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(aka "Jamaa Fanaka's Soul Vengeance" or "Portugal Crime, Droga e Prostituição" or "Soul Vengeance" or "Terror Town")
Directed by Jamaa Fanaka
USA 1975
Before directing the legendary
PENITENTIARY trilogy, Jamaa Fanaka helmed these two offbeat genre films,
which helped catapult him to recognition as one of the most important black
filmmakers working in 70s independent cinema. |
Posters
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Release: November 1975 / 1976
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Review:
Vinegar Syndrome - Region FREE - Blu-ray
Box Cover |
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Distribution |
Vinegar Syndrome Region FREE Blu-ray |
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Runtime | 1:43:19.318 / 1:40:24.643 | |
Video |
Disc Size: 47,572,946,053 bytes Feature Size: 21,305,533,056 bytes Average Bitrate: 24.99 Mbps1080P Dual-layered Blu-ray MPEG-4 AVC Video |
Disc Size: 47,572,946,053 bytes Feature Size: 23,107,986,048 bytes Average Bitrate: 27.47 Mbps1080P Dual-layered Blu-ray MPEG-4 AVC Video |
Bitrate Brother Charles Blu-ray |
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Bitrate Emma Mae Blu-ray |
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Audio |
DTS-HD Master Audio English 1087 kbps 1.0 / 48 kHz / 1087 kbps / 24-bit (DTS
Core: 1.0 / 48 kHz / 768 kbps / 24-bit) DTS-HD Master Audio English 1679 kbps 1.0 / 96 kHz / 1679 kbps / 24-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 24-bit) |
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Subtitles | English (SDH), None | |
Features |
Release
Information: Studio: Vinegar Syndrome
Welcome Home, Brother Charles: Disc Size: 47,572,946,053 bytes Feature Size: 21,305,533,056 bytes Average Bitrate: 24.99 Mbps1080P Dual-layered Blu-ray MPEG-4 AVC Video
Emma Mae:
Disc Size: 47,572,946,053 bytes Feature Size: 23,107,986,048 bytes
Average Bitrate: 1080P Dual-layered Blu-ray MPEG-4 AVC Video
Edition Details: Chapters: 6 + 6 |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. Vinegar Syndrome's Region FREE Blu-ray transfer is dual-layered with both films sharing the lone disc. Both1080P presentations are in the 1.85:1 aspect ratio and, while both are shot in 35mm. Welcome Home Brother Charles can look much grainier with Emma Mae being glossier and sharper. They are described by Vinegar Syndrome as "Newly scanned and restored in 2k from 35mm original negatives". I don't mind the extra texture on Brother Charles - it certainly suits the film - and there is damage (see capture samples below) in a variety of frame specific, emulsion, and moving vertical marks. Both transfers have reasonable bitrates and provide watchable presentations with the weaknesses in Brother Charles being acceptable. The captures speak for themselves. There are some pleasing black and white, prison flashback, sequences in Brother Charles that look quite artistic in the higher resolution. Blaxploitation fans will appreciate the HD presentations - occasional warts and all.
Vinegar Syndrome use DTS-HD Master 1.0 channel mono tracks (both 24-bit). Scores are credited to William Anderson (Penitentiary) on Brother Charles and H.B. Barnum on Emma Mae with The Theme From Emma Mae (Long To Be Back Home) and I'm In Love With You with vocals by Keisa Brown. The lossless tracks also appear valid representative of their original roots - flat, minimal depth but audible dialogue. Vinegar Syndrome add optional English subtitles - see sample below - on their Region FREE Blu-ray disc.
In the supplements, I really enjoyed the 1/2
hour "The History of the L.A. Rebellion & Jamaa Fanaka"
appreciation by Jan-Christopher Horak, Director of the UCLA Film &
Television Archive. It emboldens support for Fanaka's films,
understanding and accepting his roots, and a encourages desire to see
more of the genre. There is a very grassroots post film Q&A with actress
Jerri Hayes from a 2017 screening of EMMA MAE at BAMcinématek in
Brooklyn, NY that runs 20-minutes that is kinda fun. Lastly are an
original theatrical trailer, two original teaser trailers and the
package has reversible cover artwork. Gary Tooze |
Menus / Extras
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
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(aka "Black Sister's Revenge" or "Emma Mae in the Streets of L.A." or "Black Sister's Revenge")
Directed by Jamaa Fanaka
USA 1976
When her mother dies, Mississippi bumpkin Emma Mae (Jerri Hayes) goes to live with her cousins in Los Angeles. She quickly falls in with smooth-talking drug pusher Jesse (Ernest Williams II), but their romance is cut short when he's jailed for beating up a cop. Loyal to a fault, Emma tries to raise bail money by starting a car wash, and when that fails, resorts to robbing a bank with a shotgun. The plan works, but the newly freed Jesse proves unfaithful, pushing Emma to take revenge. |
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