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S E A R C H    D V D B e a v e r

Directed by Charles Frend
UK 1953

 

One of the greatest British war films ever made, The Cruel Sea is an unflinching portrayal of life at sea during WWII, on a boat tasked with protecting convoys and seeking and destroying German U-boats. Filmed aboard an actual Royal Navy corvette, it tells the story of the sailors aboard the HMS Compass Rose: the bonds that form between them, the daily pressures they face, and their epic struggle to overcome the enemy. Based on the best-selling novel by Nicholas Monsarrat, and featuring heroic performances from Jack Hawkins, Sir Donald Sinden, and Stanley Baker, The Cruel Sea is an enduring war movie classic.

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The Cruel Sea (1953), directed by Charles Frend, is a British war film based on Nicholas Monsarrat’s 1951 novel of the same name, set during World War II’s Battle of the Atlantic. The story follows the crew of the fictional Royal Navy corvette HMS Compass Rose, led by Commander Ericson (Jack Hawkins), as they endure the grueling realities of escorting convoys through U-boat-infested waters. Ericson, a seasoned but emotionally burdened officer, is joined by inexperienced sub-lieutenants Lockhart (Donald Sinden) and Ferraby (John Stratton), who grow from naive recruits into hardened sailors. The film depicts the relentless strain of war—storms, depth-charge attacks, and the moral dilemmas of command, such as Ericson’s agonizing decision to depth-charge a U-boat while survivors from a torpedoed ship are in the water, killing them in the process. After the Compass Rose is sunk by a U-boat, with only Lockhart and a few others surviving, Ericson and Lockhart are reassigned to the frigate HMS Saltash. The war continues with more losses, but by 1945, with the Allies gaining the upper hand, Ericson and Lockhart reflect on the cost of their survival and the comrades they’ve lost. The film is a stark, unsentimental portrayal of naval warfare, focusing on the psychological toll on the crew, the harshness of the sea, and the sacrifices demanded by duty.

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Theatrical Release: March 26th, 1953

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Review: Kino - Region 'A' - Blu-ray

Box Cover

  

Bonus Captures:

Distribution Kino - Region 'A' - Blu-ray
Runtime 2:06:36.541
Video

1.33:1 1080P Dual-layered Blu-ray

Disc Size: 42,864,599,121 bytes

Feature: 39,700,267,008 bytes

Video Bitrate: 37.93 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

DTS-HD Master Audio English 1558 kbps 2.0 / 48 kHz / 1558 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Commentary:

Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -31dB

Subtitles English, None
Features Release Information:
Studio:
Kino

 

1.33:1 1080P Dual-layered Blu-ray

Disc Size: 42,864,599,121 bytes

Feature: 39,700,267,008 bytes

Video Bitrate: 37.93 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Audio Commentary by Film Critic Simon Abrams
• Interview with star Sir Donald Sinden (33:58)
• Theatrical Trailer (3:53)


Blu-ray Release Date: April 22nd., 2025

Standard Blu-ray Case inside slipcase

Chapters 8

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Kino Blu-ray (April 2025): Kino have transferred Charles Frend's The Cruel Sea to Blu-ray. Back in 2006, we reviewed the Anchor Bay DVD HERE. This 1080P is on a dual-layered disc with a maxed out bitrate and advances notably from the SD transfer of almost 20 years ago. The visual style of The Cruel Sea, shot by cinematographer Gordon Dines (The Square Ring, Pool of London, The Blue Lamp,) is characterized by its stark realism, capturing the bleakness of the North Atlantic and the claustrophobic conditions aboard the Compass Rose. The film was shot in black-and-white, a choice that enhances its gritty, documentary-like quality, aligning with Ealing Studios’ tradition of realism. The monochrome palette is adeptly supported with a clean image with well-layered contrast and pleasing, consistent texture.

