In the labyrinthine Eden Cafe where ads for Coca-Cola share wall space with living friezes of nude models and slogans like "Drink Blood" a group of French students play games of Russian Roulette, poisoning, and rape. The Dutchman (Pierre Zimmer) enters the scene and demonstrates a "trick" he learned in Africa in which he heals one of the students who he has asked to pick up pieces of broken glass. He gives fear powder (not cocaine because that's already on the menu as a beverage at the Eden Cafe) to Violette (Catherine Jourdan) and she imagines herself in Tunisia in a series of sadomasochistic vignettes with the Dutchman and her fellow students inhabiting various roles (characters playing multiple roles - including themselves as actors - is an element of several Robbe-Grillet films) suffering multiple deaths and Violette even encounters her own double. Like THE MAN WHO LIES before this, EDEN AND AFTER was a French/Czechoslovakian co-production but location shooting is in picturesque Tunisia in color with striking choices of contrasting colors in the set and costume design (as well as that vivid blood which always splashes across bright surfaces). According to Robbe-Grillet, it was partially inspired by De Sade's JUSTINE and Lewis Carroll's ALICE IN WONDERLAND. An alternate version played on French TV titled N TOOK THE DICE. The scenes were re-ordered and alternate takes were also utilized with their arrangement being determined by a throw of the dice. Shots from the film appeared in Robbe-Grillet's last film GRADIVA.