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S E A R C H    D V D B e a v e r

directed by Fred Zinnemann
U.S. 1952

The myth and poetry of the old west come alive in Fred Zinnemann's (From Here to Eternity) classic western, High Noon (1952). One of the great treasures of the American cinema, the film stars the legendary Gary Cooper as lawman Will Kane, a marshal who stands alone to defend a town of cowardly citizens against a gang of killers out for revenge. Engaged in the fight of his lifetime, Kane stands to lose everything when the clock strikes noon his friends, his honor, and his Quaker bride, played by Grace Kelly in one of her first screen roles. Unfolding in real time, the tension builds as we race ever closer to the climactic duel from which the film takes its name. For his career-defining role, Cooper would go on to win the Oscarฎ for Best Actor. High Noon's stellar cast also includes Lloyd Bridges (Try and Get Me), Thomas Mitchell (It's a Wonderful Life), Katy Jurado (Pat Garrett & Billy the Kid), Otto Kruger (Saboteur), Lon Chaney (The Wolf Man), Henry Morgan (Strategic Air Command), Jack Elam (Hannie Caulder) and Lee Van Clef (The Good, the Bad and the Ugly). High Noon won a total four Academy Awards including Best Editing, Best Score (Dimitri Tiomkin, Dial M For Murder) and Best Song, Do Not Forsake Me, Oh My Darlin, written by Tiomkin and Ned Washington and sung by Tex Ritter. High Noon also received Oscarฎ nominations for Best Picture (Stanley Kramer, producer), Best Director (Fred Zinnemann) and Best Screenplay (Carl Foreman)

Posters (CLICK to enlarge)

Theatrical Release: July 24th, 1952 - USA

Reviews                                                                         More Reviews                                                                            DVD Reviews

 


Olive's first 'Signature' Blu-ray releases:

 Macbeth

(1948)

 High Noon (1952)

 Johnny Guitar (1954)

The Night of the Grizzly

(1966)

 The Quiet Man (1952)

 Hannie Caulder

(1971)

 Father Goose (1964)

Operation Petticoat

(1959)


 Comparison:

 

Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC vs. Artisan - Region 1 - NTSC vs. Artisan Collector's Edition - Region 1 - NTSC vs. Olive Films - Region FREE - Blu-ray vs. Olive Films (Signature) - Region 'A' - Blu-ray vs. Masters of Cinema - Region 'B' - Blu-ray

Big thanks to Ole of DVD-Basen for the Collector's Edition DVD Screen Caps!

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - LEFT

2) Artisan Old Release - Region 1 - NTSC - SECOND

3) Artisan Collector's Edition - Region 1 - NTSC - THIRD

4) Olive Film - Region FREE - Blu-ray FOURTH

5) Olive Film (Signature) - Region 'A' - Blu-ray FIFTH

6) Masters of Cinema - Region 'B' - Blu-ray RIGHT

 

Box Covers

 

 

 

 

 

  

Distribution

Lions Gate (2-disc UCE)

Region 1  - NTSC

Artisan

Region 1  - NTSC

Artisan
Region 1 - NTSC
Olive Films - Region FREE - Blu-ray Olive Films (Signature) - Region 'A' - Blu-ray Masters of Cinema - Spine #209 Region 'B' - Blu-ray
Runtime 1:24:30 1:24:27 1:24:42 1:25:07.102 1:24:43.328 1:24:45.288
Video 1.33:1 Original Aspect Ratio
Average Bitrate: 8.53 mb/s
NTSC 704x480 29.97 f/s

