ADDITION: Sony (4K Mastered) - Region FREE Blu-ray - March 2017: Some of the descriptive verbiage for this 2013 release may have some ambiguity and deterred less-observant consumers. While stating at the bottom of the cover 'Optimized for 4K Ultra HD TVs' it is NOT UHD but rather 'Mastered' in 4K - as we have recently seen as a more standard practice for companies like Criterion 'restorations'. While it stated "Expanded color requires xvYCC-compatible TV" essentially meaning, compatible with all 1080p HDTVs NOT, now old-fashioned, CRTs. It plays on your normal Blu-ray system.

NOTE: We will find out if THIS NEWER '40th Anniversary Edition' BD package has the same 4K mastered transfer as this release - because it also seems to have all the extras of the original on a second DVD disc of extras. Sean from FB tells us "It was the Grover Crisp restoration from the first blu Gary. The 4K pictured here is different than the 40th Anniversary version.". (Thanks Sean!) and the reason the 40th Anniversary has an excellent new 3/4 hour 'panel discussion'.

James has cleared it up and tells us in FB: "The 2 disc 40th anniversary edition is 1 BD and 1 DVD. The BD has the mastered in 4K transfer plus some extras including the panel discussion piece. Compared to the older BD some of the extras are bumped down to the standard def DVD bonus disc and also loses the screenplay to movie feature. Comparing the 40th Anniversary Edition and the Mastered in 4K, they look virtually identical, but with differing file sizes (ED 60% of the bitrate of the lone disc 4K Mastered)." (Thank James!)

In summation - The 40th Anniversary issue HERE, is two disc, has extras - if in SD, but has about 60% of the bitrate of the 4K Mastered lone disc from 2013 4K compared here. We can presume it looks worse in-motion. Meaning, this 4K Mastered is the best image you will find for Taxi Driver to-date. I could notice the superiority over the original transfer.

Bottom line on this is a single-disc package and the Blu-ray is bare-bones (like Sony's Super-Bit but for BD), without even the one of the commentaries, but the image - with a max'ed out bitrate, is indeed superior in colors, grain and detail. It is more technically robust. Beside it the older 1080P's skin tones looks yellow and hazier. It can best be seen in some of the latter captures like the one with Harry Northup ('Doughboy') wearing the red shirt. You can actually see it on all the well-lit face captures - see the subtitle sample with Cybill Shepherd! Bottom line is that this is the best image quality of the film that I've seen to date. I suppose fans will hope it comes to UHD - but the grain in this 4K remastered edition looks lush and impressive.

Unfortunately, they did not upgrade the audio to 24-bit! - the great Bernard Herrmann's (Cape Fear, The Magnificent Ambersons, The Wrong Man, etc. etc.) score is such a huge part of the film.  It remains the same, serviceable, DTS-HD Master surround, audio track with the choice of subtitles (and a French DUB option). It is still a region FREE Blu-ray, and has the same menus as the last BD.

The original BD was in advance of the SDs and this 4K Mastered is in advance of the original Blu-ray. It may not be as noticeable on smaller systems as much as on larger or projected screens but I could see it on a 40" screen and significantly on a 60". It had an effect on how Taxi Driver impacted me. Serious fans of the film should consider a double-dip while still retaining the original for the extras.

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ADDITION: Sony - Region FREE Blu-ray - March 2011: This 1080P transfer is richer and has much better contrast than any of the previous DVDs. I always liked the Super-Bit DVD from Japan but this HD appearance is far in advance looking so much more film-like with textured grain and an authentic thicker and heavier appearance. There is some yellow/gold in there (taxi cab?) and I think this would be an intentional look. This is, most likely, the same transfer offered around the world. There is a shade more information in the frame from the older SD renderings and overall this Sony Blu-ray produces a mesmerizing visual and aural experience. 

Speaking of which - the soundtrack is, in my opinion, such a large part of this film's immersive experience. We are talking Bernard Herrmann in a seething, unforgettable work transferred in lossless via a DTS-HD Master 5.1 at 2154 kbps. The rhythmic tapping of the drum to slow motion visuals is... some of the most memorable in all of cinema. Taxi Driver is a film that never seems to deteriorate in viewing value and the bass response, crispness and power of the track is exported in just the right proportions. This is a score that could easily overtake - but simply remains potent - supporting tone and mood with undeniable proficiency. It sounds flawless and there are optional subtitles and foreign language DUBs offered on the region FREE Blu-ray disc.

Fabulous extras that offer the original 1986 Commentary with Director Martin Scorsese and Writer Paul Schrader recorded by The Criterion Collection for their LaserDisc. This is a fabulous addition - plus there are separate commentaries by Schrader (plenty of pauses but great info) and another by Professor Robert Kolker (both available previously on the 2-disc Collector's Edition DVD.) Repeated but more efficiently on Blu-ray is an 'Interactive Script to Screen' where you can read the script in a smallish window as the film runs. We get the previously offered Martin Scorsese on Taxi Driver  for 16:52, God's Lonely Man for 21:42, Producing Taxi Driver for almost 10-minutes and the Influence and Appreciation: A Martin Scorsese Tribute documentary with Robert De Niro, Oliver Stone, Roger Corman and others paying tribute to Scorsese and the film for shy of 20-minutes - all in 1080i. Also included in HD are the same Taxi Driver Stories (running 22:23) - "Travis’ 9 New York Locations" Featurette and the extensive 70-minute Making Taxi Driver in 480i. There are the Storyboard to Film Comparisons with a 4.5 minute intro from Martin Scorsese and the piece itself running 8:21. Lastly, on the digital front are 4 Photo Galleries (9:28 in total - in 1080i) and this disc has 'movieIQ' optional on your viewing if you have an Internet connection to your player . It is described as - "movieIQ takes advantage of Gracenote’s Video Explore solution, which brings powerful search and navigation capabilities to connected consumer electronic devices. Video Explore allows users to search the online Gracenote video database, linking together related cast, crew, movies, TV episodes, franchises, seasons, DVDs, and Blu-rays. Gracenote’s global Video database contains rich video information for North America, Europe, and Japan, including factual metadata, synopses, credits, and detailed descriptive elements." The case is a thick, heavy cardboard Digi-pak with 12 Photo-cards (postcard size) of image from the film - they are quite nice.

NOTE The subtitles for the commentaries are not accessible as they are on the DVD (see samples below).

It seems that I reach for Taxi Driver on my collection shelf more often than any other film. In this absolute package Sony are offering this masterpiece at an incredibly reasonable price. It has our highest recommendation and with immense value will, undoubtedly, be represented in our year-end picks for Blu-ray of the Year. The disc is worth the lossless track alone. Buy with extreme confidence. This is one of the best new-format deals I've ever seen.   

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ON THE DVDs:

ADDITION: Sony 2-disc CE August 07': A pleasant surprise has the new 2-disc Collector's Edition from Sony looking very much like the Japanese SUPERBIT release. Colors are matched up fairly well although they are a shade cooler in the Sony region 1 edition (minutely darker). Artifacts are still in existence but we may not see them totally free-up until the title reaches the new formats (in this case Blu-ray). Still this looks very good and seems to show the most information in the frame. So the image is a huge plus - exceeding my expectations - but perhaps even a bigger selling feature are the extensive supplements.

Audio has a 5.1 track and an optional French 5.1 DUB. This is one area that the SUPERBIT excels - as well as a 5.1 it has a DTS and 2.0 English track.

The extra features of the Sony are fabulous. Two excellent new commentaries - the first from screenwriter Paul Schrader details many interesting facts of how Scorsese adapted/translated Paul's his script. I love listening to Schrader who always impresses me with his keen intellect and valuable insights. There is a second commentary by Robert Kolker - Professor, Film Studies & Digital Media at Georgia Institute of Technology. This is a more academic and intensive look at the film as one might find on a Criterion label - themes and symbols are discussed and it is very professional.  The bonus about these commentaries are that they have optional English subtitles. BFI have used this in the past and I hope Criterion, Warner and other DVD production companies start to incorporate this feature. Also on disc one we have an organized shooting screenplay (not the continuity screenplay) - some may be keen to check this out as it has scenes that are NOT part of the final film version.

