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S E A R C H    D V D B e a v e r

(aka "Hua zhong xian" or "Portrait of a Nymph" or "Picture of a Nymph")

 

Directed by Wu Ma
Hong Kong 1987

 

A hauntingly beautiful tale of love, art, and the supernatural, Picture of a Nymph (1988) stars Yuen Biao in one of his most tender and visually stunning roles. Set in ancient China, the story follows a gentle scholar whose chance encounter with a mysterious young woman leads to a love that transcends the boundaries of life and death. But when he unwittingly releases a vengeful demon from centuries of imprisonment, the spirit of his beloved becomes the demon’s only hope for regaining power.

To protect her, the scholar paints her likeness, allowing her to hide within the portrait — but his devotion soon draws the wrath of dark forces. Blending romance, fantasy, and dazzling martial arts spectacle, Picture of a Nymph is a visually rich masterpiece of Hong Kong cinema that captures the eternal struggle between passion, sacrifice, and destiny.

***

Picture of a Nymph (1988), directed by Wu Ma and produced by Sammo Hung, is a Hong Kong fantasy-romance that emerged as one of the most notable unofficial follow-ups to the blockbuster A Chinese Ghost Story (1987), borrowing its atmospheric blend of supernatural romance, Taoist exorcism, and martial arts spectacle. Starring Yuen Biao as Shih Erh, a spirited Taoist disciple raised by his master (Wu Ma), the film follows a hapless scholar (Lawrence Ng) who falls deeply in love with a beautiful, tragic female ghost named Mo Chiu (Joey Wang), who hides within a painted portrait to evade the clutches of a possessive Ghost King (Elizabeth Lee). While often viewed as a derivative "rip-off" of its predecessor—reusing similar ghostly lore, ethereal visuals, and even actress Joey Wong—the movie distinguishes itself through Yuen Biao's tender, action-oriented performance, lush period aesthetics, and creative twists like the portrait-hiding mechanism, ultimately delivering a charming, visually enchanting tale of forbidden love transcending life and death that captures the dreamy, melancholic essence of late-80s Hong Kong fantasy cinema.

Posters

Theatrical Release: December 19th, 1987

 

Review: 88 Films - Region FREE - Blu-ray

Box Cover

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Distribution 88 Films - Region FREE - Blu-ray
Runtime 1:37:58.747         
Video

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 30,559,264,021 bytes

Feature: 28,663,633,920 bytes

Video Bitrate: 34.00 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate Blu-ray:

Audio

LPCM Audio Cantonese 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
Commentaries:

Dolby Digital Audio English 448 kbps 2.0 / 48 kHz / 448 kbps / DN -31dB

Subtitles English, None
Features Release Information:
Studio:
88 Films

 

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 30,559,264,021 bytes

Feature: 28,663,633,920 bytes

Video Bitrate: 34.00 Mbps

Codec: MPEG-4 AVC Video

 

Edition Details:

• Audio commentary by HK cinema expert Frank Djeng
• Audio commentary by HK cinema expert David West
• Image Gallery (1:32)
• Original Trailer (3:36)
Reversible sleeve featuring new art by Sean Longmore and original Hong Kong artwork


Blu-ray Release Date: February 23rd, 2026

Transparent Blu-ray Case

Chapters 11

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: 88 Films Blu-ray (February 2026): 88 Films have transferred Wu Ma's Picture of a Nymph to Blu-ray. This is presented in a new 2K restoration from the original camera negative, delivering a high-definition 1080P transfer that significantly elevates the late-80s Hong Kong fantasy's visual splendor. The restoration brings out vibrant colors in the misty blues and ethereal greens of the supernatural sequences, sharp details in flowing silk costumes, intricate period set designs, and the grotesque textures of puppetry monsters and special effects, while maintaining natural film grain that preserves the era's cinematic texture without excessive digital scrubbing. Previous home video versions suffered from softer, murkier presentations, but this disc showcases the efficient cinematography of Raymond Lam (Magic Cop) with impressive clarity in wire-fu action, candlelit interiors, and dreamy forest atmospheres - making the film's enchanting, boundary-blurring visuals pop in a way that feels fresh and faithful to its dreamy, high-energy aesthetic. Visually, the film excels in dreamy period aesthetics: lush cinematography captures misty forests, candlelit interiors, and balletic wirework sequences that blend wuxia elegance with Raimi-esque chaotic horror-fantasy energy. The special effects, though dated by modern standards, remain imaginative - grotesque transformations, possession gags, and explosive Taoist battles feel deliriously creative rather than rote. The dual-layered transfer is strong with a very max'ed out bitrate.

NOTE: We have added 60 more large resolution Blu-ray captures (in lossless PNG format) for DVDBeaver Patrons HERE

On their Blu-ray, 88 Films use a linear PCM dual-mono in the original Cantonese language. It highlights the film's playful yet atmospheric sound design, including eerie ghostly whispers, explosive magical bursts, whimsical effects during comedic interludes, and the energetic scoring that punctuates Yuen Biao's acrobatics. The legendary Cantopop theme "Like a Dream, Like an Illusion" by Anita Mui shines through with clear, emotive delivery, while Wu Ma's quirky rapping Taoist incantations and ambient winds retain punch without distortion. The score is credited to James Wong (Robotrix, Once Upon a Time in China, A Chinese Ghost Story, Peking Opera Blues) The mono presentation suits the era's production style perfectly, offering solid dynamic range for the chaotic supernatural mayhem and tender moments alike. 88 Films offer optional English subtitles on their Region FREE Blu-ray.

The 88 Films Blu-ray extras content Extras are solid and fan-focused, headlined by two insightful audio commentaries from HK cinema experts: Frank Djeng (NY Asian Film Festival) brings contextual depth on the post-A Chinese Ghost Story boom and production trivia, while David West offers detailed analysis of the genre tropes, performances, and visual influences. An image gallery compiles stills and promo art, and the original trailer teases the film's blend of romance and action. Included is a double-sided art card and 40-page booklet with essays by Paul Bramhall ('More Ghost and Gremlins, Less Golden Harvest') and Fraser Elliott ('Ghost, Scholars and Spirits; The Legacy Behind Picture of a Nymph') and color photos. The reversible sleeve (see below) boasts striking new artwork by Sean Longmore alongside classic Hong Kong poster art.

Picture of a Nymph directed and co-written by Wu Ma and produced by Sammo Hung under Golden Harvest, stands as one of the most prominent and creatively ambitious entries in the wave of Hong Kong supernatural romances that flooded theaters after the massive success of Tsui Hark's A Chinese Ghost Story (1987). While undeniably a close stylistic and thematic derivative - reprising Joey Wong as the ethereal, tragic female ghost, Wu Ma as the rapping, exorcism-performing Taoist master, blue-tinted dry-ice atmospheres, flowing silk costumes, wire-fu grace, grotesque puppetry monsters, and doomed human-ghost love - it carves out its own identity through several inventive choices and a slightly gentler, more family-oriented tone compared to its predecessor's intense melancholy. A standout narrative innovation is Mo Chiu's ability to hide inside an ink portrait painted by the scholar to evade the possessive, sensually malevolent female Ghost King (Elizabeth Lee - Web of Deception - delivering a juicy, vampiric performance that hints at unspoken queer undertones in her abduction of brides-to-be). This "painting as sanctuary" conceit adds a meta layer about art, idealization, and the blurring of reality and fantasy, turning the scholar's devotion into both salvation and peril as boundaries between canvas and corporeal world erode. Joey Wang (City Hunter, Green Snake, A Chinese Ghost Story,) on something of auto-pilot yet still mesmerizing with her sad, watery eyes and headscarf looks, embodies the archetypal tragic beauty, while Yuen Biao (Knockabout, The Prodigal Son, Righting Wrongs, Dreadnaught) brings surprising tenderness to what could have been a stock action role. Ultimately, Picture of a Nymph succeeds not by surpassing its inspiration but by remixing familiar ingredients into an affectionate, action-infused love letter to the genre. 88 Films' Blu-ray release is a highly recommended upgrade for admirers of Hong Kong fantasy cinema, transforming Picture of a Nymph from a fuzzy cult curiosity into a visually breathtaking showcase of its whimsical charms and inventive supernatural spectacle. The 2K restoration alone justifies the purchase for those who appreciate the genre's dreamy aesthetics, with reliable audio, worthwhile commentaries, and attractive packaging making this a strong entry in 88 Films' catalog - especially as one of the best-preserved looks at this affectionate A Chinese Ghost Story riff, now looking and sounding better than ever on Blu-ray.

Gary Tooze

 


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Distribution 88 Films - Region FREE - Blu-ray


 


 

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