1.33:1 Original Aspect Ratio
Average Bitrate: 5.15 mb/s
NTSC 704x480 29.97 f/s

1.33:1 Original Aspect Ratio
Average Bitrate: 7.36
NTSC 704x480 29.97 f/s

1.33:1 - 1080P Single-layered Blu-ray

Disc Size: 16,946,774,989 bytes

Feature: 15,355,090,944 bytes

Codec: MPEG-4 AVC Video

Total Video Bitrate: 22.00 Mbps

1.33:1 - 1080P Dual-layered Blu-ray

Disc Size: 33,253,492,253 bytes

Feature: 24,641,476,608 bytes

Codec: MPEG-4 AVC Video

Total Video Bitrate: 34.97 Mbps

1.33:1 - 1080P Dual-layered Blu-ray

Disc Size: 44,110,406,529 bytes

Feature: 29,039,736,192 bytes

Codec: MPEG-4 AVC Video

Total Video Bitrate: 34.84 Mbps

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

Lions Gate

 

Old Region 1 Release

Bitrate:

Artisan Collector's Edition

Bitrate: Blu-ray

Bitrate (Signature) : Blu-ray

Bitrate Masters of Cinema: Blu-ray

Audio English (Dolby Digital 1.0),
Enhanced English (Dolby Digital 3.1)
English (Dolby Digital 2.0), French (Dolby Digital 2.0), Spanish (Dolby Digital 2.0)

English (Dolby Digital 1.0),
Enhanced English (Dolby Digital 3.1)

DTS-HD Master Audio English 880 kbps 1.0 / 48 kHz / 880 kbps / 16-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 16-bit) DTS-HD Master Audio English 1795 kbps 2.0 / 48 kHz / 1795 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)

LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
Commentaries:

LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio Interview:

LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit

Subtitles English, Spanish, none Closed Captions in English Closed Captions in English None English, None English (SDH), None
Features

Release Information:
Studio: Lions Gate

Aspect Ratio:
Original - 1.33:1

Edition Details
• Commentary by Maria Cooper-Janis, Jonathan Foreman, Tim Zinneman, John Ritter, and David Crosby.

Disc 2

• Featurette: Inside High Noon (49:56).

• The Making of High Noon (22:09).
• Featurette: Behind High Noon (9:47).

• Featurette: Tex Ritter: A Visit to Carthage Texas (5:57).

Tex Ritter performing the Oscar winning theme song on The Jimmy Dean Show (2:54)

• Radio broadcast with Tex Ritter on the Ralph Emery Show (5:35).

DVD Release Date: June 10th, 2008
Keep Case inside cardboard box
Chapters: 20

Release Information:
Studio: Artisan

Aspect Ratio:
Original - 1.33:1

Edition Details:

• The Making of High Noon (22:10).
• Theatrical Trailer (2:14)

DVD Release Date: June 26th, 1998
Keep Case

Chapters 24

Release Information:
Studio: Artisan

 

Aspect Ratio:
Original - 1.33:1

Edition Details:
• Commentary by Maria Cooper-Janis, Jonathan Foreman, Tim Zinneman, John Ritter, and David Crosby.
• The Making of High Noon (22:09).
• Behind High Noon (9:47).
• Radio broadcast with Tex Ritter on the Ralph Emery Show (5:35).
• Artisan Trailers for High Noon (CE), Rio Grande (CE) and The Quiet Man(CE).

DVD Release Date: October 22nd, 2002
Keep Case

Chapters 20

Release Information:
Studio: Olive Films

1.33:1 - 1080P Single-layered Blu-ray

Disc Size: 16,946,774,989 bytes

Feature: 15,355,090,944 bytes

Codec: MPEG-4 AVC Video

Total Video Bitrate: 22.00 Mbps

Edition Details:

• The Making of High Noon (22:11)

• Trailer (2:29)

Blu-ray Release Date: July 17th, 2012
Standard Blu-ray Case inside cardboard slipcase
Chapters: 8

Release Information:
Studio: Olive Films

1.33:1 - 1080P Dual-layered Blu-ray

Disc Size: 33,253,492,253 bytes

Feature: 24,641,476,608 bytes

Codec: MPEG-4 AVC Video

Total Video Bitrate: 34.97 Mbps

Edition Details:

• A Ticking Clock - Academy Award nominee Mark Goldblatt on the editing of High Noon (5:53)
• A Stanley Kramer Production"" - Michael Schlesinger on the eminent producer of High Noon (14:00)
• Imitation of Life: The Blacklist History of High Noon - with historian Larry Ceplair and blacklisted screenwriter Walter Bernstein (9:27)
• Ulcers and Oscars: The Production History of High Noon - a visual essay with rarely seen archival elements, narrated by Anton Yelchin (12:02)
• Uncitizened Kane"" - an original essay by Sight and Sound editor Nick James (11:01)
• Theatrical trailer (1:36)

Blu-ray Release Date: September 20th, 2016
Transparent Blu-ray Case inside cardboard slipcase
Chapters: 8

Release Information:
Studio: Masters of Cinema

1.33:1 - 1080P Dual-layered Blu-ray

Disc Size: 44,110,406,529 bytes

Feature: 29,039,736,192 bytes

Codec: MPEG-4 AVC Video

Total Video Bitrate: 34.84 Mbps

Edition Details:

• Brand new and exclusive audio commentary by historian Glenn Frankel, author of High Noon: The Hollywood Blacklist and the Making of an American Classic
• Brand new and exclusive audio commentary by western authority Stephen Prince
• New video interview with film historian Neil Sinyard, author of Fred Zinnemann: Films of Character and Conscience (29:35)
• A 1969 audio interview with writer Carl Foreman from the National Film Theatre in London (1:16:43)
• The Making of High Noon - a documentary on the making of the film (22:11)
• Inside High Noon (50:00)
• Behind High Noon (9:48)
Theatrical Trailer (2:17)

A LIMITED EDITION 100-PAGE Collector s book featuring new writing on the film; the original short story The Tin Star by John W. Cunningham; excerpts from writings and interviews with director Fred Zinnemann; archival articles and materials relating to the film

Blu-ray Release Date: September 16th, 2019
Custom Blu-ray Package (see below)
Chapters: 8

 

 Masters of Cinema - Region 'B' - Blu-ray Package

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Masters of Cinema - Region 'B' - Blu-ray - August 19': The Masters of Cinema transfer is also cited as being a "4K Digital Restoration" and I can make no strong determinations in video quality differences between the UK and the Olive Signature 1080P editions. They look exactly the same on dual-layered discs with max'ed out bitrate. I am extremely impressed with the Masters of Cinema in-motion - grain support is marvelous and contrast exceptional.

Masters of Cinema go linear PCM 2.0 channel (24-bit) and my ears can detect very little difference but it might have a crisper high end - forgoing a bit of flat bass. One of the highlights is the memorable score of the iconic Dimitri Tiomkin (Angel Face, Strangers on a  Train, The Men, Dial M For Murder, The Thing From Another World etc. etc.) with Tex Ritter crooning Do Not Forsake Me, Oh My Darlin. It sounds delightful in the uncompressed. MoC also add optional English subtitles - in hard-of-hearing - on their Region 'B'-locked Blu-ray.

It is in the supplements that Masters of Cinema vault definitively ahead of the US counterpart. We get two brand new and exclusive audio commentaries - the first by historian Glenn Frankel, author of High Noon: The Hollywood Blacklist and the Making of an American Classic. He makes some highly interesting analysis about the narrative references key points discussed in the film. Her narrates a bit - but it is often a fresh take and this commentary has incredible value broaching the McCarthyism blacklist details. The second audio commentary by western authority Stephen Prince (author of Movies and Meaning: An Introduction to Film) who details production information on the individual performers, Zinnemann and much more. He's great to listen to. For 1 1/4 hours, playing to the film, we get a1969 audio interview with writer Carl Foreman from the National Film Theatre in London - the volume is a bit 'hushed' but his views on cinemas in the era are revealing and highly interesting about the exhaustion he suffered in producing and writing High Noon, his politics and more taking questions. He was an American screenwriter and film producer who was blacklisted in Hollywood in the 1950s because of their suspected communist sympathy or membership in the Communist Party. I also enjoyed Neil Sinyard, author of Fred Zinnemann: Films of Character and Conscience who also shares some insights in High Noon and the director. There are the previous, vintage, featurettes; The Making of High Noon, Inside High Noon and Behind High Noon that run, together, over an hour. Lastly is a theatrical trailer and the package has a limited edition 100-page collector s book featuring new writing on the film; the original short story The Tin Star by John W. Cunningham; excerpts from writings and interviews with director Fred Zinnemann; archival articles and materials relating to the film.

Easily the best Blu-ray version of High Noon to own. It handily beats the Olive Signature with the new commentaries, 1/2 hour of Neil Sinyard, 1 1/4 hour of Carl Foreman and the 100-page booklet! Brilliant stuff from Masters of Cinema - this Blu-ray will be strongly represented in our year-end poll. Our highest recommendation!

***

ADDITION: Olive Films (Signature) - Region 'A' - Blu-ray - September 16': Like Olive's Johnny Guitar Signature Blu-ray, 4K restoration, High Noon also improves upon the previous release. Being black and white - it may not look as prominent in the smaller images, but you can see the improved sharpness in the larger screen captures. Like Johnny Guitar 4K it is darker and black levels are richer. Framing has shifted somewhat showing less information on the top and right side of the frame but more on the left and the bottom edges. This made exact frame capturing difficult but there are many to choose and some appear to have found the same frame. This is now on a dual-layered disc with a max'ed out bitrate. It can't look much better and in-motion is dynamic and impressive.

The audio is likewise upgraded with a more robust DTS-HD Master at a higher 1795 kbps and in 24-bit as opposed to 16-bit.  This time around Olive include optional English subtitles - but in a gaudy yellow font (see sample) and their Blu-ray disc is no longer 'FREE' but region 'A'-locked.

Olive's Signature release also, vastly improves in the supplements department. We get four strong video pieces; A Ticking Clock runs 6-minutes and has Academy Award nominee Mark Goldblatt discussing the editing of High Noon. A Stanley Kramer Production is 14-minutes and has Michael Schlesinger providing discussion on the eminent producer of High Noon. Imitation of Life: The Blacklist History of High Noon shares information from historian Larry Ceplair and blacklisted screenwriter Walter Bernstein running shy of 10-minutes. Ulcers and Oscars: The Production History of High Noon - is an interesting visual essay with rarely seen archival elements, narrated by, the late actor, Anton Yelchin. It runs a dozen minutes. Uncitizened Kane is an original essay by Sight and Sound editor Nick James and is text-on-screen allowing you to click through 10-pages. There is also a theatrical trailer and an eight-page liner notes leaflet with photos and Nick James' same essay.

Absolute must-own - as complete and exacting package as anyone could have hoped - finally worthy of the film. It will get many votes in our year-end poll. It has our highest recommendation!

NOTE: Olive have stated not to take heed of the delay at Amazon - will be in stock very soon!

 

***

ADDITION: Olive Films - Region FREE - Blu-ray - June 12': I know there were a few doubting Thomases about this Olive Blu-ray release but despite the meager technical transfer - single-layered / 22 Mbps - it looks quite strong... or at least a noticeable visual improvement over the SDs. The 1080P is a shade brighter, a minute amount of depth but contrast is the area where the BD seems to show stronger layering. Subtle grays and light catching sweat announce that the video presentation is quite solid without manipulation although any slight edge-enhancements may simply be reflective of the source (which I was told was the best available). Background grain is visible.  Despite there being no restoration (that I am aware) the image is very clean, and surprisingly crisp in spots. There are imperfections but nothing dramatically hindering viewing. I like the way this looks and it gave me a fine, and a little surprising,  presentation - the best I have yet had of High Noon.

Audio is replicated faithfully with a modest uncompressed track in original mono. The Dimitri Tiomkin score, and lets not forget, crooning cowboy, Tex Ritter, sounds wonderful in lossless. There are no subtitles on the Region FREE Blu-ray disc.

Nice to see some extras added - we get The Making of High Noon featurette also found in the LionsGate DVD package and an HD trailer.

Yes, my ideal would have been a stacked dual-layered Blu-ray but I hope others won't be complaining when they watch High Noon in their Home Theaters. I'd be similarly pleased to get the works of Antonioni and Bresson in such simple, clean 1080P editions. This cries out for a recommendation... and we give it. Enjoy!

***

NOTE: We've removed the Region 2 release HERE from this comparison as it was so decidedly poor.

ADDITION: Lions Gate - Region 1 - NTSC June 08': Firstly - good news: The transfer has lost that deplorable brightness boosting that was, in essence, the worst flaw of the two previous NTSC editions. This manipulation, including fiddling with the black levels, produced edge-enhancement/removed background information and made both Artisan releases extremely poor in the image department. This is most noticeable in the drinking at the train station capture sequence below. The Lions Gate's visual integrity appears improved with it looking sharper, darker and representing better contrast balance. There is some movement within the frame from the other two editions - notably it appears to have moved up a shade (with less info on the bottom - and some sides - but shade more on top). It amounts to less than 5% so I'm not going to quibble. Bottom line of the appearance is - it's  vastly superior.

Audio has the same options as the Collector's Edition from 2002 - enhanced and original - both restored. I didn't note the sync issue accepting once but others may be more sensitive to it than I am. Subtitles are offered in English or Spanish in a white font (see sample below).

Extras: We are given pretty much all of the same supplements from the 200 Collector's edition - the. occasionally fun, group commentary plus on disc 2 The Making of High Noon featurette (22:09), Behind High Noon (9:47) and the Radio broadcast with Tex Ritter on the Ralph Emery Show (5:35).

What is new is a wonderful 50 minute Inside High Noon featurette by Moda Entertainment. It's a nice overview with input from many - usually relations of those involved in the original production - so it has a lot of 'nostalgia' value to it. After that we have two short Tex Ritter tidbits - 6 minutes visiting his 'museum' in Carthage Texas and a very rough looking, 3 minute, video of him performing the Oscar winning theme song on The Jimmy Dean Show.

I dream of having this classic on Blu-ray one day but for the foreseeable future this new Lions Gate DVD package is the one to own. I'm pleased with the appearance and bonus material. The price makes it one of the bargains of the year in my opinion. I actually feel like watching it again right now. Maybe I will. Recommended! (of course)

- Gary W. Tooze

****

About the Artisan editions: Out of sync audio and excessive digital processing make both of these editions quite poor. Looking closely I actually think that the original releases is sharper (look at the numbers of the clock in the last capture). I see visible edge enhancement in the old version though and artifacts in both. What a shame as this is such a noble film, to have received such poor treatment. Tsk tsk... The new release has bumped the audio to 3.1, but that only goes to further enhance the sync problems. I don't recommend either release. Wait till they do this one right.

- Gary W. Tooze

About the Region 2 (now removed from the comparison): The image on this DVD is very poor. It reminds me of the difference between It's a Wonderful Life R1 and R2. Where the Universal R2 DVD has a very ugly un-sharp picture. Also, this transfer isn't a real black and white only transfer. It suffers from coloration. As can been seen in Grace Kelly's eyes in high noon 1.jpg. Also strange is the fact that it has the same runtime as the NTSC versions. The trailer looks better than the movie itself. The trailer has got a much sharper image! The sound isn't great. It has noise (lots of crackle and pops), but it isn't out of synch! The Making of High Noon documentary looks like it was taken from a VHS tape and has had a colorboost. The cover states that the movie is 'Digitally Re-Mastered'. 

Dimitri van den Engel

 

 


Menus

 

 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - LEFT

2) Artisan Old Release - Region 1 - NTSC - MIDDLE

3) Artisan Collector's Edition - Region 1 - NTSC - RIGHT

 

 

 

Disc 2 of the Lions Gate

 

 

Olive Film - Region FREE - Blu-ray

 

 

Olive Film (Signature) - Region 'A' - Blu-ray

 

 

Masters of Cinema - Region 'B' - Blu-ray

 


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

2) Olive Film (Signature) - Region 'A' - Blu-ray MIDDLE

3) Masters of Cinema - Region 'B' - Blu-ray BOTTOM

 

 

CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

Screen Captures

 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

2) Artisan Old Release - Region 1 - NTSC - SECOND

3) Artisan Collector's Edition - Region 1 - NTSC - THIRD

4) Olive Film - Region FREE - Blu-ray FOURTH

5) Olive Film (Signature) - Region 'A' - Blu-ray FIFTH

6) Masters of Cinema - Region 'B' - Blu-ray BOTTOM

 


 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

2) Artisan Old Release - Region 1 - NTSC - SECOND

3) Artisan Collector's Edition - Region 1 - NTSC - THIRD

4) Olive Film - Region FREE - Blu-ray FOURTH

5) Olive Film (Signature) - Region 'A' - Blu-ray FIFTH

6) Masters of Cinema - Region 'B' - Blu-ray BOTTOM

 


 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

2) Artisan Old Release - Region 1 - NTSC - SECOND

3) Artisan Collector's Edition - Region 1 - NTSC - THIRD

4) Olive Film - Region FREE - Blu-ray FOURTH

5) Olive Film (Signature) - Region 'A' - Blu-ray FIFTH

6) Masters of Cinema - Region 'B' - Blu-ray BOTTOM

 


 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

2) Artisan Old Release - Region 1 - NTSC - SECOND

3) Artisan Collector's Edition - Region 1 - NTSC - THIRD

4) Olive Film - Region FREE - Blu-ray FOURTH

5) Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 


 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

2) Artisan Old Release - Region 1 - NTSC - SECOND

3) Artisan Collector's Edition - Region 1 - NTSC - THIRD

4) Olive Film - Region FREE - Blu-ray FOURTH

5) Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 


 

1) Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

2) Artisan Old Release - Region 1 - NTSC - SECOND

3) Artisan Collector's Edition - Region 1 - NTSC - THIRD

4) Olive Film - Region FREE - Blu-ray FOURTH

5) Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 


Lions Gate (Two-Disc Ultimate Collector's Edition) - Region 1 - NTSC - TOP

Olive Film - Region FREE - Blu-ray MIDDLE

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 

More Blu-ray Captures

Olive Film - Region FREE - Blu-ray TOP

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 

Olive Film - Region FREE - Blu-ray TOP

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 

Olive Film - Region FREE - Blu-ray TOP

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 

Olive Film - Region FREE - Blu-ray TOP

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 

Olive Film - Region FREE - Blu-ray TOP

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 

Olive Film - Region FREE - Blu-ray TOP

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 

Olive Film - Region FREE - Blu-ray TOP

Olive Film (Signature) - Region 'A' - Blu-ray BOTTOM

 


 Hit Counter


Report Card:

 

Image:

Blu-rays

Sound:

Blu-rays

Extras: MoC Blu-ray

Box Covers

 

 

 

 

 

  

Distribution

Lions Gate (2-disc UCE)

Region 1  - NTSC

Artisan

Region 1  - NTSC

Artisan
Region 1 - NTSC
Olive Films - Region FREE - Blu-ray Olive Films (Signature) - Region 'A' - Blu-ray Masters of Cinema - Spine #209 Region 'B' - Blu-ray

Olive's first 'Signature' Blu-ray releases:

 Macbeth

(1948)

 High Noon (1952)

 Johnny Guitar (1954)

The Night of the Grizzly

(1966)

 The Quiet Man (1952)

 Hannie Caulder

(1971)

 Father Goose (1964)

Operation Petticoat

(1959)


 

 

 

 

 

 

 

 

 

 

 

 

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Gary Tooze

Many Thanks...