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S E A R C H D V D B e a v e r |
Directed by Barbra Streisand
USA 1991
For her acclaimed second feature as a director, Barbra Streisand crafted a sumptuous, emotionally wrenching adaptation of Pat Conroy’s best-selling novel—which she also produced and starred in. Summoned to New York after his sister attempts suicide, Tom Wingo (Nick Nolte) must serve as her memory, reckoning with the traumas of their southern childhood so that her psychiatrist, Dr. Susan Lowenstein (Streisand), can help her recover. But Tom’s sessions with Lowenstein will plunge him into the depths of his own long-repressed pain—and reawaken the possibility of love within him. Nominated for seven Academy Awards, including best picture and best actor for Nolte’s soulful performance, The Prince of Tides is a life-affirming tale of healing and renewal from a triple-threat filmmaker with a keen and humane insight into her characters’ sorrows, joys, and yearnings. ***
"The Prince of Tides" is based on a novel by Pat Conroy, who also wrote
The Lords of Discipline, another novel in which the lives of young men
are scarred by the weaknesses of their elders. This time, though, the movie is
not quite so simple. These are complicated people who have lived difficult
lives, and a quick romance or some feelgood therapy is not going to heal their
wounds. What Streisand establishes, with admirable patience as both a director
and a writer here, is that the people can heal best by learning to build and
trust relationships. Excerpt from RogerEbert.com located HERE |
Posters
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Theatrical Release: December 25th, 1991
Reviews More Reviews DVD Reviews
Review: Criterion - Region 'A' / 'B' - Blu-ray
Box Cover |
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CLICK to order from: Available in the UK, on Blu-ray, from Criterion April 27th, 2020: |
Distribution | Criterion Spine #1022 - Region 'A' / 'B' - Blu-ray | |
Runtime | 2:12:01.914 | |
Video |
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 48,247,088,611 bytesFeature: 35,551,610,880 bytes Video Bitrate: 31. 71 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
DTS-HD Master
Audio English 2083 kbps 2.0 / 48 kHz / 2083 kbps / 24-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
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Subtitles | English (SDH), None | |
Features |
Release Information: Studio: Criterion
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 48,247,088,611 bytesFeature: 35,551,610,880 bytes Video Bitrate: 31. 71 MbpsCodec: MPEG-4 AVC Video
Edition Details:
• Audio commentary featuring Streisand, recorded in 1991 and updated in
2019
Transparent Blu-ray Case Chapters 19 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
On their
Blu-ray,
Criterion use a DTS-HD Master 2.0 channel stereo track (24-bit) in the
original English language. There are plenty of subtle water-related
effects in The Prince of Tides and a wonderful score by
James Newton Howard (Waterworld,
The Criterion
Blu-ray has
so many supplements. Voicing her enthusiasm for this monumental project
Barbra updates her audio commentary from 18-years earlier on Criterion's
LaserDisc and she has a lot to say with detailed memories citing
specifics addressing hurdles etc. Fans will find this informative.
NOTE: The Criterion LD was delayed after Barbra Streisand found some
typographical errors in the supplement and thinking better of a couple
of comments on the commentary track wanted them changed (it took a
year-and-a-half.) There are a girth of other extras on this
Blu-ray
including the previous Making-of... featurette, plus new material
ex. on February 22, 1992, Barbra Streisand appeared on the British
television program Aspel & Company for a lengthy interview (35-minutes)
with Michael Aspel about The Prince of Tides and her career
overall. That interview is presented on the
Blu-ray
along with an excerpt from a November 26, 2018, interview with Streisand
on filmmaker Robert Rodriguez's program The Director's Chair for
El Rey Network running 11-minutes. Filmmaking requires a command of
highly technical processes, but for Barbra Streisand it also requires
inspiration and instinct. Calling herself the "version queen,"
Streisand embraces these challenges by keeping various alternatives
alive through postproduction. This approach encourages a constant
organic evolution of the film. Her unique process combines the roles of
producer, writer, director, and star, as she deftly handles the
balancing act of competing needs. Barbra Streisand made use of 8 mm
video footage to gauge the audience response to a test screening of the
film. The test screening received a very enthusiastic response but
indicated to Streisand that the timing of certain cuts did not
sufficiently allow for audience reaction, especially the laughter
induced by the shrimp-and-dog-food flashback. The included excerpt
records the audience reaction that led her to insert three feet of film
into the already-cut negative. These deleted scenes and negative-cut
reversions are available as supplements. After an eight-year hiatus from
filmmaking following her directorial debut, Yentl, something
clicked for Barbra Streisand when she read Pat Conroy's 1986 best seller
The Prince of Tides. In order to turn a 576-page novel into a
two-hour film, she had to find the essence of the story she wanted to
tell. Streisand schooled herself thoroughly in her subject matter,
visiting the South and spending time with the author to get to know the
man whose personal experiences inspired the character of Tom Wingo.
There is an interview with author Pat Conroy from a 1992 episode of
Cinema Showcase with Jim Whaley. A version of the closing credits of
The Prince of Tides featuring Barbra Streisand's vocal
performance of a song written for the film, "Places That Belong to
You," was well received by test audiences and eagerly anticipated by
Columbia Pictures for promotion, soundtrack album sales, and the
possibility of an Academy Award nomination for best song. But Streisand
felt that this was Tom Wingo's story, and that the last thing the
audience should hear was Nick Nolte's voice-over ... not Susan
Lowenstein suddenly singing a song. That alternate version is included
in the supplements. We get notes from Conroy to Streisand, a gag
reel, trailers and more plus a liner notes booklet with an essay by film
historian Bruce Eder.
Criterion's "Director-Approved" Special
Edition of The Prince of Tides
is an overloaded package of a touching, well-acted and expertly realized
film. It's an experience that I initially repelled, but it overcame my
cynicism, and it's hard to deny its ability to touch you. Great story.
Not a typical Criterion-chosen film for Blu-ray
(or original Criterion LaserDisc) but in the long run - a worthy one. An
exceptionally stacked package. Recommended! |
Menus / Extras
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION