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S E A R C H D V D B e a v e r |
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Columbia Pictures Film Noir Classics, Vol. 1
The Sniper (1952) The Big
Heat (1953) 5 Against the House (1955)
The Lineup (1958) Murder by
Contract (1958)
Product Description: In the 1940s, a new genre* - film noir - emerged from the world of "hard - boiled" pulp magazines, paperback thrillers, and sensational crime movies. These films - tough and unsentimental - depicted a black-and-white universe at once brutal, erotic and morally ambiguous. Now, Sony Pictures and The Film Foundation have brought five noir classics together in one collection, all restored and remastered, and featuring brilliant performances by Glenn Ford, Lee Marvin, Kim Novak, Eli Wallach, Kathie Browne and Gloria Grahame, the genre-defining cinematography of Burnett Guffey, Hal Mohr and Lucien Ballard, and focused, taut direction by celebrated directors including Fritz Lang, Don Siegel and Phil Karlson. *NOTE: Many don't consider 'Film Noir' a genre - but a 'style'. |
Titles
The Sniper (1952) - Filmed in San Francisco, this Stanley
Kramer production is one of the earliest studies of a murderous psychopath who
kills randomly and without motive, making it almost impossible for the police to
track him down. This noir pits the rationalism of law and psychiatry against the
irrationality of post-traumatic stress and compulsive homicide. Adolphe Menjou,
Arthur Franz and Marie Windsor star under the taut direction of Edward Dmytryk.
The Sniper has a running time of 87 minutes and is not rated. |
Posters
Theatrical Releases: 1952 - 1958
DVD Review: Sony (5-disc) - Region 1 - NTSC
DVD Box Cover |
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Distribution | Sony - Region 1 - NTSC | |
Time: | Respectively - 1:27:48, 1:29:27, 1:26:24, 1:23:06, + 1:20:18 | |
Audio | English (original mono) | |
Subtitles | English, None | |
Features |
Release Information:
Edition Details:
• Commentary with Authors Eddie Muller and James Ellroy on The Lineup
• Trailer for The Big Heat |
Comments: |
With Warner temporarily ceasing their classic Noir, Gangster, Pre-Code or individual vintage star boxsets, Sony has taken over bringing out packages of older films that are representative, in this case, of a film style, director or star. Their recent Samuel Fuller Film Collection is an example also filling that niche sub-label, like this, entitling both "The Collector's Choice". The Big Heat is the only title that has seen the digital-light-of-day previously and we have compared some captures below from our review HERE of that original Columbia Tri-star disc. The five feature films of this boxset are all filmed in black and white and reside on individual, progressively transferred DVD discs. Each is single-layered (only) in their original aspect ratios - 1:33 for the first 2 and 1.85 16X9 enhanced for the final 3. Each disc is coded for Region 1 only (The Big Heat DVD from 2001 was coded for regions, 1, 3 + 4) in the NTSC standard. They have original mono audio (or 2.0 channel stereo) and each offer optional English subtitles in a bright yellow font. The package (image below) is a three tiered Digi-pak housed inside a handsome cardboard slipcase. There are two supplemental commentaries and short 'introductions' that we will discuss below.
Image quality: Columbia TriStar produced some excellent quality
single-layered DVDs of classic films and their 2001 The Big Heat
fares a shade better than the one in this new Sony Noir package.
While black levels are richer on the Sony - grain and detail are
superior on the older transfer. The Sony is definitely a bit softer and
although my captures below may not be exact matches - I can confirm
this. Either the Columbia is slightly stretched vertically or the Sony
is slightly compressed horizontally. The bitrate (5.57 vs. 4.57 Mbps) is also notable as being weaker
in the new collection. Since the DVD does share the feature with some
extras - albeit less than 20-minutes worth - I would have thought it
prudent to house this on a dual-layered disc. In short the original
looks untouched where the new rendering may have had some DNR and
boosted black levels - it appears quite likely. I'm not going to fuss to
much as the discrepancy over, say, Blu-ray
(we can hope - one day!) will be a far greater leap - but I'd much
prefer the grain and detail over the softer manipulated image with
noise.
Actually all 5 film transfers are on single-layered DVDs and have
bitrates less than 5 Mbps. Since many Noir fans probably have
these on recorded DVD-R media this makes the upgrade a more difficult
'sell'. But there are plenty of other advantages in the supplements.
Quality of the appearance is fairly consistent with the contrast of 5
Against the House being greenish and weaker than the rest. Murder
By Contract is a shade softer than the rest and The Lineup
looks to have the best detail.
Audio was acceptable with all dialogue discernable and
without major faux-pas like devastating dropouts, pops or background
hiss. It was
consistent and clear enough and is supported with optional English
subtitles in a bright yellow font.
Extras have some real value with a commentary by Noir King
Eddie Muller on The Sniper. He's one of the best to listen to as his
knowledge fills the 1.5 hour film with grace and easy. He's relaxed and his
commentaries are always a pleasure to indulge in by fans of the dark style.
The Lineup has Eddie again as commentarist along with a boisterous James
Ellroy. These guys are having a ball while watching this Don Siegel film but
Ellroy is definitely on an R-rated roll with his language. Eddie
continuously points of out San Francisco landmarks and details of this and other
Noirs are discussed with confidence. Ellroy has been proud to state in
the past '...I am also the greatest crime writer who ever lived.' He is a
lot of fun and the commentary is well worth listening! Martin Scorsese gives
short, less than 5-minute, introductions (not labeled as such but it is how I
interpreted them) on Murder by Contract, (influencing scenes in his later
Taxi Driver) The Sniper and The Big Heat. The latter DVD
has another piece with Michael Mann talking about this iconic film, and Noir
for about 10-minutes. On The Lineup we get a featurette - “The
Influence of Noir with Christopher Nolan” running about 6.5 minutes and the
director/writer impresses with his insightful knowledge. There are no
supplements on 5 Against the House. I'm sure many share my disappointment
that these extras weren't longer or gravitated into more commentaries but
despite this they were highly interesting.
There were two films in this collection that I had never seen
before and like the
Samuel Fuller
Film Collection set I was in Nirvana. I doubt my review words
would dissuade any true fans from indulging in this package. Everyone is aware
of the value of Fritz Lang's The Big Heat but all films in this boxset
are well above-average! The Lineup was especially satisfying with,
perhaps, 5 Against the House being a notch below the others. Dmytryk's
The Sniper and Irving Lerner's sparse Murder by Contract are prime
examples of the shadowy style. It seems like it has been so long since we were
able to immerse ourselves into a set such as this and let's hope that
The Film Noir Collection: Volume 2
with Pushover (1954), Nightfall (1957), The Brothers Rico
(1957), City of Fear (1959) and the rehashed In a Lonely Place
(1950) establishes a specific release date soon! |
Packaging
Sample DVD Menus
Supplements
The Sniper (1952)
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The Big Heat (1953)
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Original Columbia Tri-star DVD TOP vs. Sony Noir Collection Volume 1 BOTTOM
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Original Columbia Tri-star DVD TOP vs. Sony Noir Collection Volume 1 BOTTOM
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Original Columbia Tri-star DVD TOP vs. Sony Noir Collection Volume 1 BOTTOM
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More caps from the Sony Noir Collection Volume 1
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5 Against the House (1955)
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The Lineup (1958)
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