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S E A R C H D V D B e a v e r |

directed by Joseph H. Lewis
USA 1955
The Ignite Films 4K UHD of The Big Combo is reviewed / compared HERE
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By 1955
film noir was nearing
the completion of its ‘cycle’ (generally held to end
with 1958’s
Touch of Evil - thereafter we’re talking
‘revival’ or neo-noir). So it’s not surprising to find
this late entrant is surprisingly modern: crime is now
corporatised and suspects wind up dead (by the hands of
suspicious associates) after being merely visited by the
protagonist cop, a neurotically obsessive loner. In the
1940s a visit from Bogart meant he would rough you up
himself. That’s not to portray The Big Combo as some antediluvian Dirty Harry. With cameraman John Alton’s cinematography mapping its highlights this flick is unmistakably noir. Its plot turn to unearth the meaning behind one whispered name – ‘Alicia’ - is not only explicitly Kane-esque, but in tune with noir ’s preoccupation with memory and buried secrets. Director Joseph H.Lewis is best known for Gun Crazy, a late-40s precursor to His-and-Hers crime sprees like Bonnie and Clyde and Badlands. Away from Alton’s bravura compositions, which kick in right from the opening titles (themselves an adrenalin rush of nighttime cityscapes and melodramatic 50s jazz) the film’s exposition is static, even flat at times. My theory is that cinematographer Alton effectively directed the film’s highlights. For chilling point-of-view can anything top the silent barking of the assassins’ tommy guns as the victim’s hearing aid is ripped away? Alton’s fingerprints are also undeniably all over The Big Combo’s famous final shot where, echoing Casablanca, the two survivors walk together (but not touching) side by side into the all-enveloping fog that is their future. Excerpt from Roger Westcombe's excellent review located HERE. |
Posters
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Theatrical Release: 13 February 1955
Reviews More Reviews DVD Reviews
Comparison:
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Geneon Entertainment - Region 1 - NTSC vs. Image Entertainment - Region 0 - NTSC vs. Alpha - Region 0 - NTSC vs. Olive Films - Region 'A' - Blu-ray vs. Arrow Films - Region FREE - Blu-ray |
Big thanks to Gregory Meshman for all the DVD Screen Caps!
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1) Geneon Entertainment - Region 1 - NTSC LEFT 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray FOUR-H 5) Arrow Film - Region ''B' - Blu-ray RIGHT |
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The Ignite Films 4K UHD of The Big Combo is reviewed / compared HERE NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: Arrow Films - Region FREE - Blu-ray - November 17': Arrow's Four Film Noir Classics Limited Edition has The Dark Mirror, Secret Beyond the Door..., Force of Evil, and The Big Combo. They are not sold separately by Arrow at present and are only available in this boxset. There are other Blu-ray releases, like the Olive Films edition here, that we will compare to, eventually.Limited Edition set of only 2000 copies! The Arrow transfer appears to be from the same source with the same 1.78:1 framing but the UK has a max'ed out bitrate - it is authentically darker and the damage visible on the Olive is not as prominent on the Arrow. The Arrow is, predictably, better. Arrow is also better than the Olive in the audio - Arrow's 24-bit linear PCM mono vs. the DTS-HD Master (16-bit) track. The film has only a few aggressive effects but we get another wonderful 'dark cinema' score from David Raksin (Daisy Kenyon, Whirlpool, Fallen Angel, Laura, Bigger Than Life) sounding crisp and impressive in the uncompressed. Arrow also add optional English (SDH) subtitles (see sample below) on their Region FREE Blu-ray disc. Arrow generously add a new commentary by the 'Czar of Noir' Eddie Muller. Wonderful. Geoff Andrew on The Big Combo, the critic and programmer offers an introduction to and analysis of the film for 20-minutes and a similar length visual essay, entitled Wagon Wheel Joe, on director Joseph H. Lewis by filmmaker David Cairns. The disc has The Big Combo original screenplay as a PDF file and the package offers reversible sleeves featuring original and newly commissioned artwork by Scott Saslow for all films and a hardback book featuring new writing on all the films by noir experts and critics including Michael Brooke, Andrew Spicer, David Cairns and Tony Rayns and others.
