We have started a Patreon page with the hopes that
some of our followers would be
willing to donate a small amount to keep DVDBeaver
alive. We are a tiny niche, so your
generosity is vital to our
We are talking about a minimum of
$0.10 - $0.15 a day, perhaps a
quarter (or more) to those who won't
miss it from their budget. It
equates to buying DVDBeaver a coffee
once, twice or a few times a month.
You can then participate in our
and have exclusive access to many 'bonus' High Resolution screen captures - both
|S E A R C H D V D B e a v e r|
(Richard Attenborough, 1978)
Review by Gary Tooze
Theatrical: Twentieth Century Fox Film Corporation
Video:Dark Sky Video / Second Sight (UK)
Region: A-locked/ 'B'-locked (as verified by the Momitsu region FREE Blu-ray player)
Runtime: 1:46:56.410 / 1:47:04.751
Disc Size: 32,377,289,932 bytes / 43,298,439,732 bytes
Feature Size: 27,492,717,312 bytes / 31,036,788,096 bytes
Video Bitrate: 30.98 Mbps / 34.56 Mbps
Chapters: 13 / 12
Case: Standard Blu-ray case / Black Keep Case
Release date: October 12th, 2010 / March 22nd, 2020
Aspect ratio: 1.78:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit
LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit
English (SDH), none
•Screenwriting For Dummies (15:58)
• Fats and Friends (26:43)
• Victor Kemper Cinematographer (11:23)
•Ann-Margret Make-up Test (1:18)
• Anthony Hopkins radio Interview (3:14)
• Trailer (2:08)
• Anthony Hopkins Interview (6:08 - Italian TV in English)
• TV and Radio Spots (English and Spanish)
Screenwriting for Dummies: William
Goldman interview (15:26)
Description: Academy AwardŽ-winner Anthony Hopkins (SILENCE OF THE LAMBS) is Corky, a painfully shy, failed magician who finds overnight success as a ventriloquist. His brash, foul-mouthed dummy, Fats, becomes a huge nightclub hit. With his star on the rise, talent agent Ben Greene (Burgess Meredith) arranges an important shot at national TV. But the pressure of failing the network’s required physical sends Corky into a panic. With Fats in tow, he flees the city to a nearly-deserted resort in the Catskills run by the love of his youth, Peggy Ann Snow (Ann-Margret).
Peg’s spent years trapped in a loveless marriage with her high-school sweetheart, Duke. In Corky, she sees the chance for a loving relationship and accepts an offer to run away with him. After they make love, Corky confides to Fats that he may leave show business altogether. Fats becomes furious and lashes out at him, playing on his guilt and insecurity. Now under Fats’ control, Corky is manipulated into a series of violent and unexpected confrontations.
Based on the best–selling novel by William Goldman and directed by Sir Richard Attenborough (A BRIDGE TOO FAR, GANDHI), MAGIC’s stellar performances and shocking conclusion make for gripping suspense from beginning to end.
Richard Attenborough is not typically a director that one associates with screen horror, his name usually calling to mind such sweeping epics as Gandhi, Cry Freedom, or Chaplin. However, in 1978, Attenborough broke tradition and directed a small, intimate horror film: Magic. Based on a novel by William Goldman (of The Princess Bride and Marathon Man fame), Magic is indeed a frightening film. It is not, however, the shocks that make it memorable. What makes this film special is the thought that has been put into it and the conviction of its performances. Boasting a sadness and a nasty sense of horror, Magic avoids the campyness that is usually associated with movies about living dolls. Instead, Magic takes the serious approach, using Fats, the sentient ventriloquist dummy, as a means of exploring the effects of a split personality, and the damage it can cause when left untreated. The result is a quiet horror film that is as potent and terrifying as Halloween or The Texas Chain Saw Massacre.Excerpt from Eric Miller at Horror located HERE
Acceptable image on Blu-ray from Dark Sky Films showing some grain texture. It is clean and reminds me of a Blue Underground transfer exporting the integrity of the film. This is dual-layered with excellent detail and some depth. Contrast and colors appear adept - perhaps a shade dull. There is a touch of noise here and there, has some yellow leaning but no unforgivable black-marks. This seems a healthy step-up from SD-DVD. Magic probably didn't look too different over 35-years ago theatrically. This Blu-ray has a strong bitrate and pleasing, consistent, visuals. No harsh complaints.
Second Sight have improved the image quality of Magic with a max'ed out bitrate. The colors are richer and deeper and contrast significantly more layered. It looks superior in every visual aspect - it loses the yellow tinge of the Dark Sky, flesh tones warm and improve - 1.78:1 framing is the same. The UK disc wins the video transfer, handily.
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
More Dark Sky Blu-ray Captures
Like the image a similarly competent clean audio rendering with a lossless liner 2.0 channel. There is very little aggression in the film and the score only becomes notable a few times. Dialogue, including `Fats` is consistent and easily audible. There is no range or depth but bass can be prominent in few tense sequences but obviously this is no demo track. There are optional English subtitles and my Momitsu has identified it as being a region A-locked.
Second Sight also win the audio with a 24-bit linear PCM mono track (as opposed to 16-bit). This is notable in the, always impressive score by Jerry Goldsmith (Link, Breakout, Alien, The Salamander, The Mephisto Waltz, Seconds, Hoosiers, The Blue Max, Breakheart Pass, The Omen) sounds amazing in the lossless with plenty of depth - creating a genuinely creepy atmosphere. The Second Sight has optional white, English, subtitles and is Region 'B'-locked.
Supplements consistent of Screenwriting For Dummies which runs 16-minutes and has William Goldman discussing the evolution of his story. Fats and Friends peers deeper into the ventriloquist profession, we get 10+ minutes with Victor Kemper the cinematographer, a minute of Ann-Margret's natural 'bedroom eyes' in a make-up test, some Hopkins interviews, a trailer and TV and Radio spots. Not a bad lot...
Supplements appear to be the same as on the US BD, with maybe the additional inclusion of a trailer. The William Goldman 1/4 hour interview is entertaining. Only a new commentary would have been appreciated. Pretty much a draw on this front.
Dark Sky - Region 'A' - Blu-ray
Second Sight - Region 'B' - Blu-ray
Still love Magic.... and always enjoy revisiting. It's great to have it in the superior a/v. The film deserves no less. I consider the Second Sight absolutely 'double-dip-able' (pick-up even if you have the Dark Sky). It's the one to own! Love the black cover too...
October 10th, 2010
February 11th, 2020
About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 9500 DVDs and have reviewed over 3500 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.
Although I never wanted to become one of those guys who
focused 'too much' on image and sound quality - I
find HD is swiftly pushing me in that direction. So be
it, but film will always be my first love and I list my
favorites on the old YMdb site now accessible
Oppo Digital BDP-83 Universal Region FREE Blu-ray/SACD
Gary W. Tooze