NOTE: We have added 68 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, Kino use a DTS-HD Master dual-mono track (24-bit) in the original English language. The sound design captures the relentless tension of naval warfare during the Battle of the Atlantic in World War II - strategic use of silence - work in tandem with the film’s stark visual style to convey the harshness of the sea, the psychological strain on the HMS Compass Rose crew, and the moral complexities of their mission. Alan Rawsthorne’s (Pandora and the Flying Dutchman, The Captive Heart, The Man Who Never Was) score for The Cruel Sea is a masterclass in restraint, using a minimalist orchestral approach to underscore the film’s emotional depth without overshadowing its realistic tone. The main theme, introduced during the opening credits, sets the tone for the film with a slow, mournful melody played on strings and brass. The audio subtleties and aggression are captured expertly by the lossless transfer with depth and resonance. Kino offers optional English subtitles on their Region 'A' Blu-ray.

The Kino Blu-ray offers a new commentary by film critic Simon Abrams (Guillermo del Toro's The Devil's Backbone) - who provides a scholarly and analytical perspective on The Cruel Sea, offering viewers a deeper understanding of the film’s themes, historical significance, and cinematic techniques. He highlights the film’s basis in  Nicholas Monsarrat’s 1951 novel, noting how the adaptation captures the novel’s unromanticized portrayal of the Battle of the Atlantic, a critical but often overlooked theater of the war. Abrams emphasizes the film’s authenticity, pointing out the use of real naval vessels like the HMS Coreopsis (standing in for the Compass Rose) and the involvement of Monsarrat, who drew on his own experiences as a Royal Navy officer. Abrams’ commentary is dense with insights, but delivered with clarity, making it accessible to both casual viewers and cinephiles. Excellent and appreciated. The 1/2 hour interview with Sir Donald Sinden, who played Sub-Lieutenant Keith Lockhart, offers a personal and reflective look at the making of The Cruel Sea and Sinden’s experiences as a rising star in 1950s British cinema. Recorded later in Sinden’s career - likely in the early 2000s, given his knighthood in 1997 and his passing in 2014 - this interview provides a firsthand account of the film’s production and its impact on his career. Sinden touches on the film’s reception, recalling its impact on audiences in 1953, many of whom had lived through the war and connected deeply with its portrayal of naval sacrifice. There is also an original theatrical trailer for The Cruel Sea - a fascinating artifact of 1950s film marketing, offering insight into how the film was presented to audiences upon its release.

Charles Frend's The Cruel Sea was produced by Ealing Studios. It offers a stark, unsentimental portrayal of the Battle of the Atlantic during World War II. The film, set between 1939 and 1945, follows the crew of the fictional Royal Navy corvette HMS Compass Rose and later the frigate HMS Saltash, focusing on the psychological and moral challenges faced by naval officers in the grueling fight against German U-boats. With its realistic depiction of war at sea, strong performances - particularly by Jack Hawkins as Commander Ericson - and a commitment to authenticity, The Cruel Sea stands as a powerful exploration of duty, sacrifice, and the human cost of conflict. The film centers on Commander George Ericson (Jack Hawkins), a seasoned officer who carries the weight of command, and his inexperienced sub-lieutenants, Keith Lockhart (Donald Sinden) and John Ferraby (John Stratton), who evolve from naive recruits into battle-hardened sailors. The structure mirrors the relentless, cyclical nature of their mission - long periods of tension or boredom punctuated by sudden, violent encounters with the enemy. The unromanticized portrayal of war reflects the post-war mood of stoic resilience, a hallmark of British cinema in the 1940s and 1950s, particularly in Ealing Studios’ output. It is regarded as a classic of British war cinema. The Kino Blu-ray offers a very welcome a/v upgrade to the presentation and Abrams’ commentary that focuses on the film’s historical and cultural context, combined with his analysis of its technical achievements, making it a valuable resource. Certainly this is recommended!

Gary Tooze

 


Menus / Extras

Kino - Region 'A' - Blu-ray


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Subtitle Kino - Region 'A' - Blu-ray Capture Sample

 

 


1) Anchor Bay - Region 1 - NTSC  TOP

2) Kino - Region 'A' - Blu-ray BOTTOM

 

 


1) Anchor Bay - Region 1 - NTSC  TOP

2) Kino - Region 'A' - Blu-ray BOTTOM

 

 


1) Anchor Bay - Region 1 - NTSC  TOP

2) Kino - Region 'A' - Blu-ray BOTTOM

 

 


 

 


 

 


 

 


 

 


 

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Bonus Captures:

Distribution Kino - Region 'A' - Blu-ray


 


 

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