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(aka "Confidence")
directed by Istvan Szabo
Hungary 1980
During the 1944 Nazi occupation of Hungary, a young woman (Ildikó Bánsági, MEETING VENUS) learns abruptly that her husband (Lajos Balázsovits, REQUIEM) is part of a underground revolutionary group and has had to go into hiding. She is told that she too must go underground and is given a new identity as Kata, wife of the similarly pseudonymous Janos Biro (Péter Andorai, DELIVER US FROM EVIL) with who she must share a rented room in the house of an old couple (Oszkárné Gombik and Károly Csáki) sympathetic to their plight. Extremely wary of the possibility of exposure and distrustful of everyone, Janos bullies her into secrecy and insists that they withhold personal information even from each other. Janos is also extremely suspicious of Kata, and she grows increasingly resentful of the elaborate tests he devises to gauge her trustworthiness; although she too grows fearful and paranoid in her encounters with others. Isolated together mostly in the confines of their single room, Kata and Janos are drawn into a love affair built partly upon confessions about their real lives and shared escapist fantasies. Their happiness is short-lived, however, as the increasing Nazi presence and contacts with their spouses create more distrust and jealousy.
The seventh feature film of Istvan Szabo, the mesmerizing CONFIDENCE preceded the director's ascension to international fame with the Academy Award-winning MEPHISTO (1981), the first of three collaborations with actor Klaus Maria Brandauer. The exteriors are stuffed with extras and period detail in a manner that does not suggest the greater focus on the claustrophobic rented room setting was a purely budgetary choice. Szabo's regular cinematographer Lajos Koltai - Academy Award nominee for MALENA - bathes most of the exteriors and interiors in oppressive blue tones with the occasional hellish reds and more saturated blue gels, while lighting the main characters in increasingly warmer tones (from lamplight, candlelight, and daylight streaming throw windows) as they achieve both physical and emotional intimacy (when they are alone, however, Koltai once again lights them in colder tones). Bánsági and Andorai are riveting presences who have continued to make appearances in Szabo's subsequent higher-profile work. The narrative gives us nothing objective of the characters' pasts beyond what they reveal to one another; this is particularly interesting in Janos' case since his distrust stems from being betrayed to the Nazis by lover (although the flashbacks suggest his paranoia may have set him running without any external confirmation). The intimate nature of this chamber piece alludes to the greater power of political and social oppression and persecution to erode our ability to connect with one another, to experience and face adversity together, and to cement individuals into rigid roles through anxiety and fear about their ability to survive and function. Eric Cotenas |
Posters
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Theatrical Release: January 10th, 1980 (Hungary)
Reviews More Reviews DVD Reviews
Comparison:
Second Run - Region 0 - PAL vs. Kino - Region 'A' - Blu-ray
Big thanks to Eric Cotenas for the PAL Captures and the Review!
Box Cover |
Bonus Captures: |
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Distribution | Second Run - Region 0 - PAL | Kino - Region 'A' - Blu-ray |
Runtime | 1:41:09 (4% PAL speedup) | 1:46:41.019 |
Video |
1.76:1 Original Aspect Ratio
16X9 enhanced |
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 34,280,497,016 bytesFeature: 31,062,380,544 bytes Video Bitrate: 34.99 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate: |
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Bitrate Blu-ray: |
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Audio | Hungarian Dolby Digital 2.0 stereo |
DTS-HD Master Audio Hungarian 1846 kbps 2.0 / 48 kHz / 1846 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) |
Subtitles | English, None | English, None |
Features |
Release Information: Studio: Second Run DVD Aspect Ratio:
Edition Details: Chapters 12 |
Release Information: Studio: Kino
1.85 :1 1080P Dual-layered Blu-rayDisc Size: 34,280,497,016 bytesFeature: 31,062,380,544 bytes Video Bitrate: 34.99 MbpsCodec: MPEG-4 AVC Video
Edition Details:
• The Central Europe of István Szabó (3:11)
Standard Blu-ray Case Chapters 11 |
Comments: |
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
NOTE: We have added 48 more large
resolution Blu-ray captures
(in lossless PNG format) for DVDBeaver Patrons HERE
On their
Blu-ray,
Kino use a DTS-HD Master dual-mono track (24-bit) in the original
Hungarian language. There is no credited score but there are plenty of
vérité pauses with breathing, shoes clicking on cement etc.. Dialogue is
clean and clear without sync issues. Kino offer optional English
subtitles on their Region 'A'
Blu-ray.
The Kino
Blu-ray
only has a brief montage of the director's films entitled "The
Central Europe of István Szabó" and Remembrance of production
designer József Romvári, directed by Sophy Romvari his
granddaughter. József Romvári was a prolific production designer in
Hungary. He created set designs for over 140 films in his career from
the 1960s to the early 2000s.
There is also a re-release trailer for the three films,
Mephisto,
Colonel
Redl
and
Confidence,
and the package has a 16-page booklet with photos and an introduction by István Szabó
and essay by film critic Bilge Ebiri on
Confidence.
Confidence
is another masterpiece from István Szabó. Wow. It mashes together, fear,
paranoia, eroticism and stark politicization. It's actually a beautiful
film of shadows, close-ups and emotions. It's something to really
celebrate to have these 4K-restored films reach Blu-ray.
Thanks to Kino for bringing these out. A strong recommendation!
ON THE DVD: Second Run's
dual-layered, progressive, anamorphic transfer is derived from a
2011 Hungarian restoration. The video is virtually spotless
apart from the reel changes and a few white specs around these
points. The back cover states that the Dolby Digital 2.0 audio
is "Original stereo (restored)" but IMDb states mono. If it is a
stereo mix, it's not active enough to be noticeable (there is no
separation in the rare score passages or the phonograph music
and the explosion sound effects heard late in the film are more
loud than directional). The optional English subtitles are error
free, but occasionally fail to fully translate overlapping
dialogue (usually combinations of spoken dialogue and
voice-over); however, they get the job done. The only video
extra is a twenty-minute English-language interview with the
director shot for Turner Classic Movies' "Off Set" series. He
discusses how he wanted to be a doctor, his experiences in the
theatre in college, and his fascination with "how love turns
into jealousy in movement" in front of the camera. He bypasses
most of his early films in favor of speaking about his
collaboration with actor Klaus Maria Brandauer starting with
MEPHISTO (probably Szabo's best-known film stateside),
MEETING VENUS (with Glenn Close), BEING JULIA (with
Annette Benning), and SUNSHINE (with Ralph Fiennes), and
his appreciation of the professionalism and collaborative
attitudes of the actors with which he has worked. The interview
concludes with Szabo name-checking some other Hungarian
personalities in Hollywood's past (specifically director
Michael Curtiz). Catherine Portuges contributes a sixteen-page
liner notes essay on the feature.
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Second Run - Region 0 - PAL
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Kino - Region 'A' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
1) Second Run - Region 0 - PAL TOP2) Kino - Region 'A' - Blu-ray BOTTOM |
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1) Second Run - Region 0 - PAL TOP2) Kino - Region 'A' - Blu-ray BOTTOM |
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1) Second Run - Region 0 - PAL TOP2) Kino - Region 'A' - Blu-ray BOTTOM |
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1) Second Run - Region 0 - PAL TOP2) Kino - Region 'A' - Blu-ray BOTTOM |
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Box Cover |
Bonus Captures: |
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Distribution | Second Run - Region 0 - PAL | Kino - Region 'A' - Blu-ray |
Search DVDBeaver |
S E A R C H D V D B e a v e r |