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S E A R C H D V D B e a v e r |
(aka "Scarface: The Shame of the Nation")
directed
by Howard Hawks
USA 1932
My
all-time favorite gangster film, put together like a macabre black
comedy that eventually veers into something very close to Greek
tragedy (complete with brother-sister incest), Howard Hawks’
uncharacteristic masterpiece beats out the
Godfather features in at
least one major respect: it is completely unsentimental about both
crime and violence. (Among the half-dozen credited and uncredited
hands who worked on the brittle script are Ben Hecht, W.R. Burnett,
and Hawks himself.) The movie is in fact so blunt (Howard Hughes,
the producer, always had a taste for scandalizing his audience)
that it had endless battles with censors, a few of which it lost,
yet its anarchic spirit shines through triumphantly in spite of
everything. (The only concession—a stupid dialogue scene among
Concerned Citizens—clearly belongs to a different picture.) Paul
Muni’s galvanic screen debut in the title role, Tony Camonte, a lout
with a distinct resemblance to Al Capone, plays him like an innocent
caveman, at once charming and terrifying. And the secondary cast—Ann
Dvorak, Karen Morley, Boris Karloff, George Raft (another memorable
debut, featuring his signature coin-flipping), Vince Burnett (as an
illiterate secretary who makes Tony Camonte seem like an
intellectual), Osgood Perkins (father of Anthony)—bristles with
uncommon, manic energy. Note: every time some gets bumped off in
this movie, which is pretty often, an X appears somewhere on the
screen, and the placements of these markers both ingenious and
unnerving.
Excerpt from Jonathan Rosenbaum's article "30 Great Movies on DVD" located HERE |
Posters
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Theatrical Release: March 31st,1932 - USA
Reviews More Reviews DVD Reviews
Comparison:
Universal (lone edition) - Region 1 - NTSC vs. Universal - 83' Deluxe Giftset - Region 1 - NTSC vs. Universal - Region 2,4,5 - PAL vs. Imprint - Region FREE - Blu-ray
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Box Cover |
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Coming to 4K UHD by Criterion in US and UK in November 2024: BONUS CAPTURES: |
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Distribution |
Universal Region 1 - NTSC |
Universal from Scarface (1983) Deluxe Gift Set Region 1 - NTSC |
Universal Region 2,4,5 - PAL |
Imprint - Spine #37 - Region FREE - Blu-ray |
Runtime | 1:33:30 | 1:33:30 | 1:29:42 | 1:29:42 |
Video |
1.33:1
Original Aspect Ratio Average Bitrate: 5.23 mb/s NTSC 720x480 29.97 f/s |
1.33:1
Original Aspect Ratio |
1.33:1
Original Aspect Ratio |
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 45,269,797,653 bytes Feature: 28,337,344,512 bytes Video Bitrate: 33.06 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate : Universal NTSC (lone) |
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Bitrate : Universal NTSC (in Boxset) |
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Bitrate: Universal PAL |
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Bitrate: Blu-ray |
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Audio | English (Dolby Digital 1.0 Mono) | English (Dolby Digital 1.0 Mono) | English (Dolby Digital 1.0),DUBs: French, German, Italian, Spanish (Dolby Digital 1.0) |
LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit Commentary: LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit |
Subtitles | English (Closed Captions), French, or none. | English (Closed Captions), French, Spanish or none. | English, French, German, Italian, Spanish, Danish, Dutch, Hungarian, Norwegian, Polish, None | English. none |
Features |
Release Information:
Edition
Details: • Alternate Ending DVD Release Date: May 22nd, 200 7Keep Case Chapters: 18 |
Release Information: • Alternate Ending • Trailers
DVD
Release Date: September 30, 2003 |
Release Information: Studio: Universal (Anniversary Edition)
Aspect
Ratio: Edition
Details:
DVD Release Date: December 26th, 2005 Chapters 18 |
Release Information: Studio: Imprint
1. 33:1 1080P Dual-layered Blu-rayDisc Size: 45,269,797,653 bytes Feature: 28,337,344,512 bytes Video Bitrate: 33.06 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Audio Commentary with film historian Drew Casper on Theatrical Version (2020)• Video interview with film critic Matthew Sweet (2020) 22:27 • Video Interview with screenwriter & film critic Tony Rayns (2020) 27:20 • Theatrical Trailer (2:53) • Original Theatrical Version of the film • Alternate Censored Version of the film • Introduction by TCM Classic Movies host and film historian Robert Osborne (2:22) • Alternate Ending (10:38) Limited Edition slipcase on the first 1500 copies
Transparent Blu-ray inside slipcase Chapters 12 |
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Comments |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
NOTE:
Imprint offer the option of both the original theatrical version of the film
and alternate censored version (approx 2-minutes longer) -
seamlessly-branched with the HD quality duplicated for both versions.
