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S E A R C H D V D B e a v e r |
(aka 'La Proie' or 'The Chair For Martin Rome')
Directed by
Robert Siodmak
USA 1948
Cry of the City is a dark
crime melodrama, filmed on location in New York City in voluptuous black and
white by a director whose name is synonymous with the era of classic film noir.
It was planned as a follow-up to
Kiss of Death, a big hit for Twentieth Century Fox the previous year. *** The opening scene of Robert Siodmak´s grim film noir depicts police Lieutenants Candella (Victor Mature) and Collins (Fred Clark) observing wounded cop killer Martin Rome (Richard Conte) receive last rites. Though Rome recovers, he still must elude Candella and Collins in his desperate attempt to escape his fate. Rome has two visitors in the hospital: his girl friend Teena (Debra Paget), who goes into hiding, and Niles (Barry Kroeger), a crooked lawyer. Niles tries to bribe Rome to take a jewel theft and homicide rap for a client of his since Rome is facing the electric chair anyway. When Rome refuses, Niles threatens to frame Teena as the client´s female accomplice. Worried that Candella might find Teena, Rome breaks out of jail and goes to Niles´s office to accept the offer, but he actually plans to leave the country with Teena. When Niles reneges, Rome kills him, but not before learning the accomplice´s identity and discovering the stolen jewels in the lawyer´s safe. Rome finds the accomplice, Rose Given (Hope Emerson), and offers to trade the jewelry for the means to leave the country. She agrees, and they arrange a meeting in the subway, but Rome informs Candella of the plan. When the police arrive, Candella is shot, Rose is arrested, and Rome escapes to meet up with Teena in a church. As he is trying to convince Teena to run away with him, a wounded Candella shows up and tells Teena how Rome uses people and that everyone who helped in his escape will be paying a price. Teena rejects Rome, and he runs again, only to be shot down by Candella. The moral order is ultimately restored, but no one has been left unscarred... **** Riveting example of Siodmak's skill not only in transforming indifferent material, but in giving the feel of studio noir to location shooting. The familiar '30s theme (cop and criminal sharing the same deprived background in New York's Little Italy) acquires an almost metaphysical ring in being displaced by what turns into a literal cry of the city as the wounded gangster (Conte, terrific) goes on the run for the last few hours of his life, leaving behind him a dark trail of murder, pain and betrayal. |
Posters
Theatrical Release: September 28th, 1948
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Comparison:
UFA (Germany) - Region 2 - PAL vs. BFI - Region 2 - PAL vs. Carlotta Films - Region 2 - PAL vs. Suevia Films - Region 0 - PAL vs. 20th Century Fox - Region 0 - NTSC vs. BFI - Region 'B' - Blu-ray vs. Kino Lorber - Region 'A' - Blu-ray |
1) UFA - Region 2 - PAL LEFT 2) BFI - Region 2 - PAL SECOND 3) Carlotta Films - Region 2 - PAL THIRD 4) Suevia Films - Region 0 - PAL FOURTH5) 20th Century Fox- Region 0 - NTSC FIFTH6) BFI - Region 'B' - Blu-ray - SIXTH7) Kino Lorber - Region 'A' - Blu-ray RIGHT
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Box Covers |
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Distribution | UFA (Germany) - Region 2 - PAL | BFI Video - Region 2 - PAL | Carlotta Films - Region 2 - PAL |
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Suevia Films - Region 0 - PAL | Twentieth Century Fox - Region 0 - NTSC | BFI - Region 'B' - Blu-ray | Kino Lorber - Region 'A' - Blu-ray |
Distribution | UFA (Germany) - Region 2 - PAL | BFI Video - Region 2 - PAL | Carlotta Films - Region 2 - PAL | Suevia Films - Region 0 - PAL | Twentieth Century Fox - Region 0 - NTSC | BFI - Region 'B' - Blu-ray | Kino Lorber - Region 'A' - Blu-ray |
Runtime | 1:31:27 (4% PAL speedup) | 1:31:24 (4% PAL speedup) | 1:28:03 (4% PAL speedup) | 1:31:48 (4% PAL speedup) | 1:35:12 | 1:35:15.000 | 1:35:15.000 |
Video | 1.33:1
Aspect Ratio Average Bitrate: 5.3 mb/s PAL 720x576 25.00 f/s |
1.33:1
Aspect Ratio Average Bitrate: 5.99 mb/s PAL 720x576 25.00 f/s |
1.33:1
Aspect Ratio Average Bitrate: 7.89 mb/s PAL 720x576 25.00 f/s |
1.33:1
Aspect Ratio Average Bitrate: 5.37 mb/s PAL 720x576 25.00 f/s |
1.33:1 Original Aspect Ratio Average Bitrate: 5.64 mb/s NTSC 720x480 29.97 f/s |
1.33:1 1080P Dual-layered Blu-ray Disc Size: 30,745,128,566 bytesFeature: 26,553,624,576 bytesVideo Bitrate: 31.98 MbpsCodec: MPEG-4 AVC Video |
1.33:1 1080P Single-layered Blu-ray Disc Size: 22,510,524,461 bytesFeature: 20,268,699,648 bytesVideo Bitrate: 24.96 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
UFA |
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Bitrate:
BFI |
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Bitrate: Carlotta Films |
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Bitrate: Suevia Films |
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Bitrate: 20th Century Fox |
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Bitrate: BFI - Region 'B' - Blu-ray |
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Bitrate: KIno - Region 'A' - Blu-ray |
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Audio | English (Dolby Digital 2.0), DUB: German (Dolby Digital 2.0) | English (Dolby Digital 2.0) | English (Dolby Digital 2.0) | English (Dolby Digital 2.0) | English (Dolby Digital 2.0) |
LPCM Audio English 768 kbps 1.0 / 48 kHz / 768 kbps / 16-bit LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit |
DTS-HD Master Audio English 1555 kbps 2.0 / 48 kHz / 1555 Dolby Digital Audio English 256 kbps 2.0 / 48 kHz / 256 kbps |
Subtitles | German, None | English, None | French, None | Spanish, English, None | None | English (SDH), None | None |
Features |
Release Information: Edition Details:
• Theatrical Trailer (2:26)
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Release Information: Edition Details:
• Trailer (2:26) |
Release Information: Edition Details: • Introduction
by Patrick Brion (French - no Eng subs) 4:20 |
Release Information: Edition Details:
• Other Titles Keep Case Chapters: 12 |
Release Information: Edition Details:
• Trailer (2:32) |
Release Information: Disc Size: 30,745,128,566 bytesFeature: 26,553,624,576 bytesVideo Bitrate: 31.98 MbpsCodec: MPEG-4 AVC Video Edition Details:
• Audio commentary with Adrian Martin
• Trailer (2;29)
Blu-ray
Release Date: August 22nd, 2016
Chapters: 12 |
Release Information: 1.33:1 1080P Single-layered Blu-ray Disc Size: 22,510,524,461 bytesFeature: 20,268,699,648 bytesVideo Bitrate: 24.96 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Audio Commentary by Film Noir Historian Eddie Muller
• Trailers
Cry of the City - 2:33,
Boomerang - 2:30,
I Wake Up Screaming - 2:16,
99 River Street - 2:13,
Shield For Murder - 1:45,
He Ran All the Way - 2:13 Chapters:9 |
Comments: |
NOTE: The below Blu-ray captures were obtained directly from the Blu-ray disc. ADDITION: Kino Lorber - Region 'A' - Blu-ray December 16': Kino's 2016 Blu-ray transfer has some information cropped off the left and top edges - but I found it minor. The Kino is single-layered - less technically robust which seems to result in s slightly lighter image but grain is still supported and it looks fine in-motion if not as thick as the BFI.Kino go DTS-HD Master (16-bit) and the score by Alfred Newman (The Diary of Anne Frank, Bus Stop, Blood and Sand, The Hunchback of Notre Dame, Panic in the Streets, The Song of Bernadette etc. etc.) sounds brilliant - a perfect Noir representation (my favorite for the cycle) with the 'street scene' of the opening credits now in lossless. There are, surprisingly, few aggressive effects for this crime thriller. The Kino does not offer subtitles and is region 'A'-locked. Pure value in the Eddie Muller commentary - this one is dense with lots to listen to and I require a repeat viewing to absorb all the detail. Another grand job by the Czar of Noir. There are also trailers for Cry of the City, Boomerang, I Wake Up Screaming , 99 River Street , Shield For Murder and He Ran All the Way, Great package - Noir devotees can always want more but a decent 1080P, lossless audio and the Muller commentary have satisfied me. I LOVED watching Cry of the City, yet, again! (the reason I own 7 digital editions of the film!) The price of this Blu-ray is right! *** ADDITION: BFI - Region 'B' - Blu-ray (August 2016): The UA and Fox prints have always seemed slightly vertically stretched, and I lean to the BFI looking more correct although, at times, it can look horizontally stretched. The 1080P visuals are thicker, richer and show more information on the left, top and right edges. It looks quite pleasing in-motion with a very high bitrate on the dual-layered disc. Solid, heavy and film-like.
The audio is transferred via a linear PCM. BFI include optional English (SDH) subtitles and the region 'B'-locked Blu-ray disc.
Extras are also the best of the 6 releases with another stellar audio commentary from Adrian Martin plus we get a newly filmed (2016), 26-minute, appreciation by the critic and chief executive of Film London Adrian Wootton on Cry of the City. Very enjoyable! There is a trailer and the package has a fully illustrated booklet with credits and newly commissioned essays.
I LOVE this Noir and, personally, find it a staple of the cycle. Having it on Blu-ray is delightful and I am going to watch it many more times... strongly recommended!
*** ADDITION: Fox Region 0 - NTSC - November 13': Yeah, this is the one - the only NTSC (theatrical running time) edition - and it took long enough! Despite the single-layering it looks very good - better than even the UFA. Audio is strong - notable in Alfred Newman's iconic 'Street Scene' Noir score! No extras except a trailer. Despite bare-bones status - it's the one to own!*** ADDITION: UFA Region 2 - PAL - March 08': This comes in a package entitled Hollywood Highlights 7 - Thriller from UFA in Germany. The film has a German translation calling the disc Schrei in der Großstadt. It comes in its own transparent keep case along with another keep case of single-layered film Fuller's House of Bamboo (called Tokio-Story in this package). Quick story is that it easily looks the best of the four. It might be vertically compressed to some degree but it is still sharper, cleaner and has much better contrast. The soundtrack (with wonderful Newman score) sounded surprisingly powerful. It offers original English and an optional German DUB. There is a tab on my computer for German subtitles but I couldn't get them to appear. There is a trailer for the film and some others in this series. This is one of my favorite Noir films so it was an easy choice for me but considering it also contains House of Bamboo it may be agreeable to others at 20.95 EUR = $32.10 USD (at the writing of this review).
P.S. ****
ADDITION: BFI - Region 2-
PAL (Oct 07') - Quite a disappointment - we were really hoping for a
much improved image from the other two PAL releases. Unfortunately the
BFI edition doesn't appear to be offering such. My personal
dissatisfaction is exemplified in that this is one of my favorite
Noir films - it's
FULL of seedy low-lifes and Conte and Mature are at their usual high
standard.
The BFI appears to be an almost exact duplicate of the French
Carlotta in terms of image - progressive and on a single layered disc.
The BFI may be marginally cleaner and although I was hoping for
some relevant extras there is only a trailer and an excellent liner
notes booklet with photos and an essay. Ohhh... audio on the BFI is
similarly as weak as its alt-PAL counterparts - it may be a notch
superior. Also BFI utilizes the slightly longer version (2 minutes
removed from Carlotta and Fox Movie Channel broadcast(s) - it's when
Shelley Winters is tracking down the address of Rose, played by Hope
Emerson, at a photography shop.) - Thanks Clyde! I
LOVE this film and it is a
Noir-must as far as I
am concerned. Unfortunately I've heard no announcement of this coming to
NTSC anytime soon. What the hell is wrong with you Fox? Perhaps there
are some rights issues surrounding a region one releases (which I assume
will be the definitive) or perhaps the elements are in poor condition.
Positives about the BFI are the superior English subtitles (optional),
and the liner notes (plus I love the case and the menus with Alfred
Newman's amazing score).
****
ADDITION: Suevia - PAL -
May 2006 - Well, the Suevia release is from an unconverted NTSC source
(verify with times above) and hence there is significant 'combing' (or
'trailing') problems (see examples below). It tends to look a bit
sharper as it has also had some contrast boosting, but at times this
blanket manipulation approach ruins certain scenes (see excessive
brightness in Vic Mature's face in the subtitle capture). If you are
watching on a tube the 'combing' won't likely be an issue but you are
still best to buy the Carlotta and turn up your sets contrast if you
feel it is an improvement. I appreciate the English subs on the Suevia
although occasional words are spelled incorrectly ('craps game' is
'crape game' etc.). The Spanish edition looks like it might be a bit
vertically stretched too. Stick with the Carlotta, but keep your fingers
crossed for a Region 1 release - hopefully soon.
NOTE: It is funny how increased exposure
to a film can alter your perception. After viewing again I am very much
enamored with this dark film. A real gem that has moved into my list of
favorite Film Noirs!
***
Hazy
transfer from Carlotta - the bitrate graph indicates a probable analog
rendering, but it appears to be progressive with no inherent 'ghosting'
or 'combing' issues. Aside from its lack of detail - the image is
otherwise tube acceptable. The DVD is dual layered and the bitrate is
exceptionally high (7.89). The single channel audio sounded quite
buoyant on my system (a nice treat). It was fairly inconsistent. The French subtitles are removable
on my computer and all 4 of my Malata players so we can assume they will
be for your region-free player too. The short Brion intro is in French
and has no subtitles.
The film is certainly flawed, but is still a real noir gem. Mature
and Conte team up well to support the narrative. This film is another
reason confirming the addictiveness of
Film Noir.
NOTE: WE will eventually
compare but suspect the Spanish version (available at DVDGo.com) is
superior. |
DVD Menus
UFA - Region 2 - PAL LEFT vs. BFI - Region 2 - PAL RIGHT
(Carlotta Films - Region 2 - PAL LEFT vs. Suevia Films - Region 0 - PAL RIGHT)
20th Century Fox- Region 0 - NTSC
BFI - Region 'B' - Blu-ray
Kino Lorber - Region 'A' - Blu-ray
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample - Note UFA, Fox and Kino Blu-ray do not have English subs!
1) UFA - Region 2 - PAL TOP 2) BFI - Region 2 - PAL SECOND 3) Carlotta Films - Region 2 - PAL THIRD 4) Suevia Films - Region 0 - PAL FOURTH5) 20th Century Fox- Region 0 - NTSC FIFTH6) BFI - Region 'B' - Blu-ray - SIXTH7) Kino Lorber - Region 'A' - Blu-ray BOTTOM |
Screen Captures
1) UFA - Region 2 - PAL TOP 2) BFI - Region 2 - PAL SECOND 3) Carlotta Films - Region 2 - PAL THIRD 4) Suevia Films - Region 0 - PAL FOURTH5) 20th Century Fox- Region 0 - NTSC FIFTH6) BFI - Region 'B' - Blu-ray - SIXTH7) Kino Lorber - Region 'A' - Blu-ray BOTTOM |
1) UFA - Region 2 - PAL TOP 2) BFI - Region 2 - PAL SECOND 3) Carlotta Films - Region 2 - PAL THIRD 4) Suevia Films - Region 0 - PAL FOURTH5) 20th Century Fox- Region 0 - NTSC FIFTH6) BFI - Region 'B' - Blu-ray - SIXTH7) Kino Lorber - Region 'A' - Blu-ray BOTTOM |
1) UFA - Region 2 - PAL TOP 2) BFI - Region 2 - PAL SECOND 3) Carlotta Films - Region 2 - PAL THIRD 4) Suevia Films - Region 0 - PAL FOURTH5) 20th Century Fox- Region 0 - NTSC FIFTH6) BFI - Region 'B' - Blu-ray - SIXTH7) Kino Lorber - Region 'A' - Blu-ray BOTTOM |
1) 20th Century Fox- Region 0 - NTSC TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE3) Kino Lorber - Region 'A' - Blu-ray BOTTOM
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1) 20th Century Fox- Region 0 - NTSC TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE3) Kino Lorber - Region 'A' - Blu-ray BOTTOM
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1) 20th Century Fox- Region 0 - NTSC TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE3) Kino Lorber - Region 'A' - Blu-ray BOTTOM
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1) 20th Century Fox- Region 0 - NTSC TOP 2) BFI - Region 'B' - Blu-ray - MIDDLE3) Kino Lorber - Region 'A' - Blu-ray BOTTOM
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1) 20th Century Fox- Region 0 - NTSC TOP 2) BFI - Region 'B' - Blu-ray - BOTTOM
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1) 20th Century Fox- Region 0 - NTSC TOP 2) BFI - Region 'B' - Blu-ray - BOTTOM
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1) 20th Century Fox- Region 0 - NTSC TOP 2) BFI - Region 'B' - Blu-ray - BOTTOM
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1) Suevia Films - Region 0 - PAL TOP 2) BFI - Region 'B' - Blu-ray - BOTTOM
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'Combing' visible on the Suevia release...
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Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
The Dark Side of the Screen: Film Noir by Foster Hirsch |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
Shades of Noir: A Reader by Joan Copjec |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
Film Noir by Alain Silver |
Film Noir Guide: 745 Films of the Classic Era,
1940-1959 by Michael F. Keaney |
Detours and Lost Highways: A Map of Neo-Noir by Foster Hirsch |
Report Card:
Image: |
Blu-ray |
Sound: |
Blu-ray |
Extras: | BFI Blu-ray |
Box Covers |
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Distribution | UFA (Germany) - Region 2 - PAL | BFI Video - Region 2 - PAL | Carlotta Films - Region 2 - PAL |
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Suevia Films - Region 0 - PAL | Twentieth Century Fox - Region 0 - NTSC | BFI - Region 'B' - Blu-ray | Kino Lorber - Region 'A' - Blu-ray |