The second disc seems endless - a real pleasure to indulge yourself in - I had trouble believing it could fit on a dual layered DVD! It ends up being almost 3 hours of supplemental featurettes, storyboard comparisons and documentaries... and all aside from the Making of... are 16X9 enhanced. Wow - where to start - "Martin Scorsese on Taxi Driver" is about 17 minutes long and Scorsese gives a decent production overview crediting Schrader quite a lot for the projects success. There are seven other featurettes (most around 10-20 minutes in length) with a lot of the main cast (De Niro, Cybill Shepherd, Peter Boyle, Albert Brooks etc.) giving sound bites, but the big documentary is the one from the previous Region 1 releases - the Making of... which I actually enjoyed watching a second time. There is also a gallery and two segments on storyboarding the film. NOTE: The 2nd disc has many more optional subtitles (than the main disc) - English, Japanese, Spanish, Korean and Portuguese - and is also coded for region 1,2,3 and 4 preparing for releases of these supplements elsewhere.

FINAL THOUGHTS: Great deal folks - one of the best releases of the year considering what you are getting for your dollar value. With the image further corrected from the, often, (too) bright SUPERBIT - the only thing we could have asked further is removal of the artifacts which may happen one day in Blu-ray. My old Criterion laserdisc has some strong extra features but the two new commentaries (both excellent) and additional featurettes are worth the price alone even if the image had not been improved - which it has in my opinion. I really enjoyed the whole disc and feel like viewing it all over again right now. An important film and essential DVD... highly recommended! 

 - Gary Tooze

NOTE: the Region 1, 3, 4 NTSC and Region 2 PAL releases are very similar in appearance and features ('Stills Gallery' commentary omission on the NTSC) - see comments below:

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This is another case of image VS extras : if you know which one you prefer, you'll know right away what version to pick. The Superbit offers a much better image quality : apparently mastered (hopefully in HD) from another source than the Collector's Edition (CE), this Japanese edition sometimes shows some cropping on the left and bottom of the frame (see set of captures 1 and 2), sometimes gives a bit more on the same sides of the frame (see set of captures 4 and 5). It also seems to have a similar sharpness than the CE, but colors and contrast are much more satisfying and seem more accurate on the Superbit than on the washed out CE. Soundwise, the remixes make Bernard Hermann's score more enveloping than the poor surround mix from the CE, and the DTS has the edge with better low frequencies. But considering the film, it can't be explosive or reference material.

Now, on the extras side, the Superbit is of course the big loser, with none of the excellent supplemental material from the CE 'sincluded, although even this one omitted the amazing audio commentary from the Criterion Laserdisc.

 - Fabe Ashen

TAXI DRIVER - The early Columbia/Sony DVD was a catastrophe and the U.S. Collector's Edition did not update the awful image as seen through the opening steam with an insane amount of digititis, though Scorsese had a Dolby SR remix done on the film for theatrical re-issue which was transferred weakly as Dolby 2.0 Stereo for that successor. Neither could compete with the fine color on the old 12" Criterion LaserDisc. The SUPERBIT edition is cleaner, warmer and has DTS. A closer look at it versus the old Criterion version would better demonstrate how accurate the colors are, which may or may not have slight yellow/green issues. As the Divimax HALLOWEEN proved, you can have a clearer transfer and all the wrong colors. Can we get Scorsese's great Criterion commentary someday on DVD?

 -Nicholas Sheffo from FulvueDrive-In.com

It is hard to know which colors are the most accurate representation of the film. To me, the green army jacket in the CE's seems to be more 'true' to ones I have seen in real life. The SuperBit is definitely brighter and even beyond that I think it is marginally sharper as well. I believe the commentary on "Stills Gallery' of the PAL is in French so of no use to those who only understands English. This film needs an NTSC re-release soon!

 - Gary Tooze