We have started a Patreon page with the hopes that
some of our followers would be
willing to donate a small amount to keep DVDBeaver
alive. We are a tiny niche, so your
generosity is vital to our
existence.
We are talking about a minimum of
$0.10 - $0.15 a day, perhaps a
quarter (or more) to those who won't
miss it from their budget. It
equates to buying DVDBeaver a coffee
once, twice or a few times a month.
You can then participate in our
monthly
Silent
auctions,
and have exclusive access to many 'bonus' High Resolution screen captures - both
4K UHD
and
Blu-ray
(see
HERE). |
Search DVDBeaver |
S E A R C H D V D B e a v e r |
Directed by Robert Altman
USA 1982
Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean is one of the
wonderful highlights of an under-appreciated chapter of director Robert Altman's
career. Between the box office disappointment of Popeye (1980) and the
explosive comeback of
The Player (1992), Altman returned to lower-budgeted, independent
filmmaking, often boldly experimenting with how theatre work could be
inventively adapted for cinema and television. This period of Altman's oeuvre
also includes such masterworks as Streamers (1983), Secret Honor
(1984), and Tanner '88 (1988), but was initiated by Come Back, and this
funny, touching film of the play by Ed Graczyk (who adapted it for the screen)
is a triumph. *** Robert Altman directed this low-budget film version of the play by Ed Graczyk, also directed by Altman on Broadway with the same cast. The film takes place in the small Texas town of McCarthy in 1975. Inside of a five-and-dime store, a reunion is planned for the members of a local 1950s James Dean fan club. An odd assortment of women arrive, revealing hidden secrets, as Altman flashes back, showing the women as young James Dean fans, and then jumps forward to present day to reveal the ravages of time and lost innocence. Among the women returning for the reunion is Mona (Sandy Dennis), a disturbed woman who, in the '50s, got a job as an extra on the Giant shoot and nine months later gave birth to a son, who she claims is James Dean's child. There is Sissy (Cher), a wisecracking waitress, and also Joanne (Karen Black), who holds a shocking secret that is revealed at the reunion. Besides the three main players, a collection of supporting characters maneuver around the periphery. They are Stella Mae (Kathy Bates), the wife of a rich petroleum executive; Edna Louise (Marta Heflin), a shy, withdrawn woman with numerous children; Juanita (Sudie Bond), the manager of the five-and-dime store; and Joe Qualley (Mark Patton), a young man who likes to dress up in women's clothing. |
Posters
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Theatrical Release: October 21st, 1982
Reviews More Reviews DVD Reviews
Review: Masters of Cinema - Region 'B' - Blu-ray
Box Cover |
|
CLICK to order from: Also on Blu-ray in Region 'A' from Olive Films: |
Distribution | Masters of Cinema - Spine #208 - Region 'B' - Blu-ray | |
Runtime | 1:49:54.045 | |
Video |
1.85:1 1080P Dual-layered Blu-ray Disc Size: 45,565,313,508 bytes Feature: 34,187,198,016 bytes Video Bitrate: 34.88 Mbps Codec: MPEG-4 AVC Video |
|
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
||
Bitrate Blu-ray: |
|
|
Audio |
LPCM Audio English
2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit |
|
Subtitles | English, None | |
Features |
Release Information: Studio: Masters of Cinema
1.85:1 1080P Dual-layered Blu-ray Disc Size: 45,565,313,508 bytes Feature: 34,187,198,016 bytes Video Bitrate: 34.88 Mbps Codec: MPEG-4 AVC Video
Edition Details:
• New and exclusive feature-length audio
commentary by Lee Gambin
Chapters 8 |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.
ADDITION: Masters of Cinema
Blu-ray
(July 2019): Eureka presents Robert Altman's "Come Back to the 5 &
Dime, Jimmy Dean, Jimmy Dean" from a newly updated version of the 2012
TFF funded restoration. The film is located on a dual-layered
Blu-ray
disc and features a maxed out bitrate. The film has a heavy,
thick texture that only emphasizes the authentically modest clarity of the
visuals. This
was the chosen look of the film (it was, after all, shot on
super 16 and then blown up to 35mm.) We may compare to the 2015 Olive
Blu-ray
but strongly suspect that this Altman film in 1080p
looks similar. This transfer is simply a function of how the film and it's
low budget roots. |
Menus / Extras
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION