neorealist filmmaker Alberto Lattuada). Featuring Giulietta Masina, Fellini’s wife and frequent leading lady, Variety Lights introduces the director’s affection for the eccentric fringe characters that frequent the cinematic landscape of such classics as Nights of Cabiria, La strada, and La dolce vita.  

Posters

Theatrical Release: December 1950

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Comparison:

Criterion - Region 0 - NTSC vs. Criterion - Region 'A' - Blu-ray

Box Cover

  

Presently only available in Criterion's Essential Fellini Blu-ray package with 14 films (15-Blu-rays)

  

Bonus Captures:

Distribution Criterion Spine # 8 - Region 0 - NTSC Criterion - Spine # 8 - Region 'A' - Blu-ray
Runtime 1:37:15       1:38:15.514 
Video 1.33:1 Original Aspect Ratio
Average Bitrate: 5.69 mb/s
NTSC 720x480 29.97 f/s

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 48,214,996,306 bytes

Feature: 29,482,475,520 bytes

Video Bitrate: 35.87 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

Bitrate Blu-ray:

Audio Italian (Dolby Digital 2.0 Dolby) 

LPCM Audio Italian 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit

Subtitles English, None English, None
Features

Release Information:
Studio: Criterion

Aspect Ratio:
Original aspect Ratio 1.33:1

Edition Details:

• Liner notes essay by Andrew Sarris

DVD Release Date:
August 22nd, 2000
Keep Case
Chapters: 22

 

Release Information:
Studio: Criterion
 

1.37:1 1080P Dual-layered Blu-ray

Disc Size: 48,214,996,306 bytes

Feature: 29,482,475,520 bytes

Video Bitrate: 35.87 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Two-hour, four-part 1960 interview with director Federico Fellini by filmmaker André Delvaux for Belgian television (Part 1 - 34:53)
Fellini: I’m a Born Liar (2002) (1:41:24)

PLUS: Deluxe packaging, including two lavishly illustrated books with hundreds of pages of content: notes on the films by scholar David Forgacs, essays by filmmakers Michael Almereyda, Kogonada, and Carol Morley; film critics Bilge Ebiri and Stephanie Zacharek; and novelist Colm Tóibín, and dozens of images spotlighting Don Young’s renowned collection of Fellini memorabilia
Collector’s set designed by Raphael Geroni, with new illustrations by Abigail Giuseppe

 

Blu-ray Release Date: November 24th, 2020
Custom Blu-ray Case (see below)

Chapters 15

 

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Blu-ray (November 2020): Criterion have transferred Federico Fellini's Variety Lights to Blu-ray as part of their 14 films (15-Blu-rays) package of Essential Fellini that includes Toby Dammit 1968, Variety Lights 1950, The White Sheik 1952, I vitelloni 1953, La strada 1954, Il bidone 1955, Nights of Cabiria 1957, La dolce vita 1960, 1963, Juliet of the Spirits 1965, Fellini Satyricon 1969, Roma 1972, Amarcord 1973, And the Ship Sails On 1983 and Intervista 1987. This is the 1st Blu-ray in the Essential Fellini package.

"Luci del varieta was restored in 4K by Fondazione Cineteca di Bologna, in collaboration with Turin's Museo Nazionale del Cinema, from the original camera and soundtrack negatives. Some shots were restored from a 1st generation combined dupe positive held at Istituto Luce Cinecitta and made available by Studio Cine. The restoration work was carried out at L'Immagine Ritrovata laboratory in 2020."

Like And the Ship Sails On, the disparity between this new 4K-restored 1080P transfer from the 20-year old interlaced DVD is enormous. The vertically stretched SD image was one of Criterion's weakest and the new HD image is startlingly improved with the proper 1.37:1 aspect ratio and removal of the persisted vertical scratch through much of the presentation - all visuals areas the higher-resolution has made the image clearer, variably more information in the top/bottom edges of the frame, grain is not invasive but is present and there is even depth. Contrast also benefits greatly from this new HD transfer. It is worlds apart from the early Criterion DVD viewing experience. 

NOTE: We have added 36 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Criterion use a linear PCM mono track (24-bit) in the original Italian language. The authentically flat audio supports the film as does the score by Felice Lattuada (Alberto Lattuada's The Devil Is a Woman - not the Dietrich film) and the onstage music that maintains the performance tone. Criterion offer optional English subtitles on their Region 'A' Blu-ray.

The extras on this Criterion Blu-ray include part one of the four-part interview series Federico Fellini did on Belgian television in 1960. It is in Italian but has burned-in French subtitles and optional English subtitles. It runs over 1/2 hour. The big inclusion is Damian Pettigrew's 2002 documentary Fellini: I’m a Born Liar running 1 3/4 hours. Described on IMDb as "A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results" It has Roberto Benigni, Luigi 'Titta' Benzi, Dante Ferretti, Terence Stamp, Donald Sutherland and archival footage of Federico Fellini who passed in 1993. It's fabulous. 

NOTE: The deluxe packaging, includes two lavishly illustrated books with hundreds of pages of content: notes on the films by scholar David Forgacs, essays by filmmakers Michael Almereyda, Kogonada, and Carol Morley; film critics Bilge Ebiri and Stephanie Zacharek; and novelist Colm Tóibín, and dozens of images spotlighting Don Young’s renowned collection of Fellini memorabilia collector’s set designed by Raphael Geroni, with new illustrations by Abigail Giuseppe.

Federico Fellini's Variety Lights is wonderful. It carries a neorealist atmosphere capturing the essence of performance art and those who dwell and toil there seeking acceptance and fame. This is another important part of Criterion's upcoming Essential Fellini Blu-ray package... which is the premium front-runner for best of the entire 2020 year.

Gary Tooze

ON THE DVD (2000):  Variety Lights was claimed to be taken directly from the original 35mm fine-grain master (see last large capture for extensive 'combing'). There is a slim chance that it was taken from their old laserdisc. It looks very rough. There is a fine scratch down the center of the screen for many segments of film. It tends to leave and annoyingly return.  I also notice shimmering and edge enhancement. Criterion's usual care was not taken for this 2000 release. By their usual high standards, this is quite sloppy. No extras, great subtitles. Nothing along the lines of their other releases. This is my lowest score ever for a Criterion DVD.

 


Criterion - Region 0 - NTSC

 

Criterion - Region 'A' - Blu-ray


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

1) Criterion - Region 0 - NTSC  TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 


1) Criterion - Region 0 - NTSC  TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 


1) Criterion - Region 0 - NTSC  TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 


1) Criterion - Region 0 - NTSC  TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 


1) Criterion - Region 0 - NTSC  TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 


1) Criterion - Region 0 - NTSC  TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 


Interlaced DVD (see combing)

 

1) Criterion - Region 0 - NTSC  TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 


 

More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE

 

 

 
Box Cover

  

Presently only available in Criterion's Essential Fellini Blu-ray package with 14 films (15-Blu-rays)

  

Bonus Captures:

Distribution Criterion Home Video - Region 0 - NTSC Criterion - Region 'A' - Blu-ray


 


 

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Gary Tooze

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