NOTE: We have added 60 more large
resolution Blu-ray captures
(in lossless PNG format) for DVDBeaver Patrons HERE
On their
Blu-ray,
Imprint use linear PCM mono tracks (24-bit) in the
original English language. It still suffers from its production age and limitations
but has more depth in the lossless. The DVD sound was always a bit
hollow. Dialogue was
audible if weaker in the high end but the Thompson submachine gunfire
packs a more surprising wallop. The score by Adolph Tandler is
augmented with St. Louis Blues played by Gus Arnheim and His
Orchestra as people dance in the club, Some of These Days danced
to by Ann Dvorak and Warner Richmond, Karen Morley and Paul Muni and
other couples , Wreck of the Old 97 sung by Ann Dvorak to George
Raft and, lastly, Gaetano Donizetti's, now chilling, Sextet from
'Lucia di Lammermoor' whistled by Muni's Tony before he kills
Costillo and Lovo. It all sounds very supportive in the
uncompressed transfer. Imprint offer optional English
subtitles on their Region 'A'
Blu-ray.
The Imprint Blu-ray offers a new commentary by Dr. Drew Casper. He did the commentary for the Blu-ray of Raoul Walsh's White Heat and is the author of Postwar Hollywood: 1946-1962. He's a delight to listen to discussing Howard Hawks and writer Ben Hecht extensively. His analysis and observations are explored wonderfully and he still provides a great, informative, commentary that builds appreciation in the film. There is also a new, 22-minute, video interview with film critic Matthew Sweet who talks about censorship, the figure of Al Capone and crime as a business "Gangster Capitalism". There is also a new interview, shy of 1/2 hour, with screenwriter and film critic Tony Rayns. He discusses Hawks, Howard Hughes, the director's adoration by French critics, Hawks' self aggrandizement - made up stories - Hecht, the unofficial censorship at the time, local restrictions, the eventual adoption of the Haynes Code and much more. Imprint repeat the 2-minute introduction by TCM Classic Movies host and film historian Robert Osborne, 10-minutes of the alternate ending and theatrical trailer. This has a limited edition slipcase on the first 1500 copies. What a pleasure to revisit this classic with a new revealing commentary, insightful interviews and in the richness of a 1080P transfer with uncompressed sound. 19032's Scarface has the rise and fall of 'Tony', courting Poppy, protectiveness of his sister Cesca (wonderfully played by hypnotic Ann Dvorak), coldly wiping out anyone who opposes him or that he deems as a threat; seeing young, but impacting George Raft, Boris Karloff and how the film ushered in a new era of Gangster/crime genre films, plus the harshness and lack of sentimentality... Hawks brilliance created a work we discusses 90-year later. This is a masterpiece and so great to finally have on Blu-ray. Thank you Imprint - this is strongly recommended! *** ADDITION: Universal - lone edition - May 07': It is different, but not discernibly. I suspect that the blacks and possibly brightness have been very slightly enhanced. Trouble is when that is done it sometimes brings out the damage marks a bit more prominently. Sometimes the artifacts are more visible than the other two. It includes the alternate ending and adds the perennial Robert Osborne introduction. I hoped for a lot more (commentary, supplements or how about just being dual-layered) but realistically I new this is what we would get. Still for the price it is a must-have if you don't own it already. *** One of the greatest crimes associated with Howard Hawks 1932 Scarface is that the only available DVD for region one locked viewers is in the super ostentatious 1983 (De Palma) Scarface Deluxe Giftset (compared HERE). Come one Universal! It truly is a crime to force Noir die-hards to spend $50 for something that multi-region users can get for about 1/5 of the price. If there is any difference between the NTSC and PAL editions it is very slight. Both are progressive, have rich black levels (possibly boosted) and some digital noise. Light scratches and infrequent damage marks are visible on both - in the same spots. The PAL edition is region coded to sell as extensively as possible with multiple subtitles and DUB options. Both have the alternate ending sequence and some trailers as an extra. The R2 is dual-layered where the NTSC is single-layered - perhaps for all the extra DUBs and subs - I'm not sure. If you are not yet capable of viewing all regions yet, and are a fan of this Hawks masterpiece we suggest buying a reasonable-priced player and buying the European edition rather than succumbing to the extravagant 83' Giftset packaging (truly ridiculous). Of course, once you open the region-free door you have really taken the blinders off and will undoubtedly purchase other great cinema previously unavailable to you. Bottom line: If you own the 83' version Deluxe Giftset there is no reason to buy the PAL, otherwise we suggest a great savings by purchasing one of the European editions (which basically are all the same to my knowledge). Calling Scarface (1932) a classic film is almost an understatement. |
DVD Menus
Universal (lone edition) - Region 1 - NTSC
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(Universal - 83' Deluxe Giftset - Region 1 - NTSC LEFT vs.
