As she burns at the stake, a 17th century witch, Jennifer (Veronica Lake), places a curse on her accuser (Fredric March), so that from this day forward, all of his descendants (each played by him) will be unhappy in marriage. After several hilarious through-the-years examples (the Civil War-era Fredric March runs off to battle rather than endure his wife's nagging), we are brought up to 1942. Wallace Wooley (March) is a gubernatorial candidate, preparing to wed snooty socialite Estelle Masterson (Susan Hayward) -- the well-to-do daughter of a publisher who is backing him. A bolt of lightning strikes the tree where Jennifer had been executed three centuries earlier, thereby freeing the spirits of Jennifer and her warlock father, Daniel (Cecil Kellaway). Wallace meets Jennifer when she materializes in a burning building, obliging him to save her life. The revivified sorceress does everything in her power to induce Wallace to fall in love with her -- even destroying the ceremony in which the wedding is supposed to take place. The attempts succeed, and the two marry, but on their wedding night, Wallace refuses to believe Jennifer's claims that she is a witch. Frustrated, she attempts to convince him by doctoring the gubernatorial election -- in his favor. Based on the Thorne Smith novel The Passionate Witch, the rollicking I Married a Witch can be considered the forerunner of the TV series Bewitched, but only on a surface level. The film had been scheduled to be directed by Preston Sturges and to be released by its producing studio, Paramount; the end result was helmed by René Clair (his second Hollywood film), and was distributed by United Artists.

Heresy here: Clair's '30s musical comedies have always been acclaimed as enormously original, innovative classics, far superior to his American films. But where those French films now seem dated and Chaplinesque in their twee sentimentality and naïve desire to make a serious point, the American films remain delightful: unpretentious, pacy and genuinely witty. I Married a Witch sees Clair at his peak, with an ambitious, puritanical politician (March) being plagued by the mischievous Lake, a witch reincarnated and bent on revenge after being burned at the stake by his ancestors. Lake is delightfully effective as the malicious woman, whose ideas of punishment are often beautifully absurd, and March provides an excellent foil.

Gary Tooze

September 18th, 2013