Great release in what look
like an amazing Noir package!
*
ADDITION:
Olive Films - Region 'A' -
Blu-ray
- September 13':
The same source (as the Alpha and Image Ent. for sure)
with the exact same light scratches. It improves with the benefit of the
higher resolution (tighter, brighter) and another big difference is that it
is now widescreen at 1.78;1 showing more information on the two edges of the
frame - we lose some off top and bottom. Composition looks more correct now.
I expect The Big Combo was shown widescreen theatrically, in some
theaters, in that transition period of the mid-late 50s. Anyway, this is far
from a perfect image but it is certainly ahead of the DVDs - most notably in
the contrast and showing grain. It is cited as being 'Restored by UCLA
Film & Television Archive in association with the Film Foundation'.
Thanks goodness.
No subtitles or extras and the lossless mono audio is
another step forward - although it has issues similar to
the DVDs but a tinge more depth. Overall, I am happy
(and wasn't expecting to be overjoyed) - this is primo
Noir and ideal to have in the best possible home
theater presentation. Fans will be appreciative!
*** ADDITION: Geneon Entertainment - Oct 05' - after seeing the WildSide video logo (cat) in the opening sequence of the Geneon Edition I was anticipating the worst. It, almost unbelievably, is taken from an unconverted PAL source. This, the newest digital edition of this Public Domain film is quite poor with the only factor in its favor being the price. It doesn't even have menus or a real keepcase. The screen grabs may not show in direct comparisons to these other editions, so we have added one ghosting capture at the very end. All three are quite poor releases but if we are forced to choose it might be the Image Entertainment that is the lesser of the '3 evils' presentation-wise although it obviously has also had some manipulation, but factoring in the cost and limited availability of the Image edition, most consumers may want to go for the Geneon until a someone releases a superior edition... one day, we hope. *** Chroma is evident on Image release, but the contrast is better and blacks are truer compared to Alpha disc. The damage spots are identical for both editions (lips in capture #2, neck in capture #5), but Image disc doesn't suffer from interlacing (capture #4). Both titles don't have any supplements, so it's ridiculous to charge over $20 for it when there's another version available. Hopefully, like another Image film noir Dark Waters, which went out of print for a short period, The Big Combo will be re-released in a keep case with $14.98 list price. |
Menus
NO MENUS on Geneon Entertainment
(Image Entertainment - Region 0 - NTSC - LEFT vs. Alpha - Region 0 - NTSC - RIGHT)
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Olive Film - Region 'A' - Blu-ray
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Arrow Films - Region FREE - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample - Arrow Films - Region FREE - Blu-ray
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray FOURTH 5) Arrow Film - Region ''B' - Blu-ray BOTTOM |
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray FOURTH 5) Arrow Film - Region ''B' - Blu-ray BOTTOM |
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray FOURTH 5) Arrow Film - Region ''B' - Blu-ray BOTTOM |
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray FOURTH 5) Arrow Film - Region ''B' - Blu-ray BOTTOM |
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray FOURTH 5) Arrow Film - Region ''B' - Blu-ray BOTTOM |
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray BOTTOM |
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Image Entertainment - Region 0 - NTSC - SECOND3) Alpha - Region 0 - NTSC - THIRD 4) Olive Film - Region 'A' - Blu-ray BOTTOM |
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Geneon Entertainment combing/ghosting sample...
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1) Geneon Entertainment - Region 1 - NTSC TOP 2) Olive Film - Region 'A' - Blu-ray BOTTOM |
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More
Blu-ray Captures
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Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
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The Dark Side of the Screen: Film Noir by Foster Hirsch |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
Shades of Noir: A Reader by Joan Copjec |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
The Little Black and White Book of Film Noir:
Quotations from Films of the 40's and 50's by Peg Thompson, Saeko Usukawa |
Film Noir by Alain Silver |
Film Noir Guide: 745 Films of the Classic Era,
1940-1959 by Michael F. Keaney |
Detours and Lost Highways: A Map of Neo-Noir by Foster Hirsch |
Report Card:
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Image: |
Arrow Blu-ray |
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Sound: |
Arrow Blu-ray |
| Extras: | Arrow Blu-ray |
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