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directed by
Vincent Gallo
USA / Japan / France 2003
The
Brown Bunny is both a love story and a haunting portrait of a lost soul
unable to forget his past.
After finishing a motorcycle race in New Hampshire, Bud Clay (Vincent Gallo)
loads his racing bike into the back of his van and begins a cross-country
odyssey to Los Angeles where he is to compete in another race. During his trip,
he meets three very different women: Violet, a wholesome all-American gas
station attendant; Lilly (Cheryl Tiegs), a fellow lost soul he connects with at
a highway rest stop; and Rose, a Las Vegas prostitute.
Though he can never escape his intense feelings for the love of his life, Daisy
(Chloë Sevigny), he plans to reconcile with her when he reaches Los Angeles.
Along the way, he also makes a series of unusual stops.
Building to a notorious climax, the film presents one of the frankest portrayals
of male sexuality ever seen in American cinema...
****
Developing extensive divergent opinions, Vincent Gallo (Buffalo
66) is a cinematic force to be reckoned with. A serious film
student Gallo's directional focus is both refreshing and unique. Critic Roger
Ebert's remarks calling The Brown Bunny "... the worst film in the
history of the (Cannes) festival..." and Gallo's volatile response seem only
to fuel interest in him as if the flagrant oral sex sequence in The Brown
Bunny was not sensational enough. My opinion is that Gallo has an
incredible amount to offer and should 'hermit' himself against his philistine
retractors. The Brown Bunny will be discussed years from now as will
Gallo's future and past works. He not only has the gift of cinematic art but
has worked hard at it as well. He represents one of the many futures' of
modern film and The Brown Bunny is a rich, touching portrayal of
longing and desire.
out of
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Posters
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Theatrical Release: May 21st, 2003 - Cannes Film Festival
DVD Comparison:
Kinétique (Japanese) - Region 2 (Limited edition) - NTSC vs. Columbia Tri-Star (Sony Classics)
- Region 1,3 - NTSC vs. Movie Affairs - Region 2 - PAL(Kinétique (Japanese) - Region 2- NTSC LEFT vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - RIGHT)
| DVD Box Covers |
There is also a standard version with the commentary here: |
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| Distribution |
Kinétique (Japanese) Region 2 - NTSC |
Columbia Tri-Star (Sony Classics) Region 1, 3 - NTSC |
Movie Affairs - Region 2 - PAL |
| Runtime | 1:32:48 | 1:33:00 | 1:29:03 (4% PAL speedup) |
| Video |
1.66 :1 Original Aspect Ratio
16X9 enhanced |
1.66:1 Original Aspect Ratio
16X9 enhanced |
1.66:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Kinétique (Japanese)
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| Bitrate:
Fox
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| Bitrate:
Movie Affairs
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| Audio | English (Dolby Digital 5.1), | English (Dolby Digital 5.0), English (DTS) |
English (Dolby Digital 5.1) |
| Subtitles | Kinétique (Japanese), none | English, French, none | Dutch, None |
| Features |
Release Information: Studio: Kinétique (Japanese)
Aspect Ratio:
Edition Details: •
Movie poster (actual-size 27x41) of the film and T-Shirt (Medium)
featuring Gallo pushing a motorcycle. This set comes housed in a 16" X 11"
X 1.5" cardboard box Digipak Book style Chapters 16 |
Release Information: Studio: Columbia Tri-Star
Aspect Ratio:
Edition Details:
Chapters
28
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Release Information:
Edition Details: • Trailer |
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Comments |
ADDITION: Kinétique (Japanese) release - Region 2- NTSC. While also the uncut version this does have optical censoring in the oral sex sequence (see large capture below). Other than that image quality I about the same as the Sony - with the yellow tinge - its is stacked with extras and has the much-sought-after Gallo commentary.
****
I see other reviews claiming this is 'Super Bit" but I can only tell you that my box says nothing about that on it and I don't know of another way to identify that it is SB, unless it is those robotic menus with no extras (which this does not have). If it is Super Bit then... it is.
Image quality is negligibly different - nothing really to get upset over. Both are exhibiting the original aspect ratio of 1.66:1. The region 1 release looks a little more yellow but that is about all I can see except perhaps the region 1 shows some cropping on the top edge. The Sony has removable yellow English and French subtitles and the PAL edition optional white Dutch ones. Trailers are the extras on both - would love to hear a Gallo commentary one day.
You know, if you could get over the blow-job sequence of this film, many might be able to identify it as the modern masterpiece that it is. -Gary Tooze |
(Kinétique (Japanese) - Region 2- NTSC)
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DVD Menus
(Columbia Tri-Star (Sony Classics)
- Region 1 - NTSC - LEFT vs. Movie Affairs - Region 2 - PAL - RIGHT)
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Screen Capture
Subtitle Samples
(Kinétique (Japanese) - Region 2- NTSC TOP vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - BOTTOM)
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(Kinétique (Japanese) - Region 2- NTSC TOP vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - BOTTOM)
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(Kinétique (Japanese) - Region 2- NTSC TOP vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - BOTTOM)
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(Kinétique (Japanese) - Region 2- NTSC TOP vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - BOTTOM)
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(Kinétique (Japanese) - Region 2- NTSC TOP vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - BOTTOM)
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(Kinétique (Japanese) - Region 2- NTSC TOP vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - BOTTOM)
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(Kinétique (Japanese) - Region 2- NTSC TOP vs. Columbia Tri-Star (Sony Classics) - Region 1 - NTSC - MIDDLE vs. Movie Affairs - Region 2 - PAL - BOTTOM)
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Report Card:
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Image: |
tie |
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Sound: |
Columbia - Sony - NTSC |
| Extras: | Kinétique (Japanese) - Region 2- NTSC |
| Menu: | Columbia - Sony - NTSC |
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Gary Tooze 1775 Rowntree Court Mississauga, Ontario, L4W 4V3 CANADA |
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Many Thanks...