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S E A R C H D V D B e a v e r |
(aka "Murder Story" or "The Bystander" or "The Murder")
directed
by Otto Preminger
USA 1952
This intense Freudian melodrama by Otto Preminger (1953) is one of the forgotten masterworks of film noir. Jean Simmons, beautifully blank, plays the ultimate femme fatale, a rich girl who seduces her beefcake chauffeur (Robert Mitchum) when daddy (Herbert Marshall) resists her advances. The film is a disturbingly cool, rational investigation of the terrors of sexuality, much as Preminger's later masterpiece Bunny Lake Is Missing is a detached appraisal of childhood horrors. The sets, characters, and actions are extremely stylized, yet Preminger's moving camera gives them a frightening unity and fluidity, tracing a straight, clean line to a cliff top for one of the most audacious endings in film history. Excerpt from Dave Keher's review at the Chicago Reader located HERE
Diane (Jean Simmons) is the daughter of wealthy
Charles Treymayne (Herbert Marshall). She has an angelic
appearance that masks an unbridled psychotic personality who'll let nothing stand in the way of
her perceived happiness. When her hated stepmother, Catherine (Barbara O'Neal), threatens to
take Charles away from her, Diane attempts to kill her stepmother, making it
look like a gas leak. The attempt fails. Responding to the “accident” is ambulance driver
Frank Jessup (Robert Mitchum), whom Diane becomes infatuated with, is eventually
hired as the family chauffeur at her request. She steals Frank away from his
sweetheart Mary and forces him to become supportive, but unaware, accomplice in
the wealthy stepmother's successful murder plot. When she is killed, it is
unfortunately with the father in a rigged auto accident. A trial ensues with
both Frank and Diane as defendants. They are eventually acquitted but Frank
quickly rebukes Diane soon after and when she finally realizes that she'll never be able to
keep him, she decides to punish him as she does anyone who
keeps her from what she wants…. |
Posters
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Theatrical Release: December 31st, 1952
Reviews More Reviews DVD Reviews
Review: Warner Archive - Region FREE - Blu-ray
Box Cover |
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CLICK to order from: Bonus Captures: |
Distribution | Warner Archive - Region FREE - Blu-ray | |
Runtime | 1:31:53.424 | |
Video |
1.37 :1 1080P Dual-layered Blu-rayDisc Size: 45,305,459,160 bytesFeature: 26,605,780,992 bytes Video Bitrate: 34.89 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
DTS-HD Master
Audio English 1760 kbps 2.0 / 48 kHz / 1760 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -31dB |
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Subtitles | English, None | |
Features |
Release Information: Studio: Warner Archive
1.37 :1 1080P Dual-layered Blu-rayDisc Size: 45,305,459,160 bytesFeature: 26,605,780,992 bytes Video Bitrate: 34.89 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Eddie Muller Commentary (Standard Version) (1:31:43)• Theatrical Trailer (2:17)
Standard Blu-ray Case Chapters 24 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
Strangely, there is also an "SD version" on the Blu-ray
but it is bumped to 1080P and seems solely to exist for the Eddie Muller
commentary. Couldn't they transfer that audio as an option in the HD
presentation? I don't think I've ever seen this. I've compared one set of
captures of the two below. It is 18 Gig in size with a 25 Mbps bitrate - a
full notch below the feature presentation.
Gregory tells us in email: "They explained in
The Extras podcast why SD version is included in blu-ray - they
discovered that original camera negative had extra frames that were missing
from old DVD transfer. Eventually, the commentary was getting misaligned
from the video and it was recorded with the sound from the movie so the only
option they had is to include the SD transfer on the blu-ray release."
(Thanks Gregory!)
NOTE: We have added 58 more large
resolution Blu-ray captures
(in lossless PNG format) for DVDBeaver Patrons HERE
On their
Blu-ray,
Warner Archive use a DTS-HD Master dual-mono track (24-bit) in the
original English language. Angel Face
has a couple of nasty car crashes but is mostly quite passive. The audio
is authentically flat and a wonderful piano-heavy score by the
iconic Dimitri Tiomkin
(Mad
Love,
Strangers on a Train,
The Men,
Only Angels Have Wings, Dial
M For Murder,
The Thing From Another World,
Undercover Girl etc. etc.) sounding clean
and there is consistent dialogue
in the lossless transfer. Warner Archive offer optional English
subtitles on their Region FREE
Blu-ray.
The Warner Archive
Blu-ray
The reputation of Otto Preminger's Angel
Face
has only grown over the decades. Preminger's economical short shooting
time, the specter of producer Howard Hughes torturing Jean Simmons,
Mitchum defending her during the production, the
Diane Tremayne Jessup character of a pure
femme fatale psychopath and the boldest surprise ending in the history
of the 'dark cinema' cycle. It's a noir masterwork and the Warner
Archive
Blu-ray
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Menus / Extras
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample - Warner Archive - Region FREE - Blu-ray
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1)
5-Minutes To Live - Region 0 - NTSC
TOP
2) Warner Archive - Region
FREE
- Blu-ray BOTTOM |
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1)
Montparnasse Editions (France) - Region 2 - PAL
TOP
2) Warner Archive - Region
FREE
- Blu-ray BOTTOM |
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1)
Kinowelt
(Germany) - Region 2 - PAL
TOP
2) Warner Archive - Region
FREE
- Blu-ray BOTTOM |
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1)
Warner Archive (SD
Bump) - Region
FREE -
Blu-ray
TOP
2) Warner Archive - Region
FREE
- Blu-ray BOTTOM |
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More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE
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Box Cover |
|
CLICK to order from: Bonus Captures: |
Distribution | Warner Archive - Region FREE - Blu-ray |
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S E A R C H D V D B e a v e r |