Universal - Region 2,4,5 - PAL RIGHT)
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Imprint - Region FREE - Blu-ray
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Subtitle Sample - Imprint - Region FREE - Blu-ray
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1) Universal (lone edition) - Region 1- NTSC TOP 2) Universal - 83' Deluxe Giftset - Region 1 - NTSC SECOND 3) Universal - Region 2,4,5 - PAL THIRD 4) Imprint - Region FREE - Blu-ray BOTTOM |
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1) Universal (lone edition) - Region 1- NTSC TOP 2) Universal - 83' Deluxe Giftset - Region 1 - NTSC SECOND 3) Universal - Region 2,4,5 - PAL THIRD 4) Imprint - Region FREE - Blu-ray BOTTOM |
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1) Universal (lone edition) - Region 1- NTSC TOP 2) Universal - 83' Deluxe Giftset - Region 1 - NTSC SECOND 3) Universal - Region 2,4,5 - PAL THIRD 4) Imprint - Region FREE - Blu-ray BOTTOM |
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1) Universal (lone edition) - Region 1- NTSC TOP 2) Universal - 83' Deluxe Giftset - Region 1 - NTSC SECOND 3) Universal - Region 2,4,5 - PAL THIRD 4) Imprint - Region FREE - Blu-ray BOTTOM |
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1) Universal (lone edition) - Region 1- NTSC TOP 2) Universal - 83' Deluxe Giftset - Region 1 - NTSC SECOND 3) Universal - Region 2,4,5 - PAL THIRD 4) Imprint - Region FREE - Blu-ray BOTTOM |
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1) Universal (lone edition) - Region 1- NTSC TOP 2) Universal - 83' Deluxe Giftset - Region 1 - NTSC SECOND 3) Universal - Region 2,4,5 - PAL THIRD 4) Imprint - Region FREE - Blu-ray BOTTOM |
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Report Card:
Image: |
Imprint - Spine #37 - Region FREE - Blu-ray |
Sound: |
Imprint - Spine #37 - Region FREE - Blu-ray |
Extras: | Imprint - Spine #37 - Region FREE - Blu-ray |
Coming to 4K
UHD by Criterion in US and UK in November
2024: BONUS CAPTURES:
Universal
Region 1 - NTSC
Universal from Scarface (1983) Deluxe Gift Set
Region 1 - NTSC
Universal
Region 2,4,5 - PAL Recommended Reading in
Film Noir (CLICK COVERS or TITLES for more information)
Somewhere
in the Night: Film Noir and the American City
by Nicholas
Christopher
Box Cover
Distribution
Imprint
- Spine #37 - Region FREE -
Blu-ray
Film Noir: An Encyclopedia Reference to
the American Style
by Alain Silver, Elizabeth Ward
Film Noir Reader 4 : The Crucial Films and
Themes (Film Noir Reader)
by Alain Silver
The Art of Noir: The Posters and Graphics
from the Classic Era of Film Noir
by Eddie Muller
Film Noir
by Alain Silver
Film Noir Guide: 745 Films of the Classic
Era, 1940-1959
by Michael F. Keaney
Detours and Lost Highways: A Map of
Neo-Noir
by Foster Hirsch