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Directed by Alfonso Cuarón
USA / Mexico 2018

 

With his eighth and most personal film, Alfonso Cuarón recreated the early-1970s Mexico City of his childhood, narrating a tumultuous period in the life of a middle-class family through the experiences of Cleo (Yalitza Aparicio, in a revelatory screen debut), the indigenous domestic worker who keeps the household running. Charged with the care of four small children abandoned by their father, Cleo tends to the family even as her own life is shaken by personal and political upheavals. Written, directed, shot, and coedited by Cuarón, Roma is a labor of love with few parallels in the history of cinema, deploying monumental black-and-white cinematography, an immersive soundtrack, and a mixture of professional and nonprofessional performances to shape its author’s memories into a world of enveloping texture, and to pay tribute to the woman who nurtured him.

***

It’s shot in black-and-white, which at first glance lends it a classical and neorealist feel. There’s undoubtedly a conscious influence of Fellini — his flair, flamboyancy and profound sense of feeling is all there. (By neat coincidence the Italian master also made a semi-autobiographical film called Roma.) But the monochrome here is less nostalgic affectation, more thrilling innovation. Each frame is crisp and rich, using a high dynamic range and an unusually deep depth of field. The effect is jaw-dropping. It’s not hyperbolic to rate it as being among the most beautiful photography ever committed to screen. Life spills into the frame, from the comforting familiarity of the family home (where a fixed camera pans gracefully between rooms, like an unjudging observer) to the dazzling later set-pieces as the pace picks up (a forest fire, a student riot, a beach accident). The camerawork makes everything feel hyper-real: like a memory, more dream than documentary.

Excerpt from EmpireOnline located HERE

Posters

Theatrical Release: August 30th, 2018 (Venice Film Festival)

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Review: Criterion - Region FREE - Blu-ray

Box Cover

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Coming to the UK on Blu-ray by Criterion on February 24th, 2020:

Distribution Criterion - Region FREE - Blu-ray
Runtime 2:14:58.465        
Video

2.39:1 1080P Dual-layered Blu-ray

Disc Size: 49,712,017,574 bytes

Feature: 35,496,222,720 bytes

Video Bitrate: 28.69 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

Dolby TrueHD + Atmos Spanish 3223 kbps 7.1 / 48 kHz / 3223 kbps / 24-bit (AC3 Embedded: 5.1-EX / 48 kHz / 448 kbps / DN -1dB)
Descriptive Audio:

Dolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround

Subtitles English, French, Spanish (SDH), None
Features Release Information:
Studio:
Criterion

 

2.39:1 1080P Dual-layered Blu-ray

Disc Size: 49,712,017,574 bytes

Feature: 35,496,222,720 bytes

Video Bitrate: 28.69 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Road to “Roma,” a new documentary about the making of the film, featuring behind-the-scenes footage and an interview with Cuarón (1:12:54)
• Snapshots from the Set, a new documentary featuring actors Yalitza Aparicio and Marina de Tavira, producers Gabriela Rodríguez and Nicolás Celis, production designer Eugenio  Caballero, casting director Luis Rosales, executive producer David Linde, and others (32:00)
• New documentaries about the film’s sound and postproduction processes, featuring Cuarón; Sergio Diaz, Skip Lievsay, and Craig Henighan from the postproduction sound team; editor Adam Gough; postproduction supervisor Carlos Morales; and finishing artist Steven J. Scott (The Look of Roma - 20:43 / The Sound of Roma - 27:14)
• New documentary about the film’s ambitious theatrical campaign and social impact in Mexico, featuring Celis and Rodríguez (18:32)
• Trailers (2:06 / 1:42)
• PLUS: Essays by novelist Valeria Luiselli and historian Enrique Krauze, along with (Blu-ray only) writing by author Aurelio Asiain and production-design images with notes by Caballero


Blu-ray Release Date:
February 11th, 2020
Transparent Blu-ray Case

Chapters 25

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion Blu-ray (January 2020): Criterion have transferred Alfonso Cuarón's Roma to Blu-ray. It is from a "4K digital master, supervised by director Alfonso Cuarón". It looks wonderful in the 2.39:1 widescreen and beautifully contrasted black and white. Kudos to Cuarón's own cinematography filled with poetically beautiful shots. The image is housed on a dual-layered disc with a high bitrate and is flawless.

On their Blu-ray, Criterion use a 7.1 Atmos track (24-bit) - Criterion's first! - in the original Spanish language. It soudns as good as it looks with some deft separations in aggressive scenes (guns, crowds, the ocean). There is plenty of music of the period and other fitting pieces including Leo Dan, Koninklijk Concertgebouworkest, Rocío Dúrcal, Los Pasteles Verdes, Javier Solís, Víctor Iturbide "El Pirulí", Banda Dragones de Mazatepec, Luis Pérez Meza and others. Criterion offer optional English, French and Spanish (SDH) subtitles on their Region FREE Blu-ray.

NOTE: The Spanish subtitles are in white with Mixteco subtitles in brackets.

The Criterion Blu-ray offers plenty in the supplements section. Road to “Roma” is an 1 1/4 hour new documentary about the making of the film, featuring behind-the-scenes footage and an interview with Cuarón. Filmmakers Andre's Clariond Rangel, Gabriel Nuncio, and Alejandro Duran were granted remarkable access during the making of Roma, shooting hundreds of hours of on-set footage that shows director Alfonso Cuarón working with his actors and production team, setting up shots, and struggling with his own childhood memories. The resulting documentary is a rare look at a singular creative process. Snapshots from the Set, is a new 32-minute documentary featuring actors Yalitza Aparicio and Marina de Tavira, producers Gabriela Rodríguez and Nicolás Celis, production designer Eugenio Caballero, casting director Luis Rosales, executive producer David Linde, and others. It features behind-the-scenes footage and interviews shot during the production of Roma, with principles who discuss the challenges and rewards of bringing to life director Alfonso Cuaron's most personal project. The Look of Roma runs 20-minutes. Director Alfonso Cuaron began work on the look of Roma long before principal photography started, testing cameras, lenses, and film stocks in order to be able to best capture his vision of Mexico in the early 1970s. In this 2019 documentary, Cuaron, postproduction supervisor Carlos Morales, editor Adam Gough, and finishing artist Steven J. Scott discuss the detailed approach to the film's cinematography, from preproduction to visual effects to the final lab work. Sound of Roma is another documentary. Roma's complex and layered visual design is matched by its immersive sound mix. To achieve this, the postproduction sound team—Skip Lievsay, Craig Henighan, and Sergio Diaz—utilized the dynamic range of Dolby's Atmos sound system, combining hours of rich location audio and original source recordings to recreate the soundscapes of director Alfonso Cuaron's childhood. In this 2019 program, the three—along with Cuarón and editor Adam Gough—explain their approach to the material, and explore scenes from the film that demonstrate the challenges and power of their work. There is also a new 19-minute documentary about the film’s ambitious theatrical campaign and social impact in Mexico, featuring Celis and Rodríguez. It is entitled Roma Brings Us Together. For director Alfonso Cuaron, ensuring that Roma would be shown throughout Mexico was of paramount importance. That meant updating movie theaters around the country so that the film could be seen and heard as it was meant to be. For viewers outside urban centers, his team took the film to them. In this 2019 program, they discuss the scope of their efforts and the many ways the film has had a lasting cultural impact. There is also a trailer and teaser for the film and it has a liner notes booklet with essays by novelist Valeria Luiselli and historian Enrique Krauze, along with writing by author Aurelio Asiain and production-design images with notes by Caballero.

Roma has Alfonso Cuarón's delicate brilliance - visually impacting and balanced. I really concur with what John Nugent says in his review "Cuarón has always loved challenging the boundaries of technical innovation — his favourite flourish, the unbroken single-take, is present and correct here — but, more so than in the flashier Gravity or grittier Children Of Men, this has real soul to it. Aided in no small part by Aparicio’s stunning debut performance, there is a devastating emotional coda that will wrongfoot you, and still leave you feeling buoyant. Perhaps Roma’s most impressive feat is its humanism: its understanding of the chaos of life, and its unerring respect for those who meet that chaos with love. Really, Roma feels like a celebration of what it means to feel alive."

It's a film that we rarely see in any time period and Cuarón remains one of my favorite directors (Sólo con Tu Pareja, Children of Men, Y Tu Mama Tambien and, especially, 1998's Great Expectations.) Criterion's Roma is a must-own Blu-ray, imo. Buy with great anticipation! Just a brilliant gem off a film and keepsake package.

Gary Tooze

 


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Box Cover

CLICK to order from:

  

Coming to the UK on Blu-ray by Criterion on February 24th, 2020:

Distribution Criterion - Region FREE - Blu-ray


 


 

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