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S E A R C H D V D B e a v e r |
Directed by Rouben Mamoulian
USA 1935
In the years just preceding Waterloo, best friends Becky Sharp (Miriam Hopkins, Trouble in Paradise) and Amelia Sedley (Frances Dee, I Walked with a Zombie) graduate from Miss Pinkerton’s Academy for Girls. The wealthy Amelia invites the penniless Becky into the bosom of her family home while the manipulative Becky plots her climb up the social ladder. Entirely lacking in scruples and unhampered by conscience or morality, Becky ascends to the very pinnacle of society, crushing anyone who stands in her path. Set against the backdrop of the Napoleonic Wars, Rouben Mamoulian’s (Love Me Tonight, The Mark of Zorro) adaptation of Thackeray’s (The Memoirs of Barry Lyndon, Esq.) epic novel Vanity Fair was the first film to be produced in three-strip Technicolor. Screenplay by Francis Edward Faragoh (Little Caesar, Frankenstein) and co-starring Cedric Hardwicke (The Lodger), Billie Burke (The Young in Heart), Nigel Bruce (Suspicion) and Alan Mowbray (I Wake Up Screaming). *** Now famous as the first feature film produced in the three-strip Technicolor process, Becky Sharp is also an enjoyable effort in its own right. Adapted from William Makepeace Thackeray's Vanity Fair, the film stars Miriam Hopkins as Becky Sharp, a resourceful, totally self-involved young lady who manages to survive any number of setbacks and deprivations in the years following Napoleon's defeat at Waterloo. In her efforts to advance herself, she manages to link up with a number of not altogether attractive gentlemen, including the Marquis of Steyne (Cedric Hardwicke), Joseph Sedley (Nigel Bruce), Rawdon Crawley (Alan Mowbray), and George Osborne (G. P. Huntley Jr.) She rises to the pinnacle of British society, only to tumble and fall into the humiliation of singing for her supper in a cheap back-alley beer hall, but, like her spiritual sister Scarlet O'Hara, Becky never stays down for long. Excerpt from B+N located HERE |
Posters
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Theatrical Release: June 13th, 1935
Reviews More Reviews DVD Reviews
Review: Kino - Region 'A' - Blu-ray
Box Cover |
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CLICK to order from: |
Distribution | Kino - Region 'A' - Blu-ray | |
Runtime | 1:26:10.373 | |
Video |
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 24,039,388,902 bytesFeature: 21,064,089,600 bytes Video Bitrate: 29.03 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
DTS-HD Master
Audio English 1554 kbps 2.0 / 48 kHz / 1554 kbps / 16-bit (DTS Core: 2.0 /
48 kHz / 1509 kbps / 16-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps |
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Subtitles | English, None | |
Features |
Release Information: Studio: Kino
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 24,039,388,902 bytesFeature: 21,064,089,600 bytes Video Bitrate: 29.03 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Audio Commentary by Film Historian Jack Theakston• Trailers
Standard Blu-ray Case Chapters 8 |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. Kino Lorber bring the 1935 historical drama Becky Sharp to Blu-ray. It is notable as being the first feature film in full three-color Technicolor. The 1080P transfer is advertised as a "Brand New 4K Restoration from the 35mm Nitrate Negative & Positive Separations" and there has been extensive restoration over the years: "The UCLA Film & Television Archive completed its initial restoration of BECKY SHARP in 1984. Since then, further improvements have been made, including a 2007 sound upgrade with funding provided by The Film Foundation and laboratory services provided by Audio Mechanics and DJ Audio. In 2017 the Paramount Archives, using the best of almost 50 reels of 35mm film including the original surviving Technicolor 3-strip negatives, 3-strip positives, and prints, preserved this title in 4K at Technicolor Creative Services. Advanced digital tools were used to align the separation elements and clean the image. Sound preservation work was done at Deluxe Audio. Special thanks to Robert Gitt, Richard Dayton and Eric Aijala. "
It's on a single-layered
Blu-ray
with a high bitrate. It looks impressive - especially the colors with
primary reds, greens and maroons benefitting greatly from the restoration and
original process. Flesh tones can have some funky hues but the visual
detail is very pleasing fro a film of this era. Although at 1 1/4 hour
the quality notably dips - at the mercy of the elements. We have
included a couple of captures that show the disparity at the bottom. |
Menus / Extras
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION