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S E A R C H    D V D B e a v e r

 
USA 1928 - 1934

 

One of the most popular films of the exploitation cinema was Willis Kent’s The Road to Ruin, about a group of wholesome high schoolers whose flirtations with vice launch them down a slippery moral slope to death and degradation. Unlike the genre’s more campy and hysterical scare films, such as Reefer Madness, The Road to Ruin is a finely crafted melodrama that is deceptively effective, building to an unexpectedly devastating climax. Filmed first as a silent in 1928 and then remade as a talkie in 1934 (both of which are featured in this edition), The Road to Ruin owes much of its success to actress Helen Foster, who stars in both versions as the love-hungry teen whose need for acceptance leads her to Jazz Age perdition.

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A young girl gets involved with a crowd that smokes marijuana, drinks and has sex. She winds up an alcoholic, pregnant drug addict and is forced to get an abortion.

Posters

Theatrical Release: March 23rd, 1928 - March 21st, 1934

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Review: Kino - Region FREE - Blu-ray

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Bonus Captures:

Distribution Kino - Region FREE - Blu-ray
Runtime 1928: 0:54:34.250
1934: 1:13:57.933
Video

1.33:1 1080P Dual-layered Blu-ray

Disc Size: 44,850,821,085 bytes

1928: 17,544,069,120 bytes

1934: 23,792,437,248 bytes

Video Bitrate: 38.97 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate 1928 Blu-ray:

Bitrate 1934 Blu-ray:

Audio

DTS-HD Master Audio English 1558 kbps 2.0 / 48 kHz / 1558 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Commentary:

Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -31dB

Subtitles English intertitles for 1928 version - English, None for 1934 version
Features Release Information:
Studio:
Kino

 

1.33:1 1080P Dual-layered Blu-ray

Disc Size: 44,850,821,085 bytes

1928: 17,544,069,120 bytes

1934: 23,792,437,248 bytes

Video Bitrate: 38.97 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Audio commentary for The Road to Ruin (1934) by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films
• Audio commentary for The Road to Ruin (1928) by film historian Anthony Slide
• Gallery of exploitation trailers


Blu-ray Release Date: April 24th, 2024

Standard Blu-ray Case

Chapters 9

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Kino Blu-ray (April 2024): As #15 of their 'Forbidden Fruit: The Golden Age of the Exploitation' series, Kino have transferred both Norton S. Parker's 1928 Silent version, as well as Dorothy Davenport (as Mrs. Wallace Reid) + Melville Shyer's 1934 pre-Code version, of The Road to Ruin to Blu-ray. Both star Helen Foster as the lead character. It is cited as being from "Newly restored from archival 35mm elements, The Road to Ruin is presented in cooperation with Something Weird, the estate of Dan Sonney, and the UCLA Film & Television Archive." The 1928 version was shot using a hand-cranked camera typical of the era and the 1080P has vertical scratches and is mostly sepia with a tint or two. It's not in great shape but you can certainly follow the film without undue distraction. It is remarkable how the technology advanced in only a few years; the 1934 version is remarkable for its strong image quality - looking quite appealing with pleasing contrast, detail and is generally quite clean. Both transfers have max'ed out bitrates.

NOTE: We have added 54 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Kino use a DTS-HD Master dual-mono track (24-bit) in the original English language (or English intertitles for the 1928 version.) The Road to Ruin silent version has a piano score composed and performed by Andrew Earle Simpson. It is effectively melancholy in the last 1/3rd of the film. The film was so popular that a sound version (with no audible dialogue) was released in 1928 that originally featured a synchronized musical score with sound effects using both the sound-on-disc (using a phonograph) and sound-on-film process (the sound accompanying a picture is actually recorded on photographic film but usually not on the same strip carrying the picture.) The 1934 film has no credited score and only diegetic music from a radio, phonograph or nightclub act (Jimmy Tolson singing Campus Crawl) being used. Dialogue can be somewhat hollow and weak in the higher end but audible. It is all quite mostly clean (minor crackles) in the lossless transfer. Kino offer optional English subtitles for the 1934 version on their Region FREE Blu-ray.

The Kino Blu-ray offers new commentaries; by film historian Anthony Slide (author of Hollywood Unknowns: A History of Extras, Bit Players, and Stand-Ins) for the silent 1928 version and by Eric Schaefer, author of Bold! Daring! Shocking! True!: A History of Exploitation Films for the 1934 version. Anthony is always good and talks about the serious subject matter of the film; teenage drinking, sex, pregnancy and abortion. He discusses the juvenile actors in the 1928 version, their careers, The Vitagraph Company, absentee parenting and much more. Eric Schaefer talks about the 1934 version as the film runs. He discusses the production of exploitation movies, the film being a 'remake' - often done as a cost saving measure with the same script etc. and also being done to capitalize on the transition to sound films. Both commentaries are informative getting down to the granularity of the core element of these sex-hygiene films without the graphic scenes. Kino also include trailers for other exploitation genre films; The Cocaine Fiends, The Devil's Sleep, Marihuana, Narcotic and Test Tube Babies.

It is remarkable how both versions of  The Road to Ruin, made six years apart, star the same actress, Helen Foster, both written and produced by Willis Kent, and follow the script so similarly from meeting at the High School in a jalopy to perusing adult-themed novels, boating, drinking, strip poker-like parlor games, and... abortion. As society evolves, becoming more permissive, it is always fascinating to see what was considered taboo, exploitive and Pre-Code back in the day. One of the amusing aspects of the 1934 version is the raiding by the police ("23 skidoo") taking the gals to the dreaded 'Girls Division of the Juvenile Department' where they determine our protagonist, Ann, is a "Sex Delinquent!" The term does not seem to have the same meaning today. So, moral questions abound from smoking, drinking alcohol, promiscuity leading to abortion and the parent's role in their corrupted daughter's 'road to ruin'. Fascinating stuff indeed. The Kino Blu-ray follows their Forbidden Fruit series with two, remarkably, similar versions of this Pre-Code exploitation film in 1080P and an informative commentary for each. Recommended to fans of the rest of this unusual and historically relevant genre like, a favorite, She Should Have Said No.

Gary Tooze

 


Menus / Extras

 


CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION

 

1) Kino (1928 version) - Region FREE - Blu-ray TOP

2) Kino (1934 version) - Region FREE - Blu-ray BOTTOM

 

 


1) Kino (1928 version) - Region FREE - Blu-ray TOP

2) Kino (1934 version) - Region FREE - Blu-ray BOTTOM

 

 


1) Kino (1928 version) - Region FREE - Blu-ray TOP

2) Kino (1934 version) - Region FREE - Blu-ray BOTTOM

 

 


1) Kino (1928 version) - Region FREE - Blu-ray TOP

2) Kino (1934 version) - Region FREE - Blu-ray BOTTOM

 

 


1) Kino (1928 version) - Region FREE - Blu-ray TOP

2) Kino (1934 version) - Region FREE - Blu-ray BOTTOM

 

 


1) Kino (1928 version) - Region FREE - Blu-ray TOP

2) Kino (1934 version) - Region FREE - Blu-ray BOTTOM

 

 


1) Kino (1928 version) - Region FREE - Blu-ray TOP

2) Kino (1934 version) - Region FREE - Blu-ray BOTTOM

 

 


 

More full resolution (1920 X 1080) Blu-ray Captures for DVDBeaver Patreon Supporters HERE

 

 

 
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Bonus Captures:

Distribution Kino - Region FREE - Blu-ray


 


 

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