ADDITION: Criterion Blu-ray - March 2020: The Criterion 1080P version of John M. Stahl's Leave Her to Heaven is the best video presentation described as being a "New 2K digital restoration by Twentieth Century Fox, the Academy Film Archive, and The Film Foundation". The higher bitrate (max'ed out on a dual-layered disc) marginally tightens the image with slightly deeper black levels. It's not a dramatic improvement, but it is there and I could even notice it slightly on my home theatre scene comparisons. This is still not the original Technicolor prints, but we can hope, one day...

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To be honest, I could not, however, notice any difference in the audio and film's score by Alfred Newman (The Snake Pit No Way Out, The Diary of Anne Frank, Bus Stop, Blood and Sand, The Hunchback of Notre Dame, Panic in the Streets, The Song of Bernadette etc. etc.). The Criterion has optional English (SDH) subtitles on their Region 'A'-locked Blu-ray disc.

Surprisingly the only significant supplement is s 26-minute interview with film critic Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City. She discusses a lot of the mystery behind director John M. Stahl, including inaccurately claiming to have been born in NY city, his Silent Era films tight control of a film's tone. She compares him to the Japanese director Mikio Naruse. I found this very interesting and it was recorded by Criterion in New York in November 2019. There is also, only, a trailer and the package has a liner notes booklet with an essay by novelist Megan Abbott.

Stahl's only true Film Noir. Visually the film almost seduces you with it's beauty, even beyond Gene Tierney, steering you to dark melodramatic secrets.  An absolute must-own in the best a/v presentation available for this lush Technicolor masterpiece of cinematography. Imogen Sara Smith's video piece adds immerse value. Must own, imo.

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ADDITION: Llamentol Blu-ray - September 2014': Don't be swayed by this Spanish knock-off. It's not so much a difference in the static caps - although the European 'copy' is far less robust and shows more artifacts (it also tends to look waxier in-motion) but the fact that it is a BD-R! So what that means is that when you want to re-watch it in a year or two - it may not play! My advice is get a proper pressed disc of this wonderfully visual masterpiece while you still can. I can't believe the 3,000 limited edition copies have not yet run out. Buy now when you can! The Twilight Time Blu-ray is destined to go up in value... and don't even consider the Llamentol. At any price - it's a rip-off.

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ADDITION: Twilight Time - Region FREE Blu-ray - May 2013':  Unfortunately, in the 70's I believe, the Technicolor elements were 'junked' and only saved in Eastmancolor - hence we lose some of the piercing vibrancy of the colors as seen in its theatrical roots. Of course this is no fault of the Twilight Time transfer - which is solid - dual-layered with a high bitrate and excellent contrast. The image quality is very pleasing. It is brighter than the SD with more information in the frame - notable on all sides. Detail improves, there is a slight sense of depth, colors do perk-up and the 1080P is quite a step beyond the 2005 DVD.

The audio goes lossless, but remains mono and Alfred Newman's score sounds quite good with some depth. There are optional English subtitles on the region FREE Blu-ray disc that is limited to 3000 copies.

Supplements are mostly from the NTSC DVD with the strong commentary and MovieTone News piece. Twilight Time also add an isolated score (as they usually do) and a trailer.

This is such renowned Noir that I suspect the Blu-ray will go out of print pretty quickly - my advice would be to 'buy now'.

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ON THE DVD: Great DVD! Colors are alive, contrast is sublime, subtitles are excellent and there is a commentary and other interesting extra features. I love the visible film grain. Fabulous job Fox.

Gary